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KEVIN HAND

DOCTOR

Productions at the Finborough Theatre include The Breakfast Soldiers.

Theatre includes The Resistible Rise of Arturo Ui (Library Theatre, Manchester), The Mystery of Father Brown (Swan Theatre, Worcester), Dinosaur (Arcola Theatre), Our Children Will Be Next, Aman (Theatre503), A Funhouse of Mirrors (Menier Gallery), Stealing Sweets and Punching People (The Phil Porter Company at the Nu-Write Festival, Croatia), Kiss of the Spider Woman and The Hothouse (Black Stripe Theatre, Japan).

GRAEME MCKNIGHT

GAVRIIL

Productions at the Finborough Theatre include The Wallace as part of the Scotland Decides season.

Trained at the Royal Academy of Dramatic Art.

Theatre includes Penetrator (GBS Theatre), Cymbeline, The Brothers Karamazov and Dealing With Clair (RADA).

Film includes Aftermath and Death Defying Acts.

Television includes Outlander and Life of Riley.

MATTHEW THOMAS

YURCHAK

Theatre includes Coriolanus (Royal Shakespeare Company and National Theatre Wales), Arcadia, As You Like It, The Comedy of Errors, Richard II, Titus Andronicus (Shakespeare at the Tobacco Factory, Bristol), The Sea Plays (Old Vic Tunnels), Bronte (Shared Experience), One Flea Spare (Battersea Arts Centre) and Maudesley Project (Look Left Look Right). Film includes One Fine Day and Inside Lydia’s Head.

Television includes Spooks, Afterlife, Micawber, Never Never and The Case of Fiona Jones.

Radio includes Dixon of Dock Green, Slam Bangin’ Home, People’s History – Voices of the Powerless, Soldier Soldier, Missing and Spy Nozy and the Poets.

AARON VODOVOZ

GUARD

Trained at LAMDA.

Theatre includes Attempts on Her Life, The School of Night, The Revenger’s Tragedy, Sweeney Todd and A Few Good Men (LAMDA).

Television includes The Honourable Woman and Mr Selfridge.

EVE LEIGH

PLAYWRIGHT

Trained on the Royal Court Theatre Young Writers’ Programme and Studio Group, and the National Theatre Directors’ Course. Short plays include Enough (Birmingham REP), White Tuesday and Branches So Big They Block Out The Sun (Arcola Theatre), Wall (Festival of the North East) and You’re the Kind of Girl (Pleasance Edinburgh). She adapted The Dybbuk (King’s Head Theatre), and was also dramaturg for Numbers (Belarus Free Theatre) and How To Win Against History (Ovalhouse). Theatre as Director includes Circles and Chris and Me (Old Red Lion Theatre), Well (Trafalgar Studios and Apollo Theatre) and The Dybbuk (King’s Head Theatre). Eve is Creative Director of the All Change Festival at the Lyric Theatre, Hammersmith, and an Associate Artist of Firehouse Creative Productions.

TOM MANSFIELD

DIRECTOR

Trained on the MFA in Theatre Directing at Birkbeck, University of London, and at Birmingham University.

Theatre includes The Situation Room (Hull Truck, Shoreditch Town Hall and UK Tour), Birmingham From Above, The Engineers’ Lunch, Enough, Julius Caesar and The Caucasian Chalk Circle (Young REP at Birmingham REP), Wall (Festival of the North-East), True Colours (Northern Stage at St Stephen’s), The Falling Sickness (Theatre in the Mill), 21 Writers (West Yorkshire Playhouse), The Nightingale and the Rose (Grimeborn Festival at the Arcola Theatre), Oh Well Never Mind Bye (Union Theatre), Water Sculptures (Theatre503, Union Theatre and English Theatre of Bruges) and Meat (Smirnoff Underbelly). Assistant Direction includes Yerma, directed by Roísín McBrinn, A Christmas Carol, directed by Nikolai Foster, and As You Like It, directed by Ian Brown (West Yorkshire Playhouse), Purgatorio (Arcola Theatre), La Voix Humaine, Dido and Aeneas, Cautionary Tales (Opera North) and L’occasione fa il ladro (Royal Academy Opera).

Tom is Artistic Director of Upstart and a founding director of Oscar Mike.

