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BURNS' FIRST BOOK OF POEMS

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Burns was in trouble; he had failed as a farmer, and as a young man he had wounded the sensibilities of his family. It seemed best to try a new life in a new land, so he promised a Mr. Douglas to go to Jamaica and become a bookkeeper on his estate there. But where should he get the money to pay his passage? There were the poems lying in his table-drawer—might they not be published and money be raised by the sale? His friends encouraged him to publish them, and what is more to the point, they subscribed in advance for a number of the copies. John Wilson of Kilmarnock was to do the printing. During May, June, and July of 1786 the printer was doing his work. At the end of July the volume appeared, and soon the fame of the Ayrshire Plowman was established. Let us hear Burns himself give his account of the venture:

"I gave up my part of the farm to my brother, and made what little preparation was in my power for Jamaica. But, before leaving my native country forever, I resolved to publish my poems. I weighed my productions as impartially as was in my power; I thought they had merit; and it was a delicious idea that I should be called a clever fellow, even though it should never reach my ears—a poor negro-driver, or perhaps a victim to that inhospitable clime, and gone to the world of spirits! I can truly say that pauvre inconnu as I then was, I had pretty nearly as high an idea of my works as I have at this moment, when the public has decided in their favor. …

"I threw off about six hundred copies, of which I got subscriptions for about three hundred and fifty. My vanity was highly gratified by the reception I met with from the public; and besides, I pocketed, all expenses deducted, nearly twenty pounds. This sum came very seasonably, as I was thinking of indenting myself, for want of money, to procure a passage. As soon as I was master of nine guineas, the price of wafting me to the torrid zone, I took a steerage passage in the first ship that was to sail from the Clyde, for

'Hungry ruin had me in the wind.'

"I had been for some days skulking from covert to covert, under all the terrors of a jail, as some ill-advised people had uncoupled the merciless pack of the law at my heels. I had taken the last farewell of my friends; my chest was on the way to Greenock; I had composed the last song I should ever measure in Caledonia, 'The gloomy night is gathering fast,' when a letter from Dr. Blackwood to a friend of mine overthrew all my schemes, by opening up new prospects to my poetic ambition."

The success of the first edition of his poems was so pronounced that Burns soon gave up the idea of going away to Jamaica. Ayrshire was flattered to discover that within its borders lived a genuine poet. Robert Heron, a young literary man living in that neighborhood, gives us an account of the reception of the little book of poems: "Old and young, high and low, grave and gay, learned or ignorant, were alike delighted, agitated, transported. I was at that time resident in Galloway, contiguous to Ayrshire, and I can well remember how even plowboys and maidservants would have gladly bestowed the wages they earned most hardly, and which they wanted to purchase necessary clothing, if they might procure the works of Burns."

When Burns wished a second edition of his poems, he had a very poor offer from his printer. So he went to Edinburgh to see whether he could not make a more advantageous bargain in the Scottish capital. He reached that famous city on the 28th of November, 1786. Here he was feted and banqueted, admired and criticised. In April, 1787, the second edition appeared. The volume was a handsome octavo. The Scottish public had subscribed very liberally, and eventually Burns received 500 pounds, but Creech, his publisher, was so slow in making payments that Burns had to wait a long time before he received his due.

Walter Scott was among the many who met Burns during his stay in Edinburgh. Scott was but a boy of fifteen, but he never forgot the glance of approval bestowed upon him by the poet. We are especially fortunate in having Scott's own account of the incident: "As for Burns, I may truly say, 'Virgilium vidi tantum.' I was a lad of fifteen when he came to Edinburgh. I saw him one day at the late venerable Professor Adam Fergusson's. Of course we youngsters sat silent, looked, and listened. The only thing I remember which was remarkable in Burns' manner, was the effect produced upon him by a print of Bunbury's, representing a soldier lying dead on the snow, his dog sitting in misery on one side—on the other his widow, with her child in her arms. These lines were written beneath:

Cold on Canadian hills, or Minden's plain,

Perhaps that parent wept her soldier slain—

Bent o'er the babe, her eye dissolved in dew,

The big drops mingling with the milk he drew,

Gave the sad presage of his future years,

The child of misery baptized in tears.

"Burns seemed much affected by the print: he actually shed tears. He asked whose the lines were, and it chanced that nobody but myself remembered that they occur in a half-forgotten poem of Langhorne's, called by the unpromising title of The Justice of Peace. I whispered my information to a friend present, who mentioned it to Burns, who rewarded me with a look and a word, which though of mere civility, I then received with very great pleasure. His person was strong and robust; his manner rustic, not clownish; a sort of dignified plainness and simplicity. His countenance was more massive than it looks in any of the portraits. I would have taken the poet, had I not known who he was, for a very sagacious country farmer of the old Scotch school—the douce gudeman who held his own plow. There was a strong expression of sense and shrewdness in all his lineaments; the eye alone, I think, indicated the poetical character and temperament. It was large, and of a dark cast, which glowed (I say literally, glowed) when he spoke with feeling or interest. I never saw such another eye in a human head, though I have seen the most distinguished men of my time."



Stories of Authors, British and American

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