Читать книгу How I Filmed the War - Geoffrey H. Malins - Страница 14

under heavy shell-fire

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In a Trench Coat and Cap I again Run the Gauntlet—A Near Squeak—Looking for Trouble—I Nearly Find It—A Rough Ride and a Mud Bath—An Affair of Outposts—I Get Used to Crawling—Hot Work at the Guns—I am Reported Dead—But Prove Very Much Alive—And then Receive a Shock—A Stern Chase.

Time after time I crossed over to France and so into Belgium, and obtained a series of pictures that delighted my employers, and pleased the picture theatre public. But I wanted something more than snapshots of topical events.

Unfortunately, I had been unable to make previous arrangements for a car to take me into Belgium. The railroad was barred to me, and walking quite out of the question. A motor-car was the only method of travelling. After two days of careful enquiries, I at last found a man to take me. He was in the transport department, taking meat to the trenches. I was to meet him that evening on the outskirts of Calais. And I met him that night at an appointed rendezvous, and started on our journey.

Eventually we entered Furnes. Making my way into a side street, I told my chauffeur to call at a certain address whenever he passed through the town, and if I should require his services further, I would leave a letter to that effect.

I was awakened next morning by being vigorously shaken by my Belgian friend, Jules.

"Quick, monsieur, the Germans are bombarding us," he cried.

Jumping out of bed, I rushed to the window. The next second I heard the shriek of shells coming nearer. With a crash and a fearful explosion they burst practically simultaneously on the houses opposite, completely demolishing them, but luckily killing no one. Hastily dressing, I grabbed my camera and went out into the square and waited, hoping to film, if possible, the explosion of the shells as they fell on the buildings. Two more shells came shrieking over. The few people about were quickly making for the cover of their cellars. Getting my camera into position, ready to swing in any direction, I waited. With deafening explosions the shells exploded in a small street behind me. The Germans were evidently trying to smash up the old Flemish town hall, which was in the corner of the market-place, so I decided to fix my focus in its direction. But though I waited for over an hour, nothing else happened. The Germans had ceased firing for that morning at least. Not till I had gone to my café did I realise the danger I had exposed myself to, but somehow I had seemed so confident that I should not get hit, that to film the explosions entirely absorbed all my thoughts.

Next morning I decided to tour the front line, if possible from Dixmude to Nieuport, making Ramscapelle a centre. I hoped to drop in with an isolated action or a few outpost duels, for up to the present things were going exceedingly slow from my point of view.

Arranging for a dispatch rider to take me along to Ramscapelle, away I went. The roads were in a frightful condition after months of rain, and shell-holes were dotted all over the surface. It is marvellous these men do not more frequently meet death by accident, for what with the back wheel sliding and skidding like an unbroken mule, and dodging round shell-holes as if we were playing musical chairs, and hanging round the driver's waist like a limpet to keep our balance, it was anything but a comfortable experience. In the end one back wheel slipped into a shell-hole and pitched me into a lovely pool of water and mud. Then after remounting, we were edged off the road into the mud again by a heavy transport lorry, and enjoyed a second mud-bath. After that I came to the conclusion that I would rather film a close view of a bayonet charge than do another such journey.

By now I was the most abject-looking specimen of humanity imaginable. My camera in its case was securely fastened on my shoulders as a knapsack, and so, with the exception of a slight derangement, which I soon readjusted, no damage was done. But the motor-cycle suffered considerably, and leaving it alongside the road to await a breakdown lorry to repair it—or a shell to finish it—I proceeded on foot to Ramscapelle.

Within a hundred yards of the ruined town, from the shelter of a wrecked barn came the voice of a Belgian soldier peremptorily ordering me to take cover. Without asking questions, I did so by sprawling full length in a deep wheel-rut, but as I had previously had a mud-bath, a little more or less did not matter. I wriggled myself towards the cover of the barn, when a sharp volley of rifle-fire broke out on my left. Gaining shelter, I asked the soldier the reason of the fusillade.

"Uhlan outposts, monsieur," replied the man laconically.

Keeping under cover, I crawled towards the back of the barn, and ensconced behind some bales of straw, on a small bridge, I filmed this Belgian outpost driving off the Uhlans, and peeping through one of the rifle slots, I could see them showing a clean pair of heels, but not without losing one of their number. He was brought into our lines later, and I was lucky enough to secure the pennon from his lance as a souvenir.