PETRA HJORTSBERG

DESIGNER

Theatre includes Free Fall for which she was nominated for an OffWestEnd Award for Best Set Design, Freak (Theatre503 and Assembly Rooms, Edinburgh), Occupied for which she was nominated for an OffWestEnd Award for Best Set Design (Theatre503), Companion Piece (Pleasance London), How To Win Against History (Ovalhouse), Body Electric, DISCOnnected (ABSOLUT Fringe Festival, Dublin), Treasure This? (Bush Theatre) and In Extremis (King’s Head Theatre). Theatre as Associate Designer includes Land of Our Fathers and A Handful of Stars (Trafalgar Studios).

Costume Design includes Cnoic Chlaonta and Shift(h)er (USA and Ireland) and Celebrity (Project Arts Centre, Dublin). Film includes Magpie, Way of the Monkey’s Claw, The 95th, PubMonkey, Blind Man’s Dream and Termination.

She is a Creative Associate at the Gate Theatre, and exhibited at the World Stage Design Exhibition in 2013.

RACHEL BOTTOMLEY

LIGHTING DESIGNER

Trained at LIPA.

Theatre includes Freak (Theatre503 and Assembly Rooms, Edinburgh), It Never Ends, ThatcherWrite (Theatre503), The Last Eden (The Kazimier) and A Clockwork Orange (LIPA).

Rachel was the winner of the 2012 Association of Lighting Designers Michael Northern Bursary Award.

DUNCAN GRIMLEY

SOUND DESIGNER

Composition and Production includes Wings of Desire (International Dance Festival Birmingham 2012 for Seeper, Circa and 2Faced Dance), BTown (International Dance Festival Birmingham 2014 for Morning of Owl, Pro Dance and Plague), Headphones (UK Tour for Corey Baker Dance), I Waz Ere 2 and Go! (UK Tour for Protein Dance), Other and Unsent Letters (The Drum for Hearth Theatre), For The Past 30 Years (Birmingham REP) and 5 Man Show (UK Tour for Bare Bones).

JENNIFER JACKSON

MOVEMENT DIRECTOR

Trained at East 15 and works as an actor, devisor and movement director. Movement Direction includes Debris (Southwark Playhouse), Macbeth (Sam Wanamaker Playhouse), Knights (Bike Shed Theatre, Exeter), The Gut Girls (Brockley Jack Theatre), Fish Kill (Gap Salon), Corpus Christi (The Space), The Sisters Return to the Isle of Queef (Hen and Chickens Theatre) and Be My Baby (Etcetera Theatre). Assistant Movement Direction includes the 2014 Paines Plough Roundabout Season – Fringe First winners for The Initiate.

As a performer, Jennifer has appeared in Scenes from an Execution (National Theatre), Thérèse Raquin (Theatre Royal Bath), Death and the Maiden (West End), Humbug, Flathampton – winner of Argus Angel for Artistic Excellence at Brighton Festival 2013 (Royal and Derngate Theatres, Northampton), Macbeth (Sam Wanamaker Playhouse), Sonnet Walks (Shakespeare’s Globe), Remote Control (National Theatre Studio), Soon Until Forever, Red Shoes (Theatre503), Amphibians, The Drawing Play (Offstage Theatre), Fixer (Ovalhouse), Moshing (Arcola Theatre) and The Box (Bush Theatre).

DANIEL BAILEY

ASSISTANT DIRECTOR

Daniel is currently Resident Assistant Director at the Finborough Theatre (with the support of The Richard Carne Trust) where he assisted on Rachel.

Studied Drama at Brunel University before participating in the Young Vic Young Directors Programme.

Theatre includes Satanic Panic (Drayton Arms Theatre), My Darling Wife (Talawa Theatre Company) and Pre Judgment Day (Paddington Arts and White Bear Theatre for New Heritage Theatre).

Assistant Direction includes Inherit the Wind (New Vic Theatre, Newcastle-under-Lyme) and Lonely Londoners, Rules for Living and Hotel O (National Theatre Studio).

Film includes Malachi, Floating on Clouds and Y.O.L.O Therapy.

Daniel was previously Resident Director at the National Theatre Studio.

RIANNA DEARDEN

PRODUCER

Trained on Uri Roodner’s BA Acting and Contemporary Theatre Course at East 15 Acting School.

Theatre includes KATE (Pleasance Edinburgh and Pleasance London), Play for September (Pleasance Edinburgh, Pleasance London and UK Tour) and The London Jungle Book (National Theatre Studios and Royal Festival Hall).

Rianna is the Artistic Director of Lost Watch Theatre Company, and was the recipient of the National Student Drama Festival Emerging Artist Award in both 2013 and 2014.