Читать книгу Leslie's Loyalty - Garvice Charles - Страница 9

As the words of the music-hall song rise on the clear air, Leslie turns away. No respectable woman could have sung such a song, and she is not surprised that her companion, and host, has bidden her "come away."

She steps down from the battlement in silence, and as she does so glances at him. His face is no longer pale, but there is a cloud upon it, which he is evidently trying to dispel. She thinks, not unreasonably, that it is caused by annoyance that she should have heard the song, and she is grateful to him.

The cloud vanishes, and his face resumes something of its usual frank light-heartedness, but not quite all.

"We'll give those folks time to get clear away before we begin our exploration, Miss Lisle," he says, casually, but with the faintest tone of uneasiness in his voice. "That is the worst of these show places, one is never sure of one's company. 'Arriet and 'Arry are everywhere, nowadays."

"Why should they not be?" says Leslie, with a smile. "The world is not entirely made for nice people."

"No, I suppose not," he assents; "and I suppose you are going to say that they had better be here than in some other places, and that it might do 'em good; that's the sort of thing that's talked now. I'm not much of a philanthropist, but that's the kind of thing that good people always say."

"They seemed very happy," says Leslie.

"Who?" he asks, almost sharply. "Oh, those people? Yes; Mr. Lisle ought to get a good sketch somewhere hereabouts," and he leads her back to the duke and Mr. Lisle.

The duke looks up. Grey has made a "back" for him with the cushions and the hampers, and he's smoking in most unwonted contentment.

"Back already!" he says. "I thought you had gone to prospect?"

"So we had," responds Yorke, "but we were alarmed by savages from a neighboring island." He lights a cigar as he speaks. "We are going to give them time to get away in their canoes, as Robinson Crusoe did, you know. By the way, Miss Lisle, if you will sit down, I will reconnoiter and report."

Leslie sinks down beside her father, and Yorke strolls leisurely to the steps leading from the tower.

He pauses there a moment or two, listening, then goes down. At the foot of the steps on the grassy slope he stops again, and the cloud comes on his face darker than before.

"It must be a mistake," he mutters. "It couldn't be she, and yet – ."

He walks on a few paces, and at the foot of the tower comes upon traces of the "savages" – a champagne bottle, empty, of course, and a newspaper.

He takes the latter up mechanically, then unfolds it and turns to the column of theatrical advertisements, and sees the following:

"Diadem Theater Royal. Notice. In consequence of serious indisposition, Miss Finetta will not play this evening."

With an exclamation which is very near an oath, he flings the paper from him and walks on, and as he goes round the base of the tower he is almost run into by one of the gentlemen whom Leslie saw with the dark young lady of the song.

They both stop short and start, then the new-comer exclaims, with a laugh:

"Hello, Auchester! Well, I'm – ."

"Hush! Be quiet!" says Yorke, almost sternly, and with an upward glance.

"Eh?" says the other, "what's the matter? Who the duse would have expected to see you here?"

"I might say the same," retorts Yorke, with about as mirthless a smile as it is possible to imagine.

"How did you come here?"

"Why, by boat," responds the other. "Didn't I tell you so? What have you done with my nags?"

"They are all right," says Yorke. "Come this way, will you? Keep close to the tower, if you don't mind."

The young fellow follows him, with a half-amused, half-puzzled air.

"What's it all mean? Why this mystery, my dear boy?" he asks.

Yorke, having got him out of sight and hearing of the three on the tower, faces him, and instead of replying to his question, asks another.

"Was that Finetta with you just now, Vinson?"

"Yes," says Lord Vinson, at once; "of course it was. Didn't you see her, know her?"

Yorke nods curtly.

"Yes. What is she doing here? How did she come here with you?"

"The simplest thing in the world," replies Lord Vinson. "After you'd left me this morning, I was wondering who I should hunt up to come for a sail, when I saw her coming down the street. You might have knocked me down with a feather."

"I dare say. Well?"

Lord Vinson looks rather aggrieved at being cut so short, but goes on good-temperedly enough.

