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ACKNOWLEDGMENTS

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I’d like to, first and foremost, thank my father, Walter Orloff, who provided advice, ideas and historical background about jazz and the blues. As far as I am concerned, he is the world’s greatest jazz expert, and his extensive—some would say exhaustive—record and book collection helped greatly, as did our e-mails and conversations. I’d especially like to thank him for reluctantly giving up several of his Django Reinhardt albums.

I must, as always, acknowledge my wonderful agent, Jay Poynor, who remains my greatest supporter. We talk daily, and it truly helps to know he is in my corner at all times. “Darlin’, you’re my Luv.”

Thank you to Margaret Marbury, the best editor I could imagine. When I decided to take the tone of this novel in a different direction, she was not only supportive but excited. Thank you. I look forward to our collaboration for many years to come.

What would I do without Writer’s Cramp? Pam, Gina and Jon. Thank you for giving me discipline as a writer—and wine. Let’s not forget the wine.

Thanks to my friends Pam, Nancy, Cleo and Kathy for being such totally cool women. In the immortal words of Miss Bella: “You rock.”

I acknowledge the late Viktor Frankl for giving my life philosophical meaning.

Thanks to my mother.

Whenever I felt like procrastinating on finishing this book, I called her, which was daily. And she happily obliged. But then would tell me to get back to work.

Finally, to Alexa, Nicholas and Isabella. You can’t possibly imagine what inspiration you are. To J.D., for everything. Always.

Diary Of A Blues Goddess

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