Читать книгу The Wandering Jew - Эжен Сю - Страница 48

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The person who now entered was a girl of about eighteen, short, and very much deformed. Though not exactly a hunchback, her spine was curved; her breast was sunken, and her head deeply set in the shoulders. Her face was regular, but long, thin, very pale, and pitted with the small pox; yet it expressed great sweetness and melancholy. Her blue eyes beamed with kindness and intelligence. By a strange freak of nature, the handsomest woman would have been proud of the magnificent hair twisted in a coarse net at the back of her head. She held an old basket in her hand. Though miserably clad, the care and neatness of her dress revealed a powerful struggle with her poverty. Notwithstanding the cold, she wore a scanty frock made of print of an indefinable color, spotted with white; but it had been so often washed, that its primitive design and color had long since disappeared. In her resigned, yet suffering face, might be read a long familiarity with every form of suffering, every description of taunting. From her birth, ridicule had ever pursued her. We have said that she was very deformed, and she was vulgarly called "Mother Bunch." Indeed it was so usual to give her this grotesque name, which every moment reminded her of her infirmity, that Frances and Agricola, though they felt as much compassion as other people showed contempt for her, never called her, however, by any other name.

Mother Bunch, as we shall therefore call her in future, was born in the house in which Dagobert's wife had resided for more than twenty years; and she had, as it were, been brought up with Agricola and Gabriel.

There are wretches fatally doomed to misery. Mother Bunch had a very pretty sister, on whom Perrine Soliveau, their common mother, the widow of a ruined tradesman, had concentrated all her affection, while she treated her deformed child with contempt and unkindness. The latter would often come, weeping, to Frances, on this account, who tried to console her, and in the long evenings amused her by teaching her to read and sew. Accustomed to pity her by their mother's example, instead of imitating other children, who always taunted and sometimes even beat her, Agricola and Gabriel liked her, and used to protect and defend her.

She was about fifteen, and her sister Cephyse was about seventeen, when their mother died, leaving them both in utter poverty. Cephyse was intelligent, active, clever, but different to her sister; she had the lively, alert, hoydenish character which requires air, exercise and pleasures—a good girl enough, but foolishly spoiled by her mother. Cephyse, listening at first to Frances's good advice, resigned herself to her lot; and, having learnt to sew, worked like her sister, for about a year. But, unable to endure any longer the bitter privations her insignificant earnings, notwithstanding her incessant toil, exposed her to—privations which often bordered on starvation—Cephyse, young, pretty, of warm temperament, and surrounded by brilliant offers and seductions—brilliant, indeed, for her, since they offered food to satisfy her hunger, shelter from the cold, and decent raiment, without being obliged to work fifteen hours a day in an obscure and unwholesome hovel—Cephyse listened to the vows of a young lawyer's clerk, who forsook her soon after. She formed a connection with another clerk, whom she (instructed by the examples set her), forsook in turn for a bagman, whom she afterwards cast off for other favorites. In a word, what with changing and being forsaken, Cephyse, in the course of one or two years, was the idol of a set of grisettes, students and clerks; and acquired such a reputation at the balls on the Hampstead Heaths of Paris, by her decision of character, original turn of mind, and unwearied ardor in all kinds of pleasures, and especially her wild, noisy gayety, that she was termed the Bacchanal Queen, and proved herself in every way worthy of this bewildering royalty.

From that time poor Mother Bunch only heard of her sister at rare intervals. She still mourned for her, and continued to toil hard to gain her three-and-six a week. The unfortunate girl, having been taught sewing by Frances, made coarse shirts for the common people and the army. For these she received half-a-crown a dozen. They had to be hemmed, stitched, provided with collars and wristbands, buttons, and button holes; and at the most, when at work twelve and fifteen hours a day, she rarely succeeded in turning out more than fourteen or sixteen shirts a week—an excessive amount of toil that brought her in about three shillings and fourpence a week. And the case of this poor girl was neither accidental nor uncommon. And this, because the remuneration given for women's work is an example of revolting injustice and savage barbarism. They are paid not half as much as men who are employed at the needle: such as tailors, and makers of gloves, or waistcoats, etc.—no doubt because women can work as well as men—because they are more weak and delicate—and because their need may be twofold as great when they become mothers.

