Читать книгу The Under Dog - Francis Hopkinson Smith - Страница 4

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I have been requested to tell this story, and exactly as it happened. The moral any man may draw for himself. I only want to ask my readers the question I have been asking myself ever since I saw the girl: Why should such things be among us?

Marny's studio is over the Art Club.

He was at work on a picture of a cañon with some Sioux Indians in the foreground, while I sat beside him, watching the play of his masterly brush.

Dear old Aunt Chloe, in white apron and red bandanna, her round black face dimpled with smiles, was busying herself about the room, straightening the rugs, puffing up the cushions of the divan, pushing back the easels to get at the burnt ends of abandoned cigarettes, doing her best, indeed, to bring some kind of domestic order out of Marny's Bohemian chaos.

Now and then she interpolated her efforts with such remarks as:

"No, doan' move. De Colonel"—her sobriquet for Marny—"doan' keer whar he drap his seegars. But doan' you move, honey"—sobriquet for me. "I kin git 'em." Or "Clar to goodness, you pillows look like a passel o' hogs done tromple ye, yo're dat mussed." Critical remarks like these last were given in a low tone, and, although addressed to the offending articles themselves, accompanied by sundry cuffs of her big hand, were really intended to convey Aunt Chloe's private opinion of the habits of her master and his friends.

The talk had drifted from men of the old frontier to border scouts, and then to the Kentucky mountaineers, whom Marny knows as thoroughly as he does the red men.

"They are a great race, these mountaineers," he said to me, as he tossed the end of another cigarette on Aunt Chloe's now clean-swept floor. Marny spoke in crisp, detached sentences between the pats of his brush. "Big, strong, whalebone-and-steel kind of fellows; rather fight than eat. Quick as lightning with a gun; dead shots. Built just like our border men. See that scout astride of his horse?"—and he pointed with his mahl-stick to a sketch on the wall behind him—"looks like the real thing, don't he? Well, I painted him from an up-country moonshiner. Found him one morning across the river, leaning up against a telegraph pole, dead broke. Been arrested on a false charge of making whiskey without a license, and had just been discharged from the jail. Hadn't money enough to cross the bridge, and was half-starved. So I braced him up a little, and brought him here and painted him."

We all know with what heartiness Marny can "brace." It doubtless took three cups of coffee, half a ham, and a loaf of bread to get him on his feet, Marny watching him with the utmost satisfaction until the process was complete.

"You ought to look these fellows over; they're worth it. Savage lot, some of 'em. Remind me of the people who live about the foothills of the Balkans. Mountaineers are the same the world over, anyway. But you don't want to hunt for these Kentuckians in their own homes unless you send word you are coming, or you may run up against the end of a rifle before you know it. I don't blame them." Marny leaned back in his chair and turned toward me. "The Government is always hunting them as if they were wild beasts, instead of treating them as human beings. They can't understand why they shouldn't get the best prices they can for their corn. They work hard enough to get it to grow. Their theory is that the Illinois farmer feeds the corn to his hogs and sells the product as pork, while the mountaineer feeds it to his still and sells the product to his neighbors as whiskey. That a lot of Congressmen who never hoed a row of corn in their lives, nor ran a furrow, or knew what it was to starve on the proceeds, should make laws sending a man to jail because he wants to supply his friends with liquor, is what riles them, and I don't blame them for that, either."

I arose from my chair and examined the sketch of the starving mountaineer. It was a careful study of a man with clear-cut features, slim and of wiry build, and was painted with that mastery of detail which distinguishes Marny's work over that of every other figure-painter of his time.

The painter squeezed a tube of white on his palette, relit his cigarette, fumbled over his sheaf of brushes and continued:

"The first of every month—just about now, by the way—they bring twenty or thirty of these poor devils down from the mountains and lock them up in Covington jail. They pass Aunt Chloe's house. Oh, Aunt Chloe!"—and he turned to the old woman—"did you see any of those 'wild people' the last two or three days?—that's what she calls 'em," and he laughed.

"Dat I did, Colonel—hull drove on 'em. 'Nough to make a body sick to see 'em. Two on 'em was chained together. Dat ain't no way to treat people, if dey is ornery. I wouldn't treat a dog dat way."

