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§ III.

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IF the mornings within the Hospital walls passed quietly and smoothly, the evenings were far more redolent of brooding peacefulness. When the doors were closed upon the busy city, shutting out all the world except a merry shout of children at play in the meadows beyond, the pensioners in their best red coats sat under the monastery walls, or worked in their garden patches among their vegetables and flowers. Ben Choppin, smoking his evening pipe with his friend and ally the Corporal, watched a pair of figures promenading the path round the preaching-cross—Sylvia Goldsworthy and the painter, Harold Abelwhite, in earnest converse.

'It came upon me like a thunderclap,' said the sailor, as if resuming the broken thread of a story. 'Miss Sylvia, she had just finished the Battle o' the Nile, when our new gov'nor walks in with the picture-chap yonder. "You are our new patron?" says the Captain.—"I have the honour to be so," says Mr Debenham.—"Then," says the Captain, "allow me to inform you that my cottage is at your disposal; I can accept no favour from a Debenham."—I was that astonished you might ha' knocked me down with the butt-end of a musket.'

'I daresay,' Mr Dawson replied meditatively, 'I did hear, when the Captain first came here, as he had had words along with the young gentleman's father. I only hope as it won't make any difference at Christmas.'

Sir Choppin hastened to assure his friend that such a dread consummation was not likely to happen in consequence of the Captain's indiscretion. That the new patron and his chief pensioner had come to high words was common property in the Hospital, and had been warmly discussed amongst the inhabitants from a more or less personal point of view.

But Sylvia and her companion, walking in the gloaming beneath the shadow of the ancient preaching-cross, were likewise speaking of the scene that morning. The artist listened sympathetically to the girl, who spoke in a low voice, that trembled with emotion from time to time. Her features were pale, and on her cheeks were signs of recent tears.

'It is not for me to blame my father,' she said after a pause. 'I do not think he cared for the loss of his money; it was the treacherous action on the part of his friend that makes him so hard.—But it is not just; it is not like him to visit the sins of one upon another innocent head.'

'And such a handsome head!' replied the artist somewhat bitterly. 'I have not heard the whole story. Would you mind enlightening me?'

'It is simple enough. When my father gave up his profession, he had quite sufficient for his wants; indeed, he would to this day, had he not been persuaded by his friend Mr Debenham to speculate. There was a lot of money invested in certain bonds; and when they were repudiated—whatever that may mean—all our money was lost. But my father found out afterwards that Mr Debenham had sold out the week before. If it was done deliberately, it was a cruel, heartless thing to do.'

'But how could this Debenham benefit by your ruin?'

'I have no head for business,' said Sylvia wearily. 'But I understand if my father's share had been placed suddenly in the market it would have seriously jeopardised Mr Debenham's chance of disposing of his. Can you understand? To me it is simply hopeless confusion.'

Abelwhite listened to this explanation thoughtfully, though with the reputation of Debenham, father or son, he felt but little impetus to show a partisan spirit. Gradually there had grown up in his imagination a picture, painted coldly at first by the cynical sarcasm with which those bodily afflicted treat their own physical infirmities; but gradually the picture grew in glowing colours, and as yet the painter refused to own that the pigments mixed by the hand of love himself had turned to the blackness of despair.

'We have always been friends,' Sylvia continued after a pause. 'Mr Abelwhite, can't you find some way to help me now?'

'I would lay down my life to make you happy. Tell me, if this quarrel is explained away, will you be any happier then?'

'Surely. Why, then, if he should say to me——'

She stopped, and Abelwhite was grateful, for every word falling from her lips was torture to his proud and sensitive soul. There was a wild passion in his affection for the girl, an adoration such as poets tell us of; and as he looked into her serious eyes, his madness alternately cooled and burned, despair and love mingled in a breath. He paused a moment, intending to refuse, a negative that he could not have uttered if he would.

