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PREFACE.

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Change of scene I believe to be as invigorating to the mind as change of air is to the body, refreshing the weary and exhausted powers, and affording a stimulus which prompts to activity of thought. To a writer of fiction, especially, the change may be necessary, not only on account of the benefits to be derived by his own mind from the invigorating effects of a new atmosphere, but also on account of the fresh thoughts suggested by the different circumstances in which he is placed.

We are curiously-constructed creatures, not unlike the mere brute creation in many of our propensities; and the old adage, that "custom is a second nature," is quite as applicable to the mind as to the body. If we ride a horse along a road to which he is accustomed, he will generally make a little struggle to stop at a house where his master has been in the habit of calling, or to turn up a by-lane through which he has frequently gone. The mind, too, especially of an author, has its houses of call and by-lanes in plenty; and, so long as it is in familiar scenes, it will have a strong hankering for its accustomed roads and pleasant halting-places. Every object around us is a sort of bough from which we gather our ideas; and it is very well, now and then, to pluck the apples of another garden, of a flavor different from our own.

Whether I have in any degree benefited by the change from one side of the Atlantic to the other--a change much greater when morally than when physically considered--it is not for me to say; but I trust that, at all events, the work which is to follow these pages will not show that I have in any degree or in any way suffered from my visit to and residence in America. I have written it with interest in the characters portrayed and the events detailed; and I humbly desire--without even venturing to hope--that I may succeed in communicating some portion of the same interest to my readers.

A good deal of laudatory matter has been written upon the landscape-painting propensities of the author; and one reviewer, writing in Blackwood's Magazine, has comprehended and pointed out what has always been one of that author's especial objects in describing mere scenes of inanimate nature. In the following pages I have indulged very little in descriptions of this kind; but here, as every where else, I have ever endeavored to treat the picture of any particular place or scene with a reference to man's heart, or mind, or fate--his thoughts, his feelings, his destiny--and to bring forth, as it were, the latent sympathies between human and mere material nature. There is, to my mind, a likeness (a shadowing forth--a symbolism) in all the infinite variations which we see around us in the external world, to the changeful ideas, sensations, sentiments--as infinite and as varied--of the world of human life; and I can not think that the scenes I have visited, or the sights that I have seen, in this portion of the earth--the richness, the beauty, the grandeur, the sublimity--can have been without influence upon myself; can have left the pages of nature here a sealed book to one who has studied their bright, mysterious characters so diligently in other lands.

Nay, more, I have met with much, in social life, well calculated to expand the heart, as well as to elevate the mind, which I should be ungrateful not to mention--kindness, hospitality, friendship, where I had no claim, and enlightened intercourse with powerful minds, in which I expected much, and found much more.

Sweet and ineffaceable impressions, ye can not have served to deaden the feelings or to obscure the intellect!

I will rest, then, in hope that this work, the first which I have commenced and completed in America, may not be worse than its many literary brethren, and merely pray that it may be better. Let the critics say, Amen!

G. P. R. James.

Stockbridge, Massachusetts, 30th July, 1851.




The Fate: A Tale of Stirring Times

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