"She spotted me at once, and the first question she asked was, had I seen you?"

"Well?" demands Yorke, as curtly as before.

"Well, I didn't know what to say for the moment, because I thought perhaps you wouldn't care for her to know."

A faint expression of relief flits across Yorke's face, but it disappears at Vinson's next words.

"She saw me hesitate, and of course knew that I had seen you. 'It's no use your playing it low down on me, my dear boy,' she said, laughing – you know her way. 'You couldn't deceive a two-months-old calf, if you tried. You've seen him, and he's here somewhere.' It was no use trying to deceive her, as she said, and I had to own up that I had seen you this morning, and – that you borrowed my rig."

Yorke bit his lip, and nodded impatiently.

"She took it very well, she did indeed. She only laughed and said that she knew you had left town for some fishing; and, being sick of London herself, she had sent a certificate to say she was down with low or high, or some kind of fever, I forget which, and had to run down here for a bit of a holiday with her brother – or her uncle, I don't know which it is."

Yorke looks round with ill-concealed anxiety.

"Oh, it's all right," says Lord Vinson; "they've gone on to the inn. I came back for my stick. There it is. Well, I thought the best thing I could do was to ask them to come for a sail, and it took her ladyship's fancy, and here we are, don't you know."

Yorke stands with downcast, overclouded face, and the young viscount, after regarding him attentively, says:

"Look here, Auchester, I know what it is, you don't want to run against her just now. Got friends up there, eh?" and he nods his head in the direction of the tower.

"No, I do not want to see her, and I certainly don't want her to see me," assents Yorke. "If you can manage to take her away, Vinson!"

He lays his hand on the young fellow's shoulder, and Vinson, who is never so delighted as when doing a service for his friend, nods intelligently.

"I see. All right, you leave it to me." He pulls out his watch. "I'll get her away at once; in fact, it's time we started. Don't you be uneasy."

"Thanks," says Yorke, and his brow lifts a little. "When does she go back?"

"To-night; she plays to-morrow."

Yorke's brow clears completely, and he smiles.

"Off with you, then," he says. "I'm awfully obliged to you, Vinson. You are right; I don't want the – the people I am with to see her."

Vinson looks up at the tower curiously, and rather wistfully.

"No, my dear boy, I'm not going to introduce you," says Yorke, with a smile. "I'm too anxious to be rid of you – and her. See them safe on board the train to-night, and if anything occurs to prevent them going, send me a message to-morrow morning. I'll give you the address – ." He stops. "No, never mind. Make them go to-night. Tell her she'll lose her engagement, anything, but see that she goes."

Vinson grins.

"I'll tell her you've gone back to town," he says.

Yorke colors.

"Woodman, spare the lie," he says, with forced levity. "No need to tell her that."

"No, it wouldn't do, come to think of it. She'd find out I'd sold her when she'd got back, and then – ." He whistled, significantly. "I like Finetta with her claws in, don't you know. I think you're the only man that's not afraid of her."

Yorke smiles again.

"Well, do what you like," he says. "But go now, there's a good fellow; and for Heaven's sake, don't let her come this way again. We heard her singing!"

Vinson laughs.

"Yes, if you were within a mile of her you couldn't help doing that," he says, dryly. "Well, good-by, old chap. Don't trouble about the nags."

"They are all right," says Yorke. "I'll bring them back safe and sound – ."

"When the coast's clear," finishes the young fellow; and with a smile and a nod, he picks up his stick, and goes off.

Yorke Auchester stands where his friend has left him, and looks out to sea, with a troubled countenance; stares so long, and so lost in thought that it would seem as if he had forgotten his own party. It is not often that the young man has a moody fit, but he has it now, and very badly.

But presently there comes down to him the faint sound of Leslie Lisle's soft, musical laugh – how striking a contrast to that of the young lady whom he has just got rid of! and he wakes from his unpleasant reverie and climbs up to the tower.

The duke is leaning back with an amused and interested smile on his face, which is turned towards Leslie, and it is evident that he is happier and more contented than usual.

