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CHAPTER V
THE RAG HOUSE

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The place where Lydia Trivett worked and controlled the activities of twenty other women was a lofty, raftered hall lighted from the north by a row of windows under which the sorters sat. In the midst of the chamber the material was piled in huge, square bales covered with sacking. The parcels came from all parts of Europe, where linen and cotton rag could be obtained; and before they were handled, the contents entered a thresher for preliminary dusting. The thresher throbbed and thundered within a compartment boarded off from the workshop. Here in a great wooden case, a roller with iron-shod teeth revolved, while above this lower, moving wheel, fixed prongs stood similarly armed, so that their teeth passed between each other at every turn. Here spun the rags and whirled and tossed, while the dust of France, Belgium, England, Ireland, Scotland was sucked away from them. Every rag that entered Dene Mill was subjected to this rough initial embrace, where Alice Barefoot, a tall, strong woman, attended the thresher. She was herself of the colour of dust, with a high complexion and lion-coloured hair, tied up in a yellow kerchief. She prided herself on doing man’s work and, indeed, accomplished her heavy labours very completely. The dusted rag she piled in tall baskets, stopped the thresher, then opened the door of the chamber and bore the rag out to the sorters. They sat each before her lattice with the material heaped at her left. The practised workers dealt very swiftly with the stuff, running it between their hands and knowing its composition by touch. Wool or silk sometimes intruded, but was flung aside, for only cotton passed to the empty baskets at each woman’s right. The workers were clad in white overalls and their heads were covered with white caps and bonnets. Wonderful cleanliness marked them and the atmosphere of the brightly lighted shop was clear despite the flocculent material that passed through it.

For purity of air and water, chemicals and working hands is a vital matter to the paper maker. Every operation must needs be as cleanly as sleepless precaution can make it.

From the mountain of rags on her left the sorter plucked material and picked it over the lattice, an open wire-work sieve spread before her. Standing beside it was a short upright knife used to cut the rags and sever from them the buttons, hooks and eyes, whalebones and other extraneous additions that had belonged to their earlier incarnations. These knives were made from old steel scythes worn too thin for husbandry, but here answering a final purpose of value. The hones hummed from time to time, for the busy knives needed constant sharpening. Their cutting edge turned away from the workwoman and to it she brought the material—fragments of every garment ever manufactured from spun cotton.

The history of many a single rag had been a feminine epic, from its plucking in a far off cotton field to its creation, use, adventures, triumphs, tragedies and final dissolution. Here they were from the dust heaps of a continent, from the embracing of bodies noble and simple, high and low, young and old, sweet and foul.

Their tags and buttons were swiftly cut away and each grille exhibited a strange assortment of trophies—pearl and glass, metal and foil, whalebone and indiarubber. Even so many foreign substances escaped the sorters, to be captured at a later period in the purification of the rag.

The women sat back to back and there was little speech among them. Their hands twinkled in a sort of rhythmic measure from right to left and left to right. Then, as their baskets were filled, came Alice Barefoot to carry them away and pile fresh accumulations from the thresher.

To-day the work was old rag; but sometimes a consignment of fragments and overplus from the collar and shirt factories arrived clean and white. Out of them had garments been cut and the remnants needed nothing but shortening and dismemberment upon the knives and picking over for coloured threads, or rubbish that hang about them.

Here reigned Lydia and herself worked at a lattice with the rest. She had only come to the Mill when her husband died; but her skill proved great and her influence greater. Blind-folded she could have done her sorting and separated by touch the cotton, or linen, from any other textile fabric. She was clad in a big white garment and had wrapped her head and neck in a pale blue handkerchief so that her face only appeared.

Next to her sat a girl, and sometimes they spoke.

Daisy Finch was a big blonde maiden, a friend of Medora’s; and concerning Medora the pair kept up a fitful conversation. But Lydia’s eyes were about her while her hands swiftly ran through the rags. She marked all that was going on from her place at the end of the row, and sometimes cried out a direction, or word of admonition.

“She don’t tell me nothing,” said Daisy. “She just leaves you with a sort of general feeling she ain’t happy, then she’ll turn it off and say, ‘talk of something else,’ though all the time we haven’t been talking of anything in particular. Of course it ain’t anybody’s business.”

“Nobody’s and everybody’s,” declared Lydia; “but nobody’s in the sense that you can meddle directly in it.”

“They was made for each other you might say—such a laughing thing as Medora used to be.”

“You never know who’s made for each other till they come to be fit together. And then life wears down the edges with married people most times, like it do with a new set of false teeth. Keep her good luck before Medora. Remind her, when you get a chance, how fortunate she is. Life’s gone so easy with her that she takes for granted a lot she ought to take with gratitude.”

“It’s just a passing worry I dare say,” suggested Daisy. “When she forgets herself, she’ll often laugh and chatter in the old way.”

