Читать книгу The Splendid Outcast - George Gibbs - Страница 4

CHAPTER III

THE GOOSE

Jim Horton had had a narrow escape from discovery. But in spite of his precarious position and the pitfalls that seemed to lay to right and left, he had become, if anything, more determined than ever to follow the fate to which he had committed himself. There now seemed no doubt that Moira was in all innocence involved in some way in the blackmailing scheme which had been the main source of livelihood for the Quinlevin family for many years. And Moira did not know, for the Duc de Vautrin, of course, was the source of the Irish rents to which she had alluded. And now he was refusing to pay.

It was clear that something unpleasant hung in the air, an ill wind for the Duc de Vautrin and for the plotters, Moira's father and Jim Horton's precious brother. And it seemed quite necessary in the interests of honesty that he, Jim Horton, should remain for the present in the game and divert if possible the currents of evil which encompassed his interesting sister-in-law.

One thing he had learned—that by taking refuge behind the barriers of his failing memory, it might be possible to keep up the deception, at least until he was out of the hospital and a crisis of some sort came to relieve him of his responsibility. Indeed there was something most agreeable in the friendly regard of his brother's loveless wife, and under other circumstances, the calls of this charming person would have been the source of unalloyed delight. For as the days passed, more and more she threw off the restraint of her earlier visits and they had now reached a relationship of understanding and good-fellowship, most delightful and unusual in its informality.

Jim Horton was progressing rapidly and except for occasional lapses of memory, easily explained and perfectly understood by his visitors, gained health and strength until it was no longer a question of weeks but of days when he should be able to leave the hospital and accept the invitation of his newly discovered relatives to visit the studio apartment. He had made further efforts through the hospital authorities to find some trace of the missing man but without success, and in default of any definite plan of action chose to follow the line of least resistance until something should happen. Barry Quinlevin visited him twice, but spoke little of the affair of the Duc de Vautrin which it seemed was being held in abeyance for the moment, preferring to wait until the brain and body of the injured man could help him to plan and to execute. And Jim Horton, finding that safety lay in silence or fatigue, did little further to encourage his confidences.

Thus it was that after several weeks he impatiently awaited Moira outside the hospital. It was a gorgeous afternoon of blue and gold with the haze of Indian Summer hanging lazily over the peaceful autumn landscape. An aromatic odor of burning leaves was in the air and about him aged men and women worked in road and garden as though the alarms of war had never come to their ears. The signing of the armistice, which had taken place while Horton was still in his bed, had been the cause of much quiet joy throughout the hospital. But with the return of health, Jim Horton had begun wondering what effect the peace was to have upon his strange fortunes—and upon Harry's. He knew that for the present he had been granted a furlough which he was to spend with the Quinlevins in Paris, but after that, what was to happen? He was a little dubious too about his relations with Moira.... But when he saw her coming down the path to the open air pavilion with Nurse Newberry, all flushed with the prospect of carrying him off in triumph in the ancient fiacre from which she had descended, he could not deny a thrill of pleasure that was not all fraternal.

"Behold, mon ami," she cried in greeting, "I've come to take you prisoner."

He laughed gayly as he took her hand.

"And there's a goose in the pantry, bought at a fabulous price, just waiting for the pan——"

"Be sure you don't kill your prisoner with kindness," put in Nurse Newberry.

"I'll take that risk," said Horton genially.

"Sure and he must," put in Moira. "It isn't every day one brings a conquering hero home."

"Especially when he's your husband," said the artless Miss Newberry wistfully.

Jim Horton had a glimpse of the color that ran like a flame up Moira's throat to her brow but he glanced quickly away and busied himself with a buckle at his belt.

"I want to thank you, Miss Newberry," he said soberly, "for all that you've done for me. I'll never forget."

"Nor I, Lieutenant Horton. But you're in better hands than mine now. A week or so and you'll be as strong as ever."

"I've never felt better in my life," he replied.

They moved toward the conveyance, shook hands with the nurse, and with Harry's baggage (which had just been sent down from regimental headquarters) upon the box beside the rubicund and rotund cocher, they drove out of the gates and toward the long finger of the Eiffel Tower which seemed to be beckoning to them across the blue haze above the roof tops.

Neither of them spoke for a moment. In the ward, in the convalescent rooms or even in the grounds of the hospital, Moira had been a visitor with a mission of charity and cheer. Here in the fiacre the basis of their relationship seemed suddenly and quite mysteriously to change. Whether Moira felt it or not he did not know, for she looked out of her window at the passing scene and her partly averted profile revealed nothing of her thoughts. But the fact that they were for the first time really alone and driving to Moira's Paris apartment gave him a qualm of guilt on account of the impossible situation that he had created. He had, he thought, shown her deep gratitude and respect—and had succeeded in winning the friendship that Harry had perhaps taken too much for granted. It had given Jim Horton pleasure to think that Moira now really liked him for himself alone, and the whole-heartedness of her good fellowship had given him every token of her spirit of conciliation. She had had her moods of reserve before, like the one of her present silence, but the abundance of her vitality and sense of humor had responded unconsciously to his own and they had drawn closer with the artless grace of two children thrown upon their own resources. And now, here in the ramshackle vehicle, for the first time alone, Jim Horton would have very much liked to take her by the hand (which lay most temptingly upon the seat beside him) and tell her the truth. But that meant Harry's disgrace—the anguish of her discovering that such a friendship as this with her own husband could never be; for in her eyes Jim Horton had seen her own courage and a contempt for all things that Harry was or could ever hope to be. And so, with an effort he folded his arms resolutely and stared out of his window.

