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Young Irony

For years afterward when Amory thought of Eleanor he seemed still to hear the wind sobbing around him and sending little chills into the places beside his heart. The night when they rode up the slope and watched the cold moon float through the clouds, he lost a further part of him that nothing could restore; and when he lost it he lost also the power of regretting it. Eleanor was, say, the last time that evil crept close to Amory under the mask of beauty, the last weird mystery that held him with wild fascination and pounded his soul to flakes.

With her his imagination ran riot and that is why they rode to the highest hill and watched an evil moon ride high, for they knew then that they could see the devil in each other. But Eleanor—did Amory dream her? Afterward their ghosts played, yet both of them hoped from their souls never to meet. Was it the infinite sadness of her eyes that drew him or the mirror of himself that he found in the gorgeous clarity of her mind? She will have no other adventure like Amory, and if she reads this she will say:

“And Amory will have no other adventure like me.”

Nor will she sigh, any more than he would sigh.

Eleanor tried to put it on paper once:

“The fading things we only know

We’ll have forgotten …

Put away …

Desires that melted with the snow,

And dreams begotten

This to-day:

The sudden dawns we laughed to greet,

That all could see, that none could share,

Will be but dawns … and if we meet

We shall not care.

Dear … not one tear will rise for this …

A little while hence

No regret

Will stir for a remembered kiss—

Not even silence,

When we’ve met,

Will give old ghosts a waste to roam,

Or stir the surface of the sea …

If gray shapes drift beneath the foam

We shall not see.”

They quarrelled dangerously because Amory maintained that sea and see couldn’t possibly be used as a rhyme. And then Eleanor had part of another verse that she couldn’t find a beginning for:

“… But wisdom passes … still the years

Will feed us wisdom…. Age will go

Back to the old—For all our tears

We shall not know.”

Eleanor hated Maryland passionately. She belonged to the oldest of the old families of Ramilly County and lived in a big, gloomy house with her grandfather. She had been born and brought up in France…. I see I am starting wrong. Let me begin again.

Amory was bored, as he usually was in the country. He used to go for far walks by himself—and wander along reciting “Ulalume” to the corn-fields, and congratulating Poe for drinking himself to death in that atmosphere of smiling complacency. One afternoon he had strolled for several miles along a road that was new to him, and then through a wood on bad advice from a colored woman … losing himself entirely. A passing storm decided to break out, and to his great impatience the sky grew black as pitch and the rain began to splatter down through the trees, become suddenly furtive and ghostly. Thunder rolled with menacing crashes up the valley and scattered through the woods in intermittent batteries. He stumbled blindly on, hunting for a way out, and finally, through webs of twisted branches, caught sight of a rift in the trees where the unbroken lightning showed open country. He rushed to the edge of the woods and then hesitated whether or not to cross the fields and try to reach the shelter of the little house marked by a light far down the valley. It was only half past five, but he could see scarcely ten steps before him, except when the lightning made everything vivid and grotesque for great sweeps around.

Suddenly a strange sound fell on his ears. It was a song, in a low, husky voice, a girl’s voice, and whoever was singing was very close to him. A year before he might have laughed, or trembled; but in his restless mood he only stood and listened while the words sank into his consciousness:

“Les sanglots longs

Des violons

De l’automne

Blessent mon cœur

D’une langueur

Monotòne.”

The lightning split the sky, but the song went on without a quaver. The girl was evidently in the field and the voice seemed to come vaguely from a haystack about twenty feet in front of him.

Then it ceased; ceased and began again in a weird chant that soared and hung and fell and blended with the rain:

“Tout suffocant

Et blême quand

Sonne l’heure

Je me souviens

Des jours anciens

Et je pleure….”

“Who the devil is there in Ramilly County,” muttered Amory aloud, “who would deliver Verlaine in an extemporaneous tune to a soaking haystack?”

“Somebody’s there!” cried the voice unalarmed. “Who are you?—Manfred, St. Christopher, or Queen Victoria?”

“I’m Don Juan!” Amory shouted on impulse, raising his voice above the noise of the rain and the wind.

