Читать книгу Comrade Yetta - Edwards Albert - Страница 4

Table of Contents

The death of her father was a greater catastrophe to Yetta than she realized. She felt only the personal loss. Her uncle took care of the financial matters, sold the book-store, and so forth. When the funeral expenses were paid, he said there was nothing left. Coming back from the cemetery, her aunt, in as kindly a manner as was possible to so woe-begone and soured a woman, tried to explain to her what it meant to be penniless. Leave school? Go to work? She hardly listened. Her sorrow was too real, too wild and incoherent.

The Goldsteins had three children. Isaac was eighteen. Two years before he had graduated from the House of Refuge—a pickpocket of parts. He had his ups and downs, but on the whole he found money "easy," and hardly a week passed when he did not hand his mother a few dollars.

The twin daughters of sixteen were working and brought their wages home. Rosa was anæmic, querulous, and unattractive. She worked "bei buttonholes." A slight curvature of the spine, which had become apparent in her childhood, had developed into a pitiful deformity after the years bent over a machine. Rachel had monopolized all the charms of health and good spirits which should have been divided between them. Her face looked much younger than Rosa's, but her body had developed into a pleasing womanhood which had been entirely denied her sister. She was not beautiful, but she was red blooded, merry, and likable. She was a milliner and earned twice as much as Rosa.

So the Goldsteins should have been fairly prosperous, but the father's craving for alcohol had grown more rapidly than the earning capacity of his children. Poverty had weighed too heavily on Mrs. Goldstein to allow her to tolerate an idler, and besides she had always looked with disapproval on Yetta's unwomanly education. It seemed almost impious to her to have a girl in school. She had perjured herself blissfully about the age of her own daughters to avoid the Truant Officer. For a few days the family left Yetta alone in her room to cry. Then they jerked her out of the stupor of her grief, and threw her into the cauldron of modern industry.

Rachel had seen a sign which advertised the need of "beginners" in the Vest Trade. Yetta followed her docilely up two flights of dirty stairs into a long work-room, which had been made by knocking the partitions out of a tenement-house flat. It was a gloomy place, for the side windows were faced by a dingy brick wall three feet away. The end windows looked out on Allen Street. The tracks of the elevated were on a level with the floor, and every few minutes the light which might have been expected from this quarter was cut off by the rush of a train. Artificial illumination was needed all the year round.

In the street below children shouted and cried; pushcart peddlers hawked their wares in strident, rasping voices; heavy trucks, loaded with clattering milk-cans, rattled deafeningly over the cobblestones. The chaos of noise caught in the narrow cañon of the street seemed to unaccustomed ears a pandemonium which must be audible in high heaven.

But none of this noise entered the long dark room two flights up. At one end of the shop a cheap electric motor threw its energy into two revolving shafts along the ceiling; these in turn passed it down a maze of roaring belts to a dozen sewing-machines—all twelve going at top speed. It sounded as if no one of the many bearings in the room had been oiled, as if each of the innumerable cogs in the machines were a misfit. The sound seemed like a tangible substance which could be felt. There was no room left in the shop for the noises of the street. If Gabriel had blown his horn on the sidewalk below, the silent women bent over the speeding machines would not have heard—they would have missed the Resurrection.

Dazed by this strange and fearsome environment, Yetta caught tight hold of her cousin's hand. But Rachel, the adventurous, would not have been dismayed in Daniel's den of lions. She boldly led the way into the "office." Half a dozen women, all older, were already in line. The boss—a rotund, narrow-eyed man—was looking them over. But as soon as he saw the young girls he lost interest in the women.

"This is my cousin, Yetta Rayefsky," Rachel said. "She'd make a good beginner."

"Afraid of work?" he asked gruffly.

Yetta was speechlessly afraid of everything. But Rachel answered for her—a flood of extravagant, high-pitched eulogy.

"One dollar a week, while she's learning. Regular piece price when she gets a machine."

One of the older women, seeing the hopelessness of her own situation,—all the bosses preferred youth,—began to wail.

"Shut up!" the boss growled. "I will take the girl. Get out, all of you."

So Yetta was employed. At first the work consisted of carrying, piling, and wrapping bundles of vests. The loads were very heavy for her unpractised back. But she managed to live through the first day, and the next, and gradually got used to it. After a long wait she was put at a machine.

Even in such grossly mechanical work as sweat-shop labor, brains and youth count. Yetta's fingers were still plastic. Before long she had mastered the routine movements. Above all, she proved quicker than the other women in such emergencies as a broken thread. In less time than usual she worked to the top and became the "speeder," drawing almost double pay.