It was then that her voice recalled him.

"Can't you smell that goose, Harry dear?" she said.

He flashed a quick smile at her.

"Just can't I!" he laughed.

"And you're to help me cook it—and vegetables and coffee. You know"—she finished, "nothing ever tastes quite so good as when you cook it yourself."

"And you do all the cooking——?" he asked thoughtfully.

"Sometimes—but more often we go to a café. Sometimes Madame Toupin helps, the concierge—but father thinks my cooking is the best."

"I don't doubt it. I shall, too." And then, "where is your father to-day?"

She looked at him, eyes wide as though suddenly reminded.

"I forgot," she gasped. "He asked me to tell you that he was obliged to be leaving for Ireland—about the Irish rents. Isn't it tiresome?"

"Oh," said Horton quietly. "I see."

He turned his thoughtful gaze out of the carriage window into the Avenue de Neuilly. The situation had its charm, but he had counted on the presence of Barry Quinlevin.

"How long will he be gone?" he asked.

"I don't know," she replied, "a week or more perhaps. But I'll try to make you comfortable. I've wanted so to have everything nice."

He smiled at her warmth. "You forget that—that I've learned to be a soldier, Moira. A blanket on the floor of the studio and I'll be as happy as a king——"

"No. You shall have the best that there is—the very best—mon ami——"

"I don't propose to let you work for me, Moira. I can get some money. I can find a pension somewhere near and——"

She turned toward him suddenly, her eyes very close to tears. "Do you wish to make me unhappy—when I've tried so hard to—to——"

"Moira!" He caught her hand to his lips and kissed it gently, "I didn't mean——"

"I've wanted so for you to forget how unkind I had been to you—to make this seem like a real homecoming after all you've been through. And now to hear you talking of going to a pension——"

"Moira—I thought it might be inconvenient—that it might be more pleasant for you——"

He broke down miserably. She released her fingers gently and turned away. "Sure Alanah, and I think that I should be the judge of that," she said.

"We'll say no more about it," he muttered. "But I—I'm very grateful."

Moira's lips wreathed into an adorable smile.

"I've been thinking the war has done something to you, Harry. And now I'm sure of it. You've been learning to think of somebody beside yourself."

"I'd be pretty rotten if I hadn't learned to do some thinking about you," he said, as he looked into her eyes with more hardihood than wisdom.

She met his gaze for the fraction of a minute and then raised her chin and laughed merrily up at the broad back of the cocher.

"Yes, you've changed, Harry dear. God knows how or why—but you've changed. You'll be paying me some compliments upon my pulchritude and heavenly virtues by and by."

"Why shouldn't I?" he insisted soberly when her laughter subsided. "Your loveliness is only the outward and visible sign of the inward and spiritual grace. I'm so sure of it that I don't care whether you laugh or not."

"Am I lovely? You think so? Well—it's nice to hear even if it only makes conversation. Also that my nose is not so bad, even if it does turn piously to Heaven—but there's a deep dent in my chin which means that I've got a bit of the devil in me—bad cess to him—so that you'd better do just what I want you to—or we'll have a falling out. And that would be a pity—because of the goose."

He laughed as gayly as she had done.

"I've a notion, Moira," he said, "that it's my goose you're going to cook."

"And I've a notion," she said poising a slim gloved finger for a second upon his knee, "I've a notion that we're both going to cook him."

It seemed too much like a prophecy to be quite to his liking. Her moods were Protean and her rapid transitions bewildered. And yet, under them all, he realized how sane she was, how honest with him and with herself and how free from any guile. She trusted him entirely as one good friend would trust another and the thought of any evil coming to her through his strange venture into Harry's shoes made him most unhappy. But her pretty dream of a husband with whom she could at least be on terms of friendship must some day come to an end ... And yet ... suppose the report that Harry was missing meant that he was dead. A bit of shrapnel—a bullet—he didn't wish it—but that chance was within the range of the possible.

They had passed down the avenue of the Grande Armée, into the place de l'Étoile, and were now in the magnificent reaches of the Champs Élysées. Jim Horton had only been in Paris for five hours between trains, little more than long enough to open an account at a bank, but Moira chattered on gayly with the point of view of an intime, showing him the places which they must visit together, throwing in a word of history here, an incident or adventure there, giving the places they passed, the personality of her point of view, highly tinged with the artist's idealism. From her talk he gathered that she had lived much in Paris during all her student days and except for the little corner in Ireland where she had been born and which she had visited from time to time, loved it better than any place in the world.

