Читать книгу The Red Ledger - Frank L. Packard - Страница 5

CHAPTER II

2½ DOMINIC COURT

Stranway’s knock was answered almost on the moment. The door swung back seemingly of its own volition, and a dim, narrow hallway was revealed. Stranway stepped inside–and the door closed behind him. Startled, he smiled the next instant. It was simple enough, the door was operated by a cord attachment, that was all.

“This way! This way!” a man’s voice called to him from an open door just down the hall.

Stranway moved forward, turned into the room–and came to an abrupt stop barely across the threshold.

Before him, in the centre of the room, stood a clean-shaven little old man in a red velvet smoking jacket, his feet encased in red leather slippers, his scanty fringe of hair surmounted by a red skull-cap with bobbing tassel.

“What,” demanded this personage sharply, as he fixed Stranway with bright, steel-blue eyes, “what is your favourite colour–h’m?”

Stranway drew suddenly back. So this was it! This was what was behind it all–a madman!

“No,” said the little old man quickly. “No; you are quite wrong. I am not at all mad. It is a question I always ask. I see you have not studied the significance of colour. I recommend it to you as both instructive and of great value. There is no surer guide to the temperament than colour. For instance, blue is a cold colour, whereas orange is warm.”

“Oh!” said Stranway; and then, with a whimsical smile at the red slippers, the red jacket, and the red skull-cap: “And red–what is red?”

“Red?” replied the little old man instantly. “Red is neither warm nor cold.”

Stranway, again taken aback, stared for an instant, nonplussed, at the other; then, mechanically, his eyes swept around the room. It was as curious as its occupant–and here, too, red was everywhere predominant. The heavy silken portière, that hid what was, presumably, another door opposite to the one by which he had entered; the carpet, a rich fabric of the Orient; the curtains which were drawn back from the single window that evidently gave upon the rear, since the shutters there were swung wide open to admit the light; the bookshelves, that filled in the spaces beneath and around the window as also the entire length and breadth of one side of the room; the huge safe in one corner; the upholstery of the chairs–all were red. It was very strange! A disordered pile of books on the floor, and the sliding ladder before the shelves suggested the student; a ponderous, large and very modern filing cabinet, together with the two telephones upon the desk suggested the busy man of affairs; the desk itself suggested the dilettante–it was of very old mahogany, with slender curving legs, and wondrously inlaid with mother-of-pearl.

The little old man came abruptly nearer and gazed into Stranway’s face.

“Yes, yes,” he said; “the photograph had the Stranway features; your father’s mouth, your mother’s nose. You are the original of the photograph. I am perfectly satisfied. You are Ewen Stranway. Sit down, sit down in that chair.” He pointed to one facing the desk chair, which latter he took himself.

“And you,” suggested Stranway bluntly, as he seated himself, “would you mind introducing yourself? I suppose you are C,305. But that, you will admit, is a trifle vague and unsatisfactory.”

“Yes, I am C,305.” The little old man chuckled dryly. “My name, however, is Charlebois, Henri Raoul Charlebois, descendant”–he drew himself up with a quaint air of pride–”of the Norman Counts of Charlebois.”

“You speak like an American,” commented Stranway.

“I should”–the blue eyes twinkled–”for I am an American, as was also my father before me.”

Stranway now settled easily back in his chair. In spite of the bizarre nature of his surroundings, the bizarre appearance of this Henri Raoul Charlebois himself, there was something about the old fellow that appealed to him and attracted him strongly.

“Ah! You feel, too, that we shall get along together!” The assertion came swiftly, instantly pertinent to Stranway’s thoughts.

Keen and alert of brain himself, Stranway shot a curious, appreciative glance at the other; but when he spoke it was with quiet irrelevancy.

“You seem to know a good deal about me, a good deal that I don’t understand. That advertisement, the note–how did you know I was in New York, how was I recognised on the street, and what is this debt you speak of? What does it mean?”

A hard, almost flint-like expression had crept into Charlebois’ face.

“It means,” he replied, a sudden harshness in his voice, “that for once I have failed–and I do not often fail. I did not know that your father was in difficulties. I believed him to be rich and prosperous.”

Stranway stared in wonder.

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