Читать книгу Lucretia — Volume 01 - Эдвард Джордж Бульвер-Литтон, Эдвард Бульвер-Литтон - Страница 4

A FAMILY GROUP

One July evening, at the commencement of the present century, several persons were somewhat picturesquely grouped along an old-fashioned terrace which skirted the garden-side of a manor-house that had considerable pretensions to baronial dignity. The architecture was of the most enriched and elaborate style belonging to the reign of James the First: the porch, opening on the terrace, with its mullion window above, was encased with pilasters and reliefs at once ornamental and massive; and the large square tower in which it was placed was surmounted by a stone falcon, whose talons griped fiercely a scutcheon blazoned with the five-pointed stars which heralds recognize as the arms of St. John. On either side this tower extended long wings, the dark brickwork of which was relieved with noble stone casements and carved pediments; the high roof was partially concealed by a balustrade perforated not inelegantly into arabesque designs; and what architects call "the sky line" was broken with imposing effect by tall chimney-shafts of various form and fashion. These wings terminated in angular towers similar to the centre, though kept duly subordinate to it both in size and decoration, and crowned with stone cupolas. A low balustrade, of later date than that which adorned the roof, relieved by vases and statues, bordered the terrace, from which a double flight of steps descended to a smooth lawn, intersected by broad gravel-walks, shadowed by vast and stately cedars, and gently and gradually mingling with the wilder scenery of the park, from which it was only divided by a ha-ha.

Upon the terrace, and under cover of a temporary awning, sat the owner, Sir Miles St. John of Laughton, a comely old man, dressed with faithful precision to the costume which he had been taught to consider appropriate to his rank of gentleman, and which was not yet wholly obsolete and eccentric. His hair, still thick and luxuriant, was carefully powdered, and collected into a club behind; his nether man attired in gray breeches and pearl-coloured silk stockings; his vest of silk, opening wide at the breast, and showing a profusion of frill, slightly sprinkled with the pulvilio of his favourite Martinique; his three-cornered hat, placed on a stool at his side, with a gold-headed crutch-cane (hat made rather to be carried in the hand than worn on the head), the diamond in his shirt- breast, the diamond on his finger, the ruffles at his wrist,—all bespoke the gallant who had chatted with Lord Chesterfield and supped with Mrs. Clive. On a table before him were placed two or three decanters of wine, the fruits of the season, an enamelled snuff-box in which was set the portrait of a female (perhaps the Chloe or Phyllis of his early love- ditties), a lighted taper, a small china jar containing tobacco, and three or four pipes of homely clay,—for cherry-sticks and meerschaums were not then in fashion, and Sir Miles St. John, once a gay and sparkling beau, now a popular country gentleman, great at county meetings and sheep-shearing festivals, had taken to smoking, as in harmony with his bucolic transformation. An old setter lay dozing at his feet; a small spaniel—old, too—was sauntering lazily in the immediate neighbourhood, looking gravely out for such stray bits of biscuit as had been thrown forth to provoke him to exercise, and which hitherto had escaped his attention. Half seated, half reclined on the balustrade, apart from the baronet, but within reach of his conversation, lolled a man in the prime of life, with an air of unmistakable and sovereign elegance and distinction. Mr. Vernon was a guest from London; and the London man,—the man of clubs and dinners and routs, of noon loungings through Bond Street, and nights spent with the Prince of Wales,—seemed stamped not more upon the careful carelessness of his dress, and upon the worn expression of his delicate features, than upon the listless ennui, which, characterizing both his face and attitude, appeared to take pity on himself for having been entrapped into the country.

