Читать книгу Tobacco; Its History, Varieties, Culture, Manufacture and Commerce - E. R. Billings - Страница 18

The discovery of the tobacco plant in America by European voyagers aroused their cupidity no less than their curiosity. They saw in its use by the Indians a custom which, if engrafted upon the civilization of the Old World, would prove a source of revenue commensurate with their wildest visions of power and wealth. This was particularly the case with the Spanish and Portuguese conquerors, whose thirst for gold was gratified by its discovery. The finding by the Spaniards of gold, silver, and the balmy plant, and by the Portuguese of valuable and glittering gems, opened up to Spain and Portugal three great sources of wealth and power. But while the Spaniards were the first discoverers of the plant there seems to be conflicting opinions as to which nation first began its culture, and whether the plant was cultivated first in the Old World or in the New. Humboldt says:—

"It was neither from Virginia nor from South America, but from the Mexican province of Yucatan that Europe received the first tobacco seeds about the year 1559.[20] The Spaniards became acquainted with tobacco in the West India Islands at the end of the 15th Century, and the cultivation of Tobacco preceded the cultivation of the potato in Europe more than one hundred and twenty years. When Sir Walter Raleigh brought tobacco from Virginia to England in 1586, whole fields of it were already cultivated in Portugal.[21] It was also previously known in France."

Another author says of its introduction into Europe:—

"The seeds of the tobacco plant were first brought to Europe by Gonzalo Hernandez de Oviedo, who introduced it into Spain, where it was first cultivated as an ornamental plant, till Monardes[22] extolled it as possessed of medicinal virtues."[23]

Murray says of the first cultivation of tobacco and potatoes in the Old World:—

"Amidst the numerous remarkable productions ushered into the Old Continent from the New World, there are two which stand pre-eminently conspicuous from their general adoption. Unlike in their nature, both have been received as extensive blessings—the one by its nutritive powers tends to support, the other by its narcotic virtues to soothe and comfort the human frame—the potato and tobacco; but very different was the favor with which these plants were viewed. The one long rejected, by the slow operation of time, and, perhaps, of necessity, was at length cherished, and has become the support of millions, but nearly one hundred and twenty years passed away before even a trial of its merits was attempted; whereas, the tobacco from Yucatan, in less than seventy years after the discovery, appears to have been extensively cultivated in Portugal, and is, perhaps, the most generally adopted superfluous vegetable product known; for sugar and opium are not in such common use. The potato by the starch satisfies the hunger; the tobacco by its morphia calms its turbulence of the mind. The former becomes a necessity required, the latter a gratification sought for."

It would appear then that the year 1559 was about the period of the introduction of tobacco into Europe. Phillip II. of Spain sent Oviedo to visit Mexico and note its productions and resources; returning he presented "His Most Catholic Majesty" with the seeds of the plant. In the following year it was introduced into France and Italy. It was first brought to France by Jean Nicot of Nismes in Languedoc, who was sent as ambassador to Sebastian, King of Portugal, and who obtained while at Lisbon some tobacco seed from a Dutch merchant who had brought it from Florida.[24] Nicot returned to France in 1561, and presented the Queen, Catherine de Medicis, with a few leaves of the plant.[25]

As the history of Nicot is so intimately connected with that of the plant, a short sketch of this original importer will doubtless be interesting to all lovers of the weed:—

"John Nicot, Sieur de Villemain, was born at Nismes in 1530, and died at Paris in 1600. He was the son of a notary at Nismes, and started in life with a good education, but with no fortune. Finding that his native town offered no suitable or sufficient field for his energies, he went to Paris and strove hard to extend his studies as a scholar and his connections as an adventurer. He made the acquaintance of some courtiers, who felt or affected an interest in learning and in learned men. His manners were insinuating; his character was pliable. When presented at court he succeeded in gaining the esteem and confidence of Henry II., the husband of Catherine de Medicis. Francis II., the son of Henry II., and the first husband of Mary Stuart, continued to Nicot the favor of which Henry II. had deemed him worthy, and sent him in 1560 as ambassador to Sebastian, King of Portugal. He was successful in his mission. But it was neither his talents as a diplomatist, nor his remarkable mind, nor his solid erudition, which made Nicot immortal. It was by popularizing tobacco in France that he gained a lasting fame.

