Читать книгу All the Beautiful Girls: An uplifting story of freedom, love and identity - Elizabeth Church J - Страница 8

Lily lived for The Dinah Shore Show, starting with the NBC peacock, followed by the brass-heavy orchestra and the singer’s wide-toothed rendition of “See the U.S.A. in Your Chevrolet!” … Lily would hum along, “Dadadadadadadadadadah!” Dinah Shore had a tiny waist just like Mama, and Lily thought the television star seemed really happy.

They watched on the black-and-white set with Aunt Tate’s milk-glass collection balanced precariously on top. Lily imagined the colors: Dinah Shore’s long, elegant gloves must be emerald green, her fine net flounces would be sparkly deep blues and greens. Fuchsia silk scarves, silver and gold sequins, beautiful high heels dyed to match Dinah’s gowns. Slit skirts revealing long legs, whirling skirts that flew up to show dancers’ underpants and elicited the occasional “Shameful!” from Aunt Tate.

But, oh, the best part was the dancing! Maracas and mambos and cha-cha-cha, handsome men lifting Dinah in the air and carrying her around the stage, her smile never faltering. The dancers’ hips swaying, feet moving in rococo patterns. It was a world mercifully far removed from the martyred, blood-red edges of Aunt Tate ’s Bible, her thick support hose, and Uncle Miles’ weight on the edge of Lily’s bed, the way he pulled down the covers, a prelude.

LILY FIRST RAN away when she was nine, the summer after third grade. She climbed up on a chair and pulled her suitcase from its shelf high in her bedroom closet. It was made of cheap, pressed cardboard painted in pastel shades, with a lamb that had a yellow bow perched gaily in the curls of each ear. Lily flipped the latches so that the case opened to its pink-and-white-checked interior, and then she looked around to decide what to pack. She put in Black Beauty and two of her Nancy Drew mysteries, followed by the miniature porcelain elephant her father had won at the state fair. She filled the rest of the space with plain white Carter’s panties and undershirts, a nightie decorated with daisies, a comb, and a cylinder of scented talcum powder that had belonged to her mother.

The last thing Lily included was her mother’s big black palmistry book with the line drawings of hands, the mounts of Jupiter, Mercury, Apollo, and Venus. Mama used to run a ruby-red, manicured nail along the lines of Lily’s palm, pointing out the differences between what she’d been born with and what she would do with whatever the Fates sent her way. Lily had loved her mother’s touch, the way she prodded the pads of Lily’s fingers. “You have psychic hands, too, my Valentine’s Day child,” Mama had said, noting Lily’s long, tapered fingers and holding her own hand up for comparison. “Now, your sister Dawn, she’s a Leo—her hands are square, like your daddy’s. Practical, no nonsense. You’re the one, baby girl. The one like me.”

Lily got as far as the Petersons’ house, two streets away, before Uncle Miles happened by on his way to the drugstore for rolling papers and beef jerky.

“Get in,” he said, pulling over and pushing open the passenger door to his pickup truck. Lily hesitated, holding the hard plastic handle of her suitcase with both hands, already weary with the weight of it. She looked around, hoping someone would see her there, marooned in the shimmering summer heat. “Now,” her uncle commanded. Slowly, Lily climbed in, set the suitcase at her feet, and pulled the door shut behind her. “Don’t try that again.” He squeezed her upper arm until she cried out. “It’d be the death of your Aunt Tate.”

As he pulled away from the curb, Lily curled in on herself, trying not to smell Uncle Miles’ body next to hers. She glanced at his hands on the steering wheel, his thumbs like stubby, rounded clubs. When he said, “Stay put or else” and left her sitting in the truck while he went into the drugstore, she pulled out her mother’s book. Uncle Miles had what palmists called a clubbed hand. Such people, the book said, lacked willpower and were prone to criminal behavior.

She closed the volume when she saw her uncle lumbering back across the parking lot. He sat heavily behind the wheel and turned toward her, smiling so that his canines showed long and sharp. “You’re so sexy,” he said, using his husky, nighttime voice. “You make me lose control.” He scanned the parking lot and then crept his hand across the front seat toward her. Lily scooted so that her back was pressed against the passenger door. Surreptitiously, she tried to find the handle. “You’re not going anywhere,” Uncles Miles said as he started the truck. “You hear me?” He looked straight ahead through the windshield splattered with dead insects. When Lily failed to answer him, he slapped the seat between them, making dust rise. “Hear me? I said ‘NOWHERE.’ ”

“Yes,” Lily said, her voice small.

