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LECTURE I
Sources of Browning’s influence as a teacher.
Connection between the five poems of the Course.
Caliban upon Setebos—Origin of—Criticisms.
Characteristics of Caliban. Cf. Caliban of Shakespeare.
Analysis of Poem.
(i) Introductory (ll. 1-23).
(ii) Conception of Setebos.
(a) Place of abode (ll. 24-25).
(b) Creator of things animate and inanimate (ll. 26-55).
(c) Motives of Creation: self-gratification or wantonness (ll. 55-84, 170-199).
(d) Answer to prayers addressed by his creatures uncertain because result of caprice (ll. 85-97).
(e) Main characteristic—Power, irresponsible and capricious (ll. 98-126, 200-240).
(iii) “The Quiet” and Caliban’s estimate of evil (ll. 127-141, 246-249).
Other lines of thought relating to:
A. Doctrine of Sacrifice.
B. A Future Life.
C. Indirect suggestion of necessity of an Incarnation of the Deity arising from negative conditions ascribed to “the Quiet.”
LECTURE II
CLEON
Cleon. Cf. Caliban: (i) Dramatic change; (ii) point of contact.
Greek conception of life—Influences affecting Cleon.
Analysis of Poem.
I. Introductory and descriptive (ll. 1-42).
II. Varied attainments of Cleon indicative of progress of race through development of complexity of nature (ll. 43-157). Includes (ll. 115-126) Cleon’s conception of an Incarnation.
III. Answer to question of Protus, Is death the end to the man of thought as well as to the man of action? (ll. 158-323.)
Increase of happiness not necessarily accompaniment of fuller knowledge (ll. 181-272).
Fuller insight, attribute of artist-nature, rather productive of keener sense of loss in face of death (ll. 273-323). Cf. Old Pictures in Florence, etc.
IV. Hence arises conception of necessity to man of future life (ll. 323-335.)
V. Conclusion. With reference to current reports of Christianity. Cf. Cleon and Paul (ll. 336-353).
LECTURE III
BISHOP BLOUGRAM’S APOLOGY
Dramatic character of poem.
Connection with preceding poems.
Identity of Bishop Blougram—Browning’s treatment of subject—Criticisms discussed.
Indications of identity—A. External. B. Personal characteristics.
Analysis of Poem.
I. Epilogue (ll. 971-1014). How far is the Bishop serious in his assertions?
II. Introductory. Bishop and Critic (ll. 1-48).
III. Bishop’s Life. Cf. Ideal of Critic (ll. 49-143, 230-240, 749-805). Cf. A Grammarian’s Funeral, Dîs Aliter Visum, Rabbi Ben Ezra, etc.
IV. How far schemes of life reconcilable—Difficulties of consistency in either (ll. 144-212).
V. Positions compared—Advantages of belief (ll. 213-431).
VI. Is life divorced from faith possible? (ll. 432-554.)
VII. Recognition of value of enthusiasm result of faith (ll. 555-646).
VIII. Is “pure faith” possible? (ll. 647-748.)
IX. Deeper thoughts suggested:
Faith increased through conflict with Doubt.
Truth essential to Life.
Mystical element of Blougram’s faith.
LECTURE IV
CHRISTMAS EVE AND EASTER DAY (i)
Special interest of poems, common and individual.
Christmas Eve. Faith corporate.
I. Realism in Art, I-IV—Zion Chapel and Methodism—Soliloquist at first capable of criticism only—Inspiration of Love wanting (ll. 117-118, 139-184).
II. Truth absolute, IV-IX—God revealed in Nature as Power and Love—Knowledge finite, Love infinite.
The Vision (ll. 373-520)—Essentials of worship, spirit and truth.
III. Rome, St. Peter’s, X-XII. Symbolism or materialism in worship?
IV. German University, XIII-XVIII—Historic criticism by Lecturer of Christian creed—Treatment of criticism by soliloquist.
V. Mental attitude, result of night’s experience, XIX-XXI.
(i) Easy tolerance, succeeded by (ii) realization of necessity of individual acceptance of creed.
VI. Return to Zion Chapel and ultimate choice of creed, XXII. Reasons for choice.
LECTURE V
CHRISTMAS EVE AND EASTER DAY (ii)
Easter Day. Faith individual.
Part I, Sections I-XII. Discussion between First Speaker, struggling with difficulties involved in practical acceptance of Christianity, and Second Speaker, who would hold the Faith without question.
First Speaker, I (ll. 1-12, 15-17, 21-28), III, V, VII (ll. 171-203), VIII, X, XII.
Second Speaker, I (ll. 13, 14, 18-20), II, IV, VI, VII (ll. 204-226), IX, XI.
Part II. The Vision. Sections XIII-XXXIII.
Introductory, XIII, XIV.
The Judgment, XV-XXII; Character of.
Results. Freedom in complete possession of Earth. No satisfaction derivative therefrom in (a) Nature, XXIII, XXIV; (b) Art, XXV, XXVI; (c) Intellectual attainment, XXVII, XXVIII; (d) Love—sought as final refuge, XXIX-XXX (l. 969).
Argument in favour of credibility of Gospel story, XXX (ll. 969-990).
Ultimate results of Vision—Acceptance of existing uncertainty rather than of satiety within temporal limitations, XXXI-XXXIII.
LECTURE VI
CHRISTMAS EVE AND EASTER DAY (iii)
General character of poems. How far dramatic?
Expression of Browning’s personal opinions under dramatic guise on
I. Doctrine of the Incarnation.
II. Faith and Life temporal.
III. Judgment and Future Punishment.
Dramatic element stronger in references to
IV. Roman Catholicism.
V. Nonconformity of “Zion Chapel.”
VI. Asceticism.
LECTURE VII
LA SAISIAZ
Peculiar interest attaching as direct expression of Browning’s thought.
General character of poem. Cf. Prospice.
Prologue outcome of conclusions of poem.
Circumstances giving rise to La Saisiaz.
Death of Miss Egerton-Smith, 1877.
Analysis of Poem.
A. Prelude (ll. 1-404).
(i) Narrative of events leading to subsequent reflections (ll. 1-139).
(ii) Immortality of the soul—Treatment of question (ll. 139-179).
(iii) Nature of Immortality (ll. 179-216).
(iv) Primary truths constituting basis of succeeding argument (ll. 217-234).
(v) Grounds for belief in a future life—Imperfections of present life—Its probationary character—Preponderance of evil (ll. 235-404).
B. Argument, imaginary, between Fancy and Reason (ll. 405-524).
C. Conclusions from foregoing (ll. 525-604)—Supplementary (ll. 605-618).
Relation of La Saisiaz to earlier poems considered.
Its relation to Browning’s attitude towards Christianity—Christianity and a Future Life.
Summary of Browning’s creed as deduced from foregoing considerations—Dogma and spiritual growth.
Browning and Dogma

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