"It is said that it was at Lisbon that Nicot became acquainted with the extraordinary properties of tobacco. But it is likewise stated with quite as much confidence, that a Flemish merchant, who had just returned from America, offered Nicot at Bordeaux, where they met, some seeds of the tobacco, telling him of their value. The seeds Nicot sent to Catherine de Medicis, and on arriving in Paris he gave her some leaves of tobacco. Hence, when tobacco began to creep into use in France it was called Queen's Herb or Medicean Herb.[26] The cultivation of tobacco, except as a fancy plant, did not begin in France till 1626; and John Nicot could have had no presentiment of the agricultural, commercial, financial and social importance which tobacco was ultimately to assume. Nicot published two works. The first was an edition of the History of France or of the Franks, in Latin, written by a Monk called Aimonious, who lived in the tenth century. The second was a 'Treasury of the French Language, Ancient and Modern.'"

Stevens and Liebault in the "Country Farm"[27] give the following account of its early introduction into France and the wonderful cures produced by its use:

"Nicotiana though it have (has) beene but a while knowne in France yet it holdeth the first and principall place amongst Physicke herbs, by reason of his singular and almost diuine (divine) vertues, such as you shall heare of hereafter, whereof (because none either of the old or new writers that have written of the nature of plants, have said anything), I am willing to lay open the whole history, as I have come by it through a deere friend of mine, the first author, inventor, and bringer of this herb into France: as also of many both Spaniards, Portugals, and others which have travelled into Florida, a country of the Indians, from whence this herbe came, to put the same in writing to relieve such griefe and travell, as have heard of this herbe, but neither know it nor the properties thereof. This herbe is called Nicotiana of the name of an ambassador which brought the first knowledge of it into this realme, in like manner as many plants do as yet retaine the names of certaine Greekes and Romans, who being strangers in divers countries, for their common-wealth's service, have from thence indowed their own countree with many plants, whereof there was no knowledge before. Some call it the herbe of Queen mother, because the said ambassador Lord Nicot did first send the same unto the Queen mother,[28] (as you shall understand by and by) and for being afterwards by her given to divers others to plant and make to grow in this country. Others call it by the name of the herbe of the great Prior, because the said Lord a while after sailing into these western seas, and happening to lodge neere unto the said Lord ambassador of Lisbone, gathered divers plants thereof out of his garden, and set them to increase here in France, and there in greater quantitie, and with more care than any other besides him, he did so highly esteeme thereof for the exceeding good qualities sake.

"The Spaniards call it Tobaco, it were better to call it Nicotiana, after the name of the Lord who first sent it into France, to the end that we may give him the honor which he hath deserved of us, for having furnished our land with so rare and singular an herbe: and thus much for the name, now listen unto the whole historie: Master John Nicot, one of the king's counsell, being ambassador for his Maiestie (Majesty) in the realme of Portiugall, in the yeere of our Lord God, 1559. 60. and 61. went on a day to see the monuments and northie places of the said king of Portiugall: at which time a gentleman keeper of the said monuments presented him with this herbe as a strange plant brought from Florida. The nobleman Sir Nicot having procured it to growe in his garden, where it had put forth and multiplied very greatly, was aduertifed (notified) on a daie by one of his pages, that a yoong boie kinsman of the said page, had laide (for triall sake) the said herbe, pressed, the substance and juice and altogether, upon an ulcer which he had upon his cheeke, neere unto his nose, next neighbor to a Noli me tangere, (a cancer) as having already seazed upon the cartilages, and that by the use thereof it was become marvellous well: upon this occasion the nobleman Nicot called the boie to him, and making him to continue the applying of this herbe for eight or ten days, the Noli me tangere became thoroughly kild: nowe they had sent oftetimes unto one of the king's most famous phisitions, the said boie during the time of this worke and operation to make and see the proceeding and working of the said Nicotiana, and having in charge to do the same until the end of ten days, the said phisition then beholding him, assured him that the Noli me tangere was dead, as indeed the boie never felt anything of it at any time afterward.