“Sir!”

“Sir,” she squeaked.

“Or else!”

“Or else,” Lily confirmed.

On the way back to the house, Uncle Miles took a detour. “Got something to show you,” he said as if he were giving her a gift. He drove until they reached a neighborhood of homes with big, welcoming front porches and shadowy green lawns. Uncle Miles slowed the truck, looking at house numbers. Finally, he stopped in front of a pale gray, two-story house with elaborate white trim. He let the engine idle and pointed.

“See that one?”

Lily nodded. It had broad flower beds with lilies, roses, and Mama’s favorite—peonies.

“That’s where he lives. The man who killed your family.”

Lily stared at the contrasting charcoal-gray front door with its inset diamond panes of leaded glass. She saw a lush fern hanging from the porch ceiling and two white wicker chairs angled toward each other, as if they were friends. Everything she saw from the window of Uncle Miles’ truck only deepened her curiosity about the man who’d collided with Lily’s family on that June night when dry lightning raked the horizon.

“You listening? I’m telling you that a murderer lives in that fancy house. These air force pilots think they can come to our town and lord it over the rest of us. You just remember,” Uncle Miles said as he took the truck out of neutral and slowly pulled away from the curb, “when you hear those sonic booms it’s probably that aviator, flying over you. The man who killed your family.”

Lily looked back at the Aviator’s house for as long as she could. She wanted for him to come out of the front door, to see her. She wanted to sit on his front steps and ask him things like Why? and How come? She wanted to beg Save me.

SHE HAD FEW memories of the night that broke her life into Before and After. She remembered that her allergies had been so severe that her nose bled, and so Mama made Lily lie down in the backseat, wrapped in a blanket patterned with stars and moons. As Lily drifted off to sleep, she watched Dawn stand, reach over the front seat, and begin to braid their mother’s hair.

Lily remembered waking up on the side of the road, curled into the arms of a stranger and seeing the Aviator standing near his car—the one with taillights set in wildly exaggerated fins that looked like some beast’s red, wicked eyes. She remembered her family’s motionless car, sparks of insects flashing in the headlight beams. Redwing blackbirds rising from fields of summer wheat, panicked by the commotion. The hiss of whitewall tires as they sighed last breaths; a violent whoosh of steam erupting from the radiator.

The Aviator had knelt beside Lily, holding a handkerchief to the top of his head. A thick shock of black hair hid his eyes. Lines of blood painted the contours of his face and ran into his mouth.

“What have you got there?” he had asked Lily—just as if he ’d met her on the street outside Hutchinson’s Ice Cream Store in downtown Salina.

Lily handed him her bouquet of four crayons, the ones she ’d held on to, tight, when the stranger lifted her from the car’s wreckage. “These ones are my favorites,” she said. Periwinkle, Carnation Pink, Cornflower, and Pine Green.

Mostly, Lily remembered that the Aviator hadn’t felt like a bad man. He felt like a sad one.

THERE WERE INTERMITTENT pools of rainwater relief, times when Lily smiled. Those times came when the parcels arrived in the mail, wrapped in brown paper, tied with twine, and addressed in bold black ink to Miss Lily Decker. The first was Gene Stratton-Porter’s Freckles. It was an old book from 1904, with a battered cover and fine engravings of trees, cattails, birds, and clouds. Before beginning the novel, Lily hoisted herself onto the kitchen counter and sneaked exactly ten saltines from Aunt Tate’s larder. Then, she propped herself up on her bed with the book, eating the saltines as slowly as possible. As she sucked the salt from each cracker, she knew she was just like Freckles—crippled and unlovable. Still, she felt a little less lonely.

The mysterious books smelled of time, somehow held the breath of another reader, someone before Lily. The secrecy surrounding the identity of the book-giver made Lily feel special, somehow deserving. The books also let her travel far from the relentless flatlands of her life with Uncle Miles and Aunt Tate.

Pragmatic Aunt Tate didn’t abide mysteries, but if she wondered about the books’ origins, she never said anything to Lily. Aunt Tate dealt with the tangible world, the only exceptions being Jesus, the disciples, and the New Testament miracles. As for Lily, she thought the books might be from her elementary school librarian, who’d often commented on Lily’s avaricious appetite for books about pioneer girls who were held captive by Indians, or the wildly vengeful myths of the Greeks and Romans. In a way, it didn’t matter who sent the books, as long as whoever it was kept sending them.

