Читать книгу Peeps at Many Lands—India - Finnemore John - Страница 3

The ancient town of Chitore still stands on its ridge, with its grey lines of ruined walls and towers broken by two beautiful Towers of Victory, which raise their slender columns toward the sky. The smaller tower is very old, having been raised in A.D. 896, and the larger was built in A.D. 1439 to celebrate a victory of the Rajputs over their Moslem enemies. The latter is ornamented with most beautiful carving, rises to the height of 130 feet, and is divided into nine stories.

Some sixty miles from Chitore lies Oudeypor, or Udaipur, a Rajput city of great fame, for it is said to be the most beautiful city in all India. It is also of deep interest as being one of the few cities where the old native life goes on almost untouched by the presence and influence of the white people in the land. Here strut Rajput nobles in silken robes decked with gems, and followed by splendidly clothed and armed retainers. Here the elephant is seen at its proper work of carrying stately howdahs, carved and gilded and hung about with curtains of rich brocade, while long flowing draperies of cloth of gold, embroidered in the most lovely patterns and in the most striking and brilliant colours, sweep down the broad flanks of the huge slow-moving beast, and almost brush the ground with long fringed tassels. Here are bevies of women who resemble a moving garden in their shining silks of every hue that is soft and delicate, and here are naked coolies, whose bronze bodies glisten with sweat as they toil along under their load of water-skins or huge baskets heaped with earth.

The people in the streets of Udaipur strike the traveller at once as a finer type than usual. The men are tall, slender, and of lofty bearing; their features are fine, sharp, and regular. As regards the women's features you cannot judge, for in Udaipur the rule that no woman's face shall be seen by a stranger is very strictly observed. Even the poorest woman, however busily she may be at work, has a hand at liberty to draw her filmy veil of coloured gauze, red or green or blue or pink, across her face when anyone glances her way.

As the crowd passes along, two things above all strike our eyes – the beards of the men, the jewellery of the women. The beard of the Rajput is very black; it is combed and brushed till it shines in the sun; it is as large as he can grow it; then it is parted in the middle, and drawn round the face so that it stands out on either side, and the ends are curled. It is said that a Rajput dandy who cannot get his beard to properly part in the middle will draw it round his face to the required shape, and then tie a bandage tightly round his head to train the hair to the mode which he and his friends affect.

The jewellery of the women is overwhelming, and this word is meant in its literal sense: the women are absolutely loaded with ornaments. If they are wealthy, the ornaments are of gold, decked with precious stones; the poorer classes are weighed down with silver. A Rajput woman often carries on her person the wealth of her house, and may be regarded as the family savings bank. One writer, speaking of the ornaments upon a working woman of the lower classes, says:

"Her smaller toes were decked with rings of silver, made by an ingenious arrangement of small movable knobs set close together. She wore a bracelet of the same design, which was one of the most artistic and effective triumphs of the jeweller's art that I have ever seen. Upon her eight fingers she wore twenty-six rings. She carried on her left lower arm a row of many bracelets, mainly of silver, but with here and there a band of lacquer, either green or red or yellow. Upon her left upper arm she displayed a circlet of links carved into the shape of musk-melons, each the size of a nutmeg. From this fell three chains, each five inches long, and terminated with a tassel of silver. Upon her right arm she had also many bracelets. Finally, upon her neck was a chain of silver, of such length that, after it had been coiled several times round her throat, sufficient remained to fall in a double loop upon her bosom, where a heart-shaped silver charm finished both it and her scheme of display."

Another writer gives a sketch of a Rajput dandy which forms a good companion picture to the above: "A long-skirted tunic or frock of white muslin, close-fitting white trousers, and a rose-coloured turban with a broad band of gold lace and tall flashing plume of dark heron feathers and gold filigree were the salient points. Other accessories were the sword-belt, crossing his breast and encircling his waist, of dark green velvet, richly worked with pure gold, and thickly studded with emeralds, rubies, and brilliants; a transparent yellow shield of rhinoceros hide, with knobs of black-and-gold enamel; a sash of stiff gold lace, with a crimson thread running through the gold; bracelets of the dainty workmanship known as Jeypore enamel, thickly jewelled, which he wore on his wrists and arms; and there were strings of dull, uncut stones about his neck. The skirts of his tunic were pleated with many folds and stood stiffly out, and when he mounted his horse a servant on each side held them so that they might not be crushed.

"The trappings of the horse were scarcely less elaborate. His neck was covered on one side with silver plates, and his mane, which hung on the other side, was braided, and lengthened by black fringes, relieved by silver ornaments. White yaks' tails hung from beneath the embroidered saddle-cover on both sides, and his head, encased in a headstall of white enamelled leather and silver, topped with tall aigrettes, was tied down by an embroidered scarf to give his neck the requisite curve."

The streets through which these gay figures move are worthy of them. Hardly two houses are alike, but all are beautiful in "this shining white pearl among cities." No building is bare. Its front is decorated with half-columns, carved panels, or frescoes in brilliant colours, picturing horses, elephants, and tigers in pursuit of their prey. Balconies and projecting windows are faced with panels of stonework so delicately carved and fretted as to resemble lacework, and in the most beautiful and graceful patterns. And everything is white, glittering white, under a clear, glowing sky, and set beside a great lake as blue as a great sheet of turquoise.

Along the streets flows a most mingled crowd, clad in all the hues of the rainbow, and through this brilliant throng all kinds of beasts of burden thread their way. The mighty elephant, rolling along with his ponderous tread, is followed by a tiny ass no bigger than a large dog. Oxen just as small as the asses, and long-legged camels with great loads on their humped backs, come and go, and people on balconies lean over the parapets and gaze idly on the busy scene.

The most striking thing in Udaipur is the vast palace of the native Prince. The most beautiful things are the two lovely water palaces which stand on islands in the lake.

The former is entered by a fine triple-arched gateway. "Above this gateway soars the great white fabric, airy, unreal, and fantastic as a dream, stretching away in a seemingly endless prospective of latticed cupolas, domes, turrets, and jutting oriel windows, rising tier above tier, at a dizzy height from the ground. A single date-tree spreads its branches above the walls of the topmost court, at the very apex of the pile."

From the foot of the ridge on which stands this glittering pile of splendid masonry the dark blue lake stretches away, its surface broken by two islands, each of which is occupied by a water palace of wonderful beauty. Here one may roam through miles of courts, saloons, corridors, pavilions, balconies, terraces, a fairyland of splendour, in which every room, every gallery is decorated with the most exquisite art. And all this has been wrought by the hand of man, not merely the marvellous palaces, but the very lake itself. This site was once a desert valley, but immense wealth and boundless power have filled the great hollow with blue water, and littered its shores with temples and palaces and pavilions, presenting a scene which, for charm of colour and beauty of outline, can nowhere be surpassed.