Aunt Chloe, sole dependence of the Art Club below-stairs: day or night nurse—every student in the place knows the touch of her hand when his head splits with fever or his bones ache with cold; provider of buttons, suspender loops and buckles; go-between in most secret and confidential affairs; mail-carrier—the dainty note wrapped up in her handkerchief so as not to "spile it!"—no, she wouldn't treat a dog that way, nor anything else that lives and breathes or has feeling, human or brute.

"If there's a new 'drove' of them, as Aunt Chloe says," remarked Marny, tossing aside his brushes, "let's take a look at them. They are worth your study. You may never have another chance."

This was why it happened that within the hour Marny and I crossed the bridge and left his studio and the city behind us.

The river below was alive with boats, the clouds of steam from their funnels wreathed about the spans. Street-cars blocked the roadway; tugging horses, sweating under the lash of their drivers' whips, strained under heavy loads. The air was heavy with coal-smoke. Through the gloom of the haze, close to the opposite bank, rose a grim, square building of granite and brick, its grimy windows blinking through iron bars. Behind these, shut out from summer clouds and winter snows, bereft of air and sunshine, deaf to the song of happy birds and the low hum of wandering bees, languished the outcast and the innocent, the vicious and the cruel. Hells like these are the infernos civilization builds in which to hide its mistakes.

Marny turned toward me as we reached the prison. "Keep close," he whispered. "I know the Warden and can get in without a permit," and he mounted the steps and entered a big door opening into a cold, bare hall with a sanded floor. To the right of the hall swung another door labelled "Chief of Police." Behind this door was a high railing closed with a wooden gate. Over this scowled an officer in uniform.

"My friend Sergeant Cram," said Marny, as he introduced us. The officer and I shook hands. The hand was thick and hard, the knotted knuckles leaving an unpleasant impression behind them as they fell from my fingers.

A second door immediately behind this one was now reached, the Sergeant acting as guide. This door was of solid wood, with a square panel cut from its centre, the opening barred like a birdcage. Peering through these bars was the face of another attendant. This third door, at a mumbled word from the Sergeant, was opened wide enough to admit us into a room in which half a dozen deputies were seated at cards. In the opposite wall hung a fourth door, of steel and heavily barred, through which, level with the eyes, was cut a peep-hole concealed by a swinging steel disk.

The Sergeant moved rapidly across the room, pushed aside the disk and brought to view the nose and eyes of a prison guard.

As our guide shot back a bolt, a click like the cocking of a gun sounded through the room, followed by the jangle of a huge iron ring strung with keys. Selecting one from the number, he pushed it into the key-hole and threw his weight against the door. At its touch the mass of steel swung inward noiselessly as the door of a bank-vault. With the swinging of the door there reached us the hot, stuffy smell of unwashed bodies under steam-heat—the unmistakable odor that one sometimes meets in a court-room.

Marny and I stepped inside. The Sergeant closed the slab of steel, locking us inside, and then, nodding to us through the peep-hole, returned to his post in the office.

We stood now on the rim of the crater, looking straight into the inferno. By means of the dull light that struggled through the grimy, grated windows, I discovered that we were in a corridor having an iron floor that sprang up and down under our feet. This was flanked by a line of steel cages—huge beast-dens really—reaching to the ceiling. In each of these cages was a small, double-barred gate.

These dens were filled with men and boys; some with faces thrust through the bars, some with hands and arms stretched out as if for air; one hung half-way up the bars, clinging with hands and feet apart, as if to get a better hold and better view. I had seen dens like these before: the man-eating Bengal tiger at the London Zoo lives in one of them.

The Warden, who was standing immediately behind the attendant, stepped forward and shook Marny's hand. I discharged my obligations with a nod. I had never been in a place like this before, and the horror of its surroundings overcame me. I misjudged the Warden, no doubt. That this man might have a wife who loved him and little children who clung to his neck, and that underneath his hard, forbidding exterior a heart could beat with any tenderness, never occurred to me. As I looked him over with a half-shrinking glance, I became aware of a slash indenting his pock-marked cheek that might have been made by a sabre cut—was, probably, for it takes a brave man to be a warden; a massive head set on big shoulders; a square chin, the jaw hinged like a burglar's jimmy; and two keen, restless, elephant eyes.