During the years which followed, while all that part of her brain which had to do with manual dexterity was keenly alive, the rest—the part of her brain in which her father had been interested—went to sleep. It was inevitable. Perhaps if she had been older when the crisis came, she might have made a struggle against her environment. She might have resisted her weariness for an hour or so after she came home, might have propped her eyes open and continued her studies, but she was only fifteen.

At first, while still a "beginner," her earnings were so small that there was some measure of charity in her aunt's sheltering of her. She was constantly reminded of the need of increasing her wages. But before this incentive had passed, before her pay began to amount to a fair charge for her board and lodging, before her spirit had recovered from the lethargy which had followed the loss of her father, she had been taken captive by "Speed." It was the keynote of her waking life. Every detail of the sweat-shop, the talk of her table mates, the groaning song of the belts—even the vitiated air—were "suggestions" beating in on her plastic consciousness, urging ever increasing rapidity.

It had become a habit for her to hand over all her wages to her aunt. She had her father's lack of guile and less experience. The bedroom which Benjamin had shared with his daughter was rented to a stranger. Yetta had to sleep in the same bed with the twins. She had to wear their outgrown clothes. But even if she had realized how little she was getting in exchange for her wages, she would not have had the courage to go out among strangers. And she had not sufficient energy—after all the machine took—to argue about it with her bitter, hardened aunt.

The drab monotony of her sweat-shop life was unbroken. The bosses changed frequently. So did the workers. But the process was unchanged—except that each new boss shaved the price per piece and pushed up the rate of speed. And then, after three years, a little flickering gleam of sunshine fell on Yetta's face. Rachel went to a ball.

Mrs. Goldstein objected to "dance-halls" because she was old fashioned and knew nothing about them. Mr. Goldstein objected because he knew them all too well. So when Rachel announced one night at supper that she was going to "The Mask and Civic Ball of the Hester Street Democratic Club," a storm broke loose. Mr. Goldstein—none too gently—threw his daughter into the bedroom and locked the door. Later in the evening he came home a shade more drunk than usual. Smashing some furniture to wake the household, he delivered a speech on the text of female respectability and where he would rather see his daughter than in a dance-hall. The "grave" was the least unattractive place he mentioned. Rachel seemed to give in before the family wrath.

But in her trade there were frequent rush periods when it was necessary to work after supper. One night she came home unusually late. As soon as she had put out the light and crawled into bed, she woke up the two girls and confided to them in great excitement that she had been to a ball. A girl in her shop had lent her some finery, a shirtwaist, a pair of white shoes, and a hat. Of course one could not go to a dance in a shawl. It had been "something grand." She kept them awake a long time telling of the fine dresses, the "swell" music, and the good-looking men. She was too "mad about it" to sleep. She jumped out of bed and, humming a popular tune, danced a waltz for them in her nightgown. She was very sleepy in the morning, but the music was still in her ears. The other girls were rather dismayed by her rank disobedience. The morose and spiteful Rosa threatened to tell her father. Rachel herself became frightened at this and promised never to do it again.

But not many days passed before Rachel announced at supper that she would have to work late that night. Somehow Yetta knew it was a pretext. She could hardly get to sleep. She woke up the moment Rachel tiptoed into the room.

"You've been again," she said.

"Sure. But don't wake up Rosa."

"It's very wrong."

It may be that Rachel, who was only nineteen and had been brought up blindfolded, did not see anything wrong in the two dances she had attended. There are many perfectly respectable dances on the East Side. Fate may have led her to such. Or perhaps she glossed over dangers she had seen. She denied Yetta's charge. Rosa snored regularly beside them, while the two girls whispered half the night through.

Rachel's defence, although some of it was only half expressed,—she was not used to talking frankly about holy things,—was sound. After all, women do not come into the world to spend their lives in sweat-shops. They ought to marry and bear children. What chance did she have? She saw no men in her factory. It might be all right to leave such things to one's parents—if they were the right kind. But every one knew her father was a penniless, shiftless drunkard. What sort of a match could he arrange for her?

She was going to as many dances as she could. First of all, they were fun, and precious little fun did she get trimming hats for other women to wear. And then—well—she was not ugly. Perhaps some nice young man would marry her. That very evening a "swell fellow" had danced with her four times. He had wanted to walk home with her. But she would not let him do that, till she was sure he was "serious." She would see him again at a dance on Saturday night, and she would find out. What other chance had she? Her father could do nothing for her. Nor her mother. Nor her brother. Well—she was of age, she would do for herself.

