Читать книгу Half Portions - Edna Ferber - Страница 4

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Mrs. Hosea C. Brewster always cleaned house in September and April. She started with the attic and worked her purifying path down to the cellar in strict accordance with Article I, Section 1, Unwritten Rules for House Cleaning. For twenty-five years she had done it. For twenty-five years she had hated it—being an intelligent woman. For twenty-five years, towel swathed about her head, skirt pinned back, sleeves rolled up—the costume dedicated to house cleaning since the days of What's-Her-Name mother of Lemuel (see Proverbs)—Mrs. Brewster had gone through the ceremony twice a year.

Furniture on the porch, woollens on the line, mattresses in the yard—everything that could be pounded, beaten, whisked, rubbed, flapped, shaken, or aired was dragged out and subjected to one or all of these indignities. After which, completely cowed, they were dragged in again and set in their places. Year after year, in attic and in cellar, things had piled up higher and higher—useless things, sentimental things; things in trunks; things in chests; shelves full of things wrapped up in brown-paper parcels.

And boxes—oh, above all, boxes: pasteboard boxes, long and flat, square and oblong, each bearing weird and cryptic pencillings on one end; cryptic, that is, to any one except Mrs. Brewster and you who have owned an attic. Thus "H's Fshg Tckl" jabberwocked one long, slim box. Another stunned you with "Cur Ted Slpg Pch." A cabalistic third hid its contents under "Sip Cov Pinky Rm." To say nothing of such curt yet intriguing fragments as "Blk Nt Drs" and "Sun Par Val." Once you had the code key they translated themselves simply enough into such homely items as Hosey's fishing tackle, canvas curtains for Ted's sleeping porch, slip covers for Pinky's room, black net dress, sun-parlour valance.

The contents of those boxes formed a commentary on normal American household life as lived by Mr. and Mrs. Hosea C. Brewster, of Winnebago, Wisconsin. Hosey's rheumatism had prohibited trout fishing these ten years; Ted wrote from Arizona that "the li'l' ol' sky" was his sleeping-porch roof and you didn't have to worry out there about the neighbours seeing you in your pyjamas; Pinky's rose-cretonne room had lacked an occupant since Pinky left the Winnebago High School for the Chicago Art Institute, thence to New York and those amazingly successful magazine covers that stare up at you from your table—young lady, hollow chested (she'd need to be with that dêcolletage), carrying feather fan. You could tell a Brewster cover at sight, without the fan. That leaves the black net dress and the sun-parlour valance. The first had grown too tight under the arms (Mrs. Brewster's arms); the second had faded.

Now, don't gather from this that Mrs. Brewster was an ample, pie-baking, ginghamed old soul who wore black silk and a crushed-looking hat with a palsied rose atop it. Nor that Hosea C. Brewster was spectacled and slippered. Not at all. The Hosea C. Brewsters, of Winnebago, Wisconsin, were the people you've met on the veranda of the Moana Hotel at Honolulu, or at the top of Pike's Peak, or peering into the restless heart of Vesuvius. They were the prosperous Middle-Western type of citizen who runs down to Chicago to see the new plays and buy a hat, and to order a dozen Wedgwood salad plates at Field's.

Mrs. Brewster knew about Dunsany and georgette and alligator pears; and Hosea Brewster was in the habit of dropping around to the Elks' Club, up above Schirmer's furniture store on Elm Street, at about five in the afternoon on his way home from the cold-storage plant. The Brewster place was honeycombed with sleeping porches and sun parlours and linen closets, and laundry chutes and vegetable bins and electric surprises, as your well-to-do Middle-Western house is likely to be.

That house had long ago grown too large for the two of them—physically, that is. But as the big frame house had expanded, so had they—in tolerance and understanding and humanness—until now, as you talked with them, you felt that here was room and to spare of sun-filled mental chambers, and shelves well stored with experience; and pantries and bins and closets for all your worries and confidences.

But the attic! And the cellar! The attic was the kind of attic every woman longs for who hasn't one and every woman loathes who has. "If I only had some place to put things in!" wails the first. And, "If it weren't for the attic I'd have thrown this stuff away long ago," complains the second. Mrs. Brewster herself had helped plan it. Hardwood floored, spacious, light, the Brewster attic revealed to you the social, æsthetic, educational, and spiritual progress of the entire family as clearly as if a sociologist had charted it.

