Читать книгу Regency Disguise: No Occupation for a Lady / No Role for a Gentleman - Gail Whitiker, Gail Whitiker - Страница 7

It was important that one dressed appropriately for the theatre, if for no other reason than to spare oneself the embarrassment of being under-dressed should someone of consequence happen to be seated in the box next to you. After all, one never knew when a marriageable viscount or an eligible earl might wander in for an evening’s performance, and with so many single young women looking to find husbands, a girl couldn’t afford to miss a single opportunity.

That, at least, was the justification Mrs Bretton had always given her two daughters for looking their best, and as Victoria Bretton studied her reflection in the cheval glass, she supposed it was not a bad way for an ambitious mother to think. The importance of presenting unwed daughters in the most favourable light possible could not be understated, whether it be at a musicale evening, a grand ball, or at the début of a new play at the elegant Gryphon Theatre, even if only Victoria thought the latter an occasion worthy of attending.

Fortunately, what she saw in the glass was enough to reassure her that it would not be her appearance that fell short of expectation that evening. Her gown of imported ivory silk was in the first state of fashion, and the exquisite pearl-and-ruby necklace lent to her by her aunt served as the perfect accessory. The flashing crimson stones nestled sweetly in the décolletage of her gown, which, as Aunt Tandy had pointed out, was neither too demure nor too daring, and her hair, once likened to the colour of clover honey, had been swept up and arranged in a most sophisticated style by the skilled hands of her aunt’s French maid. She looked every inch the proper young lady society expected her to be.

What would they say, Victoria mused as she turned away from the glass, if they knew what this evening was really all about?

The house was quiet as she made her way down the long curving staircase to the black-and-white-tiled hall. Candles flickered brightly from wall sconces and chandeliers, casting a warm golden glow over the elegant furnishings, while portraits of long-dead aristocrats stared down at her, their critical expressions seeming to offer silent disapproval of her plans.

Victoria paid them no mind. Her concern was with the living, not with the dead.

Besides, they were not portraits of her ancestors. The paintings, like the house, belonged to her father’s brother and wife, an eccentric pair of retired actors who owned a theatre as well as several houses in and around London. They had kindly allowed Victoria’s parents the use of this house for the past two Seasons so that Victoria and her younger sister could make their entrance into society. Victoria had taken her bows last year, and with Winifred doing so this year Mrs Bretton was hopeful that at least one of her girls would end up married by the end of it.

The prospect of returning home to Kent with two unwed daughters in tow was simply too humiliating to be borne.

‘Good evening, Miss Bretton.’ The butler greeted her at the door. ‘James has the carriage ready. Your brother has already gone out.’

‘Thank you, Quince.’ Victoria turned to allow the elderly gentleman to settle a velvet cape about her shoulders. ‘Do you know where my parents and sister are dining this evening?’

‘I believe with Sir Roger and Lady Fulton, miss.’

Ah, yes, the baronet and his wife—a prominent society couple with two sons of marriageable age, the eldest of which Winifred was hopeful of attracting. She certainly wouldn’t pass up an opportunity to spend time with him for something as trivial as a night at the theatre.

After all, what was the opening night of Valentine Lawe’s newest play when compared to the prospect of batting eyelashes at Mr Henry Fulton over the silver epergne?

‘Thank you, Quince,’ Victoria said, careful not to betray even a twinge of disappointment. ‘Goodnight.’

‘Goodnight, miss. Oh, and your father asked me to wish you … a very successful evening. He said you would know what he meant.’

Victoria smiled. A few simple words, as enigmatic as they were brief, and her spirits rose immeasurably. Dearest Papa. Always her ally, even in this. She thanked the butler and walked out into the cool evening air. The late April day had been unusually warm, but the evening temperatures had begun to drop as soon as the sun went down, making her grateful for the enveloping warmth of the cape.

‘Evening, Miss Bretton,’ the coachman said respectfully.

‘Good evening, James.’ Victoria smiled as the under-coachman helped her into the carriage. They didn’t have an under-coachman at home in Kent. There they functioned with only a cook, two maids, a kitchen helper and a good-natured fellow who served as both footman and groom. If they had to get anywhere, they either walked or used the gig. It was only since coming to London that Victoria had been exposed to such luxuries as personal maids and closed carriages, and the one into which she stepped now was sumptuous in the extreme. The interior was lit by the glow of two small lamps, the walls were lined with maroon silk festooned with gold tassels and the cushions were of plush maroon velvet.