But it was his right ear that absorbed my attention—or rather, what was left of his right ear. Only the point of it stuck up; the rest was clipped as clean as a rat-terrier's. Some fight to a finish, I thought; some quick upper-cut of the razor of a frenzied negro writhing under the viselike grasp of this man-gorilla with arms and hands of steel; or some sudden whirl of a stiletto, perhaps, which had missed his heart and taken his ear. I did not ask then, and I do not know now. It was a badge of courage, whatever it was—a badge which thrilled and horrified me. As I looked at the terrible mutilation, I could but recall the hideous fascination that overcame Josiane, the heroine of Hugo's great novel, "The Man Who Laughs," when she first caught sight of Gwynplaine's mouth—slit from ear to ear by the Comprachicos. The outrage on the Warden was not so grotesque, but the effect was the same.

I moved along the corridor and stood before the beasts. One, an old man in a long white beard, leathery, sun-tanned face and hooked nose, clasped the bars with both hands, gazing at us intently. I recognized his kind the moment I looked at him. He was like my Jonathan Gordon, my old fisherman who lived up in the Franconia Notch. His coarse, homespun clothes, dyed brown with walnut-shells, slouch hat crowning his shock of gray hair, and hickory shirt open at the throat, only heightened the resemblance; especially the hat canted over one eye. Why he wore the hat in such a place I could not understand, unless to be ready for departure when his summons came.

There were eight other beasts besides this old man in the same cage, one a boy of twenty, who leaned against the iron wall with his hands in his pockets, his eyes following my every movement. I noticed a new blue patch on one of his knees, which his mother, doubtless, had sewn with her own hands, her big-rimmed spectacles on her nose, the tallow dip lighting the log cabin. I recognized the touch. And the boy. I used to go swimming with one just like him, forty years ago, in an old swimming-hole in the back pasture, and hunt for honey that the bumblebees had stored under the bank.

The old man with the beard and the canting hat looked into my eyes keenly, but he did not speak. He had nothing to say, perhaps. Something human had moved before him, that was all; something that could come and go at its pleasure and break the monotony of endless hours.

"How long have you been here?" I asked, lowering my voice and stepping closer to the bars.

Somehow I did not want the others to hear. It was almost as though I were talking to Jonathan—my dear Jonathan—and he behind bars!

"Eleven months and three days. Reckon I be the oldest"—and he looked about him as if for confirmation. "Yes, reckon I be."

"What for?"

"Sellin'."

The answer came without the slightest hesitation and without the slightest trace in his voice of anything that betokened either sorrow for his act or shame for the crime.

"Eleven months and three days of this!" I repeated to myself. Instinctively my mind went back to all I had done, seen, and enjoyed in these eleven months and three days. Certain individual incidents more delightful than others stood out clear and distinct: that day under the trees at Cookham, the Thames slipping past, the white-sailed clouds above my tent of leaves; a morning at Dort, when Peter and I watched the Dutch luggers anchor off the quay, and the big storm came up; a night beyond San Giorgio, when Luigi steered the gondola in mid-air over a sea of mirrored stars and beneath a million incandescent lamps.

I passed on to the next cage, Marny watching me but saying nothing. The scout was in this one, the "type" in Marny's sketch. There were three of them—tall, hickory-sapling sort of young fellows, with straight legs, flat stomachs, and thin necks, like that of a race-horse. One had the look of an eagle, with his beak-nose and deep-set, uncowed eyes. Another wore his yellow hair long on his neck, Custer-fashion. The third sat on the iron floor, his knees level with his chin, his head in his hand. He had a sweetheart, perhaps, who loved him, or an old mother who was wringing her hands at home. This one, I learned afterward, had come with the last batch and was not yet accustomed to his surroundings; the others had been awaiting trial for months. All of them wore homespun clothes—not the ready-made clothes sold at the stores, but those that some woman at home had cut, basted, and sewn.

Marny asked them what they were up for. Their answers differed slightly from that of the old man, but the crime and its penalty were the same.