Take, for example (before we run down to the cellar for a minute), the crayon portraits of Gran'ma and Gran'pa Brewster. When Ted had been a junior and Pinky a freshman at the Winnebago High School the crayon portraits had beamed down upon them from the living-room wall. To each of these worthy old people the artist had given a pair of hectic pink cheeks. Gran'ma Brewster especially, simpering down at you from the labyrinthian scrolls of her sextuple gold frame, was rouged like a soubrette and further embellished with a pair of gentian-blue eyes behind steel-bowed specs. Pinky—and in fact the entire Brewster household—had thought these massive atrocities the last word in artistic ornament. By the time she reached her sophomore year, Pinky had prevailed upon her mother to banish them to the dining room. Then, two years later, when the Chicago decorator did over the living room and the dining room, the crayons were relegated to the upstairs hall.

Ted and Pinky, away at school, began to bring their friends back with them for the vacations. Pinky's room had been done over in cream enamel and rose-flowered cretonne. She said the chromos in the hall spoiled the entire second floor. So the gold frames, glittering undimmed, the cheeks as rosily glowing as ever, found temporary resting place in a nondescript back chamber known as the sewing room. Then the new sleeping porch was built for Ted, and the portraits ended their journeying in the attic.

One paragraph will cover the cellar. Stationary tubs, laundry stove. Behind that, bin for potatoes, bin for carrots, bins for onions, apples, cabbages. Boxed shelves for preserves. And behind that Hosea C. Brewster's bête noir and plaything, tyrant and slave—the furnace. "She's eating up coal this winter," Hosea Brewster would complain. Or: "Give her a little more draft, Fred." Fred, of the furnace and lawn mower, would shake a doleful head. "She ain't drawin' good. I do' know what's got into her."

By noon of this particular September day—a blue-and-gold Wisconsin September day—Mrs. Brewster had reached that stage in the cleaning of the attic when it looked as if it would never be clean and orderly again. Taking into consideration Miz' Merz (Miz' Merz by-the-day, you understand) and Gussie, the girl, and Fred, there was very little necessity for Mrs. Brewster's official house-cleaning uniform. She might have unpinned her skirt, unbound her head, rolled down her sleeves, and left for the day, serene in the knowledge that no corner, no chandelier, no mirror, no curlicue so hidden, so high, so glittering, so ornate that it might hope to escape the rag or brush of one or the other of this relentless and expert crew.

Every year, twice a year, as this box, that trunk or chest was opened and its contents revealed, Miz' Merz would say: "You keepin' this, Miz' Brewster?"

"That? Oh, dear, yes!" Or: "Well—I don't know. You can take that home with you if you want it. It might make over for Minnie."

Yet, why in the name of all that's ridiculous did she treasure the funeral wheat wreath in the walnut frame? Nothing is more passéthan a last summer's hat, yet the leghorn and pink-cambric-rose thing in the tin trunk was the one Mrs. Brewster had worn when a bride. Then the plaid kilted dress with the black velvet monkey jacket that Pinky had worn when she spoke her first piece at the age of seven—well, these were things that even the rapacious eye of Miz' Merz (by-the-day) passed by unbrightened by covetousness.

The smell of soap and water, and cedar, and moth balls, and dust, and the ghost of a perfumery that Pinky used to use pervaded the hot attic. Mrs. Brewster, head and shoulders in a trunk, was trying not to listen and not to seem not to listen to Miz' Merz's recital of her husband's relations' latest flagrancy.

"'Families is nix,' I says. 'I got my own fam'ly to look out fur,' I says. Like that. 'Well,' s's he, 'w'en it comes to that,' s's he, 'I guess I got some—'" Punctuated by thumps, spatterings, swashings, and much heavy breathing, so that the sound of light footsteps along the second-floor hallway, a young, clear voice calling, then the same footsteps, fleeter now, on the attic stairway, were quite unheard.

Pinky's arms were around her mother's neck and for one awful moment it looked as if both were to be decapitated by the trunk lid, so violent had been Mrs. Brewster's start of surprise.

Incoherent little cries, and sentences unfinished:

"Pinky! Why—my baby! We didn't get your telegram. Did you—"

"No; I didn't. I just thought I—Don't look so dazed, mummy—You're all smudged, too—what in the world!" Pinky straightened her hat and looked about the attic. "Why, mother! You're—you're house cleaning!" There was a stunned sort of look on her face. Pinky's last visit home had been in June, all hammocks, and roses, and especially baked things, and motor trips into the country.

"Of course. This is September. But if I'd known you were coming—Come here to the window. Let mother see you. Is that the kind of hat they're—why, it's a winter one, isn't it? Already! Dear me, I've just got used to the angle of my summer one. You must telephone father."

Miz' Merz, damply calicoed, rose from a corner and came forward, wiping a moist and parboiled hand on her skirt. "Ha' do, Pinky. Ain't forgot your old friends, have you?"