"And I shall teach you to speak French, Harry—the real argot of the Quartier—and you shall love it as I do——"

"I do speak it a little already," he ventured.

"Really! And who was your instructress?"

The dropping intonation was sudden and very direct.

Jim Horton looked out of the window. He was sure that Harry wouldn't have been able to meet her gaze.

"No one," he muttered, "at least no girl. That's the truth. We had books and things."

"Oh," she finished dryly.

Her attitude in this matter was a revelation. The incident seemed to clarify their relations and in a new way, for in a moment she was conversing again in a manner most unconcerned. Friendly she might be with Harry for the sake of the things that he had accomplished, companionable and kind for the sake of the things he had suffered, but as for any deeper feeling—-that was another matter. Moira was no fool.

But at least she trusted him now. She dared to trust him. Otherwise, why did she conduct him with such an air of unconcern to the apartment in the Rue de Tavennes? But he couldn't be unaware of the alertness in her unconcern, an occasional quick and furtive side glance which showed that, however friendly, she was still on her guard. Perhaps she wanted to study this newly-discovered Harry at closer range. But why had she chosen the venture? He had given her her chance. Why had she refused to take it?

The answers to these questions were still puzzling him when they drove up the hill by the Boulevard St. Michel—Boul' Miché she called it—reached the Luxembourg Gardens and then turning into a smaller street were presently deposited at their porte cochère. Her air of gayety was infectious and she presented him to the good Madame Toupin, who came out to meet them with the air of one greeting an ambassador.

"Welcome, Monsieur le Lieutenant. Madame Horton has promised us this visit since a long time."

"Merci, Madame."

"Enter, Monsieur—this house is honored. Thank the bon Dieu for the Americans."

Jim Horton bowed and followed Moira into the small court and up the stairway, experiencing a new sense of guilt at having his name coupled so familiarly with Moira's. Harry's name too—. And yet the circumstances of the marriage were so strange, the facts as to her actual relations with her husband so patent, that he found himself resenting Moira's placid acceptance of the appellation. There was something back of it all that he did not know.... But Moira gave him no time to think of the matter, conducting him into the large studio and showing him through the bedroom and kitchen, where she proudly exhibited her goose (and Jim Horton's) that she was to cook. And after he had deposited his luggage in a room nearby which he was to occupy, she removed her gloves in a business-like manner, took off her hat and coat, and invited him into the kitchen.

"Allons, Monsieur," she said gayly in French, as she rolled up her sleeves.

"We shall now cook a goose, in this modern apparatus so kindly furnished by the Compagnie de Gaz. There's a large knife in the drawer. You will now help me to cut up the potatoes—Julienne,—and the carrots which we shall stew. Then some lettuce and a beautiful dessert from the pâtisserie—and a demi-tasse. What more can the soul of man desire?"

"Rien," he replied with a triumphant grin of understanding from behind the dish pan. "Absolument rien."

"Ah, you do understand," she cried in English. "Was she a blonde—cendrée? Or dark with sloe-eyes? Or red-haired? If she was red-haired, Harry, I'll be scratching her eyes out. No?"

He shook his head and laughed.

"She was black and white and her name was Ollendorff."

"You'll still persist in that deception?"

"I do."

"You're almost too proficient."

"You had better not try me too far."

She smiled brightly at him over the fowl which she was getting ready for the pan, stuffing it with a dressing already prepared.

"I wonder how far I might be trying you, Harry dear," she said mischievously.

He glanced at her.

"I don't know," he said quietly "but I think I've learned something of the meaning of patience in the army."

"Then God be praised!" she ejaculated with air of piety, putting the fowl into the pan.

"Here. Cut. Slice to your heart's content, thin—like jack-straws. But spare your fingers."

She sat him in a chair and saw him begin while she prepared the salad.

"Patience is by way of being a virtue," she resumed quizzically, her pink fingers weaving among the lettuce-leaves. And then, "so they taught you that in the Army?"

"They did."

"And did you never get tired of being patient, Harry dear?"

He met the issue squarely. "You may try me as far as you like, Moira," he said quietly, "I owe you that."

She hadn't bargained for such a counter.

"Oh," she muttered, and diligently examined a doubtful lettuce leaf by the fading light of the small window, while Horton sliced scrupulously at his potato. And when the goose was safely over the flame she quickly disappeared into the studio.

He couldn't make her out. It seemed that a devil was in her, a mischievous, beautiful, tantalizing, little Irish she-devil, bent on psychological investigation. Also he had never before seen her with her hat off and he discovered that he liked her hair. It had bluish tints that precisely matched her eyes. He finished his last potato with meticulous diligence and then quickly rose and followed her into the studio where a transformation had already taken place. A table over which a white cloth had been thrown, had been drawn out near the big easel and upon it were plates, glasses, knives and forks and candles with rose-colored shades, and there was even a bowl of flowers. In the hearth fagots were crackling and warmed the cool shadows from the big north light, already violet with the falling dusk.