"And if I was as swell looking as you are, Yetta," she said, "I'd sure get a winner. Why don't you come to a dance with me?"

The next day at the lunch hour Yetta overheard some of the girls talking about dances. Instead of going off by herself, as she generally did, to consecrate her few minutes of leisure to memories of her father, she sat down and listened to them. Yetta did not know how to dance. But the next time a hurdy-gurdy came by at noon, she began with the help of her shopmates to learn. Although she made rapid progress, although she listened eagerly to Rachel's account of stolen gayeties, she did not give in to her cousin's urgings. Her natural timidity, joined to a habit of obedience, kept her from going to a dance.

But a new element had come into her life. She began to feel that in some shameful way she was being defrauded. Was she to know nothing of Life but the sweat-shop? Was her youth to slip away uselessly? Since Rachel had spoken of her looks, she sometimes lingered before the mirrors in store windows and wondered if her smooth skin was doomed to turn wrinkled and yellow like that of the women at her table. Was she never to have children? The future, which she had never thought about before, began to look dark and fearsome. She did not feel that anything of lasting good could be gained by sneaking out to a ball, but at least, as Rachel said, it must be fun. Was she never to have any fun? Were the years—one after another—to creep by without music or laughter? Sooner or later the craving for a larger life would have forced her out to adventure with Rachel, but the temptress was suddenly removed.

Isaac Goldstein encountered his sister at a dance. He had not been home for more than a week, but he came the next day and told his parents. When Rachel came in from work that evening, the drunken father denounced her as a disgrace to his fair name. Rachel listened in sullen silence to his foul abuse until, enraged by his own eloquence, he struck her. She turned very white and then suddenly laughed.

"Good-by, Yetta and Rosie!" And then, clenching her fist at her father, she cried out: "And you—you go to Hell."

She slammed the door behind her and never came back.

David Goldstein did not often trouble to go to the Synagogue, but the next Friday night he put on his old frock-coat and frayed silk hat and in the meeting-house of the men of Kovna, he read the Service for the Dead over his pleasure-loving daughter.

Yetta was surprised to find how much she missed her cousin. To be sure she had not seen much of her—they worked in different shops. But since they had shared this secret together, it had seemed almost like having a friend. It had never been a joyous household, and now with Rachel's occasional laughs gone it was bleak indeed.

But these confidences, short-lived as they were, had—in spite of their tragic ending—done their work with Yetta. They had suddenly opened a window in the wall of the dark room where she lived. Through it she saw, as through a glass darkly, a fair garden, lit with the sunlight of laughter, a garden where blossomed the wondrous flowers of music, of joy—of Romance.

Since the recent development of "Child Study," since grave and erudite professors have written learned volumes on the subject of "Play," many things, which former generations thought lightly of, have taken on importance. In the gurgling of a month-old baby we now see an experimentation with, a training of, the vocal apparatus which may later win the plaudits of a crowded opera or sway the council chamber of a nation. It is no longer senseless and rather disgusting noise. It is part of the profound development of Man. The haphazard muscular reflexes of a five-year-old boy—the running violently to nowhere in particular, the jumping over nothing at all—is no longer, as our grandfathers held, an aimless and sometimes bothersome amusement. A human being is getting acquainted with the intricate system of nerve complexes and motor-muscles which is to carry him through his allotted work in the world. And the little girl with her sawdust doll has become a portentous thing. If she does not learn to hold it properly at seven, her real babies, when she is twenty-seven, are likely to fare badly.

Yetta had never had dolls. There had been no younger children in her household. She had never associated with boys. In a starved, vicarious way, through the confidence of Rachel, she had begun to "play" with the ideas of marriage, of home-making, of babies. An unrest, the cause of which she did not guess, had invaded her. She was just coming into womanhood. Nature was working deep and momentous changes in her being. It is a transition which may be beautiful and joyous if freedom for play is given to the developing organs and nerve-centres. Because of her starved childhood it came to Yetta late and abruptly. She was becoming a woman in an environment where nobody wanted anything but wage-earning "hands." And so to her it meant erratic moods of black despair, of uncontrolled and ludicrous lyricisms, of sudden and senseless timidities, abnormal, insane desires.

Unless something happened, her womanhood was to be wasted. She had sore need of a Prince in Silver Armor. But no Princes go about nowadays rescuing fair damsels from the Ogre Greed. However, Rachel had opened a window on a quasi-fairyland where, if there were no bona fide princes, there were at least some "swell-looking men." And just as she was getting intoxicated with the wonderful vision, the window was slammed shut in her face.