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CHAPTER III

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It was not Connie Wakefield and a confident Nita Keene who alone sensed the sinister atmosphere that hung like a cloud over Uppertons. Jimmy Marrable had seen and heard enough to convince him that there was something utterly wrong about the man in whose house he was at present living.

He had never been quite comfortable there, and by the use of an ingenious excuse, had managed to get away from Uppertons and establish himself in a small old-fashioned house at the far end of the village. This he had done a day or two after the scene in the library, though he had no intention of severing his artistic connexion with Bascoe, who was more or less essential to him at the moment for more reasons than one.

"But why the change, Jimmy?" Nita asked him at the first possible opportunity. "Why didn't you stay in the house?"

"Oh, well, my dear," Jimmy said in his most casual way. "You see, always like to be as independent as I can. I prefer not to eat the bread of a man I mistrust. It is all very well to work for a chap like Bascoe, but when you don't like him there is no necessity to partake of his salt at the same time."

"Then you don't trust him?" Nita asked.

"Well, between ourselves, my dear, I don't. I believe he is a thoroughly bad lot. You told me what happened in the library the other morning, and, indeed, I did not fail to see signs of trouble myself. Of course, this is entirely between you and me, and not likely to go any further. I suppose that poor child was not bullied into signing those papers?"

"No," Nita said. "There is a sort of armed neutrality at present, but my esteemed employer is not going to let things slide much longer. He is not that type."

"Ah, so I guessed," Jimmy grinned. "Now, I am going to tell you something. You know something of Hugh Gaskell."

"Of course I do. An old schoolfellow of yours, wasn't he? Didn't you work together during the war?"

"That's right. Well, it may come as a surprise to you to hear that Hugh fell in love with our Connie years ago. In the fog of war he lost sight of her, and, until a few days ago, had not the remotest idea where she was. Mind you, I heard all about this one night in the autumn of 1918, when we were with the Italians during the final push. And when I came down here and began to see my way about, it struck me that Connie Wakefield was the very girl that old Hugh was looking for. So I wrote him a long letter telling him what I was doing and the sort of people I was with, and he reacted without delay. Funny thing, isn't it, that he should find the girl of his heart living within ten miles of his own property. But then, those sort of things will happen in real life, though we call them coincidences."

"Do you mean that they have met?" Nita asked eagerly. "Connie didn't say anything about it."

"Perhaps not. But they have met, all the same. Met and parted in a few minutes in a most dramatic way. Hugh told me all about it. He came down to my lodgings the night before last, and we had a long and confidential chat."

Jimmy went on to tell Nita of the meeting between Connie and Hugh Gaskell in the woods at the back of Uppertons, and the strange way in which it had ended.

"There is something very wrong here," Jimmy said gravely. "If we are not careful there will be a tragedy. Why should Connie turn her back upon a man whom she still cares for? What is it that is preventing her from throwing herself into the arms of a man who can protect her from Bascoe and give her a beautiful home with an income to match? It must be very serious, or she would certainly have confided in you, Nita."

"I don't like it a bit," Nita said simply. "Of course, I can't speak to Connie on the matter unless she opens the subject herself. But don't you think it would have been better if you had stayed at Uppertons where you could watch things from hour to hour instead of taking rooms with that queer old man, Andrew Wimpole, who lives in the cottage down the lane?"

"I don't know," Jimmy said. "I don't want Bascoe to think that I am watching him. That is why I persuaded Wimpole to let me share his cottage. He is a queer old chap and seems to bear a bitter grudge against somebody or another, but there is no harm in the man. Clever, too, in his way. He has only got a small garden and greenhouse, and yet he is doing absolute wonders in the way of fertilization of flowers, especially daffodils. He came down here about a year ago and will probably remain till he dies. A bit of a mystery, perhaps, because, in spite of his old clothes and queer ways, he is a gentleman in every sense of the word. But I should say a bitter enemy if he was once aroused. I know the village looks upon him as more or less of a lunatic, but Andrew Wimpole is a long way from being that."