"Voilà, Monsieur—we are now chez nous. Is it not pleasant?"

It was, and he said so.

"You like my studio?"

"It's great. And the portrait—may I see?"

"No—it doesn't go—on sent le souffle—a French dowager who braved the Fokkers when all her family were froussards—fled in terror. She deserves immortality."

"And you—were you not afraid of the bombardments?"

"Hardly—not after all the trouble we had getting here—Horrors!" she broke off suddenly and catching him by the hand dashed for the kitchen whence came an appetizing odor—"The goose! we've forgotten the goose," she cried, and proceeded to baste it skillfully. She commended his potatoes and bade him stir them in the pan while she made the salad dressing—much oil, a little vinegar, paprika, salt in a bowl with a piece of ice at the end of a fork.

He watched her curiously with the eyes of inexperience as she brought all the various operations neatly to a focus.

"Allons! It is done," she said finally—in French. "Go thou and sit at the table and I will serve."

But he wouldn't do that and helped her to dish the dinner, bringing it in and placing it on the table.

And at last they were seated vis-à-vis, Horton with his back to the fire, the glow of which played a pretty game of hide and seek with the shadows of her face. He let her carve the goose, and she did it skillfully, while he served the vegetables. They ate and drank to each other in vin ordinaire which was all that Moira could afford—after the prodigal expenditure for the pièce de résistance. Moira, her face a little flushed, talked gayly, while the spurious husband opposite sat watching her and grinning comfortably. He couldn't remember when he had been quite so happy in his life, or quite so conscience-stricken. And so he fell silent after a while, every impulse urging confession and yet not daring it.

MOIRA TALKED GAYLY

They took their coffee by the embers of the fire. The light from the great north window had long since expired and the mellow glow of the candles flickered softly on polished surfaces.

Suddenly Moira stopped talking and realized that as she did so silence had fallen. Her companion had sunk deep into his chair, his gaze on the gallery above, a frown tangling his forehead. She glanced at him quickly and then looked away. Something was required of him and so,

"Why have you done all this for me?" he asked gently.

She smiled and their glances met.

"Because—because——"

"Because you thought it a duty?"

"No——," easily, "it wasn't really that. Duty is such a tiresome word. To do one's duty is to do something one does not want to do. Don't I seem to be having a good time?"

"I hope you are. I'm not likely to forget your charity—your——"

"Charity! I don't like that word."

"It is charity, Moira. I don't deserve it."

The words were casual but they seemed to illumine the path ahead, for she broke out impetuously.

"I didn't think you did—I pitied you—over there—for what you had been and almost if not quite loathed you, for the hold you seemed to have on father. I don't know what the secret was, or how much he owed you, but I know that he was miserable. I think I must have been hating you a great deal, Harry dear—and yet I married you."

"Why did you?" he muttered. "I had no right to ask—even a war marriage."

"God knows," she said with a quick gasp as she bowed her head, "you had made good at the Camp. I think it was the regimental band at Yaphank that brought me around. And then you seemed so pathetic and wishful, I got to thinking you might be killed. Father wanted it. And so——" she paused and sighed deeply. "Well—I did it.... It was the most that I could give—for Liberty...."

She raised her head proudly, and stared into the glowing embers.

"For Liberty—you gave your own freedom——" he murmured.

"It was mad—Quixotic——" she broke in again, "a horrible sacrilege. I did not love, could not honor, had no intention of obeying you...." She stopped suddenly, and hid her face in her hands. He thought that she was in tears but he did not dare to touch her, though he leaned toward her, his fingers groping. Presently she took her hands down and threw them out in a wild gesture. "It is merciless—what I am saying to you—but you let loose the floodgates and I had to speak."

He leaned closer and laid his fingers over hers.

"It was a mistake——" he said. "I would do anything to repair it."

He meant what he said and the deep tones of his voice vibrated close to her ear. She did not turn to look at him and kept her gaze on the fire, but she breathed uneasily and then closed her eyes a moment as though in deep thought.

"Don't you believe me, Moira?"

She glanced at him and then leaned forward, away—toward the fire.

"I believe that I do," she replied slowly. "I don't know why it is that I should be thinking so differently about you, but I do. You see, if I hadn't trusted you we'd never have been sitting here this night."

"I gave you your chance to be alone——"

"Yes. You did that. But I couldn't let you be going to a pension, Harry. I think it was the pity for your pale face against the pillows."

"Nothing else?" he asked quietly.

His hand had taken the fingers on the chair arm and she did not withdraw them at once.

"Sure and maybe it was the blarney."

"I've meant what I've said," he whispered in spite of himself, "you're the loveliest girl in all the world."

There was a moment of silence in which her hand fluttered uneasily in his, while a gentle color came into her face.

Then abruptly she withdrew her fingers and sprang up, her face aflame.

"Go along with you! You'll be making love to me next."

He sank back into his chair, silent, perturbed, as he realized that this was just what was in his heart.

"Come," she laughed, "we've got all the dishes to wash. And then you're to be getting to bed, or your head will be aching in the morning. Allons!"

