Читать книгу The Personality of American Cities - Edward Hungerford - Страница 12
Оглавление*****
The conductor of the green omnibus thrusts his green fare-box under your nose. You find two dimes and drop it into the contrivance.
"You can get more value for less money and less value for much money in New York than in any other large city in the world," says Katherine.
She is right—and you know that she is right. You can have a glorious ride up the street, that even in its days of social decadence is still the finest highway in the land—a ride that continues across the town and up its parked rim for long miles—for a mere ten cents of Uncle Sam's currency and as for the reverse—well you are going to dinner in a smart hotel with Katherine in a little while.
You swing across Broadway and up the west edge of Madison square, catch a single, wondering close-at-hand glimpse of the white campanile of the Metropolitan tower which dominates that open place and so all but replaces Diana on her perch above Madison Square Garden—a landmark of the New York of a quarter of a century ago and which is apt to come into the hands of the wreckers almost any day now. Now you are at the south edge of the new shopping district, although some of the ultra places below Thirty-fourth street have begun to move into that portion of the avenue just south of Central Park. In a little while they may be stealing up the loveliest portion of the avenue—from Fifty-ninth street north.
The great shops dominate the avenue. And if you look with sharp eyes as the green bus bears you up this via sacre, you may see that one of the greatest ones—a huge department store encased in architecturally superb white marble—bears no sign or token of its ownership or trade. An oversight, you think. Not a bit of it. Four blocks farther up the avenue is another great store in white marble—a jewelry shop of international reputation. You will have to scan its broad façade closely indeed before you find the name of the firm in tiny letters upon the face of its clock. Oversight? Not a bit of it. It is the ultra of shop-keeping in New York—the assumption that the shop is so well known that it need not be placarded to the vulgar world. And if strangers from other points fail to identify it—well that is because of their lack of knowledge and the shopkeeper may secretly rejoice.
But, after all, it is the little shops that mark the character of Fifth avenue—not its great emporiums. It is the little millinery shops where an engaging creature in black and white simpers toward you and calls you, if you are of the eternal feminine, "my dear;" the jewelry shops where the lapidary rises from his lathe and offers a bit of craftsmanship; the rare galleries that run from old masters to modern etchers; specialty shops, filled top to bottom with toys or Persian rugs, or women's sweaters, or foreign magazines and books, that render to Fifth avenue its tremendous cosmopolitanism. These little shops make for personality. There is something in the personal contact between the proprietor and the customer that makes mere barter possess a real fascination. And if you do pay two or three times the real value in the little shop you have just so much more fun out of the shopping. And there are times when real treasures may come out of their stores.
"Look at the cornices," interrupts Katherine. "Mr. Arnold Bennett says that they are the most wonderful things in all New York."
Katherine may strain her neck, looking at cornices if she so wills. As for you, the folk who promenade the broad sidewalks are more worth your while. There are more of them upon the west walk than upon the east—for some strange reason that has long since brought about a similar phenomenon upon Broadway and sent west side rents high above those upon the east. Fifth avenue thrusts its cosmopolitanism upon you, not alone in her shops, with their wonderfully varied offerings, but in the very humans who tread her pavements. The New York girl may not always be beautiful but she is rarely anything but impeccable. And if in the one instance she is extreme in her styles, in the next she is apt to be severe in her simplicity of dress. And it is difficult to tell to which ordinary preference should go. These girls—girls in a broad sense all the way from trim children in charge of maid or governess to girls whose pinkness of skin defies the graying of their locks—a sprinkling of men, not always so faultless in dress or manner as their sisters—and you have the Fifth avenue crowd. Then between these two quick moving files of pedestrians—set at all times in the rapid tempo of New York—a quadruple file of carriages; the greater part of them motor driven.
Traffic in Fifth avenue, like traffic almost everywhere else in New York is a problem increasing in perplexity. A little while ago the situation was met and for a time improved by slicing off the fronts of the buildings—perhaps the most expensive shave that the town has ever known—and setting back the sidewalks six or eight feet. But the benefits then gained have already been over-reached and the traffic policeman at the street corners all the way up the avenue must possess rare wit and diplomacy—while their fellows at such corners as Thirty-fourth and Forty-second are hardly less than field generals. And with all the finesse of their work the traffic moves like molasses. Long double and triple files of touring cars and limousines, the combined cost of which would render statistics such as would gladden the heart of a Sunday editor, make their way up and down the great street tediously. If a man is in a hurry he has no business even to essay the Avenue. And occasionally the whole tangle is double-tangled. The shriek of a fire-engine up a side street or the clang of an ambulance demanding a clear right-of-way makes the traffic question no easier. Yet the policemen at the street corners are not caught unawares. With the shrill commands of their own whistles they maneuver trucks and automobiles and even some old-fashioned hansom cabs, pedestrians, all the rest—as coolly and as evenly as if it had been rehearsed for whole weeks.
*****
New York is wonderful, the traffic of its chief show street—for Fifth avenue can now be fairly said to have usurped Broadway as the main highway of the upper city—tremendous. You begin to compute what must be the rental values upon this proud section of Fifth avenue, as it climbs Murray Hill from Thirty-fourth street to Forty-second street, when Katherine interrupts you once again. She knows her New York thoroughly indeed.
"Do you notice that house?" she demands.
You follow her glance to a very simple brick house, upon the corner of an inconsequential side street. Beside it on Fifth avenue is an open lot—of perhaps fifty feet frontage, giving to the avenue but a plain brown wooden fence.