"Makin'," they severally replied.

There was no lowering of the eyelids when they confessed; no hangdog look about the mouth. They would do it again when they got out, and they intended to, only they would shoot the quicker next time. The earth was theirs and the fulness thereof, that part of it which they owned. Their grandfathers before them had turned their corn into whiskey and no man had said nay, and so would they. Not the corn that they had stolen, but the corn that they had ploughed and shucked. It was their corn, not the Government's. Men who live in the wilderness, and feed and clothe themselves on the things they raise with their own hands, have no fine-spun theories about the laws that provide revenue for a Government they never saw, don't want to see, and couldn't understand if they did.

Marny and I stood before the grating, looking each man over separately. Strange to say, the artistic possibilities of my visit faded out of my mind. The picturesqueness of their attire, the browns and grays accentuated here and there by a dash of red around a hat-band or shirt-collar—all material for my own or my friend's brush—made not the slightest impression upon me. It was the close smell, the dim, horrible light, the quick gleam of a pair of eyes looking out from under shocks of matted hair—the eyes of a panther watching his prey; the dull stare of some boyish face with all hope crushed out of it; these were the things that possessed me.

As I stood there absorbed in the terrors before me, I was startled by the click of the catch and the clink of keys, followed by the noiseless swing of the steel door as it closed again.

I turned and looked down the corridor.

Into the gloom of this inferno, this foul-smelling cavern, this assemblage of beasts, stepped a girl of twenty. A baby wrapped about with a coarse shawl lay in her arms.

She passed me with eyes averted, and stood before the gate of the last steel cage—the woman's end of the prison—the turnkey following slowly. Cries of "Howdy, gal! What did ye git?" wore hurled after her, but she made no answer. The ominous sound of drawn bolts and the click of a key, and the girl and baby were inside the bars of the cage. These bars, foreshortened from where I stood, looked like a row of gun-barrels in an armory rack.

"That girl a prisoner?" I asked the Warden.

I didn't believe it. I knew, of course, that it couldn't be. I instantly divined that she had come to comfort some brother or father, or lover, perhaps, and had brought the baby with her because there was no place to leave it at home. I only asked the question of the Warden so he could deny it, and deny it, too, with some show of feeling—this man with the sliced ear and the gorilla hands.

"Yes, she's been here some time. Judge suspended sentence a while ago. She's gone after her things."

There was no joy over her release in his tones, nor pity for her condition.

He spoke exactly, it seemed to me, as he would have done had he been in charge of the iron-barred gate of the Colosseum two thousand years ago. All that had saved the girl then from the jaws of his hungriest lion was the twist of Nero's thumb. All that saved her now was the nod of the Judge's head—both had the giving of life and death.

A thin mist swam before my eyes, and a great lump started from my heart and stuck fast in my throat, but I did not answer him; it would have done no good—might have enraged him, in fact. I walked straight to the gate through which she had entered and peered in. I could see between the gun-barrels now.

It was like the other cages, with barred walls and sheet-iron floors. Built in one corner of the far end was a strong box of steel, six feet by four by the height of the ceiling, fitted with a low door. This box was lined with a row of bunks, one above the other. From one was thrust a small foot covered with a stocking and part of a skirt; some woman prisoner was ill, perhaps. Against the wall of this main cage sat two negro women; one, I learned afterward, had stabbed a man the week before; the other was charged with theft. The older—the murderess—came forward when she caught sight of me, thrust out her hands between the bars, and begged for tobacco.

In the corner of the same cage was another steel box. I saw the stooping figure of the young girl come out of it as a dog comes out of a kennel. She walked toward the centre of the cage—she still had the baby in her arms—laid the child on the sheet-iron floor, where the light from the grimy windows fell the clearer, and returned to the steel box. The child wore but one garment—a short red-flannel shirt that held the stomach tight and left the shrivelled legs and arms bare. It lay flat on its back, its eyes gazing up at the ceiling, its pinched face in high light against the dull background. Now and then it would fight the air with its little fists or kick its toes above its head.