"Miss Lisle has just been giving me a description of the Portmaris folks. You have missed something, Yorke," he says, with a laugh. "Have the savages disappeared?"

"Quite," says Yorke; "and if Miss Lisle and her father would like to look round, the coast is now clear."

"You go, papa," says Leslie, with her usual unselfishness; "and I will stay with Mr. Temple."

The duke glances at her.

"You will do nothing of the kind," he says. "I am not going to impose upon your good nature, Miss Lisle. Besides, I dare say, I shall take forty winks."

Leslie hesitates a moment, then she gets up and goes for the easel; but Yorke is too quick for her.

"Come along, Mr. Lisle," he says, touching him on the arm, while he stands looking from the edge of the tower absently, and the three descend.

"Now, this strikes me as a good place," says Yorke, setting up the easel. "Don't know much about it you know, but it seems to me that the outline and the – ."

"Excellent; yes, very good," assents the artist, eagerly getting out his drawing paper. "Yes, I can make a picture of this. You need not wait," he adds. "You will want to talk and – ."

"I see," says Yorke. "Come along, Miss Lisle; we're evidently not wanted."

They stroll away side by side, and slowly descend the grassy slope, which gradually becomes broken by rock, which kindly nature, who has always an eye to effect, has clothed with ferns and moss and lichen.

"I suppose I ought to show you the hermit's cell?" says Leslie. "Everybody sees it."

"By all means," he assents, but rather absently – the loud laugh of Finetta, the music-hall song are still echoing hideously in his ears. "Which hermit?"

"Didn't you know?" she says, lightly stepping from stone to stone. "There was a hermit here once ever so long ago. Here is his cell," and she stops before a cavity in the rocks, a deliciously shady nook, overhung with honeysuckle and wild clematis which perfume the air.

Yorke looks in. Somebody since the hermit's time, had been kind enough to fix a comfortable seat in the little cell, from which a delightful view of the sea and the cliff can be obtained.

"Let us sit down while you tell me about him," he says.

Leslie seats herself, and looks out at the greenery at her feet and wide-stretching blue of sea and sky beyond; and he takes his place beside her, but looks at her instead of the view. "The proper study of mankind is – woman."

"There really was a hermit here ever so long ago," she says, dreamily. "They talk of him at Portmaris even now. He was a very great man in his time, but I am afraid not a very good one. It is said that he killed his best friend in a duel, and, that smitten with remorse for his crime and his foolish life, he vowed that he would never set eyes on mortal man again. So he came and lived in this cell, which he dug out with his own hands, and spent the rest of his life in prayer and meditation. Every day the village folks, and sometimes the pilgrims who visited his shrine, placed food on the ledge of the little window; but though they could hear his voice in prayer or singing hymns, no one ever saw his face, nor did he ever look out upon those who came to visit him."

"He must have been fearfully unhappy," says Yorke, in a low voice, for the soft, subdued tones seem to cast a spell over him.

"No, they say not; for he was often heard, especially after he had been living here for some years, to be singing cheerfully; but that was after he had received his sign."

"His sign?" he asks.

"Yes. He prayed that if Heaven forgave him his sins, and accepted his penitence, it would render the birds tame enough to come at his call."

"And did they?"

"Yes. The pilgrims to the shrine often saw a thin hand thrust through the window with a hedge sparrow or thrush perched upon it, and the rabbits, there were numbers of them, here, would come when he called, and let him feed them with the remains of his frugal fare. One day the village people received no answer when they called to him, not even the Pax Vobiscum, which amply repaid them for their pious charity. They waited two days, and then they entered the cell, and found him lying dead on his stone pallet, and a wild dove was resting on his breast. It flew away as they entered, but it was seen hovering about the cell for years afterward, and the Portmaris people say that a dove is always near here, even now."

If Yorke had read the story of the Hermit of St. Martin in a book – he didn't read many books, unfortunately – it would not have affected him at all, but told by this lovely girl, in a voice hushed with sympathetic awe and reverence, it moves him strangely.

