Читать книгу Into the No-Zone - Eugene Lambert - Страница 7
PROLOGUE
ОглавлениеIt’s her turn outside. After all the hours spent hiding in the dark and staying quiet, the cold drizzle that greets her is almost welcome. It’ll be her first time at the lambing. Well . . . sort of.
Old Hicks takes them up the hill to the pens, her and a lad called Marat. Marat’s sixteen, more than twice as old as she is, and won’t waste time talking to a little girl. Fine by her, because talking is dangerous.
Talking can get you found out.
Tucked away in the gloom under the camo-netting, sheltered from the ever-shrieking wind, the girl finally gets to see the woollies close up. She’s a bit disappointed. They’re manky-looking and skinny, scraps of filthy wool still hanging off where they’ve been rough-sheared. Hicks flicks the beam of his shiner about and the girl sees sheep nursing a single newborn lamb each. But one ewe lies apart from the others, and seems restless. It gets up, bleats, paws at the straw-covered earth, then lies down again.
‘That un’s ready,’ Hicks says, squinting at her.
The girl hesitates, unsure. ‘Ready?’
‘To drop. Don’t just stand there gawping. Go see to it.’
Ready to drop. Oh yeah. She swallows and nods. Her sister’s done the telling from her turn outside yesterday. Now it’s up to her to do the remembering and play it so Hicks never guesses that today’s little girl is not the same as yesterday’s little girl.
So she scuttles around to the business end of the beast. Even though she knows what to expect, she still makes a face.
‘You like that, huh?’ Marat jeers.
See, it’s messy back here. A little white head and two tiny black hooves poke out of an explosion of red skin. The girl doesn’t know whether to laugh, cry or be sick. Marat sniggers at her.
She gives him the finger, while Hicks isn’t looking.
Fortunately, the old ewe knows what she’s about. The girl watches, bug-eyed, as the lamb slithers out and thumps wetly on to the straw. Only a little woolly thing, but the girl’s amazed. It all goes exactly like her sister said it would. A new life, in front of her eyes. It’s so beautiful.
Hicks is watching her. His slash of a mouth twists into a snarl.
‘What you waitin’ for?’
The girl takes a deep breath and swats the fussing ewe away. Gritting her teeth, she pulls at the stuff on the lamb’s face. It’s hot and slimy, but comes away easy enough. She makes sure the newborn’s nostrils are clear of mucus, grabs a handful of straw and gives its face a quick tickle. The tiny creature – even littler than she is – sneezes. Its warm breath tickles her cheek back. ‘It’s breathing,’ she calls out, excited.
Hicks grunts something at her, which she doesn’t catch.
The worst bit is still to come. But her sister managed it, so she’ll have to manage it too, so nobody suspects. That’s the story of their two-pretending-to-be-one life. She lets the mother ewe back in to lick its newborn clean, fishes out her laser-knife and fires up its glowing green blade. Then, not waiting to think, she slices the cord close to the lamb’s navel, dials up full heat and holds the fizzing green blade on to the bloody end until she smells flesh burning. The lamb kicks a bit, but it’s not so bad. The bleeding stops. A dab of orange iodine from the pot and she’s done. Her first lamb, and it looks fine, shaking less then she is. As she powers the blade down, the lamb lifts its head, wanting to suckle. She reckons it’s a girl.
Hicks stomps over and gobs into the straw. ‘Not a bad job.’
The girl’s not listening; she’s staring at the old ewe. It’s lost interest in the lamb and is pawing at the ground again. Beside her, Hicks curses. The girl looks up, startled, to see him making the Sign of One. Marat comes over. One look and he makes it too – the sign against evil.
The girl’s blood turns to ice. ‘What’s wrong?’
Hicks turns his back, lurches off to a corner of the pen and picks up some filthy old sacking. More cursing as he throws it at her.
‘What’s this for?’ she says. Instantly realises this was a mistake.
‘Same as yesterday,’ Marat sneers. ‘You forget already?’
‘We’re cursed,’ Hicks growls, looking disgusted. ‘Two blasted sets in two days. We’ll be in the upper pens when you’re done at the river. And don’t lose the sack this time, you hear? They don’t grow on trees.’
Finally, the girl understands. This ewe being restless again – it has a second lamb on the way. A twin lamb!
The sack. The river. She can’t help shuddering.
One is good, two is evil. The words pound through her brain as Hicks shambles off swearing, pulling at what’s left of his hair. Marat looks at the girl, his forehead knotted, like he’s chewing on a bone inside his head. This makes the girl sweat. She does her dumber-than-dumb face and sketches the Sign of One. Not because she wants to: because she has to.
What was her fool of a sister thinking? Why didn’t she warn her?
The ewe lies down, strains and bleats. The girl glimpses a second set of tiny hoofs start squeezing out into the world. And then the gate bangs shut against its stone gatepost, making the girl jump. She looks up and Hicks and Marat are gone. It’s just her and the sheep now. She drops to her knees in the straw, shaking. The old ewe takes a break from straining to glare at her out of its dark-slot eye. She reaches out and runs her hand over its firstborn. The tiny wet thing butts her fingers with its snout, mistaking her for its mother. It cries out, desperate for milk.
How can this poor little thing be evil? the girl wonders.
Like everyone else out here she’s half starved. Her pale face is pinched, her stomach swollen. She can’t help thinking that this is two lambs for the price of one: two small bundles of wool and milk and mutton and hope – a blessing not a curse. She says this last phrase over and over again. It’s word for word what her mother whispers to her and her twin sister every night at their going-to-bed time.
It’s only the rest of the world that disagrees . . .
The old ewe tires and needs help. The girl pulls the second lamb out by its hooves, sorts its breathing like before and sees to the birth cord. Without thinking, she helps give the poor little doomed thing life. As the ewe starts licking and nudging it, she fights not to think about how she’ll soon be sticking them both in the sack. Or how it will feel as the sack thrashes in the cold water. Most of all, she tries not to think about what will happen to her and her twin sister if they’re ever found out. It won’t just be a bag over their heads and a trip to the river. They won’t get off so lightly.
The girl almost never cries. She has a quick cry now.
Stones crunch and rattle, dislodged by a boot. She looks around and Marat is back. He leans on the gate, chomping on a piece of bindgrass. Says nothing. Just stares at her. Real hard.
Does he see her tears in the gloom? She can’t be sure.
Quickly, hating to do it, the girl stuffs the lambs into the sack. She shoves her way out and past Marat, shutting her ears to the ewe’s frantic bleating. She runs down to the river, finds a quiet spot. Only she can’t drown them, like her sister did. Instead, she takes a desperate chance. She hides them inside a dead tree, covering them with grass and leaves to keep them warm. She whispers to them that she’ll come back when it’s dark and sneak them home. Her mother will know what to do.
‘You’re a blessing not a curse,’ she tells them.
But as she turns around, the girl sees Marat has followed her . . .