The girl took from the kennel a broken paper box and, returning with it, knelt beside the child and began arranging its wardrobe, the two negresses watching her listlessly. Not much of a wardrobe—only a ragged shawl, some socks, a worsted cap, a pair of tiny shoes, and a Canton-flannel wrapper, once white. This last had little arms and a short waist. The skirt was long enough to tuck around her baby's feet when she carried it.

I steadied myself by one of the musket-barrels, watched her while she folded the few pitiful garments, waited until she had guided the shrunken arms into the sleeves of the soiled wrapper and had buttoned it over the baby's chest. Then, when the lump in my throat was about to stop my breathing, I said:

"Will you come here, please, to the grating? I want to speak to you."

She raised her head slowly, looked at me in a tired, hopeless way, laid her baby back on the sheet-iron floor, and walked toward me. As she came into the glow of the overhead light, I saw that she was even younger than I had first supposed—nearer seventeen than twenty—a girl with something of the curious look of a young heifer in a face drawn and lined but with anxiety. Parted over a low forehead, and tucked behind her ears, streamed two braids of straight yellow hair in two unkempt strands over her shoulders. Across her bosom and about her slender figure was hooked a yellow-brown dress made in one piece. The hooks and eyes showed wherever the strain came, disclosing the coarse chemise and the brown of the neck beneath. This strain, the strain of an ill-fitting garment, accentuated all the clearer, in the wrinkles about the shoulders and around the hips, the fulness of her delicately modelled lines; quite as would a jacket buttoned over the Milo. On the third finger of one hand was a flat silver ring, such as is sold by the country peddlers.

She stood quite close to the bars, patiently awaiting my next question. She had obeyed my summons like a dog who remembered a former discipline. No curiosity, not the slightest interest; nothing but blind obedience. The tightened grasp of these four walls had taught her this.

"Where do you come from?" I asked.

I had to begin in some way.

"From Pineyville." The voice was that of a child, with a hard, dry note in it.

"How old is the baby?"

"Three months and ten days." She had counted the child's age. She had thought enough for that.

"How far is Pineyville?"

"I doan' know. It took mos' all night to git here." There was no change in the listless monotone.

"Are you going out now?"

"Yes, soon's I kin git ready."

"How are you going to get home?"

"Walk, I reckon." There was no complaint in her tone, no sudden exhibition of any suffering. She was only stating facts.

"Have you no money?"

"No." Same bald statement, and in the same hopeless tone. She had not moved—not even to look at the child.

"What's the fare?"

"Six dollars and sixty-five cents." This was stated with great exactness. It was the amount of this appalling sum that had, no doubt, crushed out her last ray of hope.

"Did you sell any whiskey?"

"Yes, I tol' the Judge so." Still no break in her voice. It was only another statement.

"Oh! you kept a saloon?"

"No."

"How did you sell it, then?"

"Jest out of a kag—in a cup."

"Had you ever sold any before?"

"No."

"Why did you sell it, then?"

She had been looking into my face all this time, one thin, begrimed hand—the one with the ring on it—tight around the steel bar of the gate that divided us. With the question, her eyes dropped until they seemed to rest on this hand. The answer came slowly:

"The baby come, and the store wouldn't chalk nothin' for us no more." Then she added, quickly, as if in defence of the humiliating position, "Our corn-crib was sot afire last fall and we got behind."

For a brief instant she leaned heavily against the bars as if for support, then her eyes sought her child. I waited until she had reassured herself of its safety, and continued my questions, my finger-nails sinking deeper all the time into the palms of my hands.

"Did you make the whiskey?"

"No, it was Martin Young's whiskey. My husband works for him. Martin sent the kag down one day, and I sold it to the men. I give the money all to Martin 'cept the dollar he was to gimme for sellin' it."

"How came you to be arrested?"

"One o' the men tol' on me 'cause I wouldn't trust him. Martin tol' me not to let 'em have it 'thout they paid."

"How long have you been here?"

"Three months next Tuesday."

"That baby only two weeks old when they arrested you?" My blood ran hot and cold, and my collar seemed five sizes too small, but I still held on to myself.

