Читать книгу The Beginners of a Nation - Eggleston Edward - Страница 39

Love of display in Elizabeth's time. Not religious disputants only, but the world in general, exaggerated the importance of vestments and ceremonies in the reign of Elizabeth. The love of formality and display that characterized the Renascence was then at its height. It was a time of pomps and royal progresses. Great historic characters went about dressed like performers in a show. Some of the queen's gowns were adorned with jewels on every available inch of space. These bespangled robes were draped over vast farthingales, which spread out like tables on which her arms might rest, and her appearance when thus attired has been compared to that of an Oriental idol. Her courtiers and statesmen were equally fond of dazzling the spectator. Ralegh wore a pendent jewel on his hat feather, and the value of the gems on his shoes was estimated at six thousand six hundred pieces of gold. The love of pomp was not confined to the court; every nobleman and country gentleman kept his house filled with idle serving men, the sons of neighboring gentlemen or yeomen, whose use was to "grace the halls" of their patron by their attendance and to give dignity to his hospitality. 36 High sheriffs and other officials performed their functions with thirty or forty men in livery at their heels, even borrowing the retainers of their friends to lend state to their office. Machyn's Diary, 324, note. Edward VI set out upon a progress in 1551 with a train of four thousand mounted men. These were noblemen and gentlemen with their retainers. He was obliged to dismiss all but a hundred and fifty of this vast army of display lest it should "eat up the country." The gorgeous progresses of Elizabeth are too well known to need description. A painting of the time shows her to us in the act of making a friendly call on her cousin-german, Lord Hunsdon. She is sitting under a canopy, and is borne on the shoulders of men and attended by a brilliant train of lords and ladies on foot. It was truer in the days of Shakespeare than it has been since that "all the world's a stage, and all the men and women merely players."

The age of the drama. A passionate love of the theater was inevitable in such a time. The best poetry then took a dramatic form; even history was taught from the stage; and satire and polemics felt the attraction and were often put into imaginary dialogues. It was Shakespeare's good fortune that he happened to live among a people fond of show and in an age dramatic as well as poetic to its very core. Genius is nourished by sympathy, and supremely great performance is rendered possible only by the rare coincidence of the great man and a fitting environment.

Display in dress. Dress signified more to the men of the time of Elizabeth and James than it is easy for us moderns to imagine. Greatness declared itself by external display. The son of a rich merchant when he returned from his travels decked himself in gorgeous apparel, and formally made his appearance on the Exchange like a butterfly newly emerged. Peckard's Life of Ferrar. It was thus that his parents brought the young man out in the world. A sum equal in purchasing power to several thousand dollars in our time is said to have been spent on one pair of trunk hose. Stubbes, Anatomie of Abuses, passim. Men of the lowest ranks, desirous of appearing more than they were, impoverished themselves in buying expensive hats and hose; and it is recorded that women suffering for the necessaries of life sometimes contrived to adorn themselves with velvet. For the very reason that so much importance was attached to dress, laws were made to repress inappropriate display in people of lower rank. 37 Even the severe Puritan moralists did not object to the pomp of the great, but to the extravagant imitation of it by those who had no right to such ostentation. It was with difficulty that men could conceive of greatness without display. To refuse a bishop his vestments was to abate something of his lofty rank.