Jimmy went his way presently and Nita returned to the house. It was only at odd times that she could get a few minutes' quiet conversation with her lover, and above all things, she wanted to hide this understanding from Bascoe. Sooner or later, she knew that Jimmy would establish himself as an artist of repute and then she would be able to turn her back upon Uppertons and the domestic service that she loathed from the bottom of her heart. But much as she despised the uncongenial occupation, it was far better than returning home to that scoundrel of a father of hers and allowing herself to be forced into a hated marriage.

Meanwhile, Jimmy strolled thoughtfully in the direction of the cottage down the lane, where he had established himself in a small sitting-room and bedroom under the roof of the eccentric and somewhat mysterious Andrew Wimpole.

The queer, little old man with the strangely magnetic eyes and straggling grey beard, looked up with a smile of welcome as Jimmy came whistling into the cottage. Their acquaintance had been a chance one in connection with an admiration on the artists part of some of Wimpole's flowers. And this admiration, artistically expressed, had quite won the old man's heart, so when Jimmy put out feelers with a view to a pied-a-terre in that picturesque cottage, Wimpole had responded with alacrity. And none the less so when he heard that Jimmy was working at Uppertons on some sort of artistic business.

"Well, my boy," the old man piped in his shrill treble, "and how are things going with you?"

"Oh, so-so," Jimmy said casually. "I have got a few hours off, so I thought I would come back and watch the experiment you are making with those new Dutch bulbs. But, say, my potent, grave and reverend senor, what's wrong?"

"Wrong with me?" Wimpole said. "Wrong. Nothing."

"Well, you don't look up to the mark," Jimmy said. "I should say that you were in some sort of pain."

"Perhaps you are right," Wimpole admitted. "It is sort of nervous asthma I get that isn't altogether free from a queer type of dyspepsia. Something that I picked up years ago when I was hunting new flowers in the tropics. I only get it now and then. When it comes on I am practically paralyzed for a day or two. The only thing that relieves me is to go to bed."

As Wimpole spoke, a spasm of pain gripped him and he bent forward with his features twisted in agony.

"Look here, old chap," Jimmy said. "You go to bed now and I will look after you. Never mind about the old woman who is supposed to run the house in the daytime. She can go when she has had her tea, and, if necessary, I can sit up with you. It is a jolly good thing that I am here, what?"

"You are very good," Wimpole said, speaking as if in pain. "Yes, I think I will take your advice and get into bed. I am always easier when I am lying down and I shan't want much looking after—I never touch food when these attacks are on me. All I want every three or four hours is a tablespoonful of brandy or a stimulant of some sort."

With Jimmy's help, the old man was made comfortable and rather late the same evening professed himself to be ever so much better. "You might have been a trained nurse by the way you looked after me," he said. "I shall be all right now. Put the brandy where I can reach it if there is any need in the night, then you can retire yourself, knowing that I shall be about in the morning again. There is really nothing to worry about."

It was just eleven when Jimmy put out the lights and sought his own room after satisfying himself that his queer old landlord was fast asleep. And when Jimmy came downstairs the following morning to let in the elderly woman who was supposed to look after Wimpole he satisfied himself the old gentleman was still sleeping as peacefully as a child.

It was shortly after Jimmy had finished his breakfast and was on his way upstairs to see how the invalid was faring that the little wicket gate of the garden was flung violently open and Nita Keene came running up the path, breathless and white of face and showing signs of extreme agitation.

Jimmy rushed out into the garden to meet her.

"What on earth's the matter?" he demanded.

"Mr. Bascoe," Nita gasped, laying her hand on her heart. "Mr. Bascoe is lying dead in the library."

"Good lor'," Jimmy cried. "Heart failure."

"Oh, I wish it were," Nita cried. "But it is far worse than that, Jimmy. Far, far worse. There is not the slightest doubt that Mr. Bascoe has been murdered."

On The Night Express

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