"Some certain time after, one of the cooks of the said ambassador having almost all his thombe (thumb) cut off from his hand, with a great kitchin knife, the steward running unto the said Nicotiana, made to him use of it five or six dressings, by the ende of which the wounde was healed. From this time forward this herbe began to become famous in Lisbon, where the king of Portiugal's court was at that time, and the vertues thereof much spoken of, and the common people began to call it the ambassador's herbe. Now upon this occasion there came certain days after, a gentleman from the fields being father unto one of the pages of the said Lord ambassador, who was troubled with an ulcer in his legge of two years continuance, and craved of the said Lord some of his herbe, and using it in manner afore mentioned, he was healed by the end of ten or twelve daies. After this yet the herbe grewe still in greater reputation, inasmuch as that many hasted out of all corners to get some of this herbe. And among the rest, there was one woman which had a great ring worme, covering all her face like a mask, and having taken deepe roote, to whom the said Lord caused this Petum to be given, and withall the manner of using it to be told her, and at the end of eight or ten daies, this woman being thoroughly cured, came to shewe herself unto the said Lord, and how that she was cured. There came likewise a captain bringing with him his son diseased with the king's evill, unto the said Lord Ambassador, for to send him into France, upon whom there was some triall made of the said herbe, whereupon within four daies he began to show great signs and tokens of healing, and in the end was thoroughly cured of his king's evil."

Italy received the first plant from Santa Croce,[29] who, like Nicot, obtained the seed in Lisbon. In 1575 first appeared a figure of the plant in Andre Theret's "Cosmographie," which was but an imperfect representation of the plant. It was supposed by many on its discovery to grow like the engraving given—in form resembling a tree or shrub rather than an herb. Tobacco was first brought to England by Sir John Hawkins, who obtained the plant in Florida in 1565, and afterwards by Sir Francis Drake.[30] The first planters of it in England were said to be Captain Grenfield and Sir Francis Drake. One account of its introduction into England is as follows:

"The plant was first used by Sir Walter Raleigh and others, who had acquired a taste for it in Virginia.[31] Among the natives the usual mode employed in smoking the plant was by means of hollow canes, and pipes made of wood and decorated with copper and green stones. To deprive it of its acidity, some of the natives were wont to pass the smoke through bulbs containing water, in which aromatic and medicinal herbs had been infused."

Old Engraving of Tobacco.

Neander ascribes this invention to the Persians; but Magnenus rather attributes it to the Dutch and English, to the latter of whom attaches the credit of having invented the clay pipes of modern times. Some writers have concluded that the plant served as a narcotic in some parts of Asia. Liebault thinks it was known in Europe[32] many years before the discovery of the New World, and asserts that the plant had been found in the Ardennes. Magnenus, however, claims its origin as transatlantic and affirms as his belief that the winds had doubtless carried the seeds from one continent to the other. Pallos says that among the Chinese, and among the Mongol tribes who had the most intercourse with them, the custom of smoking is so general, so frequent, and has become so indispensable a luxury; the tobacco purse affixed to their belt so necessary an article of dress; the form of the pipes, from which the Dutch seem to have taken the model of theirs, so original; and, finally, the preparation of the leaves so peculiar, that they could not possibly derive all this from America by way of Europe, especially as India, where the practice of smoking is not so general, intervenes between Persia and China. Meyen also states that the consumption of tobacco in the Chinese empire is of immense extent, and the practice seems to be of great antiquity, "for on very old sculptures I have observed the very same tobacco pipes which are still used." Besides, we now know that the plant which furnishes the Chinese tobacco is even said to grow wild in the East Indies.

"Tobacco," says Loudon, "was introduced into the county of Cork, with the potatoe, by Sir Walter Raleigh." A quaint writer of this period says of the plant: "Tobacco, that excellent plant, the use whereof (as of fifth element) the world cannot want, is that little shop of Nature, wherein her whole workmanship is abridged; where you may see earth kindled into fire, the fire breathe out an exhalation, which entering in at the mouth walks through the regions of a man's brain, drives out all ill vapors but itself, draws down all bad humors by the mouth, which in time might breed a scab over the whole body, if already they have not; a plant of singular use; for, on the one side Nature being an enemy to vacuity and emptiness and on the other, there being so many empty brains in the world as there are, how shall Nature's course be continued? How shall those empty brains be filled but with air, Nature's immediate instrument to that purpose? If with air, what so proper as your fume; what fume so healthful as your perfume, what perfume so sovereign as tobacco. Besides the excellent edge it gives a man's wit, as they but judge that have been present at a feast of tobacco, where commonly all good wits are consoled; what variety of discourse it begets, what sparks of wit it yields?"[33]

