Читать книгу A Romance of the West Indies - Эжен Сю - Страница 12

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DEVIL'S CLIFF.

The moon, brilliant and pure, shed a light almost as strong as the European sun, and enabled one to distinguish perfectly the top of a very high rock, and surrounded by woods on all sides of a dwelling built of brick, and of peculiar architecture.

One could reach it only by a narrow path, forming a spiral around this species of cone. The path was bounded on one side by a mass of perpendicular granite; on the other by a precipice of which in the broad daylight one could not discover the bottom.

This dangerous road terminated in a platform crossed by a brick wall, of great thickness and edged with spikes.

Back of this species of glacis arose the walls surrounding the dwelling, into which one entered by a very low oak door. This door communicated with a large, square court, occupied by the outbuildings and other buildings. This court passed, one discovered a vaulted passageway leading to the sanctuary; that is to say, to the pavilion occupied by Blue Beard. None of the blacks or mulattoes who formed the large force of servants of the house had ever passed the limits of this passageway. The serving of Blue Beard was done through the intermediary of a number of mulattresses, who alone communicated with their mistress.

The house was built on a slope opposite the one by which access was had from the cliff. This slope, much less steep, and laid out in a number of natural terraces, was composed of five or six immense steps which, on all sides, commanded the precipice.

By a phenomenon frequent in these volcanic islands, a pond of about two acres' circumference covered almost all the length of one of the upper terraces. Its waters were limpid and pure. Blue Beard's residence was separated from this small lake by a narrow path of smooth sand, shining like silver. This house was of one story. At the first glance it seems to be constructed entirely of trees from which the bark had been removed. Its bamboo roof was steeply inclined and overlapped by some five or six feet the outer wall, which rested upon the trunks of palm trees driven into the ground, and formed a kind of gallery around the house.

A little above the level of the lake, in gentle declivity, was a lawn of turf as fresh and green as that of the most beautiful English fields; this was a rare thing at the Antilles, and was due to underground irrigation which flowed from the lake and gave to this park a delightful freshness. From this lawn, ornamented by baskets of tropical flowers, opened a garden composed of large variegated shrubs, the slope of the ground being such that one did not see their trunks, but only their enameled tops of the freshest color; then, beyond these trees, on a terrace lower still, was a large orange and citron grove covered with fruit and flowers. In the daytime, seen thus from above, one would have said it was a carpet of perfumed snow strewn with golden balls. At the extreme horizon the slender stems of the banana and cocoanut trees, formed a splendid retreat and overlooked the precipice at the bottom of which was the subterranean passage of which we have spoken, and in which Colonel Rutler was then imprisoned.

Meantime, let us enter one of the most remote portions of this mansion. There we will find a young woman of from twenty to twenty-three years; but her features are so infantile, her figure is so tiny, her freshness so youthful, she would easily pass for sixteen. Robed in a muslin gown with flowing sleeves, she is reclining on a sofa covered with Indian silk, brown in color, embroidered with golden flowers; she leans her white forehead on one hand, half-hidden by a wilderness of loose curls of reddish blond tint, for the young woman's hair is dressed à la Titus, a profusion of silky curls falls on her neck, her snowy shoulders, and frames her charming little face, rounded, firm and rosy as that of a child.

A large book, bound in red morocco, lies at the side of the divan on which she is stretched, and is open before her. The young woman reads attentively, by the light of three perfumed candles, which rest in a little silver gilt candelabra, enriched by exquisite chasing.

The eyelashes of the pretty reader are so long that they threw a slight shadow on her cheeks, where are to be seen two charming dimples. Her nose is of a rare delicacy; her mouth curved and crimson, and her beautiful blue eyes large and expressive; her whole face presents a ravishing expression of innocence and candor. From the edge of her muslin gown appear two feet like Cinderella's, shod in white silk hose and Moorish slippers of cherry satin embroidered with silver, which one could hold in the palm of one's hand. The attitude of this young woman leaves to the imagination an exquisite whole, in spite of her slight figure. Thanks to the width of her sleeve, which has fallen back, one can admire the ravishing outline of a rounded arm, polished like ivory, and having at the elbow a charming dimple. Her hand which turns the leaves of her book is worthy of such an arm; the nails, very long and of the transparency of agate. The tips of the fingers shade to a deep rose color, such as is imparted by the henna of the Orientals.

The figure of this charming creature recalls the ideal Psyche, the lovely realization of a beauty so fleeting that it passes with the first flower of youth. Certain organizations retains their first youth a long time, and as we have said, in spite of her twenty-three years, Blue Beard is of the number of these privileged persons.

