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UPON HIS MAJESTY'S REPAIRING OF ST PAUL'S.[1]

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That shipwreck'd vessel which th'Apostle bore,

Scarce suffer'd more upon Melita's shore,

Than did his temple in the sea of time,

Our nation's glory, and our nation's crime.

When the first monarch[2] of this happy isle,

Moved with the ruin of so brave a pile,

This work of cost and piety begun,

To be accomplish'd by his glorious son,

Who all that came within the ample thought

Of his wise sire has to perfection brought; 10

He, like Amphion, makes those quarries leap

Into fair figures from a confused heap;

For in his art of regiment is found

A power like that of harmony in sound.

Those antique minstrels, sure, were Charles-like kings,

Cities their lutes, and subjects' hearts their strings,

On which with so divine a hand they strook,

Consent of motion from their breath they took:

So all our minds with his conspire to grace

The Gentiles' great Apostle, and deface 20

Those state-obscuring sheds, that like a chain

Seem'd to confine and fetter him again;

Which the glad saint shakes off at his command,

As once the viper from his sacred hand:

So joys the aged oak, when we divide

The creeping ivy from his injured side.

Ambition rather would affect the fame

Of some new structure, to have borne her name.

Two distant virtues in one act we find,

The modesty and greatness of his mind; 30

Which, not content to be above the rage,

And injury of all-impairing age,

In its own worth secure, doth higher climb,

And things half swallow'd from the jaws of Time

Reduce; an earnest of his grand design,

To frame no new church, but the old refine;

Which, spouse-like, may with comely grace command,

More than by force of argument or hand.

For doubtful reason few can apprehend,

And war brings ruin where it should amend; 40

But beauty, with a bloodless conquest finds

A welcome sovereignty in rudest minds.

Not aught which Sheba's wond'ring queen beheld

Amongst the works of Solomon, excell'd

His ships and building; emblems of a heart

Large both in magnanimity and art.

While the propitious heavens this work attend,

Long-wanted showers they forget to send;

As if they meant to make it understood

Of more importance than our vital food. 50

The sun, which riseth to salute the quire

Already finished, setting shall admire

How private bounty could so far extend:

The King built all, but Charles the western end.[3]

So proud a fabric to devotion given,

At once it threatens and obliges Heaven!

Laomedon, that had the gods in pay,

Neptune, with him that rules the sacred day,[4]

Could no such structure raise: Troy wall'd so high,

Th' Atrides might as well have forced the sky. 60

Glad, though amazed, are our neighbour kings,

To see such power employ'd in peaceful things;

They list not urge it to the dreadful field;

The task is easier to destroy than build.

… Sic gratia regum

Pieriis tentam modis … —HORACE.

[1] 'St. Paul's': these repairs commenced in the spring of 1633. [2] 'Monarch': King James I. [3] 'Western end': the western end, built at Charles' own expense, consisted of a splendid portico, built by Inigo Jones. [4] 'Sacred day': Apollo.

Poetical Works of Edmund Waller and Sir John Denham

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