The name of Sir Walter is intimately connected with the history of tobacco, and is associated with many of the brilliant exploits and explorations during the reign of the illustrious Elizabeth.[34] His name has come down to us as being that of the first smoker of tobacco in England,[35] and many amusing anecdotes are told of him and the new custom which he introduced and sanctioned. Dixon has given us the following vivid picture of the great Elizabethan navigator:

"In a pleasant room of Durham House, in the Strand—a room overhanging a lovely garden, with the river, the old bridge, the towers of Lambeth Palace, and the flags of Paris Garden and the Globe in view—three men may have often met and smoked a pipe in the days of Good Queen Bess, who are dear to all readers of English blood; because, in the first place, they were the highest types of our race in genius and in daring; in the second place because the work of their hands has shaped the whole after-life of their countrymen in every sphere of enterprise and thought. That splendid Durham House, in which the nine-days queen had been married to Guilford Dudley, and which had afterwards been the town-house of Elizabeth, belonged to Sir Walter Raleigh, by whom it was held on leave from the queen. Raleigh, a friend of William Shakespeare and the players, was also a friend of Francis Bacon and the philosophers. Raleigh is said to have founded the Mermaid Club; and it is certain that he numbered friends among the poets and players. The proofs of his having known Shakespeare, though indirect, are strong. Of his long intercourse with Bacon every one is aware. Thus it requires no effort of the fancy to picture these three men as lounging in a window of Durham House, puffing the new Indian weed from silver bowls, discussing the highest themes in poetry and science, while gazing on the flower-beds and the river, the darting barges of dames and cavalier, and the distant pavilions of Paris Garden and the Globe."

Its use by so distinguished a person as Raleigh was equivalent to its general introduction.[36] Aubrey says:

"He was the first that brought tobacco into England, and into fashion. In our part—Malmsbury Hundred—it came first into fashion by Sir Walter Long. They had first silver pipes. The ordinary sort made use of a walnut shell and a strawe. I have heard my grandfather Lyte say that one pipe was handed from man to man round the table. Sir Walter Raleigh standing in a stand at Sir Ro. Poyntz parke at Acton tooke a pipe of tobacco, which made the ladies quitte it till he had donne."

Sir Walter Raleigh.

A writer has truthfully said in regard to associating the name and use of the plant with the primitive users of it.

"The ambitious sought fame by associating themselves with the introduction of the plant and its cultivation; hence we find it named after cardinals, legates, and embassadors, while in compliment to Catherine, wife of Henry the Second, it was called the Queen's herb."

Kings now rushed into the tobacco trade. Those of Spain took the lead, and became the largest manufacturers of snuff and cigars in Christendom, and the royal workshops of Seville are still the most extensive in Europe. Other monarchs monopolized the business in their dominions, and all began to reap enormous profits from it, as most do at this day. In the year 1615 tobacco was first planted in Holland; and in Switzerland in 1686. As soon as its cultivation became general in Spain and Portugal the tobacco trade was "farmed out," bringing an enormous revenue to those kingdoms. About the beginning of the Seventeenth Century the Portuguese introduced into Hindostan and Persia[37] two things, pine-apples and tobacco. To the pine-apples no objection seems to have been made; but to the tobacco the most strenuous resistance was offered by the sovereigns of the two countries. Spite, however, of punishments and prohibitions the use of tobacco spread with the rapidity of lightning.

English Gallants.

In England, tobacco taking soon became a favorite custom not only with the loiterers about taverns and other public places, but among the courtiers of Elizabeth. Smoking was called drinking tobacco, as the fashionable method was to "put it through the nose" or exhale it through the nostrils. At this period tobacco seemed to have nearly the same effect as it did upon the Indian, producing a sort of intoxication; thus in "The Perfuming of Tobacco" (1611) it is said:

"The smoke of tobacco drunke or drawen by a pipe, filleth the membranes of the braine, and astonisheth and filleth many persons with such joy and pleasure, and sweet losse of senses, that they can by no means be without it."

The term "drinking tobacco" was not confined to England, but was used in Holland, France, Spain and Portugal, as the same method of blowing the smoke through the nostrils, seemed to be everywhere in vogue.