Well, Mother Bunch fagged on, with three-and-four a week. That is to say, toiling hard for twelve or fifteen hours every day; she succeeded in keeping herself alive, in spite of exposure to hunger, cold, and poverty—so numerous were her privations. Privations? No! The word privation expresses but weakly that constant and terrible want of all that is necessary to preserve the existence God gives; namely, wholesome air and shelter, sufficient and nourishing food and warm clothing. Mortification would be a better word to describe that total want of all that is essentially vital, which a justly organized state of society ought—yes—ought necessarily to bestow on every active, honest workman and workwoman, since civilization has dispossessed them of all territorial right, and left them no other patrimony than their hands.

The savage does not enjoy the advantage of civilization; but he has, at least, the beasts of the field, the fowls of the air, the fish of the sea, and the fruits of the earth, to feed him, and his native woods for shelter and for fuel. The civilized man, disinherited of these gifts, considering the rights of property as sacred, may, in return for his hard daily labor, which enriches his country, demand wages that will enable him to live in the enjoyment of health: nothing more, and nothing less. For is it living, to drag along on the extreme edge which separates life from the grave, and even there continually struggle against cold, hunger, and disease? And to show how far the mortification which society imposes thus inexorably on its millions of honest, industrious laborers (by its careless disregard of all the questions which concern the just remuneration of labor), may extend, we will describe how this poor girl contrived to live on three shillings and sixpence a week.

Society, perhaps, may then feel its obligation to so many unfortunate wretches for supporting, with resignation, the horrible existence which leaves them just sufficient life to feel the worst pangs of humanity. Yes: to live at such a price is virtue! Yes, society thus organized, whether it tolerates or imposes so much misery, loses all right to blame the poor wretches who sell themselves not through debauchery, but because they are cold and famishing. This poor girl spent her wages as follows:

Six pounds of bread, second quality … . … .0 8½

Four pails of water … … … … . … 0 2

Lard or dripping (butter being out of the question)0 5

Coarse salt … … … … … . … .0 0¾

A bushel of charcoal … … … … … 0 4

A quart of dried vegetables … … … … 0 3

Three quarts of potatoes … … … . … .0 2

Dips … … … … … … … … 0 3¼

Thread and needles … … … … . … .0 2½

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2 7

To save charcoal, Mother Bunch prepared soup only two or three times a week at most, on a stove that stood on the landing of the fourth story. On other days she ate it cold. There remained nine or ten pence a week for clothes and lodging. By rare good fortune, her situation was in one respect an exception to the lot of many others. Agricola, that he might not wound her delicacy, had come to a secret arrangement with the housekeeper, and hired a garret for her, just large enough to hold a small bed, a chair, and a table; for which the sempstress had to pay five shillings a year. But Agricola, in fulfilment of his agreement with the porter, paid the balance, to make up the actual rent of the garret, which was twelve and sixpence. The poor girl had thus about eighteenpence a month left for her other expenses. But many workwomen, whose position is less fortunate than hers, since they have neither home nor family, buy a piece of bread and some other food to keep them through the day; and at night patronize the "twopenny rope," one with another, in a wretched room containing five or six beds, some of which are always engaged by men, as male lodgers are by far the most abundant. Yes; and in spite of the disgust that a poor and virtuous girl must feel at this arrangement, she must submit to it; for a lodging-house keeper cannot have separate rooms for females. To furnish a room, however meanly, the poor workwoman must possess three or four shillings in ready money. But how save this sum, out of weekly earnings of a couple of florins, which are scarcely sufficient to keep her from starving, and are still less sufficient to clothe her? No! no! The poor wretch must resign herself to this repugnant cohabitation; and so, gradually, the instinct of modesty becomes weakened; the natural sentiment of chastity, that saved her from the "gay life," becomes extinct; vice appears to be the only means of improving her intolerable condition; she yields; and the first "man made of money," who can afford a governess for his children, cries out against the depravity of the lower orders! And yet, painful as the condition of the working woman is, it is relatively fortunate. Should work fail her for one day, two days, what then? Should sickness come—sickness almost always occasioned by unwholesome food, want of fresh air, necessary attention, and good rest; sickness, often so enervating as to render work impossible; though not so dangerous as to procure the sufferer a bed in an hospital—what becomes of the hapless wretches then? The mind hesitates, and shrinks from dwelling on such gloomy pictures.

