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Author Note

I fell in love with the drama of the French Revolution when my mother and I attended a showing of the movie A Tale of Two Cities.

To say the film was old is an understatement. Even in the seventies it bordered on antiquity—a black and white 1935 release, with Ronald Coleman as Sydney Carton. But that film captured my imagination in a way that few films have done before or since. I remember blinking dazedly at its conclusion, literally feeling as though I had been transported to another place and time and was myself waiting on that tumbril.

Those timeless words—‘It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known’—continue to thrill. Thank you, Charles Dickens.

Later I became fascinated with the history of the Revolution: with its ideals—which so soon dissolved into bloodthirsty chaos—and its impact not only on France but on the world.

One day I will set a novel based at its epicentre. But for today I am thrilled that Married for His Convenience at least touches this fascinating period.

Married For His Convenience

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