Читать книгу The Confessions of a Caricaturist (Vol. 1&2) - Furniss Harry - Страница 9

was in darkness. To quote the papers, "Foggy obscuration rested over the greater part of its area." And I, in common with millions of others, was having my breakfast by gaslight, when I received an editorial summons to attend the trial of the Bishop of Lincoln at Lambeth Palace. Soon a hansom was at the door, with two lamps outside and one within; the latter smelt most horribly, and I found out later on that it leaked and had ruined my new overcoat. With an agility quite marvellous under the circumstances the horse slipped its slimy way over the greasy streets to Lambeth, and dashed through the fog over Westminster Bridge in a most reckless manner, which disconcerting performance was partly explained by its suddenly stopping at the stable door of Sanger's and refusing to budge. I was partially consoled by the fact that we were just opposite St. Thomas's Hospital, so that I should be in good hands if the worst befell. The fog becoming even denser, Sanger's became veiled from the sight of our fiery steed, which thereupon consented to slide on towards Lambeth Palace. A sharp turn brought us to the gateway, where stood a hearse and string of mourning coaches. Was I too late? Had the Bishops passed sentence, and had the loved one of Lincoln really been beheaded?

My fears on this point were relieved by a policeman, who restrained my driver's energetic endeavours to drive through the wall of the Palace, and as my password was "Jeune" (November would have been more appropriate on such a morning) I was allowed inside the gates. Here I could not see my hand, or anyone else's, in front of me, and after stumbling up some steps and down some others I finally flattened my nose against a door. Policeman No. 2 suddenly appeared, and turned his bull's-eye upon me. I felt that I was doomed to the deepest dungeon beneath the castle moat; I thought of the whipping-post I have read of in connection with the Palace; of the Guard Room with its pikes and instruments of torture, and I trembled. Luckily, however, the rays of the lantern fell upon the note in my hand, addressed to Francis Jeune, Q.C., and the good-natured "All right, sir. Go hup. 'E's a-speakin' now," came as a reprieve.

I stumble into the large historic hall known as the Library, wherein the great trial of the Bishop of Lincoln is being held. The weird scene strongly resembles the Dream Trial in "The Bells," where the judges, counsel, and all concerned are in a fog. I expect the limelight to flash suddenly upon the chief actor, the Bishop of Lincoln, as he takes the stage and re-acts the part that has caused the trial. The only lights in the long and lofty Library, excepting the clerical and legal, are a dozen or two wax candles and a few oil-lamps—of daylight, gaslight, or electric light, nothing. I can hear the voice of Jeune, Q.C., which gladdens my heart amid these sepulchral surroundings, but I see him not. As my eyes gradually become accustomed to the strange scene, I find that it is composed of three distinct "sets," which present the appearance of a muddled-up stage picture when the flats go wrong, and you have a part of the Surrey Hills, a corner of Drury Lane and a side of a West End drawing-room run on at the same time.

At the further end of the Library we have the Church, very High Church, represented by an Archbishop and five Bishops; also a Judge, in a full-bottomed wig, who has evidently got in by mistake. Then we have the Law, represented by a row of Q.C.'s, their juniors, and attendants; and then a chorus of ordinary people and common, or Thames Policemen. These are separated by red ropes and some red tape; the latter I cut with my self-written passport—my note to the Q.C. who still addresses the Court.

THE BISHOP OF LINCOLN'S TRIAL. (From "Punch.")

I have come here to see the Bishop of Lincoln, and I roam about in the fog to find him. Ah, that figure! there he is! I immediately sketch him, only to find out that the individual in question is the Clerk of the Court, or whatever the title of that functionary's equivalent may be in Lambeth Palace. What vexes me is that whenever I enquire the whereabouts of the Bishop, a warning finger is raised to the lips to denote silence. The Bishops sit round three tables, on a raised platform. In the centre is the Archbishop of Canterbury; on his right the mysterious Judge, in full wig and red robes; here is the Vicar-General, Sir James Parker Deane, Q.C.; next to him sits Assessor Dr. Atlay, Bishop of Hereford, who looks anything but happy, his hair presenting the appearance of being blown about by a strong draught, while his hand is raised to his face, suggesting that the draught had caused toothache. The portly Bishop of Oxford on his right, like the other corner man, the Bishop of Salisbury, scribbles away at a great rate in a huge manuscript book or roll of foolscap. On the left of the Archbishop sits the Bishop of London, who severely interrogates the Counsel, and evidently relishes acting the schoolmaster once more. The Bishop of Rochester, sitting on London's left, supplies the element of comedy as far as facial expression goes, and his wide-open mouth and papers held in front of him lead me to expect him to burst into song at any moment. But where is the Bishop—the Bishop of Lincoln? Ah, now I see him, in one of those side courts, and I forthwith sketch him, marvelling at my stupidity in not identifying him before. I write his name under the sketch, and show it to one of the reporters. He scribbles "Wrong man" across it. Done again! I write, "Then where is he?" He waves me away, as Mr. Jeune is quoting some extraordinary document six hundred years old in reply to Sir Horace Davey's authority, which only dates back five hundred and ninety-nine years. It suddenly occurs to me that the Bishop is beside his Counsel at the other end of the long table, but, alas! there is a candle in front of him. This is all I can see, so I make my way to the other side of the table, only to discover that my Bishop is an old lady. I write on a piece of paper, "Where does the Bishop of Lincoln sit?" and take it to an official. It is too dark to read, so some time is lost while he takes my memorandum to a candle. He looks across at me, and points to a corner.

At last! good! The old gentleman in the corner is in plain clothes, it is true, but still he looks every inch a Bishop. I cautiously approach to a coign of vantage close beside him, and have just finished a careful study of him, when he turns round to me and whispers, "Please, sir, can you tell me which is the Bishop of Lincoln?" I shake my head angrily, and move away. This is really humbug. I'll bide my time, and take Counsel's opinion—I'll ask Mr. Jeune. He is just occupied in answering the hundred and seventh question of the Bishop of London, and is being "supported" by Sir Walter Phillimore. Indeed, it amuses me to see the way in which these two clever Counsel, when in a fog (and are we not all in one?), hold an animated legal conversation between themselves, and totally ignore the Bishops—not that the latter seem to mind, for they scribble away merrily. An evil suspicion creeps into my head that they are seizing the opportunity to write their next Sunday's sermons.

In the meantime I discover that one of the little side courts is converted into a studio, with an easel and canvas. I approach my brother brush, feeling that he, or she, or both (for a lady and a gentleman were jointly at work upon a picture of the Trial, in black and white—the black was visible, but there was no chance of seeing the white) will tell me where I can catch a glimpse of the Bishop of Lincoln. I whisper the question. But a "Hush!" goes up from the H'Usher, and the artists, sympathising with me in my dilemma, obtain a candle and point out the Bishop to me in their picture. I slip away in search of that face. Its owner ought to be near his Counsel. The severe Sir Horace Davey sits writing letters; next him is the affable Dr. Tristram, then the rubicund Mr. Danckwerts, but no Bishop—in fact, there is no one of public interest to be seen; probably they have not come, as to-day is to be a half-holiday. It is now one o'clock, and the Bishops rise to go to the Levée. I pounce upon Francis Jeune, Q.C., and gasp, "Where, oh, where is the Bishop of Lincoln? Quick! I want to sketch him before he leaves." "Oh, he's not here—never comes near the place!"

The play is over for the day. I have seen "Hamlet" with the Prince left out.