I made my way by various means into the town. The place was absolutely devoid of life. It was highly dangerous to move about in the open. To be seen by the German airmen was the signal for being shelled for about three hours.

Whilst filming some of the ruins, I was startled by a sharp word of command. Turning round, I saw a Belgian soldier, with his rifle pointing at me. He ordered me to advance. I produced my permit, and giving the password, I quite satisfied him. Bidding me come inside he indicated a seat, and asked me to have some soup. And didn't it smell appetising! A broken door served as a table; various oddments, as chairs and the soup-copper, stood in the centre of the table. This proved one of the most enjoyable meals of the campaign.

The soldier told me they had to be very careful to guard against spies. They had caught one only that morning, "but he will spy no more, monsieur," he said, with a significant look.

I rose, and said I must leave them, as I wanted to take advantage of the daylight. I asked my friend if he could give me any information as to the whereabouts of anything interesting to film, as I wanted to take back scenes to show the people of England the ravages caused in Belgium by the Huns, and the brave Belgians in action. He was full of regrets that he was not able to accompany me, but being on duty he dare not move.

With a hearty shake of the hand and best wishes we parted, and, keeping under cover of the ruined buildings as much as possible, I made my way through Ramscapelle. Hardened as I was by now to sights of devastation, I could not help a lump rising in my throat when I came upon children's toys, babies' cots, and suchlike things, peeping out from among the ruins caused by the German guns.

These scenes caused me to wander on in deep thought, quite oblivious to my immediate surroundings. This momentary lapse nearly proved disastrous. By some means I had passed the sentries, and wandered practically on top of a Belgian concealed heavy gun battery. I was quickly brought to my senses by being dragged into a gun trench, absolutely invisible both from the front and above.

Compelled to go on hands and knees into the dug-out, I was confronted by a rather irate Belgian officer, who demanded why I was there walking about and not taking cover. Did I know that I had drawn the enemy's fire, which was very nearly an unpardonable offence?

Quickly realising the seriousness of my position, I thought the best thing to do was to tell him my mission, and so I explained to the officer that I had unconsciously wandered there.

"There, monsieur," he said, "that is what you have done," and at that moment I heard two shells explode fifteen yards behind us. "We dare not reply, monsieur," he said, "because this is a secret battery. Mon Dieu!" he exclaimed, "I hope they cease firing, or they may destroy our defences." Fortunately, the Germans seeing no further sign of life, evidently thought it was a case of an isolated soldier, and so ceased their fire. Imagine my thankfulness.

I enquired if there was anyone there who could speak English. A messenger was sent out and returned with a Belgian, who before the war broke out was a teacher of languages in England. With his aid I gave the chief officer full explanation, and pledged my word of honour that neither names, districts, nor details of positions should ever be mentioned.

Wishing to film some scenes of big guns in action, I enquired whether he was going to fire. He was expecting orders any minute, so making myself as comfortable as possible in the dug-out, I waited. But nothing happened, and that night, and the one following, I slept there.

Early next morning (about 3 a.m.) I was awakened by the noise of a terrific cannonading. Together with the officer I crawled out on to the top of our embankment and viewed the scene. The Germans had started a night attack, the Belgian guns had caught them in the act and were shelling them for all they were worth.

As soon as it was daylight I strapped my camera on my back, and, lying flat in the mud, I edged away in the direction of the battery. Before leaving, the officer gave me a final warning about drawing the Germans' fire. Alternately crawling and working my way on hands and knees, and taking advantage of any little bit of cover, I drew nearer to the guns. While I was lying here, there crashed out a regular inferno of rifle-fire from the German trenches. The bullets sang overhead like a flight of hornets. This certainly was a warm corner. If I had filmed this scene, all that would have been shown was a dreary waste of mud-heaps, caused by the explosion of the shells, and the graves of fallen soldiers dotted all over the place. As far as the eye could see the country was absolutely devoid of any living thing.

Thousands of people in England, comfortably seated in the picture theatre, would have passed this scene by as quite uninteresting except for its memories. But if the sounds I heard, and the flying bullets that whizzed by me, could have been photographed, they might take a different view of it.

Death was everywhere. The air was thick with it. To have lifted my head would have meant the billet for a bullet. So there I had to lie soaked through to the skin, and before I had been there twenty minutes I was literally lying in water. The German fusillade seemed interminable. Suddenly with a roar the Belgian guns spoke. About fifty shells were fired, and gradually the rifle-fire ceased. With a sigh of relief I drew myself out of the hole which my body had made, and on my elbows and knees, like a baby crawling, I covered the intervening ground to the battery. Getting up, and bending nearly double, I ran under cover of the barricades.

