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Foreword

Acknowledgements

1. Introduction

1.1 The Goal and the Scope of the Study

1.2 Review of Research Literature on the Subject

1.3 Theoretical and Methodological Background of the Project

2. Solzhenitsyn as a Writer and a Witness

2.1 The Style and Genre of Solzhenitsyn’s camp-related Literature

One Day in the Life of Ivan Denisovich

The First Circle

The Gulag Archipelago

2.2 The Experience behind the Text: Camp Literature and Witness Literature

2.3 The Reception of Solzhenitsyn’s Camp Literature

2.4 Chapter Conclusion

3. Solzhenitsyn’s Oeuvre between Aesthetics and Politics

3.1 Introduction to Methods and Contextualization

3.2 Anti-communism: Solzhenitsyn at the Heart of the Cold War

Solzhenitsyn’s Reception during the Cold War

Solzhenitsyn in Brandt’s Germany

Solzhenitsyn in 1970’s Britain and the US

Solzhenitsyn’s Late Cold War Reception

Solzhenitsyn’s Reception upon the Collapse of European Communism

3.3 Solzhenitsyn in Revisionist Debates

Introduction

Revisionism in Solzhenitsyn’s Work and Reception

Solzhenitsyn and World War II

Solzhenitsyn and Russian Nationalism

Solzhenitsyn and “the Jews”

3.4 Political Christianity

3.5 Comparative Chapter Conclusion

4. Solzhenitsyn in History

4.1 Solzhenitsyn and Historiography

4.2 Solzhenitsyn and Memory Culture in East and West

4.3 Chapter Conclusion

Conclusions

The Ethic

The Political

The Aesthetic

Concluding Thoughts

Bibliography