Читать книгу The Greatest Works of Ernest Hemingway - Ernest Hemingway - Страница 9

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Scripps left Mancelona. He was through with that place. What had a town like that to give him? There was nothing to it. You worked all your life and then a thing like that happened. The savings of years wiped out. Everything gone. He started to Chicago to get a job. Chicago was the place. Look at its geographical situation, right at the end of Lake Michigan. Chicago would do big things. Any fool could see that. He would buy land in what is now the Loop, the big shopping and manufacturing district. He would buy the land at a low price and then hang onto it. Let them try and get it away from him. He knew a thing or two now.

Alone, bareheaded, the snow blowing in his hair, he walked down the G. R. & I. railway tracks. It was the coldest night he had ever known. He picked up a dead bird that had frozen and fallen onto the railroad tracks and put it inside his shirt to warm it. The bird nestled close to his warm body and pecked at his chest gratefully.

“Poor little chap,” Scripps said. “You feel the cold too.”

Tears came into his eyes.

“Drat that wind,” Scripps said and once again faced into the blowing snow. The wind was blowing straight down from Lake Superior. The telegraph wires above Scripps’s head sang in the wind. Through the dark, Scripps saw a great yellow eye coming toward him. The giant locomotive came nearer through the snow-storm. Scripps stepped to one side of the track to let it go by. What is it that old writing fellow Shakespeare says: “Might makes right”? Scripps thought of that quotation as the train went past him in the snowing darkness. First the engine passed. He saw the fireman bending to fling great shovelfuls of coal into the open furnace door. The engineer wore goggles. His face was lit up by the light from the open door of the engine. He was the engineer. It was he who had his hand on the throttle. Scripps thought of the Chicago anarchists who, when they were hanged, said: “Though you throttle us today, still you cannot something something our souls.” There was a monument where they were buried in Waldheim Cemetery, right beside the Forest Park Amusement Park, in Chicago. His father used to take Scripps out there on Sundays. The monument was all black and there was a black angel. That was when Scripps had been a little boy. He used often to ask his father: “Father, why if we come to look at the anarchists on Sunday why can’t we ride on the shoot the chutes?” He had never been satisfied with his father’s answer. He had been a little boy in knee pants then. His father had been a great composer. His mother was an Italian woman from the north of Italy. They are strange people, these north Italians.

Scripps stood beside the track, and the long black segments of the train clicked by him in the snow. All the cars were Pullmans. The blinds were down. Light came in thin slits from the bottom of the dark windows as the cars went by. The train did not roar by as it might have if it had been going in the other direction, because it was climbing the Boyne Falls grade. It went slower than if it had been going down. Still it went too fast for Scripps to hitch on. He thought how he had been an expert at hitching on grocery wagons when he was a young boy in knee pants.

The long black train of Pullman cars passed Scripps as he stood beside the tracks. Who were in those cars? Were they Americans, piling up money while they slept? Were they mothers? Were they fathers? Were there lovers among them? Or were they Europeans, members of a worn-out civilization world-weary from the war? Scripps wondered.

The last car passed him and the train went on up the track. Scripps watched the red light at its stern disappearing into the blackness through which the snowflakes now came softly. The bird fluttered inside his shirt. Scripps started along the ties. He wanted to get to Chicago that night, if possible, to start work in the morning. The bird fluttered again. It was not so feeble now. Scripps put his hand on it to still its little bird flutterings. The bird was calmed. Scripps strode on up the track.

After all, he did not need to go as far as Chicago. There were other places. What if that critic fellow Henry Mencken had called Chicago the Literary Capital of America? There was Grand Rapids. Once in Grand Rapids, he could start in in the furniture business. Fortunes had been made that way. Grand Rapids furniture was famous wherever young couples walked in the evening to talk of home-making. He remembered a sign he had seen in Chicago as a little boy. His mother had pointed it out to him as together they walked barefoot through what now is probably the Loop, begging from door to door. His mother loved the bright flashing of the electric lights in the sign.

“They are like San Miniato in my native Florence,” she told Scripps. “Look at them, my son,” she said, “for some day your music will be played there by the Firenze Symphony Orchestra.”

Scripps had often watched the sign for hours while his mother slept wrapped in an old shawl on what is now probably the Blackstone Hotel. The sign had made a great impression on him.

LET HARTMAN FEATHER YOUR

NEST

it had said. It flashed in many different colors. First a pure, dazzling white. That was what Scripps loved best. Then it flashed a lovely green. Then it flashed red. One night as he lay crouched against his mother’s body warmth and watched the sign flash, a policeman came up. “You’ll have to move along,” he said.

Ah, yes, there was big money to be made in the furniture business if you knew how to go about it. He, Scripps, knew all the wrinkles of that game. In his own mind it was settled. He would stop at Grand Rapids. The little bird fluttered, happily now.

“Ah, what a beautiful gilded cage I’ll build for you, my pretty one,” Scripps said exultantly. The little bird pecked him confidently. Scripps strode on in the storm. The snow was beginning to drift across the track. Borne on the wind, there came to Scripps’s ears the sound of a far-off Indian war-whoop.