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V. THE MAN IN THE ROOM

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In the drive back to the office Elsa was in a quieter frame of mind and could think clearly. She had not told Hallam everything: he knew nothing (she thought) of her nightly ordeal, when, his study table littered with the bottles he had emptied, Maurice Tarn had talked and talked until her head reeled. She used to think his oblique references to matrimony, its advantages and compensations, were efforts of sheer loquacity. She understood now. Muddled and bemused, he was trying to prepare her for his monstrous proposal. Something was wrong—badly wrong. He did not drink so heavily in the old days. She checked a sigh as the cab turned into Wood Street, and she tapped at the window to stop the machine before it reached the door of Amery's.

It was half-past two when she hurried up the narrow stairs, hoping that her unpleasant employer had not rung for her. As she opened the door of her room she saw a man sitting on a chair by the window. Though it was a warm day, he wore an overcoat, over the collar of which his black hair flowed. His back was toward her, for he seemed absorbed in his contemplation of the street below, and not until he heard the click of the closing door did he turn round suddenly and stand up. For a moment Elsa stared at him open-mouthed. It was a Chinaman!

He was dressed in the height of fashion. His smartly-cut overcoat was wasp-waisted, his striped grey trousers were rigidly creased, and over his enamelled boots were a pair of white spats. The fashionable cravat, the neat gloves, all these things were European. But the face! The fathomless black eyes, set behind lashless lids, the yellow face like wrinkled parchment, the bloodless lips, the protruding underjaw—she had never seen anything quite so hideous; and, as though he read her thoughts, he said, in perfect English:

"Handsome is as handsome does—Feng Ho, Bachelor of Science—my card!"

And with a little bow, he handed her an oblong of pasteboard, which she took mechanically.

At that moment she became aware of a strange and lovely sound. It was the glorious note of a bird in song. Perched on a shelf was a cage of exquisite workmanship. Gold wire and coloured glass combined to make the palace of the little songster a thing of rare beauty. Standing on the perch was a lemon-yellow canary, his thick throat throbbing in the song of his kind.

"How wonderful!" she breathed. "Where did it come from?"

Feng Ho grinned.

"I brought him here. Pi always accompanies me. In the street many people look round, thinking it remarkable that a Chinese gentleman, a bachelor of science, should carry a common bird-cage in his hand. But Pi needs the air. It is not good for a little bird to live all the time in rooms. Pi, unworthy and ugly little crow, sing your stupid song for the beautiful lady."

The bird had been momentarily silent, but now he burst again into a flood of melody that filled the drab room with golden sound.

"He is wonderful!" said Elsa again, and looked from the bird to his owner.

The inscrutable eyes of the Chinaman were watching her. "I am afraid I gave you rather a shock," he said, in his queer, mincing way. "You are probably not used to meeting Chinamen, Miss Marlowe."

She gasped. How did this creature know her name? "You—you want to see Major Amery?' she said, recovering her equilibrium.

"I have seen him. He asked me to wait a little while and to introduce myself when you came. I am afraid I shall be a frequent visitor."

She forced herself to smile.

"You need not be afraid of that, Mr.—"

Should she call him "Mr. Feng" or "Mr. Ho"? Again he must have read her thoughts.

"Feng Ho is a compound name," he said, "and the 'Mr.' is unnecessary, unless you would feel more comfortable in the employment of that prefix."

He was looking complacently at his brand-new gloves as he spoke, and then:

"Major Amery has just come in."

She looked up at him quickly.

"I didn't hear him," she said.

He nodded rapidly.

"Yes, he is now walking across the room; he has stopped by the fireplace." He held his head erect in an attitude of listening. "Now he is at his desk and he has picked up a paper. Did you not hear the rustle?"

She looked at him suspiciously. Was this wretched man, who had so easily assumed terms of equality, being amusing at her expense?

"I hear everything," he said. "Now he is sitting in his chair—it creaked."

She walked to the door of the Major's room and opened it.

He was sitting at his desk; his hand was out-stretched to touch the bell that summoned her when she looked in.

"Come in," he said brusquely. "You've met Feng Ho?"

He saw her flushed cheeks, and his lip lifted in that hateful smile of his.

"He has been giving you a demonstration of his hearing? That is his one vanity."

He looked round at the Chinaman. Feng Ho displayed the immense cavity of his mouth in a grin that stretched from ear to ear.