“Well, she’s fonder of you than most, so you help her to forget herself as often as you can.”

Daisy promised to do so and the elder thanked her.

When the bell rang, they stopped work, and while some, Lydia among them, went to their baskets for dinner, most flung off their overalls, donned hats and jackets and hurried home.

As for Mrs. Trivett, she stopped in the shop, ate her meal, then produced a newspaper and read while others talked.

The day was fine and warm and many groups took their food together in the sun round about the Mill.

Outside the vat house were Jordan Kellock and Robert Life, another vatman, while the new-comer, Philander Knox, ate his dinner beside them. On a bench at hand, Medora and Ned shared the contents of their basket, and the talk ran up and down.

Mr. Knox had won permanent employment without difficulty. Indeed he proved a paper maker of the first rank, and while Mr. Trood deprecated Knox’s very unusual stroke, he admitted that the result was as good as possible.

Of this matter they were now speaking.

“Ernest Trood is a great formalist,” said Kellock. “He believes in what you may call tradition and a sort of stroke that you’d say was the perfection of the craft. But you can’t make a man to a model. You can show him another man who works on a good pattern—no more.”

“The stroke comes just like every other stroke, whether it’s cricket, or billiards, or shooting, I reckon,” said Ned Dingle. “It comes, or else it don’t come. Take me: I’ve tried a score of times to make paper; but I can’t do it. I can’t get the stroke. But you might have an apprentice new to it and find, after a month or two, he’d prove himself in the way to be a paper maker.”

Mr. Knox, who had already won a friendly greeting from his new associates, in virtue of an amiable character and humorous disposition, admitted that the vatman was born, not made.

“And you may very near say as much for the beaterman,” he added. “I never want to see better pulp than you send down to the vat room, Ned Dingle.”

“’Tis the life and soul of the paper to have such pulp as yours, Ned,” confirmed Kellock, and the beater was pleased. Praise always excited Ned and made him chatter.

“I don’t know what there is to it—just thoroughness no doubt and a keen eye and no scamping of the tests. I take a lot more tests than most beaters I reckon,” he said.

They discussed their craft and Ned told how for the purposes of the new water-mark pictures destined for a forthcoming exhibition, extraordinary pulp would be necessary.

“Soft as milk it will have to be,” he declared.

“I’ve seen the like,” said Knox. “Stuff you’d think couldn’t hold together. It’s got to find every tiny crevice of the mould; but such pulp takes the dyes exceeding well.”

“Our dyes are Trenchard’s secret,” answered Dingle. “He’s a great chemist, as a paper master needs to be. I’d give a lot to look in the laboratory; but only Trood goes there.”

“A very understanding foreman is Ernest Trood,” admitted Mr. Knox; then he turned to Medora.

“How’s they fingers?” he asked.

“Better,” she said. “You knock your fingers about rattling them against the crib.”

“The fingers always suffer,” he admitted. “For my part I shake when there’s a spell of very hot pulp for the thick papers. I’m feared of my life the skin will go somewhere and put me out of action for a bit. If some man could invent a possible glove, many a tender-skinned vatman would bless him. But a glove would kill the stroke no doubt.”

Dingle pressed more food from their basket on Medora and the well meant action apparently annoyed her. What passed between them was not heard, save the last words.

“Don’t be a fool,” she said. “Can’t I have my own way even in that?”

“Hush!” replied Ned. “Have it as you will.”

But she grew angry; her face lowered and she pressed her lips together.

The others joked and Mr. Knox offered Medora a piece of pie.

“Hard hearted devil, you are, Dingle,” he exclaimed. “To eat the cheese and offer your poor girl the bread.”

Medora jumped up and at the same moment Daisy Finch came along to seek her. They departed together and strolled from the works up the valley.

But Ned Dingle was evidently disturbed. His face had fallen and he lit his pipe and went slowly after the women.

“Take my tip and leave her alone,” shouted Knox; then he caught sight of Kellock’s perturbed countenance and turned to him.

“Aren’t they good friends?” he asked.

“Of course they are—none better.”

“Sometimes a bit of chaff makes a breeze end in laughter,” said the elder; “and sometimes it don’t.”

“Chaff’s a ticklish thing,” answered Jordan.

“To you it might be, because you’re one of the serious sort, that never see much to laugh at in anything,” retorted Philander; “but that’s your loss. Alice Barefoot in the rag house is the same. Can’t see a joke and mistook my fun yesterday for rudeness. I might have known by her eye she weren’t a laughter-loving creature. But Mrs. Dingle can laugh.”

“She laughs when there’s anything to laugh at,” said Kellock drily.

“The art is to find something to laugh at in everything,” explained Philander Knox. “And married people ought to practice that for their own salvation more than any.”

