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Оглавление

CONTENTS

Cover

Title Page

Dedication

Penelope Fitzgerald: Preface by Hermione Lee, Advisory Editor

Introduction

Picture Acknowledgements

Foreword and Acknowledgements

1. 1833–53: A childhood without beauty

2. 1853–5: Oxford: loss and gain

3. 1855–6: Morris and Jones; the quest for a vocation

4. 1856: An apprenticeship to Rossetti

5. 1856–60: The long engagement

6. 1860–2: Expansion: the firm, Ruskin and Italy

7. 1863–5: Green Summer: a season of happiness

8. 1865–6: Friends and enemies

9. 1866–7: A threat to the Earthly Paradise

10. 1867–70: Phyllis and Demophoön: the dangers of enchantment

11. 1870–6: The desolate years

12. 1876–8: A return to the world: the Grosvenor Gallery

13. 1878–84: King Cophetua: the studio in the eighties

14. 1884–90: The Royal Academy: ‘to think, Jones, of your coming to this!’

15. 1890–2: Briar Rose: Burne-Jones in the nineties

16. 1892–4: ‘The best in me has been love’

17. 1894–6: The Kelmscott Chaucer and the parting of friends

18. 1896–8: Rottingdean and Avalon

Picture Section

Appendix 1: Sources

1. Unpublished Material

2. Select Bibliography

Appendix 2: Paintings by Burne-Jones mentioned in the text and now in public collections

Notes to the Text

Index

By the Same Author

Copyright

About the Publisher

Edward Burne-Jones

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