Читать книгу Heart of Man - George Edward Woodberry - Страница 7

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Would you see this land as I see it? Come then, since Etna gives a fair, pure morning, up over the shelving bank to the great eastern spur of Taormina, where stood the hollow theatre, now in ruins, and above it the small temple with which the Greeks surmounted the highest point. It is such a spot as they often chose for their temples; but none ever commanded a more noble prospect. The far-shining sea, four or five hundred feet below, washes the narrow, precipitous descent, and on each hand is disclosed the whole of that side of Sicily which faces the rising sun. To the left and northward are the level straits, with the Calabrian mountains opposite, thinly sown with light snow, as far as the Cape of Spartivento, distinctly seen, though forty miles away; in front expands the open sea; straight to the south runs the indented coast, bay and beach, point after point, to where, sixty miles distant, the great blue promontory of Syracuse makes far out. On the land-side Etna fills the south with its lifted snow-fields, now smoke-plumed at the languid cone; and thence, though lingeringly, the eye ranges nearer over the intervening plain to the well-wooded ridge of Castiglione, and, next, to the round solitary top of Monte Maestra, with its long shoreward descent, and comes to rest on the height of Taormina overhead, with its hermitage of Santa Maria della Rocca, its castle, and Mola. Yet further off, at the hand of the defile, looms the barren summit of Monte Venere, with Monte d'Oro and other hills in the foreground, and northward, peak after peak, travels the close Messina range.

A landscape of sky, sea, plain, and mountains, great masses majestically grouped, grand in contour! Yet to call it sublime does not render the impression it makes upon the soul. Sublime, indeed, it is at times, and dull were he whose heart from hour to hour awe does not visit here; but constantly the scene is beautiful, and yields that delight which dwells unwearied with the soul. One may be seldom touched to the exaltation which sublimity implies, but to take pleasure in loveliness is the habit of one who lives as heaven made him; and what characterizes this landscape and sets it apart is the permanence of its beauty, its perpetual and perfect charm through every change of light and weather, and in every quarter of its heaven and earth, felt equally whether the eye sweeps the great circuit with its vision, or pauses on the nearer features, for they, too, are wonderfully composed. This hill of my station falls down for half a mile with broken declivities, and then becomes the Cape of Taormina, and takes its steep plunge into the sea. Yonder picturesque peninsula to its left, diminished by distance and strongly relieved on the purple waves, is the Cape of Sant' Andrea, and beside it a cluster of small islands lies nearer inshore. On the other side, to the right of our own cape, shines our port, with Giardini, the village of my fishers' lights, the beach with its boats, and the white main road winding in the narrow level between the bluffs and the sands. The port is guarded on the south by the peninsula of Schiso, where ancient Naxos stood; and just beyond, the river Alcantara cuts the plain and flows to the sea. At the other extremity, northward of Sant' Andrea, is the cove of Letojanni, with its village, and then, perhaps eight miles away, the bold headland of Sant' Alessio closes the shore view with a mass of rock that in former times completely shut off the land approach hither, there being no passage over it, and none around it except by the strip of sand when the sea was quiet. All this ground, with in several villages, from Sant' Alessio to the Alcantara, and beyond into the plain, was anciently the territory of Taormina.

The little city itself lies on its hill, between the bright shore and the gray old castle, on a crescent-like terrace whose two horns jut out into the air like capes. The northern one of these is my station, the site of the old temple and the amphitheatre; the southern one opposite shows the facade of the Dominican convent; and the town circles between, possibly a mile from spur to spur. Here and there long broken lines of the ancient wall, black with age, stride the hillside. A round Gothic tower, built as if for warfare, a square belfry, a ruined gateway, stand out among the humble roofs. Gardens of orange and lemon trees gleam like oblong parks, principally on the upper edge toward the great rock. If you will climb, as I have done, the craggy plateau close by, which overhangs the theatre and obstructs the view of the extreme end of the town at this point, you will see from its level face, rough with the plants of the prickly-pear, a cross on an eminence just below, and the gate toward Messina.