She brought him to himself with the clear, cool note of camaraderie, and with a short laugh and a shrug which hid a complexity of feeling, he followed her into the kitchen with the dishes. But a restraint had fallen between them. Moira worked with a business-like air, rather overdoing it. And Jim Horton, sure that he was a blackguard of sorts, wiped the dishes she handed to him and then obediently followed her to the room off the hall where his baggage had been carried.

She put the candle on the table and gave him her frankest smile.

"Sleep sound, my dear. For to-morrow I'll be showing you the sights."

"Good-night, Moira," he said gently.

"Dormez bien."

And she was gone.

He stood staring at the closed door, aware of the sharp click of the latch and the faint firm tap of her high heels diminishing along the hall—then the closing of the studio door. For a long while he stood there, not moving, and then mechanically took out a cigarette, tapping it against the back of his hand. Only the urge of a light for his cigarette from the candle at last made him turn away. Then he sank upon the edge of the bed and smoked for awhile, his brows furrowed in thought. Nothing that Harry had ever done seemed more despicable than the part that he had chosen to play. He was winning her friendship, her esteem, something even finer than these, perhaps—for Harry—as Harry, borrowing from their tragic marriage the right to this strange intimacy. If her dislike of him had only continued, if she had tolerated him, even, or if she had been other than she was, his path would have been smoother. But she was making it very difficult for him.

He paced the floor again for awhile, until his cigarette burnt his fingers, then he walked to the window, opened it and looked out. It was early yet—only eleven o'clock. The thought of sleep annoyed him. So he took up his cap, blew out the candle and went quietly out into the hall and down the stairs.

He wanted to be alone with his thoughts away from the associations of the studio, to assume his true guise as an alien and an enemy to this girl who had learned to trust him. The cool air of the court-yard seemed to clear his thoughts. In all honor—in all decency, he must discover some way of finding his brother Harry, expose the ugly intrigue and then take Harry's place and go out into the darkness of ignominy and disgrace. That would require some courage, he could see, more than it had taken to go out against the Boche machine gunners in the darkness of Boissière Wood, but there didn't seem to be anything else to do, if he wanted to preserve his own self-respect....

But of what value was self-respect to a man publicly disgraced? And unless he could devise some miracle that would enable him to come back from the dead, a miracle that would stand the test of a rigid army investigation, the penalty of his action was death—or at the least a long term of imprisonment in a Federal prison, from which he would emerge a broken and ruined man of middle age. This alternative was not cheering and yet he faced it bravely. He would have to find Harry.

* * * * *

The feat was not difficult, for as he emerged from the gate of the porte cochère of the concierge and turned thoughtfully down the darkened street outside, a man in a battered slouch hat and civilian clothes approached from the angle of a wall and faced him.

"What the H—— are you doing at No. 7 Rue de Tavennes?" said a voice gruffly.

Jim Horton started back at the sound, now aware that Fortune had presented him with his alternative. For the man in the slouch hat was his brother, Harry!

CHAPTER IV

OUTCAST

When Jim Horton, Corporal of Engineers, took his twin brother's uniform and moved off into the darkness toward the German lines, Harry Horton remained as his brother had left him, bewildered, angry, and still very much afraid. The idea of taking Jim Horton's place with his squad nearby did not appeal to him. The danger of discovery was too obvious—and soon perhaps the squad would have to advance into the dreadful curtain of black that would spout fire and death. He was fed up with it. The baptism of fire in the afternoon had shaken him when they lay in the field. It was the grinning head of Levinski of the fourth squad that had done the business. He had found it staring at him in the wheat as the platoon crawled forward. It wasn't so much that it was an isolated head, as that it was the isolated head of Levinski, for he hadn't liked Levinski and he knew that the man had hated him. And now Levinski had had his revenge. Harry had been deathly ill at the stomach, and had not gone forward with the platoon. He had seen the whites of the eyes of his men as they had glanced aside at him—and spat.

Why the H—— he had ever gone into the thing ... And now ... suppose Jim didn't come back! What should he do? Why had the Major picked him out for this duty! His thoughts wandered wildly from one fancied injury to another. And Jim—it was like him to turn up and plunge into this wild venture that would probably bring them both to court-martial. And if Jim was shot, what the devil was he to do? Go on through the service as Jim Horton, Corporal of Engineers? He cursed silently while he groveled in the gully waiting for the shots that were to decide his fate.

For a moment he gathered nerve enough to pick up Jim's rifle and accoutrement with the intention of joining the squad of engineers. But just at that moment there were sounds of shots within the wood, followed by others closer at hand, and then bullets ripped viciously through the foliage just above him. By a movement just ahead of him he knew that the line was advancing. He couldn't ... his knees refused him ... so he crawled into the thicket along the gully and lay upon the ground among the fallen leaves. More shots. Cries all about him. A grunt of pain after a shrapnel burst nearby ... the rush of feet as the second wave filtered through ... then the rapid crackle of the engagement in the wood. Jim was there—in his uniform. He'd be taking long chances too. He had always been a fool....