A delighted shriek came from the haystack.

“I know who you are—you’re the blond boy that likes ‘Ulalume’—I recognize your voice.”

“How do I get up?” he cried from the foot of the haystack, whither he had arrived, dripping wet. A head appeared over the edge—it was so dark that Amory could just make out a patch of damp hair and two eyes that gleamed like a cat’s.

“Run back!” came the voice, “and jump and I’ll catch your hand—no, not there—on the other side.”

He followed directions and as he sprawled up the side, knee-deep in hay, a small, white hand reached out, gripped his, and helped him onto the top.

“Here you are, Juan,” cried she of the damp hair. “Do you mind if I drop the Don?”

“You’ve got a thumb like mine!” he exclaimed.

“And you’re holding my hand, which is dangerous without seeing my face.” He dropped it quickly.

As if in answer to his prayers came a flash of lightning and he looked eagerly at her who stood beside him on the soggy haystack, ten feet above the ground. But she had covered her face and he saw nothing but a slender figure, dark, damp, bobbed hair, and the small white hands with the thumbs that bent back like his.

“Sit down,” she suggested politely, as the dark closed in on them. “If you’ll sit opposite me in this hollow you can have half of the raincoat, which I was using as a water-proof tent until you so rudely interrupted me.”

“I was asked,” Amory said joyfully; “you asked me—you know you did.”

“Don Juan always manages that,” she said, laughing, “but I shan’t call you that any more, because you’ve got reddish hair. Instead you can recite ‘Ulalume’ and I’ll be Psyche, your soul.”

Amory flushed, happily invisible under the curtain of wind and rain. They were sitting opposite each other in a slight hollow in the hay with the raincoat spread over most of them, and the rain doing for the rest. Amory was trying desperately to see Psyche, but the lightning refused to flash again, and he waited impatiently. Good Lord! supposing she wasn’t beautiful—supposing she was forty and pedantic—heavens! Suppose, only suppose, she was mad. But he knew the last was unworthy. Here had Providence sent a girl to amuse him just as it sent Benvenuto Celleni [Cellini] men to murder, and he was wondering if she was mad, just because she exactly filled his mood.

“I’m not,” she said.

“Not what?”

“Not mad. I didn’t think you were mad when I first saw you, so it isn’t fair that you should think so of me.”

“How on earth——”

As long as they knew each other Eleanor and Amory could be “on a subject” and stop talking with the definite thought of it in their heads, yet ten minutes later speak aloud and find that their minds had followed the same channels and led them each to a parallel idea, an idea that others would have found absolutely unconnected with the first.

“Tell me,” he demanded, leaning forward eagerly, “how do you know about ‘Ulalume’—how did you know the color of my hair? What’s your name? What were you doing here? Tell me all at once!”

Suddenly the lightning flashed in with a leap of overreaching light and he saw Eleanor, and looked for the first time into those eyes of hers. Oh, she was magnificent—pale skin, the color of marble in starlight, slender brows, and eyes that glittered green as emeralds in the blinding glare. She was a witch, of perhaps nineteen, he judged, alert and dreamy and with the tell-tale white line over her upper lip that was a weakness and a delight. He sank back with a gasp against the wall of hay.

“Now you’ve seen me,” she said calmly, “and I suppose you’re about to say that my green eyes are burning into your brain.”

“What color is your hair?” he asked intently. “It’s bobbed, isn’t it?”

“Yes, it’s bobbed. I don’t know what color it is,” she answered, musing, “so many men have asked me. It’s medium, I suppose—No one ever looks long at my hair. I’ve got beautiful eyes, though, haven’t I. I don’t care what you say, I have beautiful eyes.”

“Answer my question, Madeline.”

“Don’t remember them all—besides my name isn’t Madeline, it’s Eleanor.”

“I might have guessed it. You look like Eleanor—you have that Eleanor look. You know what I mean.”

There was a silence as they listened to the rain.

“It’s going down my neck, fellow lunatic,” she offered finally.

“Answer my questions.”