The men were astounded to see me run in. I went in the direction of a group of officers, who looked at me in amazement. Saluting me, one of them came forward and asked who I wanted. Explaining my business, I told him I had permission from headquarters to film any scenes of interest. The officer then introduced me to his friends, who asked me how in the world I had crossed the district without getting hit. I described my movements, and they all agreed that I was exceedingly lucky.

Once more the guns started, so getting my camera ready I commenced filming them in action, one scene after another. I changed from the firing of one gun to the full battery in action. The men were working like mad. All the time they were baling water out of the gun trenches with buckets. In some cases after the gun had fired it sank back about eighteen inches in the mud, and had to be dug out and set again. These poor devils had been doing this for nearly four months, every man of them was a hero.

While taking these scenes, my compressed air cylinders ran out. Looking round for somewhere solid on which to put my machine and foot-pump, I found some bricks, and made a little foundation. Then I started to pump up. At every six strokes of the pump, it was necessary to pack under it more bricks, and still more, for the ground was a veritable morass. In the ordinary way my camera takes ten minutes to refill. On this occasion it took me forty-five minutes, and all the time guns were thundering out.

Making my way in a semi-circle, under cover of the communication trenches, to the most advanced outpost, I filmed a party of Belgian snipers hard at work, cheerfully sniping off any German unwise enough to show the smallest portion of his head. Several times while I was watching, I noticed one of the men mark upon his rifle with the stub of a pencil. I asked why he did it.

"That, monsieur," he replied, "is a mark for every Bosche I shoot. See," he said, holding the butt-end for me to look at, and I noticed twenty-eight crosses marked upon it. Snatching it up to his shoulder he fired again, and joyfully he added another cross.

By this time it was getting dark, and quite impossible to take any more scenes, so I returned to the battery, where the officer kindly invited me to stay the night. Getting some dry straw from a waterproof bag, we spread it out on the boards of the trench-hut, rolled our blankets round our shoulders, and lighted our cigarettes. Then they asked me about England. They told me that as long as Belgium existed they would never forget what England had done for her people. While talking our candle went out, and as we had no other we sat in the darkness, huddled together to keep warm. Heavy rain again came on, penetrating through the earth roof and soaking into my blanket.

I must have dozed off, for after a little while I awoke with a start and, looking towards the entrance, I noticed a blue-white glare of light. As my companions were getting out, I followed them, in time to see the Germans sending up star-shells, to guard against any attack on our part.

The following day I filmed several scenes connected with the Belgian artillery and outposts. I waited during the remainder of the day to catch, if possible, some scenes of German shells exploding, but again I was doomed to disappointment, for, with the exception of a few at a distance, I was never able to get the close ones in my field of view.

Having exhausted my stock of film, I decided to return to my base, but on bidding adieu to the Commandant he begged me to return under cover of darkness. That night I set out for Furnes, and after walking about an hour, I was lucky enough to get a lift in an ambulance waggon, which set me down in the market-place.

Entering the café by a side door, my Belgian friend seemed to me to be astounded at my appearance. He immediately rushed up to me, shook my hands and pummelled my back. His friends did the same. After I had got over my astonishment, I ventured to ask the reason for this jubilation.

"We thought you were dead," he cried; "we heard you had been shot by the Germans, and as you had not turned up for the last five days, we came to the conclusion that it was true. But, monsieur, we cannot tell you how pleased we are to see you again alive and well."

Seeing the condition I was in, they heated water for a bath, and assisted me in every way possible. When I was once more comfortable, I asked my friend, over a cup of coffee, to tell me the exact report, as it highly amused me.

"Well, monsieur," he said, "your motor cyclist came rushing in the other evening, saying that Monsieur Malins, the Englishman, had been shot while crossing ground between the two batteries. He told us that you had been seen attempting the crossing; that you suddenly threw up your arms, and pitched forward dead. And, monsieur, we were preparing to send your bag to London, with a letter explaining the sad news. The Colonel was going to write the letter."

"Well," I replied with a laugh, "I am worth a good many dead men yet. I remember crossing the ground you mention—but, anyway, the 'eye-witness' who saw my death was certainly 'seeing things.'"

How I Filmed the War

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