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PART III
THE TWO ANDROMEDAS

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Opposite a Railway Bookstall at a London Terminus. Time—Saturday, 4.25 P.M.

Drysdale (to his friend, Galfrid Undershell, whom he is "seeing off"). Twenty minutes to spare; time enough to lay in any quantity of light literature.

Undershell (in a head voice). I fear the merely ephemeral does not appeal to me. But I should like to make a little experiment. (To the Bookstall Clerk.) A—do you happen to have a copy left of Clarion Blair's Andromeda?

Clerk. Not in stock, sir. Never 'eard of the book, but dare say I could get it for you. Here's a Detective Story we're sellin' like 'ot cakes—The Man with the Missing Toe—very cleverly written story, sir.

"HERE'S A DETECTIVE STORY WE'RE SELLING LIKE 'OT CAKES."

Undershell. I merely wished to know—that was all. (Turning with resigned disgust to Drysdale.) Just think of it, my dear fellow. At a bookstall like this one feels the pulse, as it were, of Contemporary Culture; and here my Andromeda, which no less an authority than the Daily Chronicle hailed as the uprising of a new and splendid era in English Song-making, a Poetic Renascence, my poor Andromeda, is trampled underfoot by—(choking)—Men with Missing Toes! What a satire on our so-called Progress!

Drysdale. That a purblind public should prefer a Shilling Shocker for railway reading when for a modest half-guinea they might obtain a numbered volume of Coming Poetry on hand-made paper! It does seem incredible—but they do. Well, if they can't read Andromeda on the journey, they can at least peruse a stinger on it in this week's Saturday. Seen it?

Undershell. No. I don't vex my soul by reading criticisms on my work. I am no Keats. They may howl—but they will not kill me. By the way, the Speaker had a most enthusiastic notice last week.

Drysdale. So you saw that then? But you're right not to mind the others. When a fellow's contrived to hang on to the Chariot of Fame, he can't wonder if a few rude and envious beggars call out "Whip behind!" eh? You don't want to get in yet? Suppose we take a turn up to the end of the platform.

[They do.

James Spurrell, M.R.C.V.S., enters with his friend, Thomas Tanrake, of Hurdell and Tanrake, Job and Riding Masters, Mayfair.

Spurrell. Yes, it's lucky for me old Spavin being laid up like this—gives me a regular little outing, do you see? going down to a swell place like this Wyvern Court, and being put up there for a day or two! I shouldn't wonder if they do you very well in the housekeeper's room. (To Clerk.) Give me a Pink Un and last week's Dog Fancier's Guide.

Clerk. We've returned the unsold copies, sir. Could give you this week's; or there's The Rabbit and Poultry Breeder's Journal.

Spurrell. Oh, rabbits be blowed! (To Tanrake.) I wanted you to see that notice they put in of Andromeda and me, with my photo and all; it said she was the best bull-bitch they'd seen for many a day, and fully deserved her first prize.

Tanrake. She's a rare good bitch, and no mistake. But what made you call her such an outlandish name?

Spurrell. Well, I was going to call her Sal; but a chap at the College thought the other would look more stylish if I ever meant to exhibit her. Andromeda was one of them Roman goddesses, you know.

Tanrake. Oh, I knew that right enough. Come and have a drink before you start—just for luck—not that you want that.

Spurrell. I'm lucky enough in most things, Tom; in everything except love. I told you about that girl, you know—Emma—and my being as good as engaged to her, and then, all of a sudden, she went off abroad, and I've never seen or had a line from her since. Can't call that luck, you know. Well, I won't say no to a glass of something.

[They disappear into the refreshment room.

The Countess of Cantire enters with her daughter, Lady Maisie Mull.

Lady Cantire (to Footman). Get a compartment for us, and two foot-warmers, and a second-class as near ours as you can for Phillipson; then come back here. Stay, I'd better give you Phillipson's ticket. (The Footman disappears in the crowd.) Now we must get something to read on the journey. (To Clerk.) I want a book of some sort—no rubbish, mind; something serious and improving, and not a work of fiction.

Clerk. Exactly so, ma'am. Let me see. Ah, here's Alone with the 'Airy Ainoo. How would you like that?

Lady Cantire (with decision). I should not like it at all.

Clerk. I quite understand. Well, I can give you Three 'Undred Ways of Dressing the Cold Mutton—useful little book for a family, redooced to one and ninepence.

