Читать книгу A Midsummer Drive Through the Pyrenees - Edwin Asa Dix - Страница 13

In the afternoon we wander down to the sands. The tide is low. The long billows of the Bay of Biscay roll smugly in, hypocritical and placid, with nothing to betray the unenviable reputation they sustain in mediis aquis. The broad, smooth beach is not notably different in kind from other beaches; but we instantly see the peculiar charm of its location. The shore sweeps off in a long, lazy crescent, rounding up, a mile or two to the northward, with the light-house near Bayonne. Southward we cannot follow it from where we stand, for the near irregularities of cliff cut it off from sight. Back from the beach rises the bluff, curving northward with the crescent; at our left it comes boldly down toward the water, partitioning the beach and breaking up at the edge into strange, gaunt capes and peninsulas. Black masses of rock, large and small, are crouching out among the waves, tortured by storms into misshapen forms and anguished attitudes, patted and petted into fantastic humps and contortions. The strata dip at an angle of about twenty-five degrees, and the stone is friable and defenceless. Soothingly now the water is running over and around these rocks, or whitens their outlines with foam; granting their piteous torsos, in merciful caprice, a day's brief respite from the agony of its scourgings.

The afternoon sun shines brightly against the bathing pavilion, irradiating its red and yellow brick. Along the narrow; sheltered platform at its front, sit matronly French dowagers, holding their daughters, as it were, in leash, and talking of women and things, and affairs of state. Though early in the season, the beach is well sprinkled with people. A few attempt the bathing again, but the rest saunter here and there or enjoy beach-chairs at a stipulated rental. The elderly French gentleman, a dapper and interesting, specimen rarely paralleled at home, strolls about contentedly on the asphalt promenade back from the beach, smoking a cigar and fingering a light bamboo. Younger men, also well-dressed, pass in couples, or walk with a mother and daughter—never with the daughter alone. Boatmen and candy-peddlers ramble in and out, a Basque fisherman or two linger about the scene, and dogs, a pony and a captive monkey, add an element of animal life.

Despite its sunny holiday temperament, Biarritz was one of certain Biscayan villages once denounced as "given up to the worship of the devil,"—thus denounced by Henry IV's bloodthirsty inquisitor, Pierre de Lancre, a veritable French Jeffreys, and the same who in 1609 put to death no less than eight hundred persons on the ground of sorcery. "He tells us that the devils and malignant spirits banished from Japan and the Indies took refuge here in the mountains of Labourd. Above all, he asserts that the young girls of Biarritz, always celebrated for their beauty, 'have in their left eye a mark impressed by the devil.'"

Happily we have no devil in this nineteenth century, and in the clear glance of these Biarritz peasants loitering on the sands, we find that his brand-marks have disappeared with him.

A few of the faces we meet are English; many are Spanish, and show that Biarritz draws its worshipers from the South as from the North. Indeed, a large proportion of its summer society wears the mantilla and wields the fan. Other marks, too, of Spanish dress are here, as where little girls in many-hued outfit romp along the sands, dragooned by dark-faced nurses in true Iberian costume. Three or four brilliant red parasols add amazingly to the general effect of the scene.

We repair to the stone parapet before the pavilion, and gravely paying our dues for chairs, sit and watch the picture. There is no charge for sitting on the beach, but this is severely frowned upon at Biarritz. The dues are two sous per chair, and, with true Continental thrift, they are always rigorously collected. Whether one wanders into the open square of the Palais Royal at Paris, or listens to the music in the Place de Tourny at Bordeaux, or watches the waves at Biarritz, the old woman with her little black bag at once appears upon the scene. Some Frenchless friends in Paris, on one occasion, guilelessly seated in the gardens of the Palais Royal, took the collector simply for a pertinacious beggar-woman, and waved her airily off. She returned to the charge, of course, in indignant French, and grew angrier every moment as she found herself still loftily ignored. A warm fracas was in prospect, when a passing American fortunately cleared up the complication; the woman would have called in a gendarme unhesitatingly, to enforce her diminutive claim.

On the bluff, beyond the pavilion, Eugénie's villa, a square, rich building of English brick, surveys the scene its existence has brought about. Around us, on the beach, the nurses sit in the shade of the rocks and discourse on the respective failings of their charges. Children dig in the sand with pail and shovel, with the same zest as at home. Child-nature changes little with locality. So recently from the great unknown, it is not yet seamed and crusted by environment. I suppose that children fairly represent the prehistoric man. Impulse, appetite, passion—all the gusts of the moment sway them. We quell our emotions so uniformly, as we grow on, that we finally hardly feel their struggles. The children have richer life than we, in some respects:

"Faith and wonder and the primal earth

Are born into the world with every child."

I make no doubt that Nimrod, or Achilles and Ajax, great children that they were, as ready to cry as to feast, to laugh as to fight, hunting mightily, sulking in the tent, or defying the lightning—intense, sudden, human all through—drank down their strong, muddy potion of existence with a smack far heartier than the reflective sips of life which civilization has now taught us to take. Childhood is wide and free and abounding and near to nature, and we can take thoughts from it, and ponder, perhaps dubiously, on the distance we since have traveled.

The children dig in the sand, and throw it over the nurses, just as they are doing at Old Orchard and Old Point. Here, with a maid, is a pair of children who freely show one attribute of childhood not so pleasing as others—cruelty. They have a little monkey, fastened by collar and chain, and it is pitiful and yet ludicrous to see the close watch the animal keeps on his captors' movements. He has found a slack chain his best policy, and adapts his every motion anxiously and solicitously to the leaps of the boy. But the utmost vigilance avails him little. When the child is weary with running and sudden turns, which have called for marvelous dexterity of accommodation on the part of the monkey, the chain is hauled up, with the animal clinging worriedly to it, and he is flung far out into the fringe of waves, to pick his shivering way up again and again from the water. These children have a white rat, also, which they chase over the sand, and souse into puddles, and otherwise maltreat. It is useless to interfere parentally, and we hardly see our way to buying either rat or monkey, even to ensure them a peaceable old age. One wonders why children have this queer taint of cruelty. Unconscious cruelty it may be, but it seems none the less out of place in their fresh, unused nature. We outgrow some rude vices as well as rude virtues, in becoming older, and there is comfort in that.