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THE EMPEROR’S METHOD OF DICTATING.

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October 1st—3rd. The wind, the sea, and the temperature still continued without variation. The westerly wind, which had at first been so much in our favour, now began to be adverse. We had taken an easterly direction, in the hope of falling in with the trade-winds; but we now found ourselves to the leeward of the place of our destination, through the continuance of the westerly winds—a circumstance which surprised every body, and excited dissatisfaction among the crew.

The Emperor every morning regularly continued his dictation, in which he daily took a deeper interest; consequently his hours henceforth seemed less tedious.

The vessel had been sent out of port in such a hurry that many repairs remained to be completed after we had put to sea, and the painting of the ship had only recently been finished. The Emperor’s sense of smelling is extremely delicate; and he found the paint so very offensive that he was forced to confine himself to his cabin for two days.

Every evening, when taking his walk on deck, he loved to revert to the occupation of the morning. At first, he was assisted by no other document than a wretched work entitled Guerres des Français en Italie, written without end or object, and devoid of any connected chronological plan. The Emperor glanced through it, and his memory supplied all deficiences: this faculty indeed appeared to me the more extraordinary since it always seemed to be in readiness when needed, and as if at command.

When the Emperor commenced his daily dictations, he always complained that the circumstances to which he wished to recur were no longer familiar to him. He seemed to want confidence in himself, saying he should never get through the task. After considering for a few moments he would rise and walk about, and then begin to dictate. From that moment he was quite another man: every thing flowed smoothly; he spoke as if by inspiration; places, dates, phrases—he stopped at nothing.

On the following day I read to him what he had dictated. After making the first correction he continued to go on with the same subject, as though he had said nothing about it the day before. The difference between the first and the second version was very great: the latter was more positive and diffuse, and better arranged; indeed it sometimes materially differed from the first.

On the day succeeding the first correction, the same operation was repeated, and the Emperor commenced his third dictation for the purpose of setting the two former ones right. But after that, had he dictated a fourth, a seventh, or a tenth time, as he in some instances did, it would have been a repetition of precisely the same ideas, the same construction of phrases, and almost the same words. It was needless to take the trouble to write, though before his eyes: he paid no attention to what was doing, and continued to the end of his subject. It would have been vain to ask him to repeat any thing that might not have been distinctly heard: he still went on; and as he dictated with great rapidity, I never ventured to interrupt him, lest I should lose still more, and find myself unable to recover the thread of the subject.

The Life, Exile and Conversations with Napoleon

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