"Close the door, please," he said, and then, as she was about to obey, shutting the Chinaman out, a string of unintelligible words came from his lips and she saw Feng Ho hide his hands in his sleeves and bow.

"You may see a great deal of Feng Ho. On the other hand, you may not. Take this letter."

For the next quarter of an hour her fingers were flying over the pages of her notebook, for when Amery dictated, he spoke at a speed that tried her ability to the limit. His words came like the staccato rattle of a machine-gun, and the sentence ended as abruptly. She looked up, expecting to be dismissed, and found him looking at her.

"Feng Ho is Chinese," he said unnecessarily, and added, with a look of annoyance when he saw her smile: "So many people mistake the Chinese for a neighbouring nation." He paused, and then went on slowly: "Soyoka, on the other hand, is a Jap. And Soyoka is a very good paymaster."

The name seemed familiar to her, but for the moment she could not remember where she had seen or heard it.

"A very excellent paymaster," he went on. "I think you might do better if you served him instead of this amateur crowd. Soyoka pays well."

His eyes did not leave her face, and he saw that she was still puzzled.

"Do you want me to leave you—Amery's?" she asked. "Who is Soyoka? I seem to have heard the name."

"Soyoka is a Japanese—gentleman," he said, a hint of primness in his tone, "and a very powerful Japanese gentleman and a very rich Japanese gentleman. There are no"—he paused—"flies on Soyoka. And his friends are always willing to enlist the services of people who are likely to be of help. Soyoka would not object to engaging one who had been working for his competitors; in fact, he would welcome the opportunity. And, as I say, he is a very excellent paymaster."

She shook her head.

"You bewilder me, Major Amery. I really don't know who Soyoka is, and I don't think I should care to work for—Eastern people."

He made no reply. Then:

"You can trust Feng Ho," he said unexpectedly. "He has all the virtues and none of the vices of the East. Most Chinamen are amiable souls with a passion for song-birds. If Feng Ho ever walks into this office—however, you may like Feng Ho. He improves upon acquaintance. A river pirate killed his father," he went on in his inconsequent way. "Feng Ho followed him into the mountains of Ningpo and brought back seven pirates' heads in a Gladstone bag. A queer fellow."

She was speechless with horror and amazement.

"That—that little man?" she said incredulously. "How dreadful!"

"It's rather dreadful to have your father's throat cut," said the strange man coldly. And then, again going off at a tangent:

"Feng Ho is death to Soyoka's rivals—remember that."

"Who is Soyoka?" she asked, a little exasperated. "You've made three references to him, Major Amery, and I may be dull, but I really can't see their application."

He did not reply: that was his most maddening and most offensive trick.

"What do you do with yourself on Sundays?" he asked abruptly.

For answer she rose and gathered up her notes.

"You will want these letters before the afternoon post, Major Amery," she said.

"You haven't answered me."

"I don't think that is a matter which really concerns you, does it?" she said with a touch of hauteur which she felt was absurd.

His fingers were beating a rapid tattoo upon his blotting-pad. "The private lives of my employees are a matter of considerable interest to me," he said. "But perhaps it isn't the practice in this country to be too closely concerned. Only it struck me that your cottage was rather isolated, and very near the river; and there should be bars on the window of your room. It is rather too close to the ground, and any active man could jump up to the portico and be in your room before you could say 'knife'."

Elsa sat down suddenly. How did this man know of Maurice Tarn's little week-end cottage on the upper reaches of the Thames? And yet he not only knew, but had examined the place so care fully that he had located the room in which she slept on her weekend visits; had even made calculations about the height of the window—it was unbelievable.

"I really don't understand you, Major Amery. There is something behind all these questions, and frankly, I am not very easy in my mind about—about things."

She hated herself for this failing of hers: there was always a lame end to her sentences when she was speaking to this man. And then to her amazement, he laughed. She had never seen him laugh before, and she gazed, fascinated. His whole aspect was changed, and for a second he was human; but as suddenly as he had begun, he stopped, and his face was frozen again to a graven inexpressiveness.

"You must ask Feng Ho for one of his canaries; he has several. But unless you promise to take the little bird for a walk every evening, as the Britisher takes his dog, he will not give you one. Thank you, that will do."

Elsa came out of the office, her face flushed, her mind disordered, hesitating between anger and amusement. Feng Ho had gone. She wished he had left the canary behind; she needed some antidote to the sinister man.

The Sinister Man

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