The use of tobacco increased very rapidly soon after its importation from Virginia. The Spaniards and Portuguese had hitherto monopolized the trade, so that it brought enormous prices, some kinds selling for its weight in silver. As soon as its culture commenced in Virginia the demand for West India tobacco lessened and Virginia leaf soon came into favor, owing not more to the lowering of price than to the quality of the leaf.[38] This was about 1620, which some writers have called the golden age of tobacco. It had now become a prime favorite and was used by nearly all classes. Poets and dramatists sung its praises, while others wrote of its wonderful medicinal qualities.[39] Fops and knaves alike indulged in its use.

"About the latter end of the sixteenth century, tobacco was in great vogue in London, with wits and 'gallants,' as the dandies of that age were called. To wear a pair of velvet breeches, with panes or slashes of silk, an enormous starched ruff, a gilt handled sword, and a Spanish dagger; to play at cards or dice in the chambers of the groom-porter, and smoke tobacco in the tilt-yard or at the play-house, were then the grand characteristics of a man of fashion. Tobacconists' shops were then common; and as the article, which appears to have been sold at a high price, was indispensable to the gay 'man about town,' he generally endeavored to keep his credit good with his tobacco-merchant. Poets and pamphleteers laughed at the custom, though generally they seem to have no particular aversion to an occasional treat to a sober pipe and a poute of sack. Your men of war, who had served in the Low Countries, and who taught young gallants the noble art of fencing, were particularly fond of tobacco; and your gentlemen adventurers, who had served in a buccaneering expedition against the Spaniards, were no less partial to it. Sailors—from the captain to the ship-boy—all affected to smoke, as if the practice was necessary to their character; and to 'take tobacco' and wear a silver whistle, like a modern boatswain's mate, was the pride of a man-of-war's man.

"Ben Jonson, of all our early dramatic writers, most frequently alludes to the practice of smoking. In his play of 'Every Man in his Humour,' first acted in 1598, Captain Bobadil thus extols in his own peculiar vein the virtues of tobacco; while Cob, the water carrier, with about equal truth, relates some startling instances of its pernicious effects.

"'Bobadil. Body o' me, here's the remainder of seven pound since yesterday was seven-night! 'Tis your right Trinadado! Did you never take any, Master Stephen?

"'Stephen. No, truly, Sir; but I'll learn to take it since you commend it so.

"'Bobadil. Sir, believe me upon my relation—for what I tell you the world shall not reprove. I have been in the Indies where this herb grows, where neither myself, nor a dozen gentlemen more of my knowledge, have received the taste of any other nutriment in the world, for the space of one and twenty weeks, but the fume of this simple only. Therefore, it cannot be but 'tis most divine. Further, take it, in the true kind, so, it makes an antidote, that had you taken the most deadly poisonous plant in all Italy, it should expel it and clarify you with as much ease as I speak. And for your greenwound, your balsamum, and your St. John's-wort, are all mere gulleries and trash to it, especially your Trinidado: your Nicotian is good too. I could say what I know of it for the expulsion of rheums, raw humours, crudities, obstructions, with a thousand of this kind, but I profess myself no quack-salver: only thus much, by Hercules; I do hold it, and will affirm it before any prince in Europe, to be the most sovereign and precious weed that ever the earth tendered to the use of man.'

Cob. "'By gad's me, I mar'l what pleasure or felicity they have in taking this roguish tobacco! It's good for nothing but to choke a man and fill him full of smoke and embers. There were four died out of one house last week with taking of it, and two more the bell went for yesternight; one of them, they say, will ne'er 'scape it: he voided a bushel of soot yesterday, upward and downward. By the stocks! an' there were no wiser men than I, I'd have it present whipping, man or woman that should but deal with a tobacco-pipe; why, it will stifle them all in the end, as many as use it; it's little better than rats-bane or rosaker.'"[40]

From the first announcement that English navigators had discovered tobacco in Virginia, until the London and Plymouth companies sailed for the New World, the deepest interest was taken in the voyagers. Drayton, the poet, wrote of "The Virginian Voyage," while Chapman and other dramatists wrote plays in which allusions were made to Virginia. In the "Mask of Flowers," performed at White Hall upon Twelfth Night, 1613–14, one of the characters challenges another, and asserts that wine is more worthy than tobacco. The costumes were exceedingly grotesque and suggestive of the New rather than of the Old World. Kawosha one of the principal characters rode in, wearing on his head a cap of red-cloth of gold, from his ears were pendants, a glass chain was about his neck, his body and legs were covered with olive-colored stuff, in his hands were a bow and arrows, and the bases of tobacco—colored stuff cut like tobacco leaves. The play abounds with allusions to the "Indian weed."

