Читать книгу Murder by Matchlight - Edith Caroline Rivett - Страница 6

III

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Half an hour later Bruce Mallaig was asked to make a statement concerning the events of the evening to Inspector Wright at the Regent’s Park Police Station. Wright was a big powerful fellow, but apart from his inches he was quite unlike Mallaig’s notion of what a policeman looked like without his helmet. Wright had a meditative, almost a philosophic air, and his voice was kindly and encouraging. (Mallaig learnt later that this gentle aspect concealed a sceptical mind—Wright was a man who never took any statement at its face value.)

“Bruce Charles Mallaig, age 30, British subject. Address, 31 Marlborough Terrace, N.W.8. Occupation, analytical chemist to the Ministry of Supplies.”

Wright wrote down this information, returned to Mallaig’s identity card and then said: “And now if you would care to make a statement, sir?”

Bruce Mallaig gave a clear, terse description of his evening’s experiences, beginning with the telegram he had received at Canuto’s and ending with his tussle with an unknown man on the little bridge in Regent’s Park. Wright listened and wrote industriously, putting an occasional question, such as, “You just thought you’d like a walk, sir? You had no particular reason for going by that route? It was just as the fancy took you, so to speak?

“You sat down for a rest, as it were ...? You weren’t expecting to meet anyone?”

Finally, Bruce arrived at the moment when the Irishman struck his second match, and he paused a moment, realising that it was necessary to be very careful. “The matchlight dazzled my eyes a bit, but I had a very strong impression that I saw another face just beyond the first chap’s shoulder ... I could only see his face, no collar or tie or coat.”

“Did he wear a hat?”

“I don’t know ... I just don’t remember,” replied Mallaig. “All I can remember is the face—and I should recognise that if I saw it again.”

“Did you hear the footsteps of this third man arriving, sir? You say you had heard the footsteps of the man who climbed over the bridge, and you heard the footsteps of deceased when he arrived.”

“Yes—I heard both of them, but I didn’t hear a single sound of the third chap: that was why I was so surprised when I saw his face. I didn’t hear him walk away, either. I just heard a thud, and then the sound of a body falling. I tried to get my torch out quickly—but I dropped it through being in too much hurry. When I got it switched on, the first chap was astride the bridge—and I went for him so that he shouldn’t do a bolt.”

“You say the first chap, sir—meaning the man who had originally climbed the bridge, I take it—but you hadn’t seen his face until you lighted your own torch after the thud of the falling body?”

“No, that’s quite true,” replied Mallaig. “I saw the dead man’s face by the light of the match he struck, and I saw that other face—a dark flushed heavy-jowled chap—but I didn’t see number one—the bridge man I call him—until I got my own torch on.”

“So you can’t be certain it was the same man who climbed the bridge?”

Bruce took a deep breath. “No, I suppose I can’t—but it’s absurd to suppose that another one joined the party. Dash it all, I should have heard him....”

He broke off, realising that he had already described one face—minus the appendages of a face—and denied hearing the arrival of the feet which presumably belonged to the disembodied face. He began to realise more clearly than ever what his story must sound like to a sceptical hearer.

“Look here, officer,” he broke out. “I realise that you’re probably thinking I’m telling you a tall story. It must sound the most utter drivel, but I’m telling you exactly what happened, and I’m not adding one single thing. I heard the first chap come and I heard him get over the bridge. I didn’t see his face, because although he lighted a torch to examine the bridge, the light—a very feeble one—was thrown downwards. I heard the second chap arrive, and I saw his face in the matchlight and heard him ask ‘Anybody about?’ I did not hear the third chap arrive, but I saw his face, I’ll swear to that. When I heard the thud and realised there was dirty work afoot, I tried to cop the chap on the bridge in the interests of justice, and I yelled for the police to help me. If you think I’m trying to lead you up the garden—well, you’re wrong.”

“That’s all right, sir. Don’t you get worked up,” replied Wright cheerfully. “We’ve got to look into this very carefully, you’ll understand that. Now I shall have to trouble you to step round to the Mortuary with me, just to see if you can recognise deceased.”

“All right, I’ll come—but I don’t know him from Adam,” replied Mallaig.

A few minutes later Bruce Mallaig stood and looked down at the shrouded figure of the Irishman, as he described the dead man to himself. When the sheet was turned back, the stare of the dark eyes in the dead man’s face was horrific at first, but otherwise the face looked very peaceful. The wide thin lips were set in a half smile and the dark brows were whimsical, tilted at the corners. The Irishman might have been any age from thirty-five to fifty: he was lean, black-haired and pale skinned, certainly not a “tough.” Rather the sort of chap one might have opened up to in a theatre buffet or bar, thought Mallaig, a nice looking bloke, humorous and promising. Wright inquired formally:

“Can you identify deceased, sir?”

Mallaig turned to him with a worried look. “No. I can’t tell you who he is, and it’s quite probable I’ve never seen him before—but something about him is familiar. I might have seen him in a bus, or in the tube, or in a pub for that matter. I can’t place him, but I believe I’ve seen his face before somewhere. What’s his name—or don’t you know that yet?”

“According to his Identity Card and some letters we found on him, his name’s John Ward, and he lives in Notting Hill.”

“John Ward.” Mallaig meditated. “It’s a commonplace sort of name—nearly as common as John Smith ... Anyway it doesn’t convey anything to me. I’ve known several men named Ward—but he’s not one of them. I should have expected him to have an Irish name—O’Connell or O’Brien or something like that.”

Wright replaced the sheet, and as they left the building he said: “I’ll get you to sign that statement, sir, and then I needn’t trouble you any further to-night. We shall need you at the Inquest, I expect—and you’ll probably be asked further questions when the Yard take over. You won’t be moving away from your present address, I take it?”

“Lord, no! You can find me whenever you want me,” said Mallaig, and to his own ears the words had an ominous sound.

Murder by Matchlight

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