Lady Cantire. Thank you. I think I will wait till I am reduced to one and ninepence.

Clerk. Precisely. What do you say to Seven 'Undred Side-splitters for Sixpence? 'Ighly yumerous, I assure you.

Lady Cantire. Are these times to split our sides, with so many serious social problems pressing for solution? You are presumably not without intelligence; do you never reflect upon the responsibility you incur in assisting to circulate trivial and frivolous trash of this sort?

Clerk (dubiously). Well, I can't say as I do, particular, ma'am. I'm paid to sell the books—I don't select 'em.

Lady Cantire. That is no excuse for you—you ought to exercise some discrimination on your own account, instead of pressing people to buy what can do them no possible good. You can give me a Society Snippets.

Lady Maisie. Mamma! A penny paper that says such rude things about the Royal Family!

Lady Cantire. It's always instructive to know what these creatures are saying about one, my dear, and it's astonishing how they manage to find out the things they do. Ah, here's Gravener coming back. He's got us a carriage, and we'd better get in.

[She and her daughter enter a first-class compartment; Undershell and Drysdale return.

Drysdale (to Undershell). Well, I don't see now where the insolence comes in. These people have invited you to stay with them——

Undershell. But why? Not because they appreciate my work—which they probably only half understand—but out of mere idle curiosity to see what manner of strange beast a Poet may be! And I don't know this Lady Culverin—never met her in my life! What the deuce does she mean by sending me an invitation? Why should these smart women suppose that they are entitled to send for a Man of Genius, as if he was their lackey? Answer me that!

Drysdale. Perhaps the delusion is encouraged by the fact that Genius occasionally condescends to answer the bell.

Undershell (reddening). Do you imagine I am going down to this place simply to please them?

Drysdale. I should think it a doubtful kindness, in your present frame of mind; and, as you are hardly going to please yourself, wouldn't it be more dignified, on the whole, not to go at all?

Undershell. You never did understand me! Sometimes I think I was born to be misunderstood! But you might do me the justice to believe that I am not going from merely snobbish motives. May I not feel that such a recognition as this is a tribute less to my poor self than to Literature, and that, as such, I have scarcely the right to decline it?

Drysdale. Ah, if you put it in that way, I am silenced, of course.

Undershell. Or what if I am going to show these Patricians that—Poet of the People as I am—they can neither patronise nor cajole me?

Drysdale. Exactly, old chap—what if you are?

Undershell. I don't say that I may not have another reason—a—a rather romantic one—but you would only sneer if I told you! I know you think me a poor creature whose head has been turned by an undeserved success.

Drysdale. You're not going to try to pick a quarrel with an old chum, are you? Come, you know well enough I don't think anything of the sort. I've always said you had the right stuff in you, and would show it some day; there are even signs of it in Andromeda here and there; but you'll do better things than that, if you'll only let some of the wind out of your head. I take an interest in you, old fellow, and that's just why it riles me to see you taking yourself so devilish seriously on the strength of a little volume of verse which—between you and me—has been "boomed" for all it's worth, and considerably more. You've only got your immortality on a short repairing lease at present, old boy!

Undershell (with bitterness). I am fortunate in possessing such a candid friend. But I mustn't keep you here any longer.

Drysdale. Very well. I suppose you're going first? Consider the feelings of the Culverin footman at the other end!

Undershell (as he fingers a first-class ticket in his pocket). You have a very low view of human nature! (Here he becomes aware of a remarkably pretty face at a second-class window close by). As it happens, I am travelling second.

[He gets in.

Drysdale (at the window). Well, good-bye, old chap. Good luck to you at Wyvern, and remember—wear your livery with as good a grace as possible.

Undershell. I do not intend to wear any livery whatever.

[The owner of the pretty face regards Undershell with interest.

Spurrell (coming out of the refreshment room). What, second—with all my exes. paid? Not likely! I'm going to travel in style this journey. No—not a smoker; don't want to create a bad impression, you know. This will do for me.

[He gets into a compartment occupied by Lady Cantire and her daughter.

Tanrake (at the window). There—you're off now. Pleasant journey to you, old man. Hope you'll enjoy yourself at this Wyvern Court you're going to—and, I say, don't forget to send me that notice of Andromeda when you get back!

[The Countess and Lady Maisie start slightly; the train moves out of the station.

Lyre and Lancet

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