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Saturday, 18th.

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Rose at about half-past eight, dawdled about as usual, breakfasted in the round-house—by the by, before I got out of bed, read a few more pages of Byron's life. I don't exactly understand the species of sentimental galimatias Moore talks about Byron's writing with the same penfull of ink, "Adieu, adieu, my native land!" and "Hurra! Hodgson, we are going." It proves nothing except what I firmly believe, that we must not look for the real feelings of writers in their works—or rather, that what they give us, and what we take for heart feeling, is head weaving—a species of emotion engendered somewhere betwixt the bosom and the brain, and bearing the same proportion of resemblance to reality that a picture does; that is—like feeling, but not feeling—like sadness, but not sadness—like what it appears, but not indeed that very thing: and the greater a man's power of thus producing sham realities, the greater his main qualification for being a poet. After breakfast, sat, like Lady Alice in the old song, embroidering my midnight coif. Got Colonel—— to read Quentin Durward to us as we sat working under our canvass pavilion.

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Our company consists chiefly of traders in cloth and hardware, clerks, and counting-house men—a species with but few peculiarities of interest to me, who cannot talk pounds, shillings, and pence, as glibly as less substantial trash. Most of them have crossed this trifling ditch half a dozen times in their various avocations. But though they belong to the same sort generally, they differ enough individually for the amusement of observation. That poor widower, whose remarks on the starry inside of the sea attracted my attention the other evening, put into my hands to-day a couple of pretty little books enough; a sort of hotch-potch, or, to speak more sweetly, pot-pourri praise of women—passages selected from various authors who have done us the honour to remember us in their good commendations. There were one or two most eloquent and exquisite passages from Jeremy Taylor—one on love that enchanted me. I should like to copy it. What a contrast to that exquisite thing of Shelley's, "What is Love?" and yet they are both beautiful, powerful, and true. I could have helped them to sundry more passages on this subject, particularly from my oracle. Mr. —— read to us after lunch, and we sat very happily under our yawning till the rain drove us in. No wind, the sea one rippleless sheet of lead, and the sky just such another. Our main-top gallant-mast had been split in one of our late blows, and I went out in the rain to see them restore the spar. Towards evening the wind faired and freshened, in consequence of which our gentlemen's spirits rose; and presently, in spite of the rain, they were dancing, singing, and romping like mad things on the quarter-deck. It was Saturday—holiday on board ship—the men were all dismissed to their grog. Mr. ——and I sang through a whole volume of Moore's melodies; and at ten o'clock (for the first time since our second day on board) we of the petticoats adjourned to the gentlemen's cabin to drink "sweethearts and wives," according to the approved sailors' practice. It made me sad to hear them, as they lifted their glasses to their lips, pass round the toast, "Sweethearts and wives!" I drank in my heart—"Home and dear H——." One thing amused me a good deal:—the Captain proposed as a toast, "The Ladies—God bless them," which accordingly was being duly drunk, when I heard, close to my elbow, a devout, half audible—"and the Lord deliver us!" This, from a man with a face like one of Retsch's most grotesque etchings, and an expression half humorous, half terrified, sent me into fits of laughter. They sang a song or two, and at twelve we left them to their meditations, which presently reached our ears in the sound, not shape, of "Health to Bacchus," in full chorus, to which tune I said my prayers.

Journal of a Residence in America

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