"Silenus.—Kawosha comes in majestie,

Was never such a God as he;

He's come from a far countrie

To make our nose a chimney.

Kawosha.—The wine takes the contrary way

To get into the hood;

But good tobacco makes no stay

But seizeth where it should.

More incense hath burned at

Great Kawoshae's foote

Than to Silen and Bacchus, both,

And take in Jove to boote.

Silenus.—The worthies they were nine tis true,

And lately Arthur's knights I knew;

But now are come up Worthies new,

The roaring boys Kawoshae's crew.

Kawosha.—Silenus toppes the barrel, but

Tobacco toppes the braine

And makes the vapors fire and soote,

That mon revise againe.

Nothing but fumigation

Doth charm away ill sprites,

Kawosha and his nation

Found out these holy rites."

The writers of this period abound in allusions to tobacco and its use. The poets and dramatists found in it a fertile field for the display of their satire, and from 1600 to 1650 stage plays introduced many characters as either tobacco drinkers or sellers. It had now become so great a custom and had increased so fast after the importation of Virginia tobacco that it afforded them no insignificant theme for the display of their genius.[41] The plays of Jonson, Decker, Rowland, Heywood, Middleton, Fields, Fletcher, Hutton, Lodge, Sharpham, Marston, Lilly (court poet to Elizabeth), the Duke of Newcastle and others are full of allusions to the plant and those who indulged in its use. Shakespeare,[42] however, does not once allude to its use, and his silence on this then curious custom has provoked much conjecture and inquiry. Some affirm that he wrote to please royalty, but if so why did he not condemn the custom to appease the wrath of a sapient king. Others say he kept silence because he was the friend of Raleigh, and though he would have gladly held up the great smoker and his favorite indulgence, feared to add to the popularity of the custom by displeasing his royal master. Another class affirm that as the stories of his plays are all antecedent to his own time, therefore he never mentions either the drinking of tobacco, or the tumultuous scenes of the ordinary which belonged to it, and which are so constantly met with in his contemporary dramatists. Says one:

Smoking in the Seventeenth Century.

"How is it that our great dramatist never once makes even the slightest allusion to smoking? Who can suggest a reason? Our great poet knew the human heart too well, and kept too steadily in view, the universal nature of man to be afraid of painting the external trapping and ephemeral customs of his own time. Does he not delight to moralize on false hair, masks, rapiers, pomandens, perfumes, dice, bowls, fardingales, etc? Did he not sketch for us, with enjoyment and with satire, too, the fantastic fops, the pompous stewards, the mischievous pages, the quarrelsome revellers, the testy gaolers, the rhapsodizing lovers, the sly cheats, and the ruffling courtiers that filled the streets of Elizabethan London, persons who could have been found nowhere else nor in any other age? No one can dispute that he drew the life that he saw moving around him. He sketched these creatures because they were before his eyes and were his enemies or his associates; they live still because their creator's genius was Promethean, and endowed them with immortality. Bardolph, Moth, Slender, Abhorson, Don Armado, Mercutio, etc., are portraits, as everyone knows and feels who is conversant with the manners of the Elizabethan times as handed down in old plays.