From his cover he marked the dawn while the fighting raged—then sunrise. The fire seemed to slacken and then move farther away. The line was still advancing and only the wounded were coming in—some of them walking cases, with bandaged heads and arms. He eyed them through the bushes furtively—vengefully. Why couldn't he have gotten a wound like that—in the afternoon in the wheat field—instead of finding the head of Levinski and the terror that it had brought? Other wounded were coming on stretchers now. The gully near him made an easy path to the plain below and many of them passed near him ... but he lay very still beneath the leaves. What if Jim came back on a stretcher...! What should he do?

Then suddenly as though in answer to his question two men emerged from the hollow above and approached, carrying something between them. There was a man of Harry's own platoon and a sergeant of the company. He heard their voices and at the sound of them he cowered lower.

"Some say he showed yellow yesterday in the wheat field," said the private.

"Yellow! They'd better not let me hear 'em sayin' it——"

They were talking about him—Harry Horton. And the figure, lying awkwardly, a shapeless mass——?

At the risk of discovery, the coward straightened and peered down into the white face ... Jim!

Harry Horton didn't remember anything very distinctly for a while after that, for his thoughts were much confused. But out of the chaos emerged the persistent instinct of self preservation. There was no use trying to find Jim's squad now. He wouldn't know them if he saw them. And how could he explain his absence with no wound to show? For a moment the desperate expedient occurred to him of thrusting himself through the leg with the bayonet. He even took Jim's weapon out of its scabbard. But the blue steel gave him a touch of the nausea that had come over him in the wheat field.... That wouldn't do. And what was the use? They had Harry Horton lying near death on the stretcher. What mattered what happened to the brother? There was no chance now to exchange identities. Perhaps there was never to be a chance.

He sank down again into the thicket, pulling the leaves about him. He would find a way. It could be managed. "Missing"—that was the safest way out.

That night, limping slightly, he emerged and made his way to the rear. It was ridiculously easy. Of the men he met he asked the way to the billets of the —th Regiment. But he didn't go where they told him. He followed their instructions until out of sight of them, and then went in the opposite direction.

He managed at last to get some food at a small farm house and under the pretext of having been sent to borrow peasant clothing for the Intelligence department, managed to get a pair of trousers, shirt, coat and hat. He had buried his rifle the night before and now when the opportunity came he dropped the bundle of Jim Horton's corporal's uniform, weighted by a stone, into deep water from a bridge over a river. With the splash Corporal James Horton of the Engineers had ceased to exist.

At the end of two weeks, thanks to some money that he had found in Jim's uniform—and a great deal of good luck—he was safe in a quiet pastoral country far from the battle line. Here he saw no uniforms—only old men and women in blouses and sabots, occupying themselves with the harvest, aware only that the Boches were in retreat and that their own fields were forever safe from invasion. He represented himself as an American art student of Paris, driven by poverty from the city, and offered to work for board and lodging. They took him, and there he stayed for awhile. There was a girl in the family. It was very pleasant. The nearest town was St. Florentin, and Paris was a hundred miles away. But after a few weeks he wearied of it, and of the girl, and having twenty francs left in his pockets stole away in the middle of the night.

Paris was the place for him. There identities were not questioned. He knew something of Paris. Piquette Morin! He could get her help without telling any unnecessary facts. As to Barry Quinlevin and Moira—that was different. It wouldn't be pleasant to fall completely in the power of a man like Barry Quinlevin—even if he was now his father-in-law. And Moira ... No. Moira mustn't ever know if he could prevent it. And yet if Jim Horton in Harry's uniform had been killed Harry would be officially dead. He was already dead, to Moira, if Jim Horton had revived enough to tell the truth. It wasn't a pretty story to be spread around. But if Jim were alive ... what then?

There were ways of getting along in Paris. He would find a way even if ... Moira! He would have liked to be able to go to Moira. She was the one creature in the world whose opinion seemed to matter now. She would have been his on the next furlough. He knew women. If you couldn't get them one way you could another. Already her letters had been gentler—more conciliatory. His wife—the wife of an outcast! God! Why had he ever gone into the service? How had he known back there that he wouldn't have been able to stand up under fire—that he would have found the grinning head of the hated Levinski in the wheat field? Waves of goose flesh went over him and left him cold and weak.... A sullen mood followed, dull, embittered, and vengeful, against all the world, with only one hope.... If Jim were alive—and silent!

That opened possibilities—to substitute with his brother and come back to his own—with all the honors of the fool performance! It was his name, his job that Jim had taken, and his brother couldn't keep him out of them. He could make Jim give them up—he'd make him. If he couldn't come back himself, he would drag Jim down with him—they would be outcast together. In the dark that night he would have managed in some way to carry out the Major's orders if Jim hadn't found him just at the worst moment. What right had Jim to go butting in and making a fool of them both! D—n him!

He found his way into Paris at the end of a dreary day of tramping. He had a few francs left but he was tired and very hungry. With a lie framed he went straight to the apartment of Piquette Morin. She had gone out of town for a few days.