"It's a pity there are not more hermits," he says, "a pity a man can't leave the world in which he has made himself such a nuisance, and have a little time to be quiet and repent."

"Yes, your grace," assents Leslie.

He looks at her quickly, and then away to the sea again.

"I wonder whether you'd be offended if I asked a favor of you, Miss Lisle."

"What is it?" she says, lightly. "In the old times the proper reply was, 'Yea, unto half my kingdom,' but I haven't any kingdom."

"Oh, it isn't much," he says. "I was only going to ask you if you would be kind enough not to address me as 'your grace.'"

Leslie looks at him with her slow smile, and a faint blush.

"Is it wrong?" she asks, apologetically. "I didn't know. You see, I have not met many dukes."

He strikes at the sandy pebbles which form the floor of the good hermit's cave, with his stick.

"Oh – oh, it's right enough to call a duke 'your grace,'" he says, hurriedly, "but I'd rather you didn't call me so."

"I'm glad it was right," she rejoins, with an air of relief. "I thought that perhaps I'd committed some awful blunder."

"No, no," he says. "But don't, please. I have a decided objection to it. You see I'm rather a republican than otherwise – everybody is a republican nowadays, don't you know." Oh, Yorke, Yorke! "There will be no dukes or any other titles presently."

"But until that time arrives what should one call you?" asks Leslie, not unreasonably. "Is 'my lord' right?"

"It's better," he admits, "but I don't care much about that from friends, you know. I'm afraid you think it's rather presumptuous of me to call you a friend."

"'An enemy' would sound rude and ungrateful after your and Mr. Temple's kindness," she says, as lightly as before.

"My name is Yorke – one of 'em, and it's the name I like best. I dare say that you have noticed that Mr. – Mr. Temple calls me by it?"

"Yes," says Leslie.

"So it sounds more familiar to me, and – and nicer. I suppose a man has a right to be called what he likes."

"I imagine so," says Leslie.

"Then that's a bargain," he says, cheerfully, as if the matter were disposed of. "This place," he goes on, as if anxious to get away from the subject, "reminds me of Scotland a little bit. You only want a salmon river. I've spent many a day fishing and shooting in a solitude as complete as the hermit's. You get scared at last by the stillness and the silence, and begin to think that all creation has gone to sleep, and are afraid to move lest you should wake it; and then while you stand quite still beside the stream, something comes flitting down the mountain side – something with great antlers and big mournful eyes, and it steps into the water close beside you, and takes a drink, looking round watchfully. Then up you jump and give a shout, and away the stag goes, and all creation's awake again."

It is Leslie's turn to listen now, and she does so with half-parted lips.

"Then at night you go out with a gun, and you lie down flat amongst the bracken, and keep your eyes open, and after a while when you are just feeling tired of it, and thinking what an idiot you are not to be in bed, or at any rate, beside a cozy fire with a pipe, you hear a flap, flap in the air, and a couple of heron come sailing between you and the moon, and you raise your gun carefully and quietly – awfully sharp chap the heron – and down comes one of 'em, and perhaps, if you have any luck, the other with the second barrel. Then you load up again and wait, and after a time, if your luck holds good, a flush of wild duck come flipperty, flopperty, above your head and you bring one or two of them down. And all the time the stream ripples and babbles on, and the soft wind plays through the pines, and – ." He stops with a laugh and that peculiar look which expresses shyness in a man. "I beg your pardon, I forgot; I mean, I must be boring you to death."

"No, you were not," says Leslie, quietly, and with a little sigh.

"I forgot that ladies don't care for sport, except hunting, some of them. They like to hear about London, and all the gossip there."

Leslie shakes her head.

"I'm afraid I'm very singular, then," she says. "For I would rather hear about fishing and shooting, if it is all like that you have been telling me of."

"But it isn't," he says, with a laugh. "Sometimes the birds don't come, and the fish won't rise, and instead of catching any you catch a cold. And then you go back to London, and swear that's it's the best place after all; but after a little while you get sick of it again, and think if you could only get on to a Scotch moor, you'd be happy."