“How is it you ain’t married?” asked Robert Life. He was a man of few words and his wife worked in the glazing house with Medora.

“For the very good reason that my wife’s dead,” replied Mr. Knox. She’s left me for a better place and better company—a very excellent wife according to her lights, and I missed her.”

“I dare say you’ll find another here,” suggested a man who had come along a minute before. It was Henry Barefoot, Alice’s brother, the boilerman—an old sailor, who had drifted into the Mill when his service days were done.

“If I do, Henry, it won’t be your sister, so don’t throw out no hopes,” answered Knox.

Henry laughed.

“No man ever offered for her and no man ever will,” he declared. “Her pride is to do man’s work and she never will do woman’s—not if all the men in Devon went on their knees to her.”

“I’ve known others the same,” declared Philander. “They’re neuter bees, to say it kindly, and they hum so terrible sorrowful over their toil that the male give ’em a wide berth. Duty’s their watchword; and they do it in a way to make us common people hate the word.”

“That’s Alice. You know the sort seemingly,” said Henry.

“I’ve met with ’em. They are scattered about. I used to pity ’em till I found there wasn’t no need. They’re quite satisfied with themselves for the most part, but seldom satisfied with other people.”

“Alice is a withering woman, though a very good housekeeper and looks after me very well,” said Mr. Barefoot.

“As housekeepers they can’t be beaten,” admitted the other. “But Mrs. Dingle is a very different pattern—a pretty creature—prettiest I’ve seen for a month of Sundays. They pretty women are exacting in marriage, because nine times out of ten they’ve been spoiled before. She looks to me as though she wanted something she ain’t got.”

“Dingle don’t know what she wants, for in a minute of temper he told me so,” said Mr. Life.

“Don’t he? Then you tell him to be quick and find out,” advised Philander, “because with a rare piece like that, if he don’t, some other young fellow very likely will.”

Then Kellock spoke, for this sentiment seemed outrageous to him.

“How can you say such an indecent thing!” he exclaimed. “A man of your age ought to know better.”

“A man of your age perhaps don’t,” answered Mr. Knox. “And yet you’re old enough to know the meaning of a pretty girl. But I’m afraid you’re one of those chaps that’s had some useful things left out of him, Kellock. You ain’t called ‘Jordan’ for nothing I expect. No doubt you wouldn’t wish to comfort Mrs. Dingle; but then you’re not everybody, and other young men might feel called to cheer her up—no more than that of course. And why you should flush so red and use the word ‘indecent’ to such a decent man as me, I can’t guess.”

“You would if you knew more about it, however,” said Henry Barefoot. “You ain’t up in our history yet, else you’d understand that Kellock here was one of the ‘also ran’ lot after Medora Dingle. No offence, Jordan—of course such things can’t be hid.”

“You oughtn’t to talk about such private matters, Barefoot,” answered Kellock calmly, “and a conversation like this is improper, and for my part I don’t wish to hear any more of it. No self-respecting man would pry into such a delicate subject.”

“Who’s prying?” asked Philander. “I merely say, from my knowledge of human beings in general, that if a pretty young woman’s not happy and her husband hasn’t got the trick to make her so, ’tis almost any odds some other chap will come along and have a try. That’s what would happen in most Christian countries anyway—whether Devonshire’s different I don’t know, being a stranger to these parts.”

“We men mind our own business in Devonshire,” said Kellock, and Knox answered promptly.

“Then I’m right,” he said, “because a pretty girl down on her luck is every man’s business.”

“She’ll get a fright I dare say,” prophesied Robert Life. “I’ve known more than one young married woman, restless like, who ran a bit of risk; but as a rule their eyes are opened in time and the husband makes good.”

Kellock, heartily loathing this conversation, left the others, and when he was gone, Life explained to Mr. Knox the situation.

“Another man might be dangerous,” said Henry Barefoot, “for by all accounts Medora liked him very well and was in two minds to the last which she’d take. But Kellock’s a good and sober creature and a great respecter of law and order. You can trust him not to break out.”

“You speak as a bachelor and your sister’s brother, Henry,” answered Philander. “Where there’s a woman and a man that once loved her, you can no more trust either of ’em not to break out than you can trust a spring in autumn. Kellock’s clearly a virtuous soul, and he certainly won’t break out if he can help it. You can see by his eyes he’s not a lady’s man, and never will be in any large and generous sense. But so much the more danger, for where that sort dines they sleeps when love’s the trouble. Let them love once and they’ll love for ever, no matter what happens; and if she was fool enough to go playing about with him, she might overthrow him to his own loss in the long run.”

These forebodings were cut short by the work bell and Mr. Knox, expressing a hope that he might be mistaken, shook out his pipe and followed Robert back into the vat room.

Storm in a Teacup

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