Yet we should convey an erroneous impression of Mr. Vernon if we designed, by the words "listless ennui," to depict the slumberous insipidity of more modern affectation; it was not the ennui of a man to whom ennui is habitual, it was rather the indolent prostration that fills up the intervals of excitement. At that day the word blast was unknown; men had not enough sentiment for satiety. There was a kind of Bacchanalian fury in the life led by those leaders of fashion, among whom Mr. Vernon was not the least distinguished; it was a day of deep drinking, of high play, of jovial, reckless dissipation, of strong appetite for fun and riot, of four-in-hand coachmanship, of prize- fighting, of a strange sort of barbarous manliness that strained every nerve of the constitution,—a race of life in which three fourths of the competitors died half-way in the hippodrome. What is now the Dandy was then the Buck; and something of the Buck, though subdued by a chaster taste than fell to the ordinary members of his class, was apparent in Mr. Vernon's costume as well as air. Intricate folds of muslin, arranged in prodigious bows and ends, formed the cravat, which Brummell had not yet arisen to reform; his hat, of a very peculiar shape, low at the crown and broad at the brim, was worn with an air of devil-me-care defiance; his watch-chain, garnished with a profusion of rings and seals, hung low from his white waistcoat; and the adaptation of his nankeen inexpressibles to his well-shaped limbs was a masterpiece of art. His whole dress and air was not what could properly be called foppish, it was rather what at that time was called "rakish." Few could so closely approach vulgarity without being vulgar: of that privileged few, Mr. Vernon was one of the elect.

Farther on, and near the steps descending into the garden, stood a man in an attitude of profound abstraction, his arms folded, his eyes bent on the ground, his brows slightly contracted; his dress was a plain black surtout, and pantaloons of the same colour. Something both in the fashion of the dress, and still more in the face of the man, bespoke the foreigner.

Sir Miles St. John was an accomplished person for that time of day. He had made the grand tour; he had bought pictures and statues; he spoke and wrote well in the modern languages; and being rich, hospitable, social, and not averse from the reputation of a patron, he had opened his house freely to the host of emigrants whom the French Revolution had driven to our coasts. Olivier Dalibard, a man of considerable learning and rare scientific attainments, had been tutor in the house of the Marquis de G——, a French nobleman known many years before to the old baronet. The marquis and his family had been among the first emigres at the outbreak of the Revolution. The tutor had remained behind; for at that time no danger appeared to threaten those who pretended to no other aristocracy than that of letters. Contrary, as he said, with repentant modesty, to his own inclinations, he had been compelled, not only for his own safety, but for that of his friends, to take some part in the subsequent events of the Revolution,—a part far from sincere, though so well had he simulated the patriot that he had won the personal favour and protection of Robespierre; nor till the fall of that virtuous exterminator had he withdrawn from the game of politics and effected in disguise his escape to England. As, whether from kindly or other motives, he had employed the power of his position in the esteem of Robespierre to save certain noble heads from the guillotine,—amongst others, the two brothers of the Marquis de G——, he was received with grateful welcome by his former patrons, who readily pardoned his career of Jacobinism from their belief in his excuses and their obligations to the services which that very career had enabled him to render to their kindred. Olivier Dalibard had accompanied the marquis and his family in one of the frequent visits they paid to Laughton; and when the marquis finally quitted England, and fixed his refuge at Vienna, with some connections of his wife's, he felt a lively satisfaction at the thought of leaving his friend honourably, if unambitiously, provided for as secretary and librarian to Sir Miles St. John. In fact, the scholar, who possessed considerable powers of fascination, had won no less favour with the English baronet than he had with the French dictator. He played well both at chess and backgammon; he was an extraordinary accountant; he had a variety of information upon all points that rendered him more convenient than any cyclopaedia in Sir Miles's library; and as he spoke both English and Italian with a correctness and fluency extremely rare in a Frenchman, he was of considerable service in teaching languages to, as well as directing the general literary education of, Sir Miles's favourite niece, whom we shall take an early opportunity to describe at length.