"Man never is, but always to be blest," says Leslie.

"Yes, because men are such fools that they spoil their lives before they know where they are," he says. "I once saw a man try to swim across the Thames, for a wager, with a ten-pound weight round his neck. He would have been drowned, if they hadn't picked him up pretty smartly. It's the same in life – ." He stops suddenly and laughs rather shortly. "We'll get on to a more cheerful topic. There's a hawk, see?" and he points to a bird circling in the vault of blue.

"I was wondering what it was," says Leslie. "You must have good eyes. Do you know all the birds when you see them?"

"Nearly all, I think," he replies. "Horses, and dogs, and birds, I know a little about, but I don't know anything else. I think I should have made a decent gamekeeper or horse breaker; I'm not fit for anything else. But sometimes I console myself with something I read in the paper the other day; the fellow said that there were far too many clever people in the world, and that very soon it would be quite a distinction not to have painted a picture, or written a book, or done something in the scientific way. I'm on the safe road to distinction, Miss Lisle. There isn't a bigger dunce in Portmaris than I am."

So they talk. It is not much. It is neither witty nor wise; it is just the pleasant, aimless chatter of two young people who are almost strangers; and yet so absorbed and interested are they, that they do not note how time flies, that the sun is sinking in the west, and that the shadows are stealing over hill and dale.

Leslie is perfectly at her ease. She has almost forgotten, quite forgotten for the time, indeed, that the young man sitting beside her with his arms folded behind his head, and talking of his fishing and his shooting, and of the strange beasts and birds and fishes he has seen, killed, or captured, is a duke; and he, Yorke, always ready to be happy, to meet the sweet goddess Happiness, half-way, is filled with a strange feeling of peace, that yet is not peace, which at times almost startles him.

In all his life he has not met with a girl like this; so simple, yet so sweetly wise; so good, and yet so bright and winsome. He is beginning to know some of the multitudinous expressions of the beautiful face, to lay traps for the slow heart-winning smile, to set snares for drawing the clear, darkly gray eyes toward his, that he may look into their depths. Her voice makes sweet melody in his ears, and stirs his heart with a vague thrill which will trouble him presently, trouble him very much. It seems to him one moment that he has known her for years, the next that she has just lighted from the clouds, or risen from the depths of the blue sea, and that he shall never know her or get any nearer to her.

And under the influence of these sensations, which summed up as a whole, are as a potent spell, he forgets the dark girl whom he has persuaded Vinson to take away out of sight, forgets the compact that he has made with the duke, forgets that he is sailing under false colors and is deceiving the girl beside him – forgets, in short, everything, save that she is beside him, and that he has the delight of looking at, and talking to, and, ah, best of all, of listening to her.

He would be content to sit there – so that she were by his side – till the end of the world, but a shadow falling across the entrance to the hut rouses Leslie to a sense of the flight of the common enemy.

"Why, it must be late," she says, with the air of one making a great discovery.

"Is it?" he says. "Must we really go? It is very jolly here – it is as jolly as it was last night on the water."

But he gets up and follows her, and they make their way back. As they emerge on the hill-side, they find that the wind has dropped, and is sighing across the downs rather plaintively; and Yorke, looking up, sees a cloud, which, though it is not much bigger than a man's hand, is full of warning.

"Did you happen to bring an umbrella with you?" he asks, with affected carelessness.

Leslie laughs.

"Not even a sunshade. Why?"

"Nothing," he says, inwardly calling himself opprobrious names for not providing the Englishman's traveling companion.

"Do you think it is going to rain?" she asks. "Oh, no, it isn't possible."

"Everything is possible in this charming climate of ours," he says. "Well, Mr. Lisle, how are you getting on?" he asks, as they go up to the artist, still hard at work.

He looks up with a start. To him they have only been absent, say, a quarter of an hour.

"It is difficult," he says. "Very. One needs time – time."

"We'd better come another day," says Yorke. "Oh, you have got on famously," and he keeps his countenance capitally as he looks at the sketch. "I'll carry your easel," and he folds it up, and puts it over his shoulder.

