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INTRODUCTION: E.F. BENSON

Edward Frederic Benson (24 July 1867 – 29 February 1940) was an English novelist, biographer, memoirist and short story writer, known professionally as E.F. Benson. His friends called him Fred.

E.F. Benson was born at Wellington College in Berkshire, the fifth child of the headmaster, Edward White Benson (later Chancellor of Lincoln Cathedral, Bishop of Truro and Archbishop of Canterbury), and Mary Sidgwick Benson (“Minnie”).

Benson was educated at Marlborough College where he wrote some of his earliest works, and upon which he based his novel David Blaize. He was the younger brother of Arthur Christopher Benson, who wrote the words to “Land of Hope and Glory,” Monsignor Robert Hugh Benson, author of several novels and Roman Catholic apologetic works, and Margaret Benson (Maggie), an amateur Egyptologist. Two other siblings died young. Benson’s parents had six children and no grandchildren. E. F. Benson never married, and is likely to have been homosexual. Certainly this reveals itself through the camp humour of his novels, the implicit homoeroticism of his university works such as David Blaize (1916), his love of the company of handsome men, and his close friendships with known homosexuals such as John Ellingham Brooks with whom he shared a villa in Capri. Prior to the First World War the island was extremely popular with wealthy gay men.

E. F. Benson was an excellent athlete, and represented England at figure skating. He was a precocious and prolific writer, publishing his first book while still a student. Nowadays he is principally known for his Mapp and Lucia series about Emmeline “Lucia” Lucas and Elizabeth Mapp.

Benson’s first book was Sketches from Marlborough. He started his novel writing career with the (then) fashionably controversial Dodo (1893), and he followed it with a variety of satire and romantic melodrama. He repeated the success of Dodo, which featured a portrait of composer and militant suffragette Ethel Smyth (which she “gleefully acknowledged,” according to actress Prunella Scales), with the same cast of characters a generation later: Dodo the Second (1914), “a unique chronicle of the pre-1914 Bright Young Things” and Dodo Wonders (1921), “a first-hand social history of the Great War in Mayfair and the Shires.”The Mapp and Lucia series, written relatively late in his career, consists of six novels and two short stories. The novels are: Queen Lucia, Lucia in London, Miss Mapp, Mapp and Lucia, Lucia’s Progress (published as The Worshipful Lucia in the U.S.) and Trouble for Lucia. The short stories are “The Male Impersonator” and “Desirable Residences.” Both appear in anthologies of Benson’s short stories, and the former is also often appended to the end of the novel Miss Mapp.

The last three novels were serialized by London Weekend Television for the fledgling Channel 4 in 1985–6 under the series title Mapp and Lucia and starring Prunella Scales, Geraldine McEwan and Nigel Hawthorne; the first four have been adapted for BBC Radio 4 by both Aubrey Woods and (most recently) Ned Sherrin; the fifth, Lucia’s Progress, was adapted for BBC Radio 4 in 2008 by John Peacock. During 2007, the television series was rerun on the British digital channel ITV3.

Benson was also known as a writer of (atmospheric, oblique, at times humorous or satirical) ghost stories, which frequently appear in collections. His 1906 short story, “The Bus-Conductor,” a fatal-crash premonition tale about a person haunted by a hearse driver, has been adapted several times, notably in 1944 (in the film Dead of Night and as an anecdote in Bennett Cerf’s Ghost Stories anthology published the same year) and in a 1961 episode of The Twilight Zone. The catchphrase from the story, “Room for one more,” which even spawned an urban legend, and also appears in in the 1986 Oingo Boingo song, “Dead Man’s Party.”

H. P. Lovecraft spoke highly of Benson’s works in his “Supernatural Horror in Literature,” most notably of his story “The Man Who Went Too Far.”