Читать книгу Blindman’s Bluff - Faye Kellerman, Faye Kellerman - Страница 6

THE LABYRINTHINE HALLWAYS should have confounded any ordinary burglar’s escape route. Even with printed directions, Oliver made a couple of wrong turns.

Decker said, “Marge told me there were four bodies.”

“We are now up to five. The Kaffeys, a maid, and two guards.”

“Good lord! Signs of a robbery? Anything ransacked?”

“Nothing so obvious.” They continued down endless foyers. “No single perpetrator, that’s for certain. Whoever did this had a plan and a gang of people to carry it out. It had to be an inside job.”

“Who reported the crime? The injured son?”

“I don’t know. When we got here, the son was being loaded into the ambulance and was out of it.”

“Any idea when the shootings occurred?”

“Nothing definite, but rigor has started.”

“So between four and twenty-four hours,” Decker said. “Maybe the contents of the stomachs can narrow it down. Who’s out from the morgue?”

“Two coroner investigators and an assistant coroner. Turn right. The library should be through the double doors ahead.”

As soon as he walked inside, Decker felt a tinge of vertigo brought on by not only the gargantuan size of the room, but the lack of corners. The library was a rotunda with a domed ceiling of steel and glass. The curved walls were covered by black walnut paneling and bookshelves and floor-to-ceiling tapestries of mythological creatures gamboling in the forests. There was a walk-in fireplace big enough to contain a raging inferno. Antique rugs sat atop the oceanic wooden floor. Lots of furniture: sofas and love seats, tables and chairs, two grand pianos, and lamps too numerous too count.

The crime scene was a story in two parts. There was action near the fireplace and action in front of a tapestry of a gorgon devouring a young lord.

Oliver pointed to a spot. “Gilliam Kaffey was sitting in front of the fireplace, reading a book and drinking a glass of wine; Dad and son were having a conversation in those two club chairs over there.”

His finger was aimed at a grouping of two brown leather, nail-studded chairs where Marge Dunn was working in front of the man-eating gorgon. She was talking animatedly to one of the coroner’s investigators wearing the standard morgue issue: a black jacket with the identifying yellow lettering on back. Dunn saw Decker and Oliver and motioned them forward with a gloved hand. Marge’s hair had grown a little longer in the past few months, probably at the urging of her newest boyfriend, Will Barnes. She had on beige pants, a white shirt, and a dark brown cable-knit sweater. Rubber shoes on her feet. Decker and Oliver made their way over to the crime scene.

Guy Kaffey was on his back in a pond of blood with a gaping gorge in his chest. Tissue and bone had exploded over the man’s face and limbs and what hadn’t spilled onto the floor was splattered on the better part of the tapestry, giving the hapless lad and his plight unasked-for verity.

“Let me get you orientated.” Marge reached into her pocket, removed a map, and unfolded it. “This is the house and we are right…here.”

Decker took out his notepad and glanced around the windowless room. When he commented on it, Marge said, “I was told by the surviving maid that the artwork here is very old and sensitive to direct light.”

“So someone else besides the son survived the attack?” Decker asked.

“No, she came in and discovered the bodies,” Marge said. “Her name is Ana Mendez. I have her in a room guarded by one of our men.”

Oliver said, “We also need to interview the groundskeeper and the groomsman. They’re also being guarded by L.A.’s finest.”

Marge said, “All of them in separate rooms.”

“The groundskeeper is Paco Albanez—maybe around fifty-five—who’s worked here for about three years.” Oliver checked his notes. “The groomer is Riley Karns. He’s around thirty. I don’t know how long he’s been here.”

Decker said, “Do you know who called the crime in?”

Marge said, “We’re sorting that out. The maid said that someone called an off-duty bodyguard and maybe he called 911.”

“It was the maid who found the surviving son lying on the floor,” Oliver said. “She thought he was dead.”

“Who is the off-duty bodyguard that she supposedly called?” Decker asked.

