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Acknowledgments
ОглавлениеI wish to thank the following people who gave me feedback on my ideas. They also made other contributions either to draft versions of this book or to topics related to the book: Dean Kansky, Colleen Kaffashan, Kathy Izzo, Jo C. Willems, Donna Cameron, Dave Ambrose, and Marcel and Teri Wester.
I especially want to thank Dean Kansky, Colleen Kaffashan, and Marcel and Teri Wester, who collaborated in exploring the limits of nonlocality and the use of this model in accessing esoteric aspects of the personality.
I want to thank all my patients who took part in my learning path, contributed to my understanding of the hidden reality and spiritual growth, and to the final version of this theory.
In particular, I want to thank AP,1 who led me to the Flux Theory web page and engaged me in many discussions about the physics of our virtual reality and its connection with humans. This person definitely had a major impact on the theory presented in this book, the importance of writing the book, and my life.
I want to express special thanks to James Cranwell for his enthusiasm, for reading the manuscript in detail, and validating the feasibility of my adaptations of his model to explain the hidden reality.
A special thanks goes to Philip Warren, who gave a fine-grain, thoughtful editing of the first draft of the book and made many suggestions about the text and the figures. Thanks to Stephanie McCleod, who gave excellent suggestions for Chapter 1. She also suggested rewriting the book, which I did.
A big thanks goes to the following friends and colleagues who read and gave feedback on the first presentable draft of the book: Lee Pulos, Teri and Marcel Wester, Carol and Glen Kepler, Marie Green, Debbie Bensching, Derick Curtis and Eileen Scharader.
Again, my colleague, Jo Willems, who created a spectacular cover, did the first grueling edit of the book and made many excellent suggestions. She also provided information that I was able to reference in the text.
Michael LaRocca did a superb job of editing the first version of this book. He was generous with his time and made many positive suggestions and corrections that made the book easier to read.
Al Desetta performed a heroic task of content-editing and transforming the book to make it more readable. This involved rewriting several chapters and reorganizing some of the others. I thank Al for the time and effort he put into this task.
Thanks to Susann Robins, who edited for clarity, suggested many significant changes, and freely pointed out where my writing was not clear, and Kay Gale at Writersservices.com for doing yet another copyedit of this manuscript.
Thinking I was done revising and editing, I let Heather Cameron read the manuscript. She voluntarily returned a five page, single spaced critique of content, organization and formatting of the text. For this I am greatly appreciative.
Then, I had Dana Flint do a final edit before the layout. She did an excellent job. As soon as I got over the shock of her thoroughness, I appreciated the changes and comments she made and the results in the manuscript. She clearly understood what she was reading and made many clarifying suggestions.
Finally, I want to thank Barbara Feiner for the final copyedit of the completed manuscript, and, especially, Blake J. Boulerice, eBookIt formatting expert, who brought many errors to my attention, which resulted in several final edits.
Though unusual, I am appreciative of the intruding voices heard by some people. I learned that listening to these voices either led me to treatment solutions, to significant insight in the issue at hand, or to information relevant to the theory.
In particular, I want to thank my wife, H. Jane Wakefield-Flint, and daughters, Dana Flint and Susan Flint-Rajkumar, who made useful comments and preserved my sanity and well-being while I was writing.
A few sections of this book were taken from The Theory and Treatment of Your Personality: A manual for change (Flint, 2006) and were modified to meet the requirements of their use in this book.
Tapas Acupressure Technique™ and TAT™ are registered trademarks of Tapas Fleming and are being used with permission