'There are some men,' said he, 'who are born to have no wish, no ambition ungratified. They have riches and health and beauty, everything that makes life happy, and yet, should they but covet the only jewel of a poor man's heart, it is theirs.'

'Fie!' said Sylvia archly. 'Surely you envy no one.'

'And no one envies me, which is considerate under the circumstances.—Now, what if I were to tell you that I—I, Harold Abelwhite, the cripple, can resolve this mystery, and show you that it is all a misunderstanding, and that for Captain Goldsworthy's misfortune his friend was not to blame?'

'Do you know that?' Sylvia cried, her cheeks aflame. 'If you only can do this, I shall be grateful all the days of my life.'

'"And gratitude is a lively sense of favours to come,"' Abelwhite quoted. 'I do not say I can; it is merely a hypothetical case I am putting.'

The light in Sylvia's eyes died out; a gentle sigh betrayed the deepness of her disappointment.

The painter, watching these signs of alternate hope and despair, felt his conscience tax him for this cruel levity. But the keen torture of his own feeling was too poignant as yet to spare a little room for the noblest of all virtues, self-sacrifice. Seeing that his feelings were somewhat akin to her own, Sylvia touched him gently on the arm.

His pale face blazed with excitement as he started back. 'Don't!' he cried, almost roughly. 'Do you think I have no feelings? that because I am not like other men—— But I frighten you—you, whom I would not injure for the world. Bear with me only a little longer.'

He was past all power of acting now; there was in his emotional nature no vein of stoicism, no worldly training such as enables us to disguise grief and sorrow under the mask of simulated gaiety. He seated himself upon the steps of the old preaching-cross, and hid his face in his hands. 'I have been happy here, far too happy. Do not chide me for my folly, Sylvia. I had hoped—fool that I am—to see some day, when I became rich and famous. But that is only the dream of a poor crippled painter.'

'Oh! surely not,' Sylvia cried, in deep distress. 'We shall live to see it yet.'

'One part, perhaps,' said the artist with a mournful smile; 'the other, never. There is something in this place that causes one to weave Arcadian dreams, an air that makes me feel on an equality with all men; and I was mad enough to think that you might, after many days—— But I will not distress you. I think I can assist you, and I will.'

Sylvia murmured her thanks and held out her hand. He took it, and carried it to his lips with a gentle reverence, for all the fire and passion had burnt itself away, leaving nothing but the dead ashes behind.

'In two days I will come to you again. I am going to take a bold step, and one that may cost me much; but I shall not fail. It is strange that you should come to me; but sometimes the mouse in the fable is acted in real life. And now, I shall say good-night.'

'But you must come in, if only for a few minutes,' said Sylvia.

'Not to-night,' the artist persisted. 'I could not. Say good-night here, and let me go through the side-door. Do not lose heart, but wait and hope.'

With these parting words of advice, Abelwhite turned abruptly away, and disappeared into the gathering darkness of the street beyond. There was no gleam of recognition in his face for passers-by, as he walked slowly, painfully along; but by degrees his pace increased, till at length the cottage was reached, and the owner sat himself down in his studio to think.

There was not a soul in the house to disturb these painful meditations, yet every article of furniture or ornament conjured up some unhappy memory. There was the chair where Sylvia had sat for her portrait, the very book represented in the picture lying upon a side-table. Here it was that the dream of happiness had been commenced, and raised story by story, till every airy detail was complete. And even now it was not too late. The Captain would lie in his grave before he would give his child to the son of his dishonoured friend; Sylvia would never disregard her father's word, though it cost her all her happiness. Then Hugh Debenham would go away, and forget; another and fresher beauty would charm his eye, and then—— But then the thoughts grew darker and more troubled; for the painter knew that, juggle with his conscience as he would, it was in his power to solve the mystery and bring the lovers within each other's reach.

