Читать книгу Tales of Men and Ghosts - Edith Wharton - Страница 6

“MY DEAR MR. GRANICE:

Оглавление

Table of Contents

“I have given the matter my best consideration for the last month, and it’s no use—the play won’t do. I have talked it over with Miss Melrose—and you know there isn’t a gamer artist on our stage—and I regret to tell you she feels just as I do about it. It isn’t the poetry that scares her—or me either. We both want to do all we can to help along the poetic drama—we believe the public’s ready for it, and we’re willing to take a big financial risk in order to be the first to give them what they want. But we don’t believe they could be made to want this. The fact is, there isn’t enough drama in your play to the allowance of poetry—the thing drags all through. You’ve got a big idea, but it’s not out of swaddling clothes.

“If this was your first play I’d say: Try again. But it has been just the same with all the others you’ve shown me. And you remember the result of ‘The Lee Shore,’ where you carried all the expenses of production yourself, and we couldn’t fill the theatre for a week. Yet ‘The Lee Shore’ was a modern problem play—much easier to swing than blank verse. It isn’t as if you hadn’t tried all kinds—”

Granice folded the letter and put it carefully back into the envelope. Why on earth was he re-reading it, when he knew every phrase in it by heart, when for a month past he had seen it, night after night, stand out in letters of flame against the darkness of his sleepless lids?

It has been just the same with all the others you’ve shown me.

That was the way they dismissed ten years of passionate unremitting work!

You remember the result of ‘The Lee Shore.‘

Good God—as if he were likely to forget it! He re-lived it all now in a drowning flash: the persistent rejection of the play, his sudden resolve to put it on at his own cost, to spend ten thousand dollars of his inheritance on testing his chance of success—the fever of preparation, the dry-mouthed agony of the “first night,” the flat fall, the stupid press, his secret rush to Europe to escape the condolence of his friends!

It isn’t as if you hadn’t tried all kinds.

No—he had tried all kinds: comedy, tragedy, prose and verse, the light curtain-raiser, the short sharp drama, the bourgeois-realistic and the lyrical-romantic—finally deciding that he would no longer “prostitute his talent” to win popularity, but would impose on the public his own theory of art in the form of five acts of blank verse. Yes, he had offered them everything—and always with the same result.

Ten years of it—ten years of dogged work and unrelieved failure. The ten years from forty to fifty—the best ten years of his life! And if one counted the years before, the silent years of dreams, assimilation, preparation—then call it half a man’s life-time: half a man’s life-time thrown away!

And what was he to do with the remaining half? Well, he had settled that, thank God! He turned and glanced anxiously at the clock. Ten minutes past eight—only ten minutes had been consumed in that stormy rush through his whole past! And he must wait another twenty minutes for Ascham. It was one of the worst symptoms of his case that, in proportion as he had grown to shrink from human company, he dreaded more and more to be alone. … But why the devil was he waiting for Ascham? Why didn’t he cut the knot himself? Since he was so unutterably sick of the whole business, why did he have to call in an outsider to rid him of this nightmare of living?

He opened the drawer again and laid his hand on the revolver. It was a small slim ivory toy—just the instrument for a tired sufferer to give himself a “hypodermic” with. Granice raised it slowly in one hand, while with the other he felt under the thin hair at the back of his head, between the ear and the nape. He knew just where to place the muzzle: he had once got a young surgeon to show him. And as he found the spot, and lifted the revolver to it, the inevitable phenomenon occurred. The hand that held the weapon began to shake, the tremor communicated itself to his arm, his heart gave a wild leap which sent up a wave of deadly nausea to his throat, he smelt the powder, he sickened at the crash of the bullet through his skull, and a sweat of fear broke out over his forehead and ran down his quivering face …

He laid away the revolver with an oath and, pulling out a cologne-scented handkerchief, passed it tremulously over his brow and temples. It was no use—he knew he could never do it in that way. His attempts at self-destruction were as futile as his snatches at fame! He couldn’t make himself a real life, and he couldn’t get rid of the life he had. And that was why he had sent for Ascham to help him …

The lawyer, over the Camembert and Burgundy, began to excuse himself for his delay.

“I didn’t like to say anything while your man was about—but the fact is, I was sent for on a rather unusual matter—”

“Oh, it’s all right,” said Granice cheerfully. He was beginning to feel the usual reaction that food and company produced. It was not any recovered pleasure in life that he felt, but only a deeper withdrawal into himself. It was easier to go on automatically with the social gestures than to uncover to any human eye the abyss within him.

“My dear fellow, it’s sacrilege to keep a dinner waiting—especially the production of an artist like yours.” Mr. Ascham sipped his Burgundy luxuriously. “But the fact is, Mrs. Ashgrove sent for me.”

Granice raised his head with a quick movement of surprise. For a moment he was shaken out of his self-absorption.

Mrs. Ashgrove?

Ascham smiled. “I thought you’d be interested; I know your passion for causes celebres. And this promises to be one. Of course it’s out of our line entirely—we never touch criminal cases. But she wanted to consult me as a friend. Ashgrove was a distant connection of my wife’s. And, by Jove, it is a queer case!” The servant re-entered, and Ascham snapped his lips shut.

Would the gentlemen have their coffee in the dining-room?

“No—serve it in the library,” said Granice, rising. He led the way back to the curtained confidential room. He was really curious to hear what Ascham had to tell him.

While the coffee and cigars were being served he fidgeted about the library, glancing at his letters—the usual meaningless notes and bills—and picking up the evening paper. As he unfolded it a headline caught his eye.

Tales of Men and Ghosts

Подняться наверх