Читать книгу The Master of the Ceremonies - Fenn George Manville - Страница 20

“It was scandalous,” Saltinville said, “that she should accept it.”

But she did: a handsome little carriage that came down from Long Acre, and was sent round to the stables, where Cora Dean’s ponies were put up and kept now on a shorter allowance of corn.

The note was a simple one, written in a very large hand that was decidedly shaky. There was a coronet on the top, and its owner, Lord Carboro’, begged Miss Dean’s acceptance of the little gift, with his sorrow that he was the cause of the mishap, and his congratulations that she was not hurt.

This was all very refined and in accordance with etiquette. The postscript looked crotchety.

“P.S. – Tell your people not to give them so much corn.”

Cora did so, and said that she should drive out to show the people of Saltinville that she was no coward.

“Then I’ll go with you, Betsy,” said Mrs Dean, “to show ’em I ain’t, too: and, you mark my words, this’ll be the making of you in society.”

So Cora took her drives as of old, found that she was very much noticed by the gentlemen, very little by the ladies, but waited her time.

The Deans lodged at one of the best houses in the Parade – a large, double-fronted place facing the sea, with spacious balcony and open hall door, and porch ornamented with flowers.

The little groom sprang down and ran to the ponies’ heads as his mistress alighted, and after sweeping her rich dress aside, held out her hand for her mother, who got out of the carriage slowly, and in what was meant for a very stately style, her quick beady eyes having shown her that the windows on either side of the front door were wide open, while her sharp ears and her nose had already given her notice that the lodgers were at home – a low buzzing mellow hum with a wild refrain in high notes, announcing that old Mr Linnell was at work with his violoncello to his son’s violin, and a faint penetrating perfume – or smell, according to taste – suggesting that Colonel Mellersh was indulging in a cigar.

Mrs Dean’s daughter was quite as quick in detecting these signs, and, raising her head and half closing her eyes, she swept gracefully into the house, unconscious of the fact that Richard Linnell drew back a little from the window on one side of the door, and that Colonel Mellersh showed his teeth as he lay back in his chair beside a small table, on which was a dealt-out pack of cards.

“I should like to poison that old woman,” said the Colonel, gathering together the cards.

“I wish Mr Barclay had let the first floor to some one else, Richard,” said a low pleasant voice from the back of the room. P-r-r-rm, Pr-um!

The speaker did not say Pr-r-rm, Pr-um! That sound was produced by an up and down draw of the bow across the fourth string of the old violoncello he held between his legs, letting the neck of the instrument with its pegs fall directly after into the hollow of his arm, as he picked up a cake of amber-hued transparent rosin from the edge of a music stand, and began thoughtfully to rub it up and down the horse-hair of the bow.

The speaker’s was a pleasant handsome face of a man approaching sixty; but though his hair was very grey, he was remarkably well-preserved. His well-cut rather effeminate face showed but few lines, and there was just a tinge of colour in his cheeks, such as good port wine might have produced: but in this case it was a consequence of a calm, peaceful, seaside life. He was evidently slight and tall, but bent, and in his blue eyes there was a dreamy look, while a curious twitch came over his face from time to time as if he suffered pain.

“It would have been better, father,” said Richard Linnell, turning over the leaves of a music-book with his violin bow, “but we can’t pick and choose whom one is to sit next in this world.”

“No, no, we can’t, my son.”

“And I don’t think that we ought to trouble ourselves about our neighbours, so long as they behave themselves decorously here.”

“No, no, my son,” said Linnell, senior, thoughtfully. “There’s a deal of wickedness in this world, but I suppose we mustn’t go about throwing stones.”

“I’m not going to, father, and I’m sure you wouldn’t throw one at a mad dog.”

“Don’t you think I would, Dick?” with a very sweet smile; and the eyes brightened and looked pleased. “Well, perhaps you are right. Poor brute! Why should I add to its agony?”

“So long as it didn’t bite, eh, father?”

“To be sure, Dick; so long as it didn’t bite. I should like to run through that adagio again, Dick, but not if you’re tired, my boy, not if you’re tired.”

“Tired? No!” cried the young man. “I could keep on all day.”

“That’s right. I’m glad I taught you. There’s something so soul-refreshing in a bit of music, especially when you are low-spirited.”

“Which you never are, now.”

“N-no, not often, say not often, say not often. It makes me a little low-spirited though about that woman and her mother, Dick.”

“I don’t see why it should.”

“But it does. Such a noble-looking beautiful creature, and such a hard, vulgar, worldly mother. Ah, Dick, beautiful women are to be pitied.”

“No, no: to be admired,” said Richard, laughing.

“Pitied, my boy, pitied,” said the elder, making curves in the air with his bow, while the fingers of his left hand – long, thin, white, delicate fingers – stopped the strings, as if he were playing the bars of some composition. “Your plain women scout their beautiful sisters, and trample upon them, but it is in ignorance. They don’t know the temptations that assail one who is born to good looks.”

“Why, father, this is quite a homily.”

“Ah, yes, Dick,” he said, laughing. “I ought to have been a preacher, I think, I am always prosing. Poor things – poor things! A lovely face is often a curse.”

“Oh, don’t say that.”

“But I do say it, Dick. It is a curse to that woman upstairs. Never marry a beautiful woman, Dick.”

“But you did, father.”