"It's Mrs. Merz!" Pinky put her cool, sweet fingers into the other woman's spongy clasp. "Why, hello, Mrs. Merz! Of course when there's house cleaning—I'd forgotten all about house cleaning—that there was such a thing, I mean."

"It's got to be done," replied Miz' Merz, severely.

Pinky, suddenly looking like one of her own magazine covers (in tailor clothes), turned swiftly to her mother. "Nothing of the kind," she said, crisply. She looked about the hot, dusty, littered room. She included and then banished it all with one sweeping gesture. "Nothing of the kind. This is—this is an anachronism."

"Mebbe so," retorted Miz' Merz with equal crispness. "But it's got to be cleaned just the same. Yessir; it's got to be cleaned."

They smiled at each other then, the mother and daughter. They descended the winding attic stairs happily, talking very fast and interrupting each other.

Mrs. Brewster's skirt was still pinned up. Her hair was bound in the protecting towel. "You must telephone father. No, let's surprise him. You'll hate the dinner—built around Miz Merz; you know—boiled. Well, you know what a despot she is."

It was hot for September, in Wisconsin. As they came out to the porch Pinky saw that there were tiny beads of moisture under her mother's eyes and about her chin. The sight infuriated her somehow. "Well, really, mother!"

Mrs. Brewster unpinned her skirt and smoothed it down; and smiled at Pinky, all unconscious that she looked like a plump, pink Sister of Mercy with that towel bound tightly about her hair. With a swift movement Pinky unpinned the towel, unwound it, dabbed with it tenderly at her mother's chin and brow, rolled it into a vicious wad, and hurled it through the open doorway.

"Now just what does that mean?" said Mrs. Brewster, equably. "Take off your hat and coat, Pinky, but don't treat them that way—unless that's the way they're doing in New York. Everything is so informal since the war." She had a pretty wit of her own, Mrs. Brewster.

Of course Pinky laughed then, and kissed her mother and hugged her hard. "It's just that it seems so idiotic—your digging around in an attic in this day and age! Why, it's—it's—" Pinky could express herself much more clearly in colours than in words. "There is no such thing as an attic. People don't clean them any more. I never realized before—this huge house. It has been wonderful to come back to, of course. But just you and dad." She stopped. She raised two young fists high in impotent anger. "Do you like cleaning the attic?"

"Why, no. I hate it."

"Then why in the world—"

"I've always done it, Pinky. And while they may not be wearing attics in New York, we haven't taken them off in Winnebago. Come on up to your room, dear. It looks bare. If I'd known you were coming—the slip covers—"

"Are they in the box in the attic labelled 'Slp Cov Pinky Rm'?" She succeeded in slurring it ludicrously.

It brought an appreciative giggle from Mrs. Brewster. A giggle need not be inconsistent, with fifty years, especially if one's nose wrinkles up delightfully in the act. But no smile curved the daughter's stern young lips. Together they went up to Pinky's old room (the older woman stopped to pick up the crumpled towel on the hall floor). On the way they paused at the door of Mrs. Brewster's bedroom, so cool, so spacious, all soft grays and blues.

Suddenly Pinky's eyes widened with horror. She pointed an accusing forefinger at a large, dark object in a corner near a window. "That's the old walnut desk!" she exclaimed.

"I know it."

The girl turned, half amused, half annoyed. "Oh, mother dear! That's the situation in a nutshell. Without a shadow of doubt there's an eradicable streak of black walnut in your gray-enamel make-up."

"Eradicable! That's a grand word, Pinky. Stylish! I never expected to meet it out of a book. And, fu'thermore, as Miz' Merz would say, I didn't know there was any situation."

"I meant the attic. And it's more than a situation. It's a state of mind."

Mrs. Brewster had disappeared into the depths of her clothes closet. Her voice sounded muffled. "Pinky, you're talking the way they did at that tea you gave for father and me when we visited New York last winter." She emerged with a cool-looking blue kimono. "Here. Put this on. Father'll be home at twelve-thirty, for dinner, you know. You'll want a bath, won't you, dear?"

"Yes. Mummy, is it boiled—honestly?—on a day like this?"

"With onions," said Mrs. Brewster, firmly.

Fifteen minutes later Pinky, splashing in a cool tub, heard the voice of Miz' Merz high-pitched with excitement and a certain awful joy: "Miz' Brewster! Oh, Miz' Brewster! I found a moth in Mr. Brewster's winter flannels!"

"Oh!" in choked accents of fury from Pinky; and she brought a hard young fist down in the water—spat!—so that it splashed ceiling, hair, and floor impartially.

