Читать книгу Fox River - Emilie Richards - Страница 3

Dear Reader,

I’ve been fortunate to live in wonderful places I can share in my novels. I started my writing career in New Orleans, the setting for Iron Lace and Rising Tides. I made two extended trips to Australia, the setting for Beautiful Lies, and I spent many years in bustling Cleveland, the home of Whiskey Island.

When it came time to move again, I was as interested in a unique and colorful setting for my next novel as I was in school systems and health care facilities. When northern Virginia appeared on my family’s horizon, I knew I’d found another home rich in history, culture and natural beauty.

From my front door I can easily drive to mountains and beaches. Or I can take a shorter drive to some of the most beautiful rural scenery imaginable: Virginia horse country, where farms and million-dollar estates rise from rolling hills and Thoroughbreds graze inside miles of winding stone fences.

It took only one visit to Loudoun County to know I’d found the setting for my next book.

So this time come with me to the world of foxhunting and steeplechasing, and a society that values the way a man sits a horse as much as it values his family name. I hope you’ll find it as fascinating as I have.

I always enjoy hearing from my readers. Please write me at P.O. Box 7052, Arlington, Virginia 22207.

From the unpublished novel Fox River, by Maisy Fletcher

Today, when I think of Fox River and all that happened here so many years ago, I am unwillingly wrapped in shades of green. The fresh, sweet green of pasture deepening toward the horizon, the evergreen of forest shading inevitably to the blue-green of Virginia hills until, at last, mountains merge with a misty sky.

It is the same sky, more or less, that others see. The sky that stretches over California and China and the farthest regions of Antarctica. It is the sky under which I was born, under which I lived the events told in this story. The same sky that sends sun and rain to make the grassy hills of Fox River as verdant, as lush, as any in the world.

But I, Louisa Sebastian, am the only person who sees the proud man silhouetted against this Fox River sky, the man erect on a stallion that no one else will mount, a man so wedded to the horse beneath him that I am reminded of the mythical centaur, and my breath, despite everything I know of him, catches in my chest.

Today, when I am forced to think of the events that happened at Fox River, I am swallowed by shades of green and by the blood that so long ago stained blades of grass a bright and terrible red. In the many years since, the grass has grown and the rain has washed away visible traces of blood, but I know the earth beneath has yet to recover, that if I were to dig in that very place, the dirt beneath my fingernails would be rusty and tainted still.

Had I only known what awaited me as I rode to Fox River that first afternoon, I would have galloped back to my cousin’s estate to seclude myself. I would have pleaded illness or injury and asked that my trunks be packed immediately for my return to New York.

But, of course, the future is never ours to know. Only the past is ours to contemplate and mourn forever.