"Yes." The answer was given in the same monotonous, listless voice—not a trace of indignation over the outrage. Women with suckling babies had no rights that anybody was bound to respect—not up in Pineyville; certainly not the gentlemen with brass shields under the lapels of their coats and Uncle Sam's commissions in their pockets. It was the law of the land—why find fault with it?

I leaned closer so that I could touch her hand if need be.

"What's your name?"

"Samanthy North."

"What's your husband's name?"

"His name's North." There was a trace of surprise now in the general monotone Then she added, as if to leave no doubt in my mind, "Leslie North."

"Where is he?" I determined now to round up every fact.

"He's home. We've got another child, and he's takin' care of it till I git back. He'd be to the railroad for me if he knowed I was coming; but I couldn't tell him when to start 'cause I didn't know how long they'd keep me."

"Is your home near the railroad?"

"No, it's thirty-six miles furder."

"How will you get from the railroad?"

"Ain't no way 'cept walkin'."

I had it now, the whole damnable, pitiful story, every fact clear-cut to the bone. I could see it all: the look of terror when the deputy woke her from her sleep and laid his hand upon her; the parting with the other child; the fright of the helpless husband; the midnight ride, she hardly able to stand, the pitiful scrap of her own flesh and blood tight in her arms; the procession to the jail, the men in front chained together, she bringing up the rear, walking beside the last guard; the first horrible night in jail, the walls falling upon her, the darkness overwhelming her, the puny infant resting on her breast; the staring, brutal faces when the dawn came, followed by the coarse jest. No wonder that she hung limp and hopeless to the bars of her cage, all the spring and buoyancy, all the youth and lightness, crushed out of her.

I put my hand through the bars and laid it on her wrist.

"No, you won't walk; not if I can help it." This outburst got past the lump slowly, one word at a time, each syllable exploding hot like balls from a Roman candle. "You get your things together quick as you can, and wait here until I come back," and I turned abruptly and motioned to the turnkey to open the gate.

In the office of the Chief of Police outside I found Marny talking to Sergeant Cram. He was waiting until I finished. It was all an old story with Marny—every month a new batch came to Covington jail.

"What about that girl, Sergeant—the one with the baby?" I demanded, in a tone that made them both turn quickly.

"Oh, she's all right. She told the Judge a straight story this morning, and he let her go on 'spended sentence. They tried to make her plead 'Not guilty,' but she wouldn't lie about it, she said. She can go when she gets ready. What are you drivin' at? Are you goin' to put up for her?"—and a curious look overspread his face.

"I'm going to get her a ticket and give her some money to get home. Locking up a seventeen-year-old girl, two hundred miles from home, in a den like that, with a baby two weeks old, may be justice, but I call it brutality! Our Government can pay its expenses without that kind of revenue." The whole bundle of Roman candles was popping now. Inconsequent, wholly illogical, utterly indefensible explosions. But only my heart was working.

The Sergeant looked at Marny, relaxed the scowl about his eyebrows, and smiled; such "softies" seemed rare to him.

"Well, if you're stuck on her—and I'm damned if I don't believe you are—let me give you a piece of advice. Don't give her no money till she gets on the train, and whatever you do, don't leave her here over night. There's a gang around here"—and he jerked his thumb in the direction of the door—"that might—" and he winked knowingly.

"You don't mean—" A cold chill suddenly developed near the roots of my hair and trickled to my spine.

"Well, she's too good-lookin' to be wanderin' round huntin' for a boardin'-house. You see her on the train, that's all. Starts at eight to-night. That's the one they all go by—those who git out and can raise the money. She ought to leave now, 'cordin' to the regulations, but as long as you're a friend of Mr. Marny's I'll keep her here in the office till I go home at seven o'clock. Then you'd better have someone to look after her. No, you needn't go back and see her"—this in answer to a movement I made toward the prison door. "I'll fix everything. Mr. Marny knows me."

I thanked the Sergeant, and we started for the air outside—something we could breathe, something with a sky overhead and the dear earth underfoot, something the sun warmed and the free wind cooled.

Only one thing troubled me now. I could not take the girl to the train myself, neither could Marny, for I had promised to lecture that same night for the Art Club at eight o'clock, and Marny was to introduce me. The railroad station was three miles away.