Her brother was already seated inside reading a book. Laurence was a fine-looking fellow, or could have been if he made more of an effort. His jacket of dark-blue superfine over a plain white waistcoat didn’t fit quite as well as it had last year and his thick, wavy hair was dishevelled, giving him an appearance of rumpled affability. Wire-rimmed spectacles perched on the end of a very handsome nose and he had a smudge of what looked like ink on his thumb.

‘Let me guess,’ Victoria said as she sat down across from him. ‘White’s Observations on Certain Antiquities, or Norden’s Travels in Egypt and Nubia?’

‘Neither,’ Laurence said, dutifully setting the book aside. ‘A recently acquired copy of Sa-vary’s Letters on Egypt. I thought it would make for some light reading on the way to the theatre.’ He took off his spectacles and placed them on top of the book. ‘What about you? All ready for what lies ahead?’

‘I suppose, though I confess to being hideously nervous,’ Victoria confided. ‘What if no one comes?’

‘Of course people will come. Uncle Theo expects the theatre to be sold out.’

‘Uncle Theo is an optimist.’

‘No, Uncle Theo is a man who knows his business,’ Laurence said calmly. ‘He should, given the number of years he’s been at it. And experience has shown that Valentine Lawe’s plays always do well.’

Victoria settled back against the velvet squabs and wished she could feel as confident as her brother. While it was true that all three of Lawe’s previous plays had met with critical acclaim, that wasn’t to say that any of his future works would be guaranteed the same high level of success. The theatre-going public was notoriously fickle. What pleased them one day offended them the next and, given the decidedly satirical nature of Lawe’s plays, it was quite possible some prominently placed personage, believing himself to be the butt of Lawe’s wit, would take exception to the humour and proclaim his disapproval to anyone who would listen.

Still, there was nothing to be done about it now. In less than thirty minutes the curtain would rise and A Lady’s Choice would make its début. The best anyone could hope for was that Laurence was right and that their uncle knew what he was talking about.

As usual, traffic in the city was dreadful—an endless stream of hackneys, barouches, tilburys and phaetons trundling over the cobblestones en route to their various evening pleasures. Victoria saw long line-ups of carriages outside several of the large houses in Mayfair and felt a moment’s relief that her destination was not a grand house this evening, but the Gryphon, London’s newest and most elegant theatre. Once a rundown warehouse, the old building had been extensively refurbished and was now filled with a small fortune in Italian marble, Venetian glass, and brocades and silks direct from the Far East. The seating was roomier and the boxes grander than at any other theatre in the city and the frescoes on the ceiling were said to have been painted by a descendant of Michelangelo himself.

As to the nature of entertainments provided, the Gryphon was not licensed to present legitimate drama, so had to settle for a variety of works ranging from comic operettas to the occasional burlesque. In the relatively short time it had been open, however, it had gained a reputation for providing quality entertainment and tonight promised more of that with the début of Valentine Lawe’s newest play. Rumour had it that Sir Michael Loftus, theatre critic for the Morning Chronicle, was going to be in the audience, and Sir Michael’s stamp of approval was as good as God’s when it came to anything to do with the stage.

That, at least, was what her uncle had told her and, given his vast experience in the theatre, Victoria knew better than to doubt him.

Finally, the carriage rounded the last corner and the Gryphon came into view, a glorious, towering edifice that shone white against the darkening sky. Victoria caught her breath just looking at it. And what a crowd! Judging by the line up of barouches and landaus slowly making their way along the street, a goodly portion of society had come out for the opening.

‘Almost there, Tory,’ Laurence said as the carriage turned down the lane that ran alongside the theatre.

Victoria pressed a gloved hand to her chest and closed her eyes. ‘I can’t go in, Laurie.’

‘Of course you can. Aunt Tandy and I will be waiting for you in the box and the play will be a smashing success. Uncle Theo said as much after the last rehearsal and you know he wouldn’t lie.’

No, he wouldn’t, because her uncle knew better than to offer false assurances when so much was at stake. Opening night was the first time eyes other than those of the cast and crew would be seeing the play and how the audience responded tonight would be a strong indicator of how long the play would run, how much money it would make, and what kind of effect it would have on the playwright’s future.

A bad opening night could herald more than just an early end to a play’s run. It could sound the death knell on a playwright’s career.

‘Give my regards to the cast,’ Laurence said as the carriage drew to a halt. ‘Tell Victor I expect a standing ovation, and Miss Chermonde that her performance had better warrant at least three curtain calls.’