“Piet Kotsky,” Marge told him. “I spoke to him on the phone. He’s coming in from Palm Springs. It works like this…I think. The bodyguards stay on-site only when they’re working. They work in twenty-four-hour shifts, rotating through eight people. There are always two bodyguards in the main house and two men manning the guardhouse located at the entrance gate of the property. Both of those guys are dead. Gunshot wounds to the head and chest. All the camera equipment and closed-circuit TVs are smashed and destroyed.”

“Names?” Decker asked.

“Kotsky doesn’t know who was on duty tonight, but he said once he sees them, he can identify them.”

“What about the two guards in the main house?”

“They appear to be missing,” Marge said.

“So two guards missing and two guards murdered.”

Marge and Oliver nodded.

“Oliver mentioned a murdered maid?”

“In the servant’s bedroom downstairs.”

“And how did Ana Mendez manage to dodge the bullet?”

“She was off tonight,” Oliver said. “Her story is that she had returned to the ranch around one in the morning.”

“How’d she get back? No public transportation for miles.”

“She has a car.”

“She didn’t notice the lack of guards in the guardhouse?”

Marge said, “She went around through the back gate at the service entrance. No guards are routinely stationed there. Ana has a gate access card. She gets in, parks her car, and goes into her room. She sees the body and starts screaming for help. At this point, it gets a little muddy. She apparently went upstairs and found the other bodies.”

“She went upstairs without knowing if there were still people in the house?” Decker asked.

“I told you, her story’s a little confusing. Once she saw the bodies, she called Kotsky and he reported the crime…I think.”

“I’ll talk to her again. She’s Spanish speaking?”

“She is, although her English is pretty good.”

Decker said, “On to the guards. Do you know who arranges their schedules?”

Oliver said, “Kotsky makes the assignments but doesn’t arrange them. That’s done by a man named Neptune Brady who is the Kaffeys’ head bodyguard. Brady has his own bungalow on the grounds, but for the past few days, he’s been visiting his sick father in Oakland.”

“Has anyone contacted him?”

“Kotsky called him up and told us that Brady chartered a jet and should be here soon.” Marge paused. “We did take a brief peek inside his bungalow just to make sure no one else was dead. I didn’t rifle through his room. We’ll need a warrant to do that.”

“Let’s put in for one in case Brady’s uncooperative.” Decker looked around the room. “Ideas on how this played out?”

Oliver said, “Gilliam was sitting in front of the fireplace, sipping wine and reading. Marge and I think that she went down first. She’s still slumped on the couch, her book is a few feet away, covered in blood. See for yourself.”

Decker walked over to the scene. Sprawled on the couch were the remnants of a beautiful woman. Her blue eyes were open and blank, and her blond hair was matted with caked blood. The woman’s torso had been nearly bisected at the waist by several shotgun blasts. It was sickening, and Decker involuntarily averted his eyes. There were some things he’d never get used to.

“This is carnage,” he said. “We’ll need lots of photographs because our memories aren’t going to be able to process all of this information.”

Marge continued, “The disturbance of someone entering the room must have drawn the attention of the father and son. We figured they went down next.”

Oliver said, “There are two Kaffey sons. The one who was shot was the older one, Gil.”

“Does he have immediate family who need to be notified?” Decker asked.

“We’re working on it,” Oliver said. “No one’s called any police station to ask about him.”

“What about the younger brother?” Decker asked.

Marge said, “Piet Kotsky told me that the younger son’s name is Grant and he lives in New York. So does Guy’s younger brother, Mace Kaffey.”

“Who is also in the business,” Oliver pointed out. “Both of them have been notified.”

“By who? Kotsky? Brady?”

Marge and Oliver shrugged ignorance.

“Back to the crime scene,” Decker said. “Any idea what Guy and Gil were doing?”

Oliver said, “They could have been talking business, but we didn’t find papers.”

Marge said, “Guy Kaffey probably stood up and saw what was happening to his wife. Then he was blown backward. The son was a little quicker and started running away when the bullets caught him. He went down a few feet away from one of the doors out of here.”

“And the shooters didn’t bother to check to make sure he was dead?”

Marge shrugged. “Maybe something distracted the shooters and they fled.”