He had the power to do this thing; that was the worst of all. There stood the innocent-looking cabinet, the workmanship and restoration of which, by Abelwhite, Hugh Debenham had so much admired; and there, concealed within its artistic depths, lay confirmation strong as proof of holy writ. A little curiosity, a glance, and finally a somewhat closer search, had brought to light the fact that the Captain's anger was in vain, and that his erstwhile friend had done his best to save him from ruin.

'What a temptation!' he cried; 'what a hideous trial of this poor body! Yet there should be no hesitation. I am—so I tell myself—by education and instinct, if not by birth, a gentleman; still, I am deliberately contemplating the act of a scoundrel. If I do right, I shall lose every hope of her; if I do wrong, she will be no nearer to me than now. And yet—and yet——'

But the good angel of the man had so far triumphed with the morning, that Abelwhite resolved that there was only one honourable course before him. Not that the task was an easy one, embracing as it did certain painful disclosures, and an interview from which the sensitive nature of the artist recoiled, as some natures shrink from physical pain. It was easy enough to prove that Debenham's father had been entirely innocent of treachery towards his old friends; but this, simple as it seemed, could not be accomplished without certain disgraceful disclosures affecting the happiness of more than one of the parties most directly concerned. No man possessed of the ordinary feelings of humanity cares to bring home disgrace to his fellow-creatures, especially if they are of the gentler sex.

Abelwhite walked the entire distance from Castleford to Fotheryngsby Court, a somewhat toilsome journey for one so bodily afflicted, without arriving at any satisfactory solution of the difficulty before him. He had racked his brain in vain to devise some scheme whereby the truth should be exposed without violating the confidence which he had so unwittingly gleaned from the contents of the old cabinet. In the first place, he had no earthly right to read the papers; and having done so, under ordinary circumstances, it was his duty to preserve an inviolate silence upon the matter. But after all—and there lay the difficulty—it was not an ordinary occasion, but one deeply affecting the happiness of two people. He who sows the wind must expect to reap the whirlwind; but the repetition of this homely philosophy brought no grain of comfort to the troubled breast of Harold Abelwhite.

He passed under the frowning portcullis, across the blazing parterres of flowers glowing on the lawns, and walked up the steps to the great hall door. A supercilious footman, contemplating his misshapen figure with a glance of undisguised contempt, vouchsafed the information that Mrs Debenham was at home, though whether she would condescend to receive visitors at so unusual an hour was quite another thing.

'I don't suppose she'll see you, and that's a fact, young man,' said the superlative footman affably. 'Any message you may leave——'

'I shall leave no message,' Abelwhite replied firmly. 'My business is important and urgent. Take in my card, and inform your mistress that I can wait to suit her convenience, but see her I must.'

The servant disappeared, leaving Abelwhite standing in the hall, and returned in a few moments with a visible change of manner, and the information that Mrs Debenham would spare him a few moments if he would kindly walk into the library.

The artist braced his nerves for the coming fray. He had no anticipation of an easy victory, knowing that his case would have to be fully proved, and that nothing short of the most convincing evidence would suffice. And as Mrs Debenham, calm, haughty, and condescending, swept into the room, Abelwhite gave one swift glance into her face, and realised for the first time the extreme delicacy of the task before him.

'You wished to see me?' asked the lady. 'What can I do for you?'

'I came,' said Abelwhite, clearing his throat, 'not on my own behalf. It is for my friend Captain Goldsworthy that I wish to speak.'

The listener, still haughty and listless, drew herself up with an air of proud surprise, though her lips trembled slightly, but not so slightly that Abelwhite saw and noticed the ominous change.

'Of course I will attend to anything you have to say, Mr Abelwhite,' replied the lady, a little more graciously. 'I am rather surprised to receive any communication from Captain Goldsworthy, that is all. You will pardon me if I ask if you are well acquainted with his affairs?'

The artist bent his head. 'So far as any man knows,' said he.

'Then of course you are aware that some years ago my husband and Captain Goldsworthy were great friends. They were in the habit of doing business together, until a certain unfortunate quarrel—a quarrel in which the Captain was pleased to accuse my husband of something like dishonesty.'