For this is Blue Beard. We will no longer hide the name of the inmate of Devil's Cliff from our readers, but will say she is called Angela. Unfortunately, this celestial name, this candid face, contrasts singularly with the diabolical reputation which this widow of three husbands possesses; and who it is said has as many consolers as she has had husbands. The course of this story will enable us to condemn or vindicate Blue Beard.

At a slight sound which she hears in the adjoining room, Angela lifts her head suddenly, like a gazelle on the alert, and seats herself on the edge of the sofa, throwing back her locks by a graceful movement.

At the moment she rises, exclaiming, "It it he!" a man raises the portière of the room. Not sooner does the iron fly to the magnet than does Angela to the newcomer. She throws herself into his arms, and twining them about him in a kind of tender fury, covered him with caresses and passionate kisses, and joyfully cries, "My tender friend—my dear James!"

This first ebullition over, the newcomer takes Angela into his arms as if she were a child, and carries his precious burden over to the sofa. Then Angela, seated on his knee, takes one of his hands in hers, passes her beautiful arm about his neck, draws his head to her, and looked at him with eager delight.

Alas! were the scandal-mongers right in suspecting Blue Beard's morality?

The man whom she receives with such familiar ardor is of the copper color of a mulatto; he is tall and supple, active and robust; his noble and fine features show nothing of the negro type; a profusion of jet black curls frame his forehead; his eyes are large and of velvety blackness; under his thin lips, red and moist, shine the most beautifully enameled teeth. This beauty, at once charming and manly, this appearance of strength and elegance, resembles the noble proportions of an Indian Bacchus or of an Antinous.

The mulatto's costume is such as certain filibusters then generally adopt when on shore. He wears a waistcoat of rich maroon velvet, with buttons of filigree gold; large Flemish boots of like material and ornamented with the same style of button, which extend the length of the thigh, being met by a belt of orange silk, in which is stuck a poignard richly chased; and, finally, long leggings of white kid embroidered in many colored silks after the Mexican style, show a leg of the finest outline.

Nothing could be more striking or pretty than the contrast between James and Angela thus grouped. On the one hand, blond tresses, alabaster tints, rosy cheeks, infantile grace and elegance; on the other, the bronze tint, ebony locks, and manner at once assured and manly.

Angela's white dress is outlined on the somber colors of James' vestments; and thus the fine and supple figure of Blue Beard is accentuated.

Fixing her great blue eyes on the black eyes of the mulatto, the young woman amuses herself by turning back the embroidered collar of James' shirt, in order to admire the better his sunburned neck, which in color and shape rivals the most beautiful Florentine bronze.

After prolonging this unconventional performance, Angela gives the mulatto a noisy kiss under his ear, takes his head between her two hands, mischievously rumples up his black locks, gives him a little blow on the cheek, and says, "That is how I love you, Monsieur Hurricane."

A slight sound is heard behind the tapestry forming the portière, and Angela calls, "Is it you, Mirette? what do you wish?"

"Madame, I am coming with the flowers and will arrange them in the stand."

"She hears us!" said Angela, making a mysterious signal to the mulatto; then she amuses herself laughing madly at and rumpling her lover's hair. He takes her little caprices with complaisance, and contemplates her with love. Then he says, smilingly,

"Child! because you look only sixteen, you think everything is permitted you." Then he adds in a tone of gentle raillery, "and who would think, seeing this little rosy, ingenuous face that I hold on my knees the most notable scamp of the Antilles?"

"And who would think that this man, who speaks in so sweet a voice, is the ferocious Captain Hurricane, the terror of England and Spain?" cried Angela, breaking into a laugh. The mulatto and the widow express themselves in the purest French, and without the slightest foreign accent.

"What matters it," she cries, smilingly, "it is not I whom they call Blue Beard."

At these words which appear to call up sad memories, the little widow, with a coquettish pout, gave a hardly perceptible tap to the end of Captain Hurricane's nose, indicating by a movement of her hand that in the neighboring room one can hear him, and says with a mischievous air, "That will teach you to speak of trespassing."

"Fie! the monster!" says the captain, breaking into a laugh; "and what of remorse, then, madame?"

"Give me a kiss of remorse, then, and I shall——"

"May Lucifer assist me! It takes a woman to be chief of criminals! Ah, my dear, you are well named; you make me tremble! Suppose we have supper."

Angela touches a bell. The young mulattress who had overheard the above conversation enters. She wears a dress of white linen with bright stripes, and has silver rings on arms and ankles.

"Mirette, have you arranged the flowers," said Blue Beard.

"Yes, madame."

"You have been listening?"

"No, madame."

"However, it does not matter; when I speak it is that I may be heard. Make ready the supper, Mirette."

Then, addressing herself to the captain, "What wine do you prefer?"

"Sherry, but let it be iced; this is a notion of mine."

Mirette goes out for a moment, and shortly reappears and begins to prepare the table.

"By the way, I forgot to tell you of a great event," says Blue Beard's companion.

"What then? has one of my deceased husbands returned to life?"

"Faith, almost."

"Now? Ah, Master James, Master James, no more of your wicked pleasantries," cries Angela, with a frightened air.

"No, it is not a dead man, a ghost, but a very living pretender who demands your hand in marriage."

"He wishes to marry me?"

"He wishes to marry you."

"Oh, the unhappy wretch! is he then weary of life?" cried Angela, laughing.

Mirette, at these words, makes the sign of the cross while superintending the spreading of the board by two other mulattresses who are carrying bottles of Bohemian glass, engraved with golden arabesques, and plates of the most magnificent Japanese porcelain.

Blue Beard continues, "This lover of mine is not a countryman, then?"

"By no means! for in spite of your wealth, my dear, I defy you to find a fourth husband, thanks to your diabolical reputation."

"Where does he come from, this would-be husband, my dear James?"

"From France."

"France! he comes from France to espouse me, the deuce!"

"Angela, you know that I do not like to hear you swear," says the mulatto, with pretended seriousness.

"Pardon, Captain Hurricane," replies the young woman, dropping her eyes with a hypocritical air. "I only meant to signify that I find your news very astonishing. It appears that my reputation has reached Europe."

"Do not be so vain, my dear. It was on board the Unicorn that this worthy paladin heard you spoken of, and by the mere mention of your riches he has become enamored, yes, madly enamored of you. This, I trust, will take down your pride."

"The impertinent fellow! and who is this man, James?"

"The Chevalier de Croustillac."

"Who?"

"The Chevalier de Croustillac."

"This is the name of the pretender to my hand?" And Angela breaks into a merry peal of laughter which nothing can arrest, and the mulatto finally joins in her merriment.

The two have scarcely subsided when Mirette enters preceded by two other mulattresses who carry a table sumptuously set out in gilded dishes. The two slaves place the table near the divan; the captain arises to take a chair, while Angela, kneeling on the edge of the sofa, uncovers the dishes one after another, and examines the table with the air of an epicurean kitten.

"Are you hungry, James? As for me, I am famished," says Angela. And as if to prove without doubt this assertion, she opens her coral lips and shows two rows of ravishing little pearly teeth which she clinches twice.

"Angela, my dear, you were certainly badly brought up," said the captain, helping her to a portion of dorado, served with ham and an appetizing sauce.

"Captain Hurricane, if I receive you at my table, it is not that you may scold," said Angela, making an almost imperceptible grimace to the mulattress. Then she continues, attacking her fish bravely, and pecking at her bread like a bird, "If he scolds me, Mirette, I will not receive him again?"

"No, mistress," said Mirette.

"And I will give his place to Rend-your-soul, the buccaneer?"

"Yes, mistress."

"Or to Youmäale, the cannibal?"

"Yes, mistress."

"You hear that, sir?" said Angela.

"Never mind, my dear, I am not jealous, you know that; beauty is as the sun, it shines for all the world."

"Because you are not jealous, then, I will pardon you. Help yourself to what is before you. What is that, Mirette?"

"Madame, the roe of fish fried in pigeon's fat."

"Which is not equal to the fat of quail," says the captain, "but it must have the juice of a lemon while it is warm."

"See what a glutton! Ah! but my future spouse, I had forgotten him. Pour me some wine, Mirette."

The filibuster, corsair as he is, forestalls the mulattress and pours out some iced sherry for Angela.

"It must be that I love you, to drink this, I who prefer the wines of France." And Blue Beard drinks resolutely three drops of the sherry, which puts fresh life into her lips and blue eyes and tinged her cheeks a carmine hue.

"But to return to my future spouse. How is he? Is he agreeable? Is he worthy to join the others?"

Mirette, in spite of her passive submission, cannot prevent a tremor in hearing her mistress speak thus, although the poor slave must be accustomed to these atrocious pleasantries, and doubtless many greater enormities.

"What ails you, Mirette?"

"Nothing, mistress."

"If you are unwell——"

"No, mistress."

"You would be sorry to see me marry again? I shall not do so for a long time. Go, child." Then, addressing Captain Hurricane, "And the Chevalier de—de—what did you say was his name?"