Decker said, “We have one, two, three…six doors in the room. So we could have a band of shooters with each one coming in from a different door and overwhelming the couple. Any idea of what could have sent a posse of murderers out of the ranch without finishing off the son?”

Oliver shrugged. “Maybe an alarm, although we haven’t decoded the system yet. Maybe the maid coming into the house. But she didn’t see anyone leave.”

Decker thought a moment. “If everyone was drinking and relaxing, it probably wasn’t too late: after dinner but early enough for a nightcap—around ten or eleven.”

“Around,” Marge said.

“And the groomer and the groundskeeper,” Decker said, “were they in the house when you arrived?”

“Yes.”

“You said that they live here?”

Oliver said, “In the bungalows on the grounds.”

“So how did they find out about the murders? Did someone get them or were they awakened by the noise or…”

The two detectives shrugged.

“We’re going to be camped out here for a while.” Again, Decker massaged his aching head. “Let’s let CSI, the photographers, and the coroner investigators do their things here in the library. We’ve still got a couple of other crime scenes and witnesses to interview. Where are the other bodies?”

Marge showed him the area on her map. Decker said, “I could use one of those.”

Oliver gave his to the boss. “I’ll get another one.”

“Thanks,” Decker said. “You two take over the other crime scenes, and I’ll talk to the witnesses, especially the Spanish speakers. I’ll see if we can piece together a time frame and a chain of events.”

“Sounds like a plan,” Marge said. “Ana is in this room.” She showed him on the map. “Albanez is here and Karns is here.”

Decker marked the rooms on the map. Then he wrote each name on the top of a piece of paper in his notebook. There were a slew of players. He might as well start the scorecard.

CURLED UP IN a chair, Ana Mendez had just about disappeared. She seemed to be in her late thirties and was diminutive in size—under five feet—with almond skin stretched over a broad forehead and pronounced cheekbones. Her mouth was wide, her eyes round and dark. Her hair had been clipped into a pageboy, giving her face the appearance of someone staring out the window with two black drapes on the side and her short bangs being the valence curtain.

The maid had been sleeping, but woke up when Decker walked into the room. She rubbed her eyes, swollen from crying and squinting in the bright artificial light. He noticed that her white house-keeper’s uniform was smeared with brown stains and made a mental note to give the clothing to CSI.

Decker asked her to start from the beginning. This was her story.

Ana’s day off went from Monday evening to Tuesday evening. Usually she returned to the ranch earlier in the evening, but last night was a special function at her church, including a short midnight prayer service. She left afterward, around 12:30, and drove back to the ranch, arriving around an hour later. The mansion was entirely enclosed with heavy, wrought-iron fencing that had spikes on top, so most of the gates were unguarded. She had a card key for the gate closest to the kitchen. After she entered the premises, she drove to the service lot, parking her car behind the kitchen. She walked down a flight of steps to the service wing and used her bedroom key to get inside the building. When Decker asked about an alarm, she told him that the servants’ quarters was alarmed, but it wasn’t connected to the main house. The mansion had its own security system. This way, the help could go in and out without disturbing the Kaffeys’ safety system.

Her eyes swelled with tears when she described what she saw in the bedroom. She had turned on the light and there was blood everywhere—on the walls, on the carpet, on the two twin beds. But the worst part was Alicia: she was lying on her back and wasn’t moving. Her face had been shot off. It was horrible. Terrifying. She started screaming.

The next part of her story was mixed with giant sobs. She ran upstairs: the interior stairs that led to the mansion’s kitchen. Normally the kitchen door was locked at midnight to prevent anyone using the servants’ entrance from coming into the main house. But not tonight. Ana distinctly remembered flying into the kitchen and screaming for the missus.

But no one answered.

When Decker asked her about the mansion’s alarm going off when she went into the kitchen, Ana couldn’t remember. She had been hysterical, and she apologized for her hazy memory.

Decker thought she was doing pretty well.

She discovered the Kaffeys in the library—first the men, then the missus. No one was moving so she thought they were all dead, including Gil. She had watched enough television to know that she shouldn’t touch anything.