That failure baffled him. He had a deposit in a bank, but he dared not draw it out. So he trudged the weary way up to Montmartre, saving his sous, and hired a bed into which he dropped more dead than alive.

Thus it was that two nights later, unable yet to bring himself to the point of begging from passersby, with scant hope indeed of success, his weary feet brought him at last to the Rue de Tavennes. Hiding his face under the shadow of his hat he inquired of the concierge and found that the apartment of Madame Horton was au troisième. He strolled past the porte cochère and walked on, looking hungrily up at the lighted windows of the studio. Moira was there—his wife, Barry Quinlevin perhaps. Who else? He heard sounds of laughter from somewhere upstairs. Laughter! The bitterness of it! But it didn't sound like Moira's voice. He walked to and fro watching the lighted windows and the entrance of the concierge, trying to keep up the circulation of his blood, for the night was chill and his clothing thin. He had no plan—but he was very hungry and his resolution to remain unknown was weakening. A man couldn't let himself slowly starve, and yet to seek out any one he knew meant discovery and the horrible publicity that must follow. The lights of the troisième étage held a fascination for him, like that of a flame for a moth. He saw a figure come to a window and throw open the sash. He stared, unable to believe his eyes. It was a man in the uniform of an officer of the United States Army—his own uniform and the man who wore it was his brother Jim! Alive—well, covered with honors perhaps—here—in Moira's apartment? What had happened to bring his brother here? And Moira ...

His head whirled with weakness and he stood for a moment leaning against the wall, but his strength came back to him in a moment, and he peered up at the window again. The light had gone out. Jim masquerading in his shoes—with Moira—as her husband—alone, perhaps, in the apartment! And Moira? The words of conciliation in her last letters which had seemed to promise so much for the future, had a different significance here. Fury shook him like a leaf, the fury of desperation, that for the moment drove from his craven heart all fear of an encounter with his brother.

There was a sound of a door shutting and in a moment he saw the man in uniform emerge by the gate of the concierge. He walked toward the outcast, his head bent in deep meditation. There was no doubt about its being Jim. With clenched fists Harry barred his way, the thought that was uppermost in his mind finding utterance.

Jim Horton stopped, stepped back a pace and then peered at the man in civilian clothing from beneath his broad army hat-brim.

"Harry!" he muttered, almost inaudibly.

"What are you doing here—in this house?" raged Harry in a voice thick with passion. And then, as no reply came, "Answer me! Answer me!"

One of Harry's fists threatened but his brother caught him by the wrist and with ridiculous ease twisted his arm aside. He was surprised as Harry sank back weakly against the wall with a snarl of pain. "D—n you," he groaned.

This wouldn't do. Any commotion would surely arouse the curiosity of Madame Toupin, the concierge.

"Keep a civil tongue in your head, Harry," he muttered, "and I'll talk to you."

He caught him firmly by the arm, but Harry still leaned against the wall, muttering vaguely.

"A civil tongue—me? You—you dare ask me?"

"Yes," said Jim gently, "I've been trying to find you."

"Where?" leered Harry, "in my wife's studio?"

Jim Horton turned suddenly furious, but shocked into silence and inertia by the terrible significance of the suspicion. But he pulled himself together with an effort.

"Come," he said quietly. "Let's get away from here."

He felt Harry yield to the pressure of his fingers and slowly they moved into the shadows down the street away from the gas lamps. A moment later Harry was twitching at his arm.

"G-get me something to cat. I—I'm hungry," he gasped.

"Hungry! How long——?"

"Since yesterday morning—a crust of bread——"

And Jim had been eating goose——! The new sense of his own guilt appalled him.

"Since yesterday——!" he muttered in a quick gush of compassion. "We'll find something—a café——"

"There's a place in the Rue Berthe—Javet's," he said weakly.

Jim Horton caught his brother under an elbow and helped him down the street, aware for the first time of the cause of his weakness. He marked, too, the haggard lines in Harry's face, and the two weeks' growth of beard that effectually concealed all evidence of respectability. There seemed little danger of any one's discovering the likeness between the neatly garbed lieutenant and the civilian who accompanied him. But it was well to be careful. They passed a brilliantly lighted restaurant, but in a nearby street after awhile they came to a small café, not too brightly lighted, and they entered. There was a polished zinc bar which ran the length of a room with low, smoke-stained ceilings. At the bar were two cochers, in shirt sleeves, their yellow-glazed hats on the backs of their heads, sipping grenadine. There was a winding stair which led to the living quarters above, but through a doorway beside it, there was a glimpse of an inner room with tables unoccupied. They entered and Jim Horton ordered a substantial meal which was presently set before the hungry man. The coffee revived him and he ate greedily in moody silence while Jim Horton sat, frowning at the opposite wall. For the present each was deeply engrossed—Jim in the definite problem that had suddenly presented itself, and the possible courses of action open to do what was to be required of him; Harry in his food, beyond which life at present held no other interest. But after a while, which seemed interminable to Jim, his brother gave a gasp of satisfaction, and pushed back his dishes.