IT TOOK SOME convincing, but finally Aunt Tate agreed to let Lily sleep over at Beverly Ann’s. The girls had been friends forever. They traded Cherry Ames books, shared after-school snacks of apple slices loaded with peanut butter, and played Chinese jump rope.

“We ’ve missed you, sweetheart,” Beverly Ann’s mother said, kissing Lily good night and promising that they’d have French toast in the morning.

When Mrs. McPherson pulled the door nearly closed so that only a thin pillar of light shone from the hallway, Lily felt a sudden moment of panic. She audibly sucked in her breath as a fleeting image of Uncle Miles’ probing hands crossed her mind. The image was there, he was there, even though she knew that at least for tonight she wouldn’t have to fear the drop of his weight on the bed like a gunnysack of river rocks.

“What’s wrong?” Beverly Ann asked, her voice sleepy.

Lily thought about telling. She could tell Beverly Ann about what happened in her bedroom, when the only noises in the house were crickets and the hum of the refrigerator. Sometimes the furnace clicking off or on. And Uncle Miles’ breath, his huh-huh-huh that got faster and faster.

But she couldn’t tell. It would make her sick to tell. Sicker to tell than not to tell. Beverly Ann would know how disgusting Lily was, and Lily would lose her best friend. And if she did tell, then what would happen? She had nowhere else to go.

“Nothing,” she said, finally, but Beverly Ann had already fallen asleep. Lily listened to her friend’s deep, regular breathing, the breathing of a girl who could trust, even in the dark. Lily felt her own eyes fluttering closed as she nestled in sheets that smelled of a sun-kissed clothesline.

The next morning, Lily came home from Beverly Ann’s begging for a pogo stick, but Aunt Tate said it was “too dear,” and Lily nearly stomped her feet. Beverly Ann got to have everything! Lily’s friend’s life was a constant reminder of all that Lily had lost, and sometimes—like this time—Lily felt her cheeks flame hot with jealousy and anger.

But a few weeks after the sleepover at Beverly Ann’s, Uncle Miles beckoned a hesitant Lily to join him in the backyard beside his workshop. In his hands, he held a pair of homemade stilts.

“I sanded the handles real good so you won’t get splinters,” he said, turning the stilts so that Lily could admire his workmanship. “And I know these aren’t the same as a pogo stick, but you can learn to do tricks on them. Here,” he said, motioning to Lily to come closer. “I’ll help you get up on them. You’ll learn fast cuz you’re real coordinated.”

He was right; it took Lily no time to learn how to walk steadily, and soon enough she could balance on one stilt and even hop on a single wooden pole while holding the other one in the air. She sang songs and made up dances she could do balanced high on the stilts.

“I still think they’re dangerous,” Aunt Tate said after one of Lily’s stunt shows, performed just before dinner.

“Lord, Tate. Let the girl have some fun,” Uncle Miles had said and then winked at Lily, which made her nervous, not a happy co-conspirator. Lily became convinced that Uncle Miles wanted something in exchange, that he was incapable of a simple kindness. Eventually, that persistent knock of fear led Lily to abandon the stilts next to the woodpile, against the back fence where the squirrels lived.

MAYBE UNCLE MILES loved Aunt Tate. Lily didn’t know. He did love his raspberries—all forty-eight bushes, lined up in rows like soldiers on parade. He inspected them for infestations, dusted them with a white powder that poisoned any bugs bold enough to alight on the sharp leaves. He fertilized. He shooed away sparrows who dared to feast on the ripe fruit. When frost was predicted, he used old pillowcases to shroud the bushes so that they stood like an eerie battalion of child-sized ghosts.

They weren’t pretty plants, not like the boldly bright dahlias that had filled Mama’s flower beds. They were thorny creatures that protected themselves by being nondescript, unwelcoming. But when the fruit came—the faceted gemstone berries with their lush lobes, the juice running down Lily’s chin—it was heavenly. Aunt Tate would ladle the berries over vanilla ice cream, and they’d sit out back, watching the soft evening descend. It was a puzzle Lily couldn’t solve—the fact that something delicious came from her uncle’s devotion.