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VI
Rye (continued)
(1904-1909)
To Henry James, junior

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105 Pall Mall, S.W.

April 3rd, 1908.

Dearest Harry,

The Nightmare of the Edition (of my Works!) is the real mot de l'Enigme of all my long gaps and delinquencies these many months past—my terror of not keeping sufficiently ahead in doing my part of it (all the revising, rewriting, retouching, Preface-making and proof-correcting) has so paralysed me—as a panic fear—that I have let other decencies go to the wall. The printers and publishers tread on my heels, and I feel their hot breath behind me—whereby I keep at it in order not to be overtaken. Fortunately I have kept at it so that I am almost out of the wood, and the next very few weeks or so will completely lay the spectre. The case has been complicated badly, moreover, the last month—and even before—by my having, of all things in the world, let myself be drawn into a theatrical adventure—which fortunately appears to have turned out as well as I could have possibly expected or desired. Forbes Robertson and his wife produced on the 26th last in Edinburgh—being on "tour," and the provincial production to begin with, as more experimental, having good reason in its favour—a three-act comedy of mine ("The High Bid")—which is just only the little one-act play presented as a "tale" at the end of the volume of the "Two Magics"; the one-act play proving really a perfect three-act one, dividing itself (by two short entractes, without fiddles) perfectly at the right little places as climaxes—with the artful beauty of unity of time and place preserved, etc.... It had a great and charming success before a big house at Edinburgh—a real and unmistakable victory—but what was most brought home thereby is that it should have been discharged straight in the face of London. That will be its real and best function. This I am hoping for during May and June. It has still to be done at Newcastle, Liverpool, etc. (was done this past week three times at Glasgow. Of course on tour three times in a week is the most they can give a play in a minor city.) But my great point is that preparations, rehearsals, lavishments of anxious time over it (after completely re-writing it and improving it to begin with) have represented a sacrifice of days and weeks to them that have direfully devoured my scant margin—thus making my intense nervousness (about them) doubly nervous. I left home on the 17th last and rehearsed hard (every blessed day) at Manchester, and at Edinburgh till the production—having already, three weeks before that in London, given up a whole week to the same. I came back to town a week ago to-night (saw a second night in Edinburgh, which confirmed the impression of the first,) and return to L.H. to-morrow, after a very decent huitaine de jours here during which I have had quiet mornings, and even evenings, of work. I go to Paris about the 20th to stay 10 days, at the most, with Mrs Wharton, and shall be back by May 1st. I yearn to know positively that your Dad and Mother arrive definitely on the Oxford job then. I have had to be horribly inhuman to them in respect to the fond or repeated expression of that yearning—but they will more than understand why, "druv" as I've been, and also understand how the prospect of having them with me, and being with them, for a while, has been all these last months as the immediate jewel of my spur. Read them this letter and let it convey to them, all tenderly, that I live in the hope of their operative advent, and shall bleed half to death if there be any hitch.

But I embrace you all in spirit and am ever your fond old Uncle,

HENRY JAMES.

The Letters of Henry James. Vol. II

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