Still screaming, she ran outside. She was alone and the grounds were dark and spooky. She knew where Paco Albanez’s bungalow was because she was friendly with the groundskeeper. But to get to Paco’s bungalow, she had to walk by the pool, cross over the tennis courts, and go through the fruit orchards. Riley Karns lived closer to the main house. Even though she didn’t know him well, she woke him up. He told her to stay in his quarters while he looked around. Around fifteen minutes later, Riley came back with Paco Albanez and the three of them tried to figure out what to do. They knew they had to call the police and since Riley spoke English, he volunteered. He told Paco and her to wait in his bungalow while he made the calls. Then he left. He came back about thirty minutes later with two policemen. The officers brought the three of them into the house and separated them. The policeman said that people would be talking to her. First it was the lady policewoman. Now it was him.

The story was a straightforward narrative. She didn’t seem overly addled nor did her words seem rehearsed. When she was done, she looked up at Decker forlornly and asked when could she leave? When he told her she needed to stay for a little while longer, she burst into tears.

Decker patted her hand and left to interview Riley Karns.

The groomsman was a tiny man with a strong grip and an even stronger English accent. His elfin features were set into a weathered face and his complexion was wan from horror as well as lack of sleep.

He had worked with horses for years—as a jockey, as a trainer, and as an equestrian jumper or doing dressage in horse shows. His job not only included tending to the horses and dogs, but also teaching Gilliam Kaffey basic equestrian skills. He wore dark sweats that appeared to be smudged with stains. When Decker asked if had changed his clothing tonight, he answered no. Karns’s account dovetailed with Ana’s story. He filled in Ana’s missing minutes—the half hour or so that she was alone with Paco Albanez in Karns’s bungalow.

Karns admitted that his first call should have been 911, but he wasn’t thinking so clearly. Instead, he had rung up Neptune Brady—the Kaffeys’ chief of staff. Karns knew that Brady was up north in Oakland visiting his father but he called him anyway. When the two of them connected, Neptune told Karns to call 911 immediately, then to ring up Piet Kotsky and have him get over to the ranch to find out what the hell went wrong. Brady told him that he was going to try to charter a private jet to get the hell down to L.A. He’d call Kotsky once his travel plans were firmed up. Brady also told Karns that he’d notify the family.

Karns simply did as he was told. He called 911, then he called Piet Kotsky who said he’d leave right away, but it would take him three hours to get to the ranch. An ambulance arrived about five minutes later, then the police came. He took a couple of officers over to his bungalow where Ana and Paco were staying. The police took them inside and separated them.

Paco Albanez was in his fifties—a mocha-complexioned man with gold eyes, gray hair, and a white handlebar mustache. He was built low to the ground with a barrel chest and thick forearms. He, like Ana, had worked for the Kaffeys for about three years. He didn’t have much to add to the mix. Karns woke him up with a start, told him to get his clothes on, and that a terrible tragedy had happened to the family. He was half asleep, but as soon as he saw how upset Ana was, he woke up pretty quickly. He stayed with Ana until the police arrived. His recitation also seemed on the up-and-up.

Decker left the interviews with many unanswered questions. Among them:

1 Why was the door to the kitchen unlocked?

2 Did the killers come through the staff quarters, murder the sleeping maid, and access the house through the kitchen? If so, who let them in?

3 Did the alarm go off when Ana went into the kitchen? And if it didn’t, who turned it off?

4 Who possesses keys to the main house besides the family?

5 Who knows the alarm code besides the family?

6 Who was the first one to realize that Gil Kaffey wasn’t dead?

7 And, finally, why didn’t the murderers make sure that Kaffey was dead?

There were housekeepers, guardhouse guards, mansion guards, a groundskeeper, a groomer, Piet Kotsky, and Neptune Brady. And this was Guy Kaffey’s personal staff. Decker could only imagine how complicated it would get when he got into the business—a corporation that employed thousands. The manpower devoted to such a high-profile case would be staggering. In his mind, he saw a bursting case file filled with a forest’s worth of felled trees. In recent months, their substation had started using paper from recycled pulp.

Go green.

Better than red: the predominant color of the evening.