"If Shakespeare's contemporaries were silent about the then new fashion of smoking, we should not so much wonder at Shakespeare's taciturnity. But Decker's and Ben Jonson's works abound in allusions to tobacco, its uses and abuses. The humorist and satirist lost no opportunity of deriding the new fashion and its followers. The tobacco merchant was an important person in London of James the First's time—with his Winchester pipes, his maple cutting-blocks, his juniper-wood charcoal fires, and his silver tongs with which to hand the hot charcoal to his customers, although he was shrewdly suspected of adulterating the precious weed with sack lees and oil. It was his custom to wash the tobacco in muscadel and grains, and to keep it moist by wrapping it in greased leather, and oiled rags, or by burying it in gravel. The Elizabethan pipes were so small that now when they are dug up in Ireland the poor call them 'fairy pipes' from their tininess. These pipes became known by the nickname of 'the woodcock's heads.' The apothecaries, who sold the best tobacco, became masters of the art, and received pupils, whom they taught to exhale the smoke in little globes, rings, or the 'Euripus.' 'The slights' these tricks were called. Ben Jonson facetiously makes these professors boast of being able to take three whiffs, then to take horse, and evolve the smoke—one whiff on Hounslow, a second at Staines, and a third at Bagshot.

"The ordinary gallant, like Mercutio, would smoke while the dinner was serving up. Those who were rich and foolish carried with them smoking apparatus of gold or silver—tobacco-box, snuff-ladle, tongs to take up charcoal, and priming irons. There seems, from Decker's "Gull's Horn-Book," to have been smoking clubs, or tobacco ordinaries as they were called, where the entire talk was of the best shops for buying Trinidado, the Nicotine, the Cane, and the Pudding, whose pipe had the best bore, which would turn blackest, and which would break in the browning. At the theatres, the rakes and spendthrifts who, crowded the stage of Shakespeare's time sat on low stools smoking; they sat with their three sorts of tobacco beside them, and handed each other lights on the points of their swords, sending out their pages for more Trinidado if they required it. Many gallants 'took' their tobacco in the lords room over the stage, and went out to (Saint) Paul's to spit there privately. Shabby sponges and lying adventurers, like Bobadil, bragged of the number of packets of 'the most divine tobacco' they had smoked in a week, and told enormous lies of living for weeks in the Indies on the fumes alone. They affirmed it was an antidote to all poison; that it expelled rheums, sour humours, and obstructions of all kinds. Some doctors were of opinion that it would heal gout[43] and the ague, neutralise the effects of drunkenness, and remove weariness and hunger. The poor on the other hand, not disinclined to be envious and detracting when judging rich men's actions, laughed at men who made chimneys of their throats, or who sealed up their noses with snuff.

"Ben Jonson makes that dry, shrewd, water carrier of his, Cob, rail at the 'roguish tobacco:' he would leave the stocks for worse men, and make it present whipping for either man or woman who dealt with a tobacco-pipe. But King James, in his inane 'Counterblast,' is more violent than even Cob. He argues that to use this unsavory smoke is to be guilty of a worse sin than that of drunkenness, and asks how men, who cannot go a day's journey without sending for hot coals to kindle their tobacco, can be expected to endure the privations of war. Smoking, the angry and fuming king protests, had made our manners as rude as those of the fish-wives of Dieppe. Smokers, tossing pipes and puffing smoke over the dinner-table, forgot all cleanliness and modesty. Men now, he says, cannot welcome a friend but straight they must be in hand with tobacco. He that refused a pipe in company was accounted peevish and unsociable. 'Yea,' says the royal coxcomb and pedant, 'the mistress cannot in a more mannerly kind entertain her servant than by giving him out of her fair hand a pipe of tobacco.' The royal reformer (not the most virtuous or cleanly of men) closes his denunciation with this tremendous broadside of invective:

'Have you not reason, then' he says, 'to be shamed and to forbear this filthy novelty, so basely grounded, so foolishly received, and so grossly mistaken in the right use thereof? To your abuse thereof sinning against God, harming yourself both in persons and goods, and taking also thereby the notes and marks of vanity upon you by the custom thereof, making yourselves to be wondered at by all, foreign civil nations and by all strangers that come among you, and be scorned, and contemned; a custom both fulsome to the eye, hateful to the nose, harmful to the brain, dangerous to the lungs, and in the black stinking fume thereof nearest resembling the horrible Stigian smelle of the pit that is bottomless."

Exhaling through the Nose.

The supposed curative virtues of the tobacco plant had much to do with its use in Europe while the singular mode of exhaling through the nostrils added to its charms, and doubtless led to far greater indulgence. Spenser in his Fairy Queen makes one of the characters include it with other herbs celebrated for medicinal qualities.