‘I’ll tell them,’ Victoria said as the door opened and James let down the stairs. ‘Whether they heed you or not is another matter all together.’

And then she was alone. Standing in the street as the carriage pulled away, she took a few deep breaths to compose herself. No doubt the actors inside were doing the same. Stage fright was all part and parcel of opening-night madness, but hopefully by the time the curtain rose, the butterflies would have flown and the cast would have settled into giving the best performances of their lives. The audience would accept no less.

Neither, Victoria thought as she knocked lightly upon the unmarked door, would her uncle.

‘Ah, good evening, Miss Bretton,’ said the elderly gentleman who opened it. ‘I wondered if I’d be seeing you tonight.’

‘Good evening, Tommy. I thought to have a word with my uncle before the performance began. Is everything ready?’

‘Aye, miss, as ready as it will ever be.’ Thomas Belkins stepped back to let her enter. ‘Had some trouble with the backdrop for the second act, but we got that straightened away, and Mrs Beckett was able to mend the tear in Mr Trumphani’s costume neat as ninepence.’

‘What about Mrs Roberts?’ Victoria asked. ‘Is she feeling better than she was at rehearsal?’

‘Haven’t heard her complain, but between you and me, she’s a tough old bird who nothing short of death would keep from being on stage on opening night.’

The old man’s cheerfulness did much to settle Victoria’s nerves. Tommy Belkins had been in the theatre all of his life. Once an actor with a travelling Shakespearean troupe, he now worked behind the scenes at the Gryphon, overseeing the elaborate systems of lights, ropes, pulleys and reflectors that created the magic on stage. Both Drury Lane and Covent Garden had tried to lure him away, but Tommy had refused their offers, saying he’d rather work for pennies at the Gryphon than for a grand salary anywhere else.

Not that he did, of course. Her uncle paid a generous wage to all of the people who worked for him. It was one of the reasons the productions staged at the Gryphon were so good. He encouraged a spirit of co-operation and conviviality unusual in the theatrical world, and because Theodore Templeton was known for giving promising young actors a chance, he never found himself short of talent.

Still, in the end, it all came down to the quality of the play, and, knowing it was too late to do anything about that now, Victoria closed her eyes and whispered a silent prayer to St Gen-esius. It might just be superstition on her part, but she never ventured into a theatre without asking the patron saint of actors for his blessing.

Then, with both her brother’s and Tommy Belkins’s good wishes ringing in her ears, Victoria Bretton—alias Valentine Lawe—walked into the theatre and prepared to face whatever the Fates held in store for her.

The Honourable Alistair Devlin did not make a habit of going to the theatre. It was all right if no other more amusing pastime could be found, but given the choice between watching amateurish productions staged by men and women who suffered from the misguided notion that they could act, or spending the evening in the comfortably masculine ambiance of his club, he would always choose the latter. The only reason he had come tonight was to appease his good friend, Lord Collins, whose repeated requests that he come and see the nubile young actress he was intent on making his newest mistress had finally worn Alistair down.

‘And I dare you to say she is not exquisite,’ Collins said as they settled into their gilt-edged seats at the front of the box.

‘I’m sure she will be all you have promised and more,’ Alistair said, gazing with interest at his surroundings. ‘You have always been an arbiter of female loveliness.’ It was the first time Alistair had ventured inside the Gryphon, but not the first time he had heard about the celebrated theatre. Rumour had it that upwards of eighty thousand pounds had been lavished on the building’s restoration and that a special company had been assembled to grace its stage.

According to Collins—who had already enjoyed an intimate liaison with another young actress from the company—it was not enough that an actor be able to recite his lines without stumbling. He must also be able to portray that character’s feelings in such a way that the audience was moved to laughter or tears, without resorting to the facial contortions and physical gestures so often employed by under-talented performers.

Frankly, Alistair was sceptical. While he knew that some actors were talented enough to pull off such masterful performances, experience had shown him that most tended to fall back on the melodramatic posturings that left him entirely unmoved and prompted audiences to hurl both insults and orange peelings at the stage.

‘By the by, did I mention that Signy has a friend?’ Collins asked. ‘Another actress in the company. You might do well to look her up, given that you’re in the market for that sort of thing.’

‘Thank you, Bertie, but I have absolutely no intention of looking for a new mistress,’ Alistair replied, gazing at the magnificent frescoes overhead. ‘The one with whom I just parted gave a new meaning to the word vindictive.’

Collins had the cheek to laugh. ‘Yes, I did hear something about the glorious Celeste managing to knock over two rather expensive vases on her way out of your house.’