'Wholly false,' returned Abelwhite laconically. 'I know that.'

The glib graciousness of Mrs Debenham's manner vanished before this plain and somewhat strongly-marked observation. She was simply talking to gain time, and her visitor was perfectly alive to the fact.

'I thank you for having cleared the ground for me,' he continued. 'It was on that very point that I wished to consult you. Knowing, as we both do, certain details, I will not go into them, but simply point out that unless Captain Goldsworthy was warned by the late Mr Debenham of the financial condition of the company in which the former's money was invested, there was treachery. Now, what we wish to know is this, what became of the letter written by Mr Debenham to the Captain, warning him to sell out at once?'

'Indeed, I have no head for business,' said the mistress of Fotheryngsby, white to the lips. 'It would have been utterly unintelligible to me.'

'A view by no means shared by your husband,' returned Abelwhite dryly. A well-deserved compliment is never unwelcome. 'Please favour me with your attention for a moment while I read this letter.' So saying, the speaker drew from his pocket a few sheets of flimsy paper, book-copies of letters written with a stylus on the old carbon-paper principle. The rustling of the thin leaves and the unhappy listener's laboured breathing were the only sounds to break the oppressive silence.

'First a letter from your husband to Captain Goldsworthy, warning him to lose no time in disposing of his shares—a letter never received. The next is far more interesting, dated a month later—after the crash—and evidently written in reply to an indignant outburst from Captain Goldsworthy, denouncing the shameful treatment he had received. Shall I read it aloud?'

Mrs Debenham bowed. She could not have spoken for the mines of Golconda.

My Dear Goldsworthy,

I am utterly amazed at your note. On my honour, I wrote you nearly a month ago, when I had no means of personal communication, imploring you to lose no time in disposing of your shares without regard to me. I deemed that letter so important that I specially charged my wife, who is an excellent business woman, to see you received it. For the sake of our old friendship, call upon me, for I am still too ill to see you at your house, and all shall be explained. That I did write you, warning you, my letter-book will show.

Yours sincerely,

H. Crichton Debenham.

'There are three others, all bearing upon the same question. There is no necessity to read them?'

Abelwhite paused, looking keenly at his antagonist. Her face was very pale, but all the iron self-possession had not yet forsaken her. 'You need not,' she replied; and the artist felt grateful that she had inquired no further into his questionable possession of this evidence. 'I think we understand each other.—Name your price.'

'You are quite mistaken, madam; it is no mere question of money. I have no such purpose to serve—far from it. I hold out no promises, and make no threats. Go to Captain Goldsworthy and tell him the whole truth; then these proofs are yours. For his sake and that of his daughter, I have taken this painful course. The issue is entirely in your hands.'

'And if I do this, if I clear up this mystery, and make things pleasant for Captain Goldsworthy and his daughter—for that this has something to do with her I am convinced—what do I gain?'

'Really, I had not considered you in the matter at all,' Abelwhite replied candidly. 'You are quite right in assuming that Miss Goldsworthy's happiness is a powerful inducement, and in this view I should certainly be borne out by Mr Hugh Debenham.'

'Ah!' cried the unhappy woman, now genuinely moved, 'if he must know——'

'He will never know. Madam, there is something more powerful than human schemes and devices, and that is Fate. Your sin has found you out—the time for expiation has arrived. Do as I ask you, and I pledge you my word that your son shall never know.'

There was a long pause between them before Mrs Debenham found sufficient courage to reply. 'I will take you at your word,' she at length said. 'If you fail me, I shall not blame you. But there is something in your face that tells me I shall not be betrayed. Anything, so long as he remains in ignorance.'

'Your secret will be safe in Captain Goldsworthy's hands; not even by look will he reproach you; for——' and here the speaker lowered his voice reverently—'the loss of a little wealth matters nothing to one who has found the peace that passeth all understanding.'

Collected Short Stories, Vol. 18

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