"A corking building lot," you venture, "Why don't they—"
"I expected you to say that," she laughs. "They have wanted to build upon that lot—time and time again. But when they approach the owner he laughs at them and declines to consider any offer. 'My daughter has a little dog,' he says politely, 'It must have a place for exercise.' We New Yorkers are an odd lot," she laughs. "You know that the Goelets kept a cow in the lawn of their big house at Broadway and Nineteenth street until almost twenty years ago—until there was not a square foot of grass outside of a park within five miles. And in New York the man who can do the odd thing successfully is apt to be applauded. You could not imagine such a thing in Boston or Baltimore or Philadelphia, could you?"
You admit that your imagination would fall short of such heights and ask Katherine if you are going up to the far end of the 'bus run—to that great group of buildings—university, cathedral, hospital, divinity school—that have been gathered just beyond the northwestern corner of Central Park.
"No, I think not," she quickly decides, "You know that Columbia is not to New York as Harvard is to Boston. Harvard dominates Boston, Columbia is but a peg in the educational system of New York. The best families here do not bow to its fetich. They are quite as apt to send their boys to Yale or Princeton—even Harvard."
"Then there's the cathedral and the Drive," you venture.
"We have a cathedral right here on Fifth avenue that is finished and, in its way, quite as beautiful. And as for the Drive—it is merely a rim of top-heavy and expensive apartment houses. The West Side is no longer extremely smart. The truth of the matter is that we must pause for afternoon tea."
You ignore that horrifying truth for an instant.
"What has happened to the poor West Side?" you demand.
Katherine all but lowers her voice to a whisper.
"Twenty years ago and it had every promise of success. It looked as if Riverside Drive would surpass the Avenue as a street of fine residences. The side streets were preëminently nice. Then came the subway—and with it the apartment houses. After that the very nice folk began moving to the side streets in the upper Fifties, the Sixties and the Seventies between Park and Fifth avenues."
"Suppose that the apartment houses should begin to drift in there—in any numbers?" you demand.
"Lord knows," says Katherine, and with due reverence adds: "There is the last stand of the prosperous New Yorker with an old-fashioned notion that he and his would like to live in a detached house. The Park binds him in on the West, the tenement district and Lexington avenue on the East—to the North Harlem and the equally impossible Bronx. The old guard is standing together."
"There is Brooklyn?" you venture.
"No New Yorker," says Katherine, with withering scorn, "ever goes publicly to Brooklyn unless he is being buried in Greenwood cemetery."
*****
Tea for you is being served in a large mausoleum of a white hotel—excessively white from a profuse use of porcelain tiles which can be washed occasionally—of most extraordinary architecture. Some day some one is going to attempt an analysis of hotel architecture in New York and elsewhere in the U.S.A. but this is not the time and place. Suffice it to say here and now that you finally found a door entering the white porcelain mausoleum. What a feast awaited your eyes—as well as your stomach—within. Rooms of rose pink and rooms of silver gray, Persian rooms, Japanese rooms, French rooms in the several varieties of Louis, Greek rooms—Europe, the ancients and the Orient, have been ransacked for the furnishing of this tavern. And in the center of them all is a great glass-enclosed garden, filled with giant palms and tiny tables, tremendous waiters and infinitesimal chairs. A large bland-faced employé—who is a sort of sublimated edition of the narrow lean hat-boys who we shall find in the eating places of the Broadway theater districts—divests you of your outer wraps. You elbow past a band and arrive at the winter garden. A head waiter in an instant glance of steel-blue eyes decides that you are fit and finds the tiniest of the tiny tables for you. It is so far in the shade of the sheltering palm that you have to bend almost double to drink your tea—and the orchestra is rather uncomfortably near.
Washington Square and its lovely Arch—New York
Katherine might have taken you to other tea dispensaries—an unusual place in a converted stable in Thirty-fourth street, another stable loft in West Twenty-eighth—dozens of little shops, generally feminine to an intensified degree, which combine the serving of tea with the vending of their wares. But she preferred the big white hotel.
"Tea at the Plaza is so satisfactory and so restful," she says, as you dodge to permit two ladies—one in gray silk and the other in a cut of blue cloth that gives her the contour of a magnified frog—to slip past you without knocking your tea out of your untrained fingers. "We might have gone to the Manhattan—but it's so filled with young girls and the chappies from the schools—the Ritz is proper but dull, so is Sherry's—all the rest more or less impossible."
She rattles on—the matter of restaurants is always dear to the New York heart. You ignore the details.
"But why?" you demand.
"Why what?" she returns.
"Why tea?"
You explain that afternoon tea in its real lair—London—in a sort of climatic necessity. The prevalence of fog, of raw damp days, makes a cup of hot tea a real bracer—a stimulant that carries the human through another two or three hours of hard existence until the late London dinner. The bracing atmosphere of New York—with more clear days than any other metropolitan city in the world—does not need tea. You say so frankly.
"I suppose you are right," Katherine concedes, "but we have ceased in this big city to rail at the English. We bow the knee to them. The most fashionable of our newest hotels and shops run—absurdly many times—to English ways. And afternoon tea has long since ceased to be a novelty in our lives. Why, they are beginning to serve it at the offices downtown—just as they do in dear old London."
You swallow hard—some one has recommended that to you as a method of suppressing emotion—for polite society is never emotional.