Still, it was a cool and serene young daughter who greeted Hosea Brewster as he came limping up the porch stairs. He placed the flat of the foot down at each step instead of heel and ball. It gave him a queer, hitching gait. The girl felt a sharp little constriction of her throat as she marked that rheumatic limp. "It's the beastly Wisconsin winters," she told herself. Then, darting out at him from the corner where she had been hiding: "S'prise! S'prise!"

His plump blond face, flushed with the unwonted heat, went darkly red. He dropped his hat. His arms gathered her in. Her fresh young cheek was pressed against his dear prickly one. So they stood for a long minute—close.

"Need a shave, dad."

"Well, gosh, how did I know my best girl was coming!" He held her off. "What's the matter, Pink? Don't they like your covers any more?"

"Not a thing, Hosey. Don't get fresh. They're decorating my studio—you know—plasterers and stuff. I couldn't work. And I was lonesome for you."

Hosea Brewster went to the open doorway and gave a long whistle with a little quirk at the end. Then he came back to Pinky in the wide-seated porch swing. "You know," he said, his voice lowered confidentially, "I thought I'd take mother to New York for ten days or so. See the shows, and run around and eat at the dens of wickedness. She likes it for a change."

Pinky sat up, tense. "For a change? Dad, I want to talk to you about that. Mother needs—"

Mrs. Brewster's light footstep sounded in the hall. She wore an all-enveloping gingham apron. "How did you like your surprise, father?" She came over to him and kissed the top of his head. "I'm getting dinner so that Gussie can go on with the attic. Everything's ready if you want to come in. I didn't want to dish up until you were at the table, so's everything would be hot." She threw a laughing glance at Pinky.

But when they were seated, there appeared a platter of cold, thinly sliced ham for Pinky, and a crisp salad, and a featherweight cheese soufflé, and iced tea, and a dessert coolly capped with whipped cream.

"But, mother, you shouldn't have—" feebly.

"There are always a lot of things in the house. You know that. I just wanted to tease you."

Father Brewster lingered for an unwonted hour after the midday meal. But two o'clock found him back at the cold-storage plant. Pinky watched him go, a speculative look in her eyes.

She visited the attic that afternoon at four, when it was again neat, clean, orderly, smelling of soap and sunshine. Standing there in the centre of the big room, freshly napped, smartly coifed, blue-serged, trim, the very concentrated essence of modernity, she eyed with stern deliberation the funeral wheat wreath in its walnut frame; the trunks; the chests; the boxes all shelved and neatly inscribed with their "H's Fshg Tckl" and "Blk Nt Drs."

"Barbaric!" she said aloud, though she stood there alone. "Medieval! Mad! It has got to be stopped. Slavery!" After which she went downstairs and picked golden glow for the living-room vases and scarlet salvia for the bowl in the dining room.

Still, as one saw Mrs. Brewster's tired droop at supper that night, there is no denying that there seemed some justification for Pinky's volcanic remarks.

Hosea Brewster announced, after supper, that he and Fred were going to have a session with the furnace; she needed going over in September before they began firing up for the winter.

"I'll go down with you," said Pinky.

"No, you stay up here with mother. You'll get all ashes and coal dust."

But Pinky was firm. "Mother's half dead. She's going straight up to bed, after that darned old attic. I'll come up to tuck you in, mummy."

And though she did not descend to the cellar until the overhauling process was nearly completed she did come down in time for the last of the scene. She perched at the foot of the stairs and watched the two men, overalled, sooty, tobacco-wreathed, and happy. When, finally, Hosea Brewster knocked the ashes out of his stubby black pipe, dusted his sooty hands together briskly, and began to peel his overalls, Pinky came forward.

She put her hand on his arm. "Dad, I want to talk to you."

"Careful there. Better not touch me. I'm all dirt. G'night, Fred."

"Listen, dad. Mother isn't well."

He stopped then, with one overall leg off and the other on, and looked at her. "Huh? What d'you mean—isn't well? Mother." His mouth was open. His eyes looked suddenly strained.

"This house—it's killing her. She could hardly keep her eyes open at supper. It's too much for her. She ought to be enjoying herself—like other women. She's a slave to the attic and all those huge rooms. And you're another."

"Me?" feebly.

"Yes. A slave to this furnace. You said yourself to Fred, just now, that it was all worn out, and needed new pipes or something—I don't know what. And that coal was so high it would be cheaper using dollar bills for fuel. Oh, I know you were just being funny. But it was partly true. Wasn't it? Wasn't it?"

"Yeh, but listen here, Paula." He never called her Paula unless he was terribly disturbed, "About mother—you said—"

"You and she ought to go away this winter—not just for a trip, but to stay. You"—she drew a long breath and made the plunge—"you ought to give up the house."