"Into the woods thence-forth in haste she went,

To seek for herbes that mote him remedy;

For she of herbes had great intendiment,

Taught of the Nymph which from her infancy,

Had nursed her in true nobility:

There whether it divine Tobacco were,

Or Panachæ, or Polygony,

She found and brought it to her patient deare,

Who all this while lay bleeding out his heart-blood neare."

Lilly also a little later, in his play of The Woman in the Moone (1597), speaks of it (through one of the characters) as being a medicinal herb—

"Gather me balme and cooling violets

And of our holy herbe nicotian,

And bring withall pure honey from the hive

To heale the wound of my unhappy hand."

Barclay, in his tract on "The Vertues of Tobacco," recommends its use as a medicine. The following is one of the modes of use:

"Take of leafe Tobacco as much as, being folded together, may make a round ball of such bignesse that it may fill the patient's mouth, and inclyne his face downwards toward the ground, keeping the mouth open, not mouthing any whit with his tongue, except now and then to waken the medicament, there shall flow such a flood of water from his brain and his stomacke, and from all the parts of his body that it shall be a wonder. This must he do fasting in the morning, and if it be for preservation, and the body be very cacochyme, or full of evil humors, he must take it once a week, otherwise once a month. He gives the plant the name of 'Nepenthes,' and says of it, that 'it is worthy of a more loftie name.'" He writes the following verse addressed to:

"The Abusers of Tobacco."

"Why do you thus abuse this heavenly plant,

The hope of health, the fuel of our life?

Why do you waste it without fear of want,

Since fine and true tobacco is not ryfe?

Old Enclio won't foul water for to spair,

And stop the bellows not to waste the air."

He also alludes to the quality of tobacco and says: "The finest Tobacco is that which pearceth quickly the odorat with a sharp aromaticke smell, and tickleth the tongue with acrimonie, not unpleasant to the taste, from whence that which draweth most water is most veituous, whether the substance of it be chewed in the mouth, or the smoke of it received."

He speaks of the countries in which the plant grows, and prefers the tobacco grown in the New World as being superior to that grown in the Old. In his opinion, "only that which is fostered in the Indies, and brought home by Mariners and Traffiquers, is to be used." But not alone were Poets and Dramatists inspired to sing in praise or dispraise of tobacco, Physicians and others helped to swell in broadsides, pamphlets and chap-books, the loudest praises or the most bitter denunciation of the weed. Taylor, the water poet, who lost his occupation as bargeman when the coach came into use, thought that the devil brought tobacco into England in a coach. One of the first tracts wholly devoted to tobacco is entitled Nash's "Lenten Stuffe." The work is dedicated to Humphrey King, a tobacconist, and is full of curious sayings in regard to the plant. Another work, entitled "Metamorphosis of Tobacco," and supposed to have been written by Beaumont, made its appearance about this time. Samuel Rowlands, the dramatist, wrote two works on tobacco; the first is entitled "Look to it, for I'll Stabbe Ye," written in 1604; the other volume is a small quarto, bearing this singular title: "A whole crew of Kind Gossips, all met to be Merry." This is a satire on the time and manners of the period, and is written in a coarse style worthy of the author. In 1605 there appeared a little volume bearing for its title, "Laugh and Lie Down, or the World's Folly." This work describes the fops and men of fashion of its time, and shows how popular the custom of tobacco taking had become. In 1609, in "The Gull's Horne Book," a gallant is described as follows:

"Before the meate comes smoaking to the board our Gallant must draw out his tobacco box, the ladle for the cold snuff into his nostrils, the tongs and the priming iron. All this artillery may be of gold or silver, if he can reach to the price of it; it will be a reasonable, useful pawn at all times when the current of his money falles out to rune low. And here you must observe to know in what state tobacco is in town, better than the merchants, and to discourse of the potecaries where it is to be sold as readily as the potecary himself."

One of the severest tirades against tobacco appeared in 1612, "The Curtain Drawer of the World." In speaking of the users of the weed, and especially noblemen, he says:

"Then noblemen's chimneys used to smoke, and not their noses; Englishmen without were not Blackamoores within, for then Tobacco was an Indian, unpickt and unpiped—now made the common ivy-bush of luxury, the curtaine of dishonesty, the proclaimer of vanity, the drunken colourer of Drabby solacy."

In the "Soule's Solace, or Thirty-and-One Spiritual Emblems," by Thomas Jenner, occurs the following verses: