Вендиго / The Wendigo. Книга для чтения на английском языке

Вендиго / The Wendigo. Книга для чтения на английском языке
Автор книги: id книги: 2784132     Оценка: 0.0     Голосов: 0     Отзывы, комментарии: 0 224 руб.     (2,19$) Читать книгу Купить и скачать книгу Купить бумажную книгу Электронная книга Жанр: Правообладатель и/или издательство: КАРО Дата публикации, год издания: 1899 Дата добавления в каталог КнигаЛит: ISBN: 978-5-9925-1693-7 Скачать фрагмент в формате   fb2   fb2.zip Возрастное ограничение: 16+ Оглавление Отрывок из книги

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Описание книги

Элджернон Блэквуд – английский писатель, путешественник и мистик первой половины XX века. Основоположник жанра хоррор, он оказал влияние на всех современных писателей этого жанра. Последователи и поклонники признают в нем мастера мистической истории с привидениями. В сборнике представлены самые завораживающие тексты Блэквуда. Каждая история со своей особой атмосферой, каждая захватывает читателя и заставляет сомневаться в том, что реально, а что нет. Автор погружает читателя в мир непознаваемых, древних и таинственных сил, где нет места здравому смыслу. Реальный мир в его произведениях постоянно соприкасается с волнующей тайной и необъяснимым ужасом. В книге представлены неадаптированные полные тексты повестей на английском языке.

Оглавление

Элджернон Блэквуд. Вендиго / The Wendigo. Книга для чтения на английском языке

The Wendigo

I

II

III

IV

V

VI

VII

VIII

IX

The Willows

I

II

III

IV

V

The Damned

I

II

III

IV

V

VI

VII

VIII

IX

Отрывок из книги

A considerable number of hunting parties were out that year without finding so much as a fresh trail; for the moose were uncommonly shy, and the various Nimrods returned to the bosoms of their respective families with the best excuses the facts of their imaginations could suggest. Dr. Cathcart, among others, came back without a trophy; but he brought instead the memory of an experience which he declares was worth all the bull moose that had ever been shot. But then Cathcart, of Aberdeen, was interested in other things besides moose – amongst them the vagaries of the human mind. This particular story, however, found no mention in his book on Collective Hallucination for the simple reason (so he confided once to a fellow colleague) that he himself played too intimate a part in it to form a competent judgment of the affair as a whole…

Besides himself and his guide, Hank Davis, there was young Simpson, his nephew, a divinity student destined for the “Wee Kirk” (then on his first visit to Canadian backwoods), and the latter’s guide, Défago. Joseph Défago was a French “Canuck,” who had strayed from his native Province of Quebec years before, and had got caught in Rat Portage when the Canadian Pacific Railway was a-building; a man who, in addition to his unparalleled knowledge of wood-craft and bush-lore, could also sing the old voyageur songs and tell a capital hunting yarn into the bargain. He was deeply susceptible, moreover, to that singular spell which the wilderness lays upon certain lonely natures, and he loved the wild solitudes with a kind of romantic passion that amounted almost to an obsession. The life of the backwoods fascinated him – whence, doubtless, his surpassing efficiency in dealing with their mysteries.

.....

And next – almost simultaneous with his waking, it seemed – the profound stillness of the dawn outside was shattered by a most uncommon sound. It came without warning, or audible approach; and it was unspeakably dreadful. It was a voice, Simpson declares, possibly a human voice; hoarse yet plaintive – a soft, roaring voice close outside the tent, overhead rather than upon the ground, of immense volume, while in some strange way most penetratingly and seductively sweet. It rang out, too, in three separate and distinct notes, or cries, that bore in some odd fashion a resemblance, farfetched yet recognizable, to the name of the guide: “Dé-fa-go!”

The student admits he is unable to describe it quite intelligently, for it was unlike any sound he had ever heard in his life, and combined a blending of such contrary qualities. “A sort of windy, crying voice,” he calls it, “as of something lonely and untamed, wild and of abominable power…”

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