Читать книгу Color Problems - Emily Noyes Vanderpoel - Страница 13
ОглавлениеLIST OF PLATES
| I. | Wools as sorted by a Color-Blind Man. |
| II. | Solar Spectra. |
| III. | Table of Spectral Colors. |
| IV. | The Spectral Colors (a) In their order of Luminosity;(b) Pure, and Grayed. |
| V. | Advancing and Retiring Colors. |
| VI. | Advancing and Retiring Colors. |
| VII. | Tints. |
| VIII. | Shades. |
| IX. | Violet with its Extremes. |
| X. | Blue with its Extremes. |
| XI. | Green with its Extremes. |
| XII. | Yellow with its Extremes. |
| XIII. | Orange with its Extremes. |
| XIV. | Red with its Extremes. |
| XV. | Shades by Contrast. |
| XVI. | Spectral Colors on Black, White, and Gray. |
| XVII. | White on Spectral Colors. |
| XVIII. | Black on Spectral Colors. |
| XIX. | Gray on Spectral Colors. |
| XX. | Spectral Red with its Complement. |
| XXI. | Spectral Red Disk for Experiment in Complements. |
| XXII. | Spectral Red and its Complement, Blue-Green, in their relative Proportions. |
| XXIII. | Spectral Orange and its Complement. Green-Blue, in their relative Proportions. |
| XXIV. | Spectral Yellow and its Complement, Spectral Blue, or Spectral Blue and its Complement, Spectral Yellow, in their relative Proportions. |
| XXV. | Spectral Green and its Complement, Purple, in their relative Proportions. |
| XXVI. | Spectral Violet and its Complement, Yellow-Green, in their relative Proportions. |
| XXVII. | Milton-Bradley Color Machine. |
| XXVIII. | Table of Complements arranged in Pairs. |
| XXIX. | Table of Complements arranged in a Circle. |
| XXX. | Contrast Diagram. |
| XXXI. | Color analysis from a Prize Dinner-table. |
| XXXII. | Color analysis from Teacup and Saucer. |
| XXXIII. | Harmony of one Color; Harmony of Contrast; Complex Harmony. |
| XXXIV. | Color analysis of a Book Advertisement. |
| XXXV. | Harmony helped by Outline. |
| XXXVI. | Good Dyads, or Pairs. |
| XXXVII. | Good Triads. |
| XXXVIII. | Harmony by Gradation. |
| XXXIX. | Harmony by Change of Quality. |
| XL. | Harmony by Change of Quantity. |
| XLI. | Harmony by Change of Both Quality and Quantity. |
| XLII. | Harmony by the Addition of another Color. |
| XLIII. | Harmony by the Addition of Black. |
| XLIV. | Harmony from a Dominant Hue. |
| XLV. | Harmony by Interchange. |
| XLVI. | Harmony by Counterchange. |
| XLVII. | The True Character of some of the so-called “Whites.” |
| XLVIII. | Some Changes by Gradation. |
| XLIX. | Color analysis from Assyrian Tiles. |
| L. | Color analysis from Assyrian Tiles. |
| LI. | Color analysis from Assyrian Tiles. |
| LII. | Color analysis from a Mummy Cover. |
| LIII. | Color analysis from an Egyptian Mummy Case. |
| LIV. | Color analysis from a Mummy Case. |
| LV. | Color analysis from a Mummy Cloth. |
| LVI. | Color analysis from a Mummy Cloth. |
| LVII. | Color analysis from a Mummy Cloth. |
| LVIII. | Color analysis from a Mummy Cloth. |
| LIX. | Color analysis from a Mummy Cloth. |
| LX. | Color analysis from a Mummy Cloth. |
| LXI. | Color analysis from a Mummy Cloth. |
| LXII. | Color analysis from an early Greek Vase. |
| LXIII. | Color analysis from a Greek Vase. |
| LXIV. | Color analysis from a Greek Vase. |
| LXV. | Color analysis from a Greek Vase. |
| LXVI. | Color analysis from Arab Mosaics. |
| LXVII. | Color analysis from Arab Illumination. |
| LXVIII. | Color analysis from Moorish Tiles. |
| LXIX. | Color analysis from a Panel of the Alhambra. |
| LXX. | Color analysis from a Panel of the Taj Mahal, India. |
| LXXI. | Color analysis from Damascus Tiles. |
| LXXII. | Color analysis from Celtic Ornament. |
| LXXIII. | Color analysis from Italian Majolica Vase. |
| LXXIV. | Color analysis from Panel of Dutch Inlaid Cabinet of the 15th Century. |
| LXXV. | Color analysis from Spanish Embroidery. |
| LXXVI. | Color analysis from Spanish Embroidery. |
| LXXVII. | Color analysis from an Antique Persian Rug. |
| LXXVIII. | Color analysis from an Antique Rug. |
| LXXIX. | Color analysis from an Antique Rug. |
| LXXX. | Color analysis from an Antique Rug. |
| LXXXI. | Color analysis from an Antique Rug. |
| LXXXII. | Color analysis from an Antique Rug. |
| LXXXIII. | Color analysis from an Antique Rug. |
| LXXXIV. | Color scheme of an Antique Rug. |
| LXXXV. | Color analysis from an Antique Rug. (Plate lxxxiv.) |
| LXXXVI. | Color analysis from Japanese Silk Tapestry. |
| LXXXVII. | Color analysis from Japanese Silk Tapestry. |
| LXXXVIII. | Color analysis from Japanese Silk Brocade. |
| LXXXIX. | Color analysis from border of Japanese Cloisonné Vase. |
| XC. | Color analysis from Japanese Cloisonné Vase. |
| XCI. | Color analysis from Japanese Skirt Panel. |
| XCII. | Color analysis from Japanese Brocade. |
| XCIII. | Color analysis from Chinese Porcelain. |
| XCIV. | Color analysis from a Black Hawthorn Vase. |
| XCV. | Color analysis from a Rose-colored Vase. |
| XCVI. | Color analysis from Yellow Chinese Porcelain Vase. |
| XCVII. | Color analysis from a Chinese “Egg-shell” Plate. |
| XCVIII. | Color analysis from a Butterfly. |
| XCIX. | Color analysis from a Stone. |
| C. | Color note from a Discolored Propeller Flange. |
| CI. | Color note from Leaves on a Tree. |
| CII. | Color note from a Sunset Sky. |
| CIII. | Color note from Bare Woods on the Edge of a Meadow. |
| CIV. | Color note from Evergreens against a Gray-Blue Rain-cloud. |
| CV. | Color note from a Shadow on White Ground. |
| CVI. | Color note from a Blue-bird. |
| CVII. | Color note from a Slice of an Orange. |
| CVIII. | Color note from an Orange Canna Blossom. |
| CIX. | Color note from a Bunch of Azaleas. |
| CX. | Color note from Oak-leaves against a Distant Hillside. |
| CXI. | Color note from Oats seen from the Edge of the Field. |
| CXII. | Color note from a Pussy Willow. |
| CXIII. | Color note from a Trout Pond. |
| CXIV. | Color note from a Tree Fungus. |
| CXV. | Color scheme from Winter Landscape. |
| CXVI. | Spectral Red, neutralized by Black and White. |
| CXVII. | Spectral Yellow, neutralized by Black and White. |