The face of the country is bare. Here beneath, where the main ravine of Taormina cuts into the earth between the two spurs of the city, are terraces of fruit trees and vegetables, and, wherever the naked rock permits, similar terraces are seen on the castle hill and every less steep slope, looking as if they would slide off. Almond and olive trees cling and climb all over the hillsides, but their boughs do not clothe the country. It is gray to look at, because of the masses of natural rock everywhere cropping out, and also from the substructure of the terraces, which, seen from below, present banks of the same gray stone. The only colour is given by the fan-like plants of the prickly-pear, whose flat, thick-lipped, pear-shaped leaves, stuck with thorns, and often extruding their reddish fruit from the edge, lend a dull green to the scene. This plant grows everywhere, like wild bush, to a man's height, covering the otherwise infertile soil, and the goats crop it. A closer view shows patches of wild candytuft and marigolds, like those at my feet, and humble purple and blue blossoms hang from crannies or run over the stony turf; but these are not strong enough to be felt in the prevalent tones. The blue of ocean, the white of Etna, the gray of Taormina—this is the scene.

Three ways connect the town with the lower world. The modern carriage road runs from the Messina gate, and, quickly dropping behind the northern spur, winds in great serpentine loops between the Campo Santo below and old wayside tombs, Roman and Arabic, above, until it slowly opens on the southern outlook, and, after two miles of tortuous courses above the lovely coves, comes out on the main road along the coast. The second way starts from the other end of the town, the gate toward Etna, and goes down more precipitously along the outer flank of the southern spur, with Mola (here shifted to the other side of the castle hill) closing the deep ravine behind; and at last it empties into the torrent of Selina, in whose bed it goes on to Giardini. The third, or short way, leaps down the great hollow of the spurs, and yet keeps to a ridge between the folds of the ravine which it discloses on each side, with here and there a contadino cutting rock on the steep hillsides, or a sportsman wandering with his dog; or often at twilight, from some coign of vantage, you may see the goats trooping home across the distant sands by the sea. It debouches through great limestone quarries on the main road. There, seen from below, Taormina comes out—a cape, a town, and a hill. It is, in fact, a long, steep, broken ridge, shaped like a wedge; one end of the broad lace dips into the sea, the other, high on land, exposes swelling bluffs; its back bears the town, its point lifts the castle.

This is the Taorminian land. What a quietude hangs over it! How poor, how mean, how decayed the little town now looks amid all this silent beauty of enduring nature! It could not have been always so. This theatre at my feet, hewn in the living rock, flanked at each end by great piers of massive Roman masonry, and showing broken columns thick strewn in the midst of the broad orchestra, tells of ancient splendour and populousness. The narrow stage still stands, with nine columns in position in two groups; part are shattered half-way up, part are yet whole, and in the gap between the groups shines the lovely sea with the long southern coast, set in the beauty of these ruins as in a frame. Here Attic tragedies were once played, and Roman gladiators fought. The enclosure is large, much over a hundred yards in diameter. It held many thousands. Whence came the people to fill it? I noticed by the roadside, as I came up, Saracenic tombs. I saw in the first square I entered those small Norman windows, with the lovely pillars and the round arch. On the ancient church I have observed the ornamentation and mouldings of Byzantine art. The Virgin with her crown, over the fountain, was paltry enough, but I saw that this was originally a mermaid's statue. A water-clock here, a bath there; in all quarters I come on some slight, poor relics of other ages; and always in the faces of the people, where every race seems to have set its seal, I see the ruins of time. These echoes are not all of far-off things. That lookout below was a station of English cannon, I am told; and the bluff over Giardini, beyond the torrent, takes its name from the French tents pitched there long ago. The old walls can be traced for five miles, but now the circuit is barely two. I wonder, as I go down to my room in the Casa Timeo, what was the past of this silent town, now so shrunken from its ancient limits; and who, I ask myself, Timeo?