This inadequacy of wages, one terrible source only of so many evils, and often of so many vices, is general, especially among women; and, again this is not private wretchedness, but the wretchedness which afflicts whole classes, the type of which we endeavor to develop in Mother Bunch. It exhibits the moral and physical condition of thousands of human creatures in Paris, obliged to subsist on a scanty four shillings a week. This poor workwoman, then, notwithstanding the advantages she unknowingly enjoyed through Agricola's generosity, lived very miserably; and her health, already shattered, was now wholly undermined by these constant hardships. Yet, with extreme delicacy, though ignorant of the little sacrifice already made for her by Agricola, Mother Bunch pretended she earned more than she really did, in order to avoid offers of service which it would have pained her to accept, because she knew the limited means of Frances and her son, and because it would have wounded her natural delicacy, rendered still more sensitive by so many sorrows and humiliations.

But, singular as it may appear, this deformed body contained a loving and generous soul—a mind cultivated even to poetry; and let us add, that this was owing to the example of Agricola Baudoin, with whom she had been brought up, and who had naturally the gift. This poor girl was the first confidant to whom our young mechanic imparted his literary essays; and when he told her of the charm and extreme relief he found in poetic reverie, after a day of hard toil, the workwoman, gifted with strong natural intelligence, felt, in her turn, how great a resource this would be to her in her lonely and despised condition.

One day, to Agricola's great surprise, who had just read some verses to her, the sewing-girl, with smiles and blushes, timidly communicated to him also a poetic composition. Her verses wanted rhythm and harmony, perhaps; but they were simple and affecting, as a non-envenomed complaint entrusted to a friendly hearer. From that day Agricola and she held frequent consultations; they gave each other mutual encouragement: but with this exception, no one else knew anything of the girl's poetical essays, whose mild timidity made her often pass for a person of weak intellect. This soul must have been great and beautiful, for in all her unlettered strains there was not a word of murmuring respecting her hard lot: her note was sad, but gentle—desponding, but resigned; it was especially the language of deep tenderness—of mournful sympathy—of angelic charity for all poor creatures consigned, like her, to bear the double burden of poverty and deformity. Yet she often expressed a sincere free-spoken admiration of beauty, free from all envy or bitterness; she admired beauty as she admired the sun. But, alas! many were the verses of hers that Agricola had never seen, and which he was never to see.

The young mechanic, though not strictly handsome, had an open masculine face; was as courageous as kind; possessed a noble, glowing, generous heart, a superior mind, and a frank, pleasing gayety of spirits. The young girl, brought up with him, loved him as an unfortunate creature can love, who, dreading cruel ridicule, is obliged to hide her affection in the depths of her heart, and adopt reserve and deep dissimulation. She did not seek to combat her love; to what purpose should she do so? No one would ever know it. Her well known sisterly affection for Agricola explained the interest she took in all that concerned him; so that no one was surprised at the extreme grief of the young workwoman, when, in 1830, Agricola, after fighting intrepidly for the people's flag, was brought bleeding home to his mother. Dagobert's son, deceived, like others, on this point, had never suspected, and was destined never to suspect, this love for him.

Such was the poorly-clad girl who entered the room in which Frances was preparing her son's supper.

"Is it you, my poor love," said she; "I have not seen you since morning: have you been ill? Come and kiss me."

The young girl kissed Agricola's mother, and replied: "I was very busy about some work, mother; I did not wish to lose a moment; I have only just finished it. I am going down to fetch some charcoal—do you want anything while I'm out?"

"No, no, my child, thank you. But I am very uneasy. It is half-past eight, and Agricola is not come home." Then she added, after a sigh: "He kills himself with work for me. Ah, I am very unhappy, my girl; my sight is quite going. In a quarter of an hour after I begin working, I cannot see at all—not even to sew sacks. The idea of being a burden to my son drives me distracted."

"Oh, don't, ma'am, if Agricola heard you say that—"

"I know the poor boy thinks of nothing but me, and that augments my vexation. Only I think that rather than leave me, he gives up the advantages that his fellow-workmen enjoy at Hardy's, his good and worthy master—instead of living in this dull garret, where it is scarcely light at noon, he would enjoy, like the other workmen, at very little expense, a good light room, warm in winter, airy in summer, with a view of the garden. And he is so fond of trees! not to mention that this place is so far from his work, that it is quite a toil to him to get to it."

"Oh, when he embraces you he forgets his fatigue, Mrs. Baudoin," said Mother Bunch; "besides, he knows how you cling to the house in which he was born. M. Hardy offered to settle you at Plessy with Agricola, in the building put up for the workmen."

"Yes, my child; but then I must give up church. I can't do that."

"But—be easy, I hear him," said the hunchback, blushing.

A sonorous, joyous voice was heard singing on the stairs.

"At least, I'll not let him see that I have been crying," said the good mother, drying her tears. "This is the only moment of rest and ease from toil he has—I must not make it sad to him."