"Give up—"

"Permanently. Mother and you are buried alive here. You ought to come to New York to live. Both of you will love it when you are there for a few days. I don't mean to come to a hotel. I mean to take a little apartment, a furnished apartment at first, to see how you like it—two rooms and kitchenette, like a playhouse."

Hosey Brewster looked down at his own big bulk, then around the great furnace room. "Oh, but listen—"

"No, I want you to listen first. Mother's worn out, I tell you. It isn't as if she were the old-fashioned kind; she isn't. She loves the theatres, and pretty hats, and shoes with buckles, and lobster, and concerts."

He broke in again: "Sure; she likes 'em for a change. But for a steady diet—Besides, I've got a business to 'tend to. My gosh! I've got a business to—"

"You know perfectly well that Wetzler practically runs the whole thing—or could, if you'd let him." Youth is cruel like that, when it wants its way.

He did not even deny it. He seemed suddenly old. Pinky's heart smote her a little. "It's just that you've got so used to this great barracks you don't know how unhappy it's making you. Why, mother said to-day that she hated it. I asked about the attic—the cleaning and all—and she said she hated it."

"Did she say that, Paula?"

"Yes."

He dusted his hands together, slowly, spiritlessly. His eyes looked pained and dull. "She did, h'm? You say she did?" He was talking to himself, and thinking, thinking.

Pinky, sensing victory, left him. She ran lightly up the cellar stairs, through the first-floor rooms, and up to the second floor. Her mother's bedroom door was open.

A little mauve lamp shed its glow upon the tired woman in one of the plump, gray-enamel beds. "No, I'm not sleeping. Come here, dear. What in the world have you been doing in the cellar all this time?"

"Talking to dad." She came over and perched herself on the side of the bed. She looked down at her mother. Then she bent and kissed her. Mrs. Brewster looked incredibly girlish with the lamp's rosy glow on her face and her hair, warmly brown and profuse, rippling out over the pillow. Scarcely a thread of gray in it. "You know, mother, I think dad isn't well. He ought to go away."

As if by magic the youth and glow faded out of the face on the pillow. As she sat up, clutching her nightgown to her breast, she looked suddenly pinched and old. "What do you mean, Pinky! Father—but he isn't sick. He—"

"Not sick. I don't mean sick exactly. But sort of worn out. That furnace. He's sick and tired of the thing; that's what he said to Fred. He needs a change. He ought to retire and enjoy life. He could. This house is killing both of you. Why in the world don't you close it up, or sell it, and come to New York?"

"But we do. We did. Last winter—"

"I don't mean just for a little trip. I mean to live. Take a little two-room apartment in one of the new buildings—near my studio—and relax. Enjoy yourselves. Meet new men and women. Live! You're in a rut—both of you. Besides, dad needs it. That rheumatism of his, with these Wisconsin winters—"

"But California—we could go to California for—"

"That's only a stop-gap. Get your little place in New York all settled, and then run away whenever you like, without feeling that this great hulk of a house is waiting for you. Father hates it; I know it."

"Did he ever say so?"

"Well, practically. He thinks you're fond of it. He—"

Slow steps ascending the stairs—heavy, painful steps. The two women listened in silence. Every footfall seemed to emphasize Pinky's words. The older woman turned her face toward the sound, her lips parted, her eyes anxious, tender.

"How tired he sounds," said Pinky; "and old. And he's only—why, dad's only fifty-eight."

"Fifty-seven," snapped Mrs. Brewster, sharply, protectingly.

Pinky leaned forward and kissed her. "Good-night, mummy dear. You're so tired, aren't you?"

Her father stood in the doorway.

"Good-night, dear. I ought to be tucking you into bed. It's all turned around, isn't it? Biscuits and honey for breakfast, remember."

So Pinky went off to her own room (sans slp cov) and slept soundly, dreamlessly, as does one whose work is well done.

Three days later Pinky left. She waved a good-bye from the car platform, a radiant, electric, confident Pinky, her work well done.

"Au 'voir! The first of November! Everything begins then. You'll love it. You'll be real New Yorkers by Christmas. Now, no changing your minds, remember."

And by Christmas, somehow, miraculously, there were they, real New Yorkers; or as real and as New York as any one can be who is living in a studio apartment (duplex) that has been rented (furnished) from a lady who turned out to be from Des Moines.

When they arrived, Pinky had four apartments waiting for their inspection. She told them this in triumph, and well she might, it being the winter after the war, when New York apartments were as scarce as black diamonds and twice as costly.