"Give me a cigarette," he demanded with something of an air.

Jim obeyed and even furnished a light, not missing the evidences of Dutch courage Harry had acquired from the stimulation of food and coffee.

It was curious what little difference the amenities seemed to matter. They were purely mechanical—nor would it matter what Harry was to say to him. The main thing was to try to think clearly, obliterating his own animus against his brother and the contempt in which he held him.

Harry sank back into his chair for a moment, inhaling luxuriously.

"Well," he said at last, "maybe you've got a word to say about how the devil you got here."

"Yes," said Jim quickly. "It's very simple. I was hit. I took your identity in the hospital. There wasn't anything else to do."

Harry glowered at the ash of his cigarette and then shrugged heavily.

"I see. They think you're me. That was nice of you, Jim," he sneered, "very decent indeed, very kind and brotherly——"

"You'd better 'can' the irony," Jim broke in briefly. "They'd have found us out—both of us. And I reckon you know what that would have meant."

"H—m. Maybe I do, maybe I don't," he said shrewdly. "It was you who found me—er—sick. Nobody else did."

"We needn't speak of that."

"We might as well. I'd have come around all right, if you hadn't butted in."

"Oh, would you?"

"Yes," said Harry sullenly.

Jim Horton carefully lighted a cigarette from the butt of the other, and then said coolly:

"We're not getting anywhere, Harry."

"I think we are. I'm trying to show you that you're in wrong on this thing from start to finish. And it looks as though you might get just what was coming to you."

"Meaning what?"

"That you'll take my place again. This——!" exhibiting with a grin his worn garments. "You took mine without a by-your-leave. Now you'll give it back to me."

An ugly look came into Jim Horton's jaw.

"I'm not so sure about that," he said in a tone dangerously quiet.

"What! You mean that——" The bluster trailed off into silence at the warning fire in his brother's eyes. But he raised his head in a moment, laughing disagreeably. "I see. The promotion has got into your head. Some promotion—Lieutenant right off the reel—from Corporal, too. Living soft in the hospital and now——" He paused and swallowed uneasily. "How did you get to the Rue de Tavennes?"

"They came to the hospital—Mr. Quinlevin and—and your wife. I—I fooled them. They don't suspect."

"How—how did you know Moira was my wife?"

"Some letters. I read them."

"Oh, I see. You read them," he frowned and then, "Barry Quinlevin's too?"

"Yes—his too. I had to have facts. I got them—some I wasn't looking for——"

"About——?"

"About the Duc de Vautrin," Jim broke in dryly. "That's one of the reasons why I'm still Harry Horton and why I'm going to stay Harry Horton—for the present."

If Jim had needed any assurance as to his brother's share in this intrigue he had it now. For Harry went red and then pale, refusing to meet his gaze.

"I see," he muttered, "Quinlevin's been talking."

"Yes," said Jim craftily, "he has. It's a pretty plan, but it won't come off. You always were a rotter, Harry. But you're not going to hurt Moira, if I can prevent."

It was a half-random shot but it hit the mark.

"Moira," muttered Harry somberly. "I see. You haven't been wasting any time."

"I'm not wasting time when I can keep her—or even you—from getting mixed up in dirty blackmail. That's my answer. And that's why I'm not going to quit until I'm ready."

Harry Horton frowned at the soiled table cover, his fingers twitching at his fork, and then reached for the coffee pot and quickly poured himself another cup.

"Clever, Jim," he said with a cynical laugh. "I take off my hat to you. I never would have thought you had it in you. But you'll admit that living in my wife's apartment and impersonating her husband is going a bit too far."

The laughter didn't serve to conceal either his fear or his fury. But it stopped short as Jim's fingers suddenly closed over his wrist and held it in a grip of iron.

"Don't bring her into this," he whispered tensely. "Do you hear?" And after a moment of struggle with himself as he withdrew his hand, "You dared to think yourself worthy of her. You!"

"Be careful what you say to me," said Harry, trying bravado. "She's my wife."

"She won't be your wife long, when I tell her what I know about you," finished Jim angrily.

He saw Harry's face go pale again as he tried to meet his gaze, saw the fire flicker out of him, as he groped pitiably for Jim's hand.

"Jim! You—you wouldn't do that?" he muttered.

Jim released his hand, shrugged and leaned back in his chair.

"Not if you play straight with me—and with her. You want me to pay the penalty of what I did for you—to go out into the world—an outcast in your place. Perhaps I owe it to you. I don't know. But you owe me something too—promotion—the Croix de Guerre——"

"The Croix de Guerre! Me——?"

"Lieutenant Harry G. Horton to be gazetted captain—me!" put in Jim, with some pride. "Not you."

A brief silence in which Harry rubbed his scrawny beard with his long fingers.

"That might be difficult to prove to my Company captain," he said at last.

"You forget my wounds," laughed Jim. "Oh, they're my wounds all right." And then, with a shrug, "You see, Harry, it won't work. You're helpless. If I