"I've got it!" cried Marny, when we touched the sidewalk, elbowing our way among the crowd of loafers who always swarm about a place of this kind. (He was as much absorbed in the girl's future, when he heard her story, as I was.) "Aunt Chloe lives within two blocks of us—let's hunt her up. She ought to be at home by this time."

The old woman was just entering her street door when she heard Marny's voice, her basket on her arm, a rabbit-skin tippet about her neck.

"Dat I will, honey," she answered, positively, when the case was laid before her. "Dat I will; 'deed an' double I will."

She stepped into the house, left her basket, joined us again on the sidewalk, and walked with us back to the Sheriff's office.

"All right," said the Sergeant, when we brought her in. "Yes, I know the old woman; the gal will be ready for her when she comes, but I guess I'd better send one of my men along with 'em both far as the depot. Ain't no use takin' no chances."

The dear old woman followed us again until we found a clerk in a branch ticket-office, who picked out a long green slip from a library of tickets, punched it with the greatest care with a pair of steel nippers, and slipped it into an official envelope labelled: "K.C. Pineyville, Ky. 8 P.M."

With this tightly grasped in her wrinkled brown hand, together with another package of Marny's many times in excess of the stage fare of thirty-six miles and which she slipped into her capacious bosom, Aunt Chloe "made her manners" with the slightest dip of a courtesy and left us with the remark:

"Sha'n't nothin' tech her, honey; gwinter stick right close to her till de steam-cars git to movin', I'll be over early in de mawnin' an' let ye know. Doan' worry, honey; ain't nothin' gwinter happen to her arter I gits my han's on her."

When I came down to breakfast, Aunt Chloe was waiting for me in the hall. She looked like the old woman in the fairy-tale in her short black dress that came to her shoe-tops, snow-white apron and headkerchief, covered by a close-fitting nun-like hood—only the edge of the handkerchief showed—making her seem the old black saint that she was. It not being one of her cleaning-days, she had "kind o' spruced herself up a li'l mite," she said. She carried her basket, covered now with a white starched napkin instead of the red-and-yellow bandanna of work-days. No one ever knew what this basket contained. "Her luncheon," some of the art-students said; but if it did, no one had ever seen her eat it. "Someone else's luncheon," Marny added; "some sick body whom she looks after. There are dozens of them."

"Larrovers fur meddlins," Aunt Chloe invariably answered those whose curiosity got the better of their discretion—an explanation which only deepened the mystery, no one being able to translate it.

"She's safe, honey!" Aunt Chloe cried, when she caught sight of me. "I toted de baby, an' she toted de box. Po' li'l chinkapin! Mos' break a body's heart to see it! 'Clar to goodness, dat chile's leg warn't bigger'n a drumstick picked to de bone. De man de Sheriff sent wid us didn't go no furder dan de gate, an' when he lef us dey all sneaked in an' did dere bes' ter git her from me. Wuss-lookin' harum-scarums you ever see. Kep' a-tellin' her de ticket was good for ten days an' dey'd go wid her back to town; an' dat if she'd stay dey'd take her 'cross de ribber to see de city. I seed she wanted ter git home to her husban', an' she tol' 'em so. Den dey tried to make her believe he was comin' for her, an' dey pestered her so an' got her so mixed up wid deir lies dat I was feared she was gwine to give in, arter all. She warn't nothin' but a po' weak thing noways. Den I riz up an' tol' 'em dat I'd call a pleeceman an' take dat ticket from her an' de money I gin her beside, if she didn't stay on dat car. I didn't give her de 'velope; I had dat in my han' to show de conductor when he come, so he could see whar she was ter git off. Here it is"—and she handed me the ticket-seller's envelope. "Warn't nothin' else saved me but dat. When dey see'd it, dey knowed den somebody was a-lookin' arter her an' dey give in. Po' critter! I reckon she's purty nigh home by dis time!"

The story is told. It is all true, every sickening detail. Other stories just like it, some of them infinitely more pitiful, can be written daily by anyone who will peer into the cages of Covington jail. There is nothing to be done; nothing can be done.

It is the law of the land—the just, holy, beneficent law, which is no respecter of persons.