They find the duke waiting for them at the bottom of the tower, and seeing them all together, he does not suspect that the two young people have been spending the whole afternoon tete-a-tete.

"I was just going off without you," he says, addressing all three, but looking at Leslie's face, which wears a rapt and dreamy expression.

"It's well you didn't," retorts Yorke. "You and Grey would never have reached home alive. Miss Leslie and I are the only persons who can manage these nags. But come on," and he glances upward – that cloud has grown considerably since they left the hermit's hut – and leads the way to the inn.

"Now, ma'am," he says to the landlady, in his frank, and genial way. "Got the kettle boiling? Right! Let us have some tea while the horses are being put to."

Then he goes round to the stable, inspects the horses, and is back in time to hand Leslie a cup of the beverage, which be the hour what it may, is always welcomed by fair women.

"Now up you get," he says, after surreptitiously tipping everybody – landlord, hostler, rosy-cheeked maid, all round. "Miss Leslie, we can't get on without you in front, you know," he remarks, as Leslie is about to go inside; and he helps her to the box.

The horses are fresh and eager for work, and for a time he drives, but presently he puts the reins in her hands.

"According to promise," he says. "Hold 'em tight while I," and he bends down and searches for something under the box seat.

"Oh, how beautifully they go," she says, half to herself. "What is it you are looking for, your gra – Lord Yorke?"

"Never you mind," he says. "You look after your horses."

Leslie laughs, and laughs again as he comes up, red in the face, and with a Scotch wrap in his hand.

"Are you so cold?" she asks.

"Very," he responds. "It's going to snow, I fancy."

"Why, it is quite close," she says, removing her eyes for a moment from the horses to glance at him with smiling surprise. "It seems hotter than it has been all day."

As she speaks, a low rumbling rolls over their heads and a flash of light cuts across the sky.

"That is lightning," she exclaims.

"It was rather like it," he admits, dryly.

"Did you bring any gamps?" asks the duke.

"Nary one," replies Yorke, grimly. "Slang away, I can bear it – and I deserve it," he mutters, glancing at the girlish figure beside him.

Mr. Lisle looks round absently.

"I'm afraid – it – it is going to rain," he says.

In another minute it is raining. Yorke takes the rug in both hands, and deftly wraps it round Leslie.

"Oh, no, please," she says, and she glances behind her. "Give it to him – Mr. Temple."

"It would be more than my life is worth," he says. "I dare not offer it to him. Please let me fasten it. How shall I? Give me a hairpin!"

"You must hold the horses, then," she says.

"I can see one sticking out," he says.

"Well, take it," she responds, innocently and all unconsciously, for she is thinking of her driving far more than the rain or the rug or anything else.

He looks at her intent and absorbed face, and puts up his hand and draws the hairpin from its soft and silken nest, and she, unheeding, does not know that his hand trembles, actually trembles, as he fastens the rug round her.

"Now give me the reins," he says, "and keep your head down; we are in for a regular storm."

As he speaks, the rain comes down with a whiz, as if it meant to wash them off the box.

Leslie laughs.

"After all, it is a proper picnic," she says.

But the next instant her laugh dies away, for the heavens seem to open before them, a peal of thunder roars like the discharge of a park of artillery just above their heads, and the horses, startled and frightened, stop dead short, then rear up on end.

The carriage sways, and for a moment it seems as if it were going over, and Leslie is forced up close against Yorke.

He holds the terrified horses with one strong hand, against him.

"All right," he says, in a low voice. "Don't be afraid, Leslie!" His arm holds her, supports her, presses her to him, perhaps unconsciously. "You are quite safe, dearest, dearest."

Low as his voice is, Leslie hears him, or – she asks herself – is it only fancy?

For a moment, one brief moment, she cowers, nestling to him, her face hidden against his shoulder; then with a start, she draws away, and with her face red and white by turns, looks straight before her.

And through the roar of thunder, and the hissing of the rain, she hears those words re-echoing, "Leslie, dearest – dearest!"