Читать книгу The Way Back Home - Freya North - Страница 9

An ex-girlfriend had described it as Saturn Returns. Malachy hadn’t a clue what she meant. That dream you have, she’d said, you might not have it often but it’ll always recur – like Saturn Returns, with similar cataclysmic fallout. It makes you introverted and horrid to be around.

He’d ended the relationship soon after. She was a bit too cosmic for Malachy and she talked too much anyway. If he had the dream, the last thing he needed was a load of astrobabble bullshit. A warm body cuddling next to him, soothing him, taking his mind off it – that’s what he required. Saturn Returns. She never knew that a prog-rock band of that very name had formed in his childhood home, exploded onto the music scene for a couple of years in the late 1970s and then finally imploded back at the house in 1981. He never told her, even though the band had jammed in the very place where Malachy currently lived.

Last night, the dream had once again hijacked his sleep, apropos of nothing. In the woods, with his brother Jed, their teenage bodies of twenty years ago encasing their current souls. They were out at summer dusk, shooting rabbits. A large buck running away, stopping, turning and facing him. Delicate eyes and soft silver pelt conflicting with the anomalous fuck-you gesture of lope-long ears rigid like two-fingered abuse. Malachy pulled the trigger and smelt the saltpetre and heard the harsh crack and felt the kick and experienced the extreme pain as half his world went dark.

He’d often wondered whether the rabbit was some kind of metaphor. He’d tried to analyse why in the dream he didn’t shout for help; why his brother was there only at the start. And he never knew whether he killed the rabbit, the little fucker. The pain cut the dream short, always. And he always woke up thinking, but it didn’t happen like that, it didn’t happen like that. And he’d be cranky and introverted for a good while after because he knew that he’d much rather it had happened like in the dream.

Stupid dream. Malachy left his bed and showered. Dressed, he snatched breakfast, yesterday’s post in one hand, toast in the other. What he really wanted to do today was write his novel, not go to work. Business was slack this time of year – early March, thick frost, too cold for tourists, too close to Easter for more hardy holidaymakers; too close to Christmas and Valentine’s and Mother’s Day for locals to fritter any more of their money. The irony was Malachy could very well not open the gallery because, after all, he owned it – but the fact that he owned it compelled him to keep it open, never take time off, never get sick. Tuesday to Friday, 10 till 6. Saturday 10 till 5. Summer Sundays 11 till 2. Closed Mondays. If the gallery was as quiet as he anticipated, he’d work on his novel from there today. He left the apartment, glancing guiltily at the house. He ought to do the rounds, really. He hadn’t done so for a couple of days.

Paula de la Mare waved at him, before she hopped into her car, belting down the drive. Malachy followed, absent-mindedly creating acronyms from the letters on her car’s registration plate. At the bottom of the drive, she turned right, taking her girls to school. Malachy followed her a little way before joining the main road into Blenthrop.

Some idiot had dumped litter in the doorway of the White Peak Art Space; yesterday’s chips lay like flaccid fingers in the scrunch of sodden paper. He rummaged in his satchel for something suitable like a plastic bag. Phone. An apple. Slim leather diary (he refused to use his phone for anything other than calls). A tin of pencils, a spiral-bound notebook and a flashdrive. He had no plastic bag. The toe of his shoe would have to do. He shoved the takeaway detritus into the gutter and opened up the gallery.

It was always the weirdest feeling. It never diminished and it engulfed Malachy the moment he entered. The immediate stillness and quiet of the space contradicted by the undeniable sensation that, up until that very moment, they’d been alive; the paintings, the sculptures. If he’d turned up a minute earlier, or sneaked in through the back, he was certain he’d have caught them at it. Now, as every day, they were just figures frozen into their canvases, others quite literally turned to stone, bronze or, in the case of Dan Markson’s work, multicoloured polymer. It was like the characters in his novel – Malachy sensed they existed without him but whenever he returned to the manuscript, he found them exactly where he’d left them.

In the gallery, he straightened a couple of frames and adjusted the angle of a spotlight that was glaring off the glass of a watercolour. There were few emails to respond to and within the hour Malachy felt justified in inserting the flashdrive and clicking on the folder called ‘novel’, selecting from within it the file called ‘novel10.doc’.

‘Tenth draft in only fifteen years.’

He said it out loud, with contrived loftiness, laughed and took the piss out of himself, receiving the abuse well. All residual effects of the dream had gone, the details were forgotten. Until the next time.

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