Nevertheless, there had been one serious obstacle to Dalibard's acceptance of the appointment offered to him by Sir Miles. Dalibard had under his charge a young orphan boy of some ten or twelve years old,—a boy whom Sir Miles was not long in suspecting to be the scholar's son. This child had come from France with Dalibard, and while the marquis's family were in London, remained under the eye and care of his guardian or father, whichever was the true connection between the two. But this superintendence became impossible if Dalibard settled in Hampshire with Sir Miles St. John, and the boy remained in London; nor, though the generous old gentleman offered to pay for the child's schooling, would Dalibard consent to part with him. At last the matter was arranged: the boy was invited to Laughton on a visit, and was so lively, yet so well mannered, that he became a favourite, and was now fairly quartered in the house with his reputed father; and not to make an unnecessary mystery of this connection, such was in truth the relationship between Olivier Dalibard and Honore Gabriel Varney,—a name significant of the double and illegitimate origin: a French father, an English mother. Dropping, however, the purely French appellation of Honore, he went familiarly by that of Gabriel. Half-way down the steps stood the lad, pencil and tablet in hand, sketching. Let us look over his shoulder: it is his father's likeness,—a countenance in itself not very remarkable at the first glance, for the features were small; but when examined, it was one that most persons, women especially, would have pronounced handsome, and to which none could deny the higher praise of thought and intellect. A native of Provence, with some Italian blood in his veins,—for his grandfather, a merchant of Marseilles, had married into a Florentine family settled at Leghorn,—the dark complexion common with those in the South had been subdued, probably by the habits of the student, into a bronze and steadfast paleness which seemed almost fair by the contrast of the dark hair which he wore unpowdered, and the still darker brows which hung thick and prominent over clear gray eyes. Compared with the features, the skull was disproportionally large, both behind and before; and a physiognomist would have drawn conclusions more favourable to the power than the tenderness of the Provencal's character from the compact closeness of the lips and the breadth and massiveness of the iron jaw. But the son's sketch exaggerated every feature, and gave to the expression a malignant and terrible irony not now, at least, apparent in the quiet and meditative aspect. Gabriel himself, as be stood, would have been a more tempting study to many an artist. It is true that he was small for his years; but his frame had a vigour in its light proportions which came from a premature and almost adolescent symmetry of shape and muscular development. The countenance, however, had much of effeminate beauty: the long hair reached the shoulders, but did not curl,—straight, fine, and glossy as a girl's, and in colour of the pale auburn, tinged with red, which rarely alters in hue as childhood matures to man; the complexion was dazzlingly clear and fair. Nevertheless, there was something so hard in the lip, so bold, though not open, in the brow, that the girlishness of complexion, and even of outline, could not leave, on the whole, an impression of effeminacy. All the hereditary keenness and intelligence were stamped upon his face at that moment; but the expression had also a large share of the very irony and malice which he had conveyed to his caricature. The drawing itself was wonderfully vigorous and distinct; showing great artistic promise, and done with the rapidity and ease which betrayed practice. Suddenly his father turned, and with as sudden a quickness the boy concealed his tablet in his vest; and the sinister expression of his face smoothed into a timorous smile as his eye encountered Dalibard's. The father beckoned to the boy, who approached with alacrity. "Gabriel," whispered the Frenchman, in his own tongue, "where are they at this moment?"

The boy pointed silently towards one of the cedars. Dalibard mused an instant, and then, slowly descending the steps, took his noiseless way over the smooth turf towards the tree. Its boughs drooped low and spread wide; and not till he was within a few paces of the spot could his eye perceive two forms seated on a bench under the dark green canopy. He then paused and contemplated them.

The one was a young man whose simple dress and subdued air strongly contrasted the artificial graces and the modish languor of Mr. Vernon; but though wholly without that nameless distinction which sometimes characterizes those conscious of pure race and habituated to the atmosphere of courts, he had at least Nature's stamp of aristocracy in a form eminently noble, and features of manly, but surpassing beauty, which were not rendered less engaging by an expression of modest timidity. He seemed to be listening with thoughtful respect to his companion, a young female by his side, who was speaking to him with an earnestness visible in her gestures and her animated countenance. And though there was much to notice in the various persons scattered over the scene, not one, perhaps,—not the graceful Vernon, not the thoughtful scholar, nor his fair-haired, hard-lipped son, not even the handsome listener she addressed,—no, not one there would so have arrested the eye, whether of a physiognomist or a casual observer, as that young girl, Sir Miles St. John's favourite niece and presumptive heiress.

But as at that moment the expression of her face differed from that habitual to it, we defer its description.

"Do not," such were her words to her companion,—"do not alarm yourself by exaggerating the difficulties; do not even contemplate them: those be my care. Mainwaring, when I loved you; when, seeing that your diffidence or your pride forbade you to be the first to speak, I overstepped the modesty or the dissimulation of my sex; when I said, 'Forget that I am the reputed heiress of Laughton, see in me but the faults and merits of the human being, of the wild unregulated girl, see in me but Lucretia Clavering'" (here her cheeks blushed, and her voice sank into a lower and more tremulous whisper) "'and love her if you can!'—when I went thus far, do not think I had not measured all the difficulties in the way of our union, and felt that I could surmount them."