“Well—name of Savage, Eleanor; live in big old house mile down road; nearest living relation to be notified, grandfather—Ramilly Savage; height, five feet four inches; number on watch-case, 3077 W; nose, delicate aquiline; temperament, uncanny——”

“And me,” Amory interrupted, “where did you see me?”

“Oh, you’re one of those men,” she answered haughtily, “must lug old self into conversation. Well, my boy, I was behind a hedge sunning myself one day last week, and along comes a man saying in a pleasant, conceited way of talking:

“‘And now when the night was senescent’

(says he)

‘And the star dials pointed to morn

At the end of the path a liquescent’

(says he)

‘And nebulous lustre was born.’

So I poked my eyes up over the hedge, but you had started to run, for some unknown reason, and so I saw but the back of your beautiful head. ‘Oh!’ says I, ‘there’s a man for whom many of us might sigh,’ and I continued in my best Irish——”

“All right,” Amory interrupted. “Now go back to yourself.”

“Well, I will. I’m one of those people who go through the world giving other people thrills, but getting few myself except those I read into men on such nights as these. I have the social courage to go on the stage, but not the energy; I haven’t the patience to write books; and I never met a man I’d marry. However, I’m only eighteen.”

The storm was dying down softly and only the wind kept up its ghostly surge and made the stack lean and gravely settle from side to side. Amory was in a trance. He felt that every moment was precious. He had never met a girl like this before—she would never seem quite the same again. He didn’t at all feel like a character in a play, the appropriate feeling in an unconventional situation—instead, he had a sense of coming home.

“I have just made a great decision,” said Eleanor after another pause, “and that is why I’m here, to answer another of your questions. I have just decided that I don’t believe in immortality.”

“Really! how banal!”

“Frightfully so,” she answered, “but depressing with a stale, sickly depression, nevertheless. I came out here to get wet—like a wet hen; wet hens always have great clarity of mind,” she concluded.

“Go on,” Amory said politely.

“Well—I’m not afraid of the dark, so I put on my slicker and rubber boots and came out. You see I was always afraid, before, to say I didn’t believe in God—because the lightning might strike me—but here I am and it hasn’t, of course, but the main point is that this time I wasn’t any more afraid of it than I had been when I was a Christian Scientist, like I was last year. So now I know I’m a materialist and I was fraternizing with the hay when you came out and stood by the woods, scared to death.”

“Why, you little wretch—” cried Amory indignantly. “Scared of what?”

“Yourself!” she shouted, and he jumped. She clapped her hands and laughed. “See—see! Conscience—kill it like me! Eleanor Savage, materiologist—no jumping, no starting, come early——”

“But I have to have a soul,” he objected. “I can’t be rational—and I won’t be molecular.”

She leaned toward him, her burning eyes never leaving his own and whispered with a sort of romantic finality:

“I thought so, Juan, I feared so—you’re sentimental. You’re not like me. I’m a romantic little materialist.”

“I’m not sentimental—I’m as romantic as you are. The idea, you know, is that the sentimental person thinks things will last—the romantic person has a desperate confidence that they won’t.” (This was an ancient distinction of Amory’s.)

“Epigrams. I’m going home,” she said sadly. “Let’s get off the haystack and walk to the cross-roads.”

They slowly descended from their perch. She would not let him help her down and motioning him away arrived in a graceful lump in the soft mud where she sat for an instant, laughing at herself. Then she jumped to her feet and slipped her hand into his, and they tiptoed across the fields, jumping and swinging from dry spot to dry spot. A transcendent delight seemed to sparkle in every pool of water, for the moon had risen and the storm had scurried away into western Maryland. When Eleanor’s arm touched his he felt his hands grow cold with deadly fear lest he should lose the shadow brush with which his imagination was painting wonders of her. He watched her from the corners of his eyes as ever he did when he walked with her—she was a feast and a folly and he wished it had been his destiny to sit forever on a haystack and see life through her green eyes. His paganism soared that night and when she faded out like a gray ghost down the road, a deep singing came out of the fields and filled his way homeward. All night the summer moths flitted in and out of Amory’s window; all night large looming sounds swayed in mystic revery through the silver grain—and he lay awake in the clear darkness.