‘Expensive? She wilfully destroyed a priceless Tang horse and a Sèvres vase that have been in my family for generations,’ Alistair murmured. ‘Grandmother Wilson still hasn’t forgiven me for that lapse in judgement.’

Unfortunately, it wasn’t only Celeste Fontaine’s wanton destruction of family heirlooms that had prompted Alistair to end his relationship with her. It was the fact she had lied to him. She had told him to his face that he was the only man with whom she was keeping company, when in fact she had been spending as much time in Lord Lansing’s bed as she had in his.

When Alistair had brought this trifling detail to her attention, Celeste had treated him to a performance that would have done the great Sarah Siddons proud. She had stormed out of the house, somehow managing to consign the two pieces of porcelain to their doom on the way, and the next day, had sent him a scathing letter in which she had told him exactly what she thought of his behaviour, adding that while he was an adequate lover, she believed his skills in bed to be highly overrated.

It was the contents of the letter that had hammered the last nail into her coffin. While not an arrogant man, Alistair took pride in his ability to please the opposite sex. As a callow youth, he had discovered that the sexual experience was heightened if both parties were able to enjoy it, and he had striven to learn the secrets of giving pleasure as well as taking it. So to have his skills in bed mocked by a woman who had never once left him in any doubt as to how much she enjoyed them seemed to him the height of hypocrisy.

Still, he’d managed to have the last word. Only last week, the celebrated courtesan had appeared at his door, saying with every appearance of contrition that she was genuinely sorry for the way she had behaved and that it was only in a moment of weakness she had succumbed to Lord Lansing’s advances. At that point, she had batted her eyelashes and, with tears falling from her famous pansy-blue eyes, had begged him to take her back.

Alistair had not been moved. Giving her a handkerchief to dry her eyes, he had advised her to take herself back to Lord Lansing or whichever gentleman was keeping her and not to trouble him again. The one thing he would not tolerate from those closest to him was deceit. A woman who lied to him once would have no compunction about lying to him again and he had no reason to believe Celeste would not end up back in the arms of the man with whom she had already betrayed him.

Women like that always landed on their feet. Or on their backs, as the case might be.

It was then, as Alistair turned to ask Collins about the evening’s performance, that his attention was caught by a movement in one of the boxes opposite. A young woman had stepped through the curtain and into view, emerging like a radiant butterfly into the sunlight. She was garbed in cream-coloured silk that shimmered with every movement and long, smooth-fitting gloves that covered slender arms from fingers to elbow. Her hair, a soft mist of golden curls, was arranged attractively around her head and, in the flickering light, Alistair saw flashes of crimson at her throat. She paused for a moment to watch the antics of the dandies and young bloods in the pit below, then turned to bestow a smile on the older woman and younger gentleman already seated in the box.

It was the smile that stopped him. As innocent as a child’s, it tugged at something deep within Alistair’s subconscious, reminding him of a time when life was simpler and pleasures more easily found. She looked as though there was nowhere she would rather be and nothing she would rather be doing than sitting in her box watching the performance taking place below.

Was that what drew him to her so strongly? he wondered. The pleasure she took in an activity he and the rest of society took so entirely for granted? Or was it the fact that she was, even to his experienced eye, an incredibly beautiful woman? Draped in silk and chiffon, she had the face of an angel, but a lush, sensual figure that made him think of hot nights between soft sheets and the sweet rush of intimacy as scented limbs wrapped around him and drew him close.

Unfortunately, given that the first thing the lady did was reach for the hand of the gentleman who rose to greet her, Alistair doubted it would be his body she ever wrapped them around. The two soon had their heads close together in conversation, and while it was clear the gentleman was no match for her in appearance or style, there was no denying the strength of the connection between them.

Lucky devil, whoever he was.

Then a ripple of anticipation as a tall and distinguished-looking gentleman walked out on to centre stage. He was dressed all in black, his long cape over breeches and boots giving him a decidedly swashbuckling appearance. Not a young man—his dark hair and beard were liberally threaded with silver and his lined face reflected the experiences of a lifetime. But he had a presence that could not be denied and when he held up one gloved hand, silence descended.

‘Ladies and gentlemen, welcome to the Gryphon. My name is Theodore Templeton and tonight we present for your enjoyment two productions making their début on the London stage. Mi Scuzi, an operetta in Italian by Giuseppe Fratolini, and A Lady’s Choice, a new work by the renowned playwright Valentine Lawe. The inimitable Signy Chermonde will play the role of Elizabeth Turcott opposite Mr Victor Trumphani in the part of Elliot Black. And now I invite you to sit back and prepare to be entertained.’

A polite round of applause greeted his words, as well as the expected whistles and jeers from the dandies in the pit. No sooner had he left the stage than the orchestra began to play and the curtain swept majestically upwards to reveal a setting reminiscent of a Mayfair drawing room, with a single actress, an elderly woman, seated in a wingback chair.

Alistair, who knew all too well that the build up to such productions was often the highlight of the performance, settled back and prepared to be bored.

He was not bored. He was mesmerized, the opening scenes of the play capturing his attention in a way no other stage performance ever had. The plot was intriguing, the dialogue witty and the cast gave such outstanding performances that, as the evening wore on, Alistair found himself growing more and more surprised.

This was not the type of performance he had come expecting to see. Knowing the play to be new and the company young, he had expected the production to reflect those shortcomings. But try as he might, he could find nothing to fault in either the play or in the actors’ portrayals of their characters. Even the rowdies in the pit were silenced.

If this was an example of Valentine Lawe’s talent, Alistair could well understand why the man was so popular. He was actually disappointed when the actors left the stage at the end of the first act.

‘Well, what did you think?’ Collins asked over the sound of enthusiastic applause.

‘That it was far, far better than I expected,’ Alistair said generously.

‘Not the play! Signy! Is she not the most glorious creature you’ve ever seen?’

Alistair frowned. ‘Signy?’

‘The actress playing Elizabeth. Jupiter, don’t tell me you didn’t notice her?’

Alistair glanced down at the stage. Of course he’d noticed her, but as Elizabeth Turcott rather than Signy Chermonde. She was the glorious, titian-haired temptress who had made her first appearance on stage in the guise of an elderly woman sadly recounting the events of her long life, only to reappear in the next scene as a blushing bride on what was clearly the eve of her wedding. ‘Yes, she was beautiful,’ he agreed, ‘but I was more impressed by her talent than I was by her appearance.’

‘Then I can only hope she is as gifted in bed as she was on stage,’ Collins drawled. ‘Speaking of that, what did you think of Miss Lambert? And don’t tell me you didn’t notice her. Old Parker nearly fell out of his box the first time she walked on stage wearing that filmy white nightgown.’

Alistair laughed. ‘Yes, I noticed her. She was very convincing in the part of Miss Tremayne.’

‘Miss Tremayne?’ Collins said. ‘What’s got into you tonight, Dev? The last time we went to the theatre, you couldn’t even remember the title of the play, let alone the names of the characters.’

‘That’s because the play wasn’t worth remembering and the actors were similarly forgettable,’ Alistair remarked. ‘This, however, is a first-class production.’

‘Well, of course it is. Valentine Lawe is fast becoming one of England’s foremost playwrights. Even a Philistine like you must have known that.’

The fact Alistair did not know failed to arouse any feelings of remorse or guilt within his breast. None of his family were ardent theatre goers. His parents refused to go as a result of the tragic events surrounding their eldest son’s scandalous marriage to an actress, and his sister and brother-in-law, the Venerable Simon Baltham, Archdeacon of Swithing, were of the belief that the theatre was a breeding ground for sin. It was their studied opinion that those who disported themselves upon the stage were vain and immoral creatures who sought aggrandisement through their occupations and were possessed of neither high moral fibre nor any discernible degree of integrity.

Ironically, it didn’t stop them from attending the occasional operatic work, but seldom were they heard to praise a performance or to compliment any of the singers.

For his own part, Alistair didn’t care. The only reason he had limited his exposure to the theatre was out of respect for his parents’ sentiments and in an effort to maintain family harmony. A decision he hadn’t come to regret … until tonight.

He let his gaze fall again on the occupants of the box opposite. The young lady was watching the antics of two young men rearranging props on stage, and looked, if possible, even more radiant than she had before the commencement of the first act. Her hand was again clasped in that of the gentleman sitting beside her, and when he leaned over to whisper something in her ear, she laughed and looked up—and, unexpectedly, locked eyes with Alistair across the theatre.

It was a fleeting glance, no more than a few seconds in length, but for the brief space of that time, the noises around him seemed to subside and it was as though only the two of them sat in that crowded theatre. He watched her laughter fade until only the shadow of a smile remained, and though she didn’t acknowledge his gaze, the soft colour blooming in her cheeks told him she was just as aware of him as he was of her.

As her glance slid away, Alistair leaned over to his friend and said, ‘Collins, that woman in the box opposite …’

‘Lady Lucy Prendergast?’

‘No, the box above. Wearing the cream-coloured gown.’

Collins raised his opera glasses and trained them on the lady in question. ‘Ah, yes, Miss Victoria Bretton. Eldest daughter of Mr and Mrs John Bretton.’

‘How is it I haven’t seen her before?’

‘Because you don’t move in the same circles, old boy,’ Collins said, lowering the glasses. ‘The family reside in Kent, but for the last two Seasons, have taken a house in Green Street for the purpose of introducing their daughters to society. Miss Victoria Bretton made her bows last year, and her younger sister, Miss Winifred Bretton, is doing so this Season.’

‘Who’s the man with her?’ Alistair asked ‘Dedicated husband? Devoted fiancé?’

‘Good God, no, that’s Laurence, her brother. Dry as a stick and completely lacking in fashion sense, but frightfully intelligent from what little I’ve heard. Apparently he speaks four languages and knows more about the classics than did most of his professors at Oxford. He and Victoria are said to be very close.’

‘I’m surprised she isn’t married,’ Alistair commented. ‘She is an exceptionally lovely young woman.’

‘True, but she also has a penchant for speaking her mind and you can imagine how well that sits with the society matrons who believe young ladies should be seen and not heard. Also, do you see the rather flamboyant-looking woman seated in the box with her?’

Observing the lady’s flame-coloured gown, her striking blue-black hair and the circle of diamonds flashing at her throat, Alistair said, ‘It would be difficult not to.’

‘Exactly. That is Mrs Anthea Templeton,’ Collins said. ‘Once a celebrated actress, now the second wife of Mr Theodore Templeton, owner of the theatre, and a man who just happens to be Miss Bretton’s uncle.’

‘Ah. So her family connections are not the best.’

‘That’s putting it mildly. Templeton left his first wife for the lovely Anthea—who was rumoured to be playing Juliet to his Romeo at the time—and the two set up housekeeping without the benefit of marriage. They continued to live and act in that blissfully unwed state for several more years before coming to London and setting up shop here. Needless to say, Mrs Templeton has not been embraced by society.’

‘Hardly surprising,’ Alistair said. ‘She is no doubt accused of stealing Templeton from his wife and blamed for the demise of his marriage.’

‘Of course, and the fact that Miss Bretton seems to enjoy her aunt’s company naturally reflects badly on her. As does the fact that she has an unfortunate fondness for mingling with the cast.’

Alistair raised an eyebrow. ‘She fraternises with the actors?’

‘Oh, yes. Usually in the company of her brother, but she has been known to venture backstage alone,’ Collins said. ‘And while that is perfectly all right for him, it is not the thing for her.’

No, it wasn’t, Alistair reflected as he watched the actors return to the stage for the start of the second act. It was all right for a young lady to go to the theatre and even to express enthusiasm for the performance she had seen, but it was not the thing to be spotted in the company of actors. While Alistair didn’t agree with his brother-in-law’s sweeping condemnation of all stage performers, he knew that many were possessed of questionable morals and that spending time with such people was frowned upon by those in good society. He was surprised Miss Bretton’s parents would allow her to jeopardise her reputation by frequenting such a place, even if she did so in the company of her brother.

‘By the by,’ Collins said, ‘is it true you’ve stopped seeing Lady Frances Shaftsbury? I thought the two of you were as good as engaged.’

‘We were, until I found out Lady Frances was equally enamoured of the Marquess of Kope-ham,’ Alistair said distantly. ‘If I cannot trust a woman to tell me the truth before we’re married, what hope is there for honesty after the vows are taken?’

‘All women lie, Dev. Harkens back to the Garden of Eden,’ Collins said. ‘Eve probably told Adam nothing would happen if he bit into the apple, and we all know how wrong that went.’

‘Fortunately, there are more women in the garden now and a man isn’t compelled to marry the first one that comes along.’

‘Perhaps, but attractive daughters of wealthy earls don’t come along every day either.’

‘No, but I will not suffer the company of a woman who lies. Secrets may abound in society, but they have no place in the relationship between a husband and his wife,’ Alistair said. ‘If I cannot trust the woman to whom I would give my name, I would rather not give it at all.’ For a moment, his gaze returned and lingered, somewhat regretfully, on Victoria Bretton. ‘Life is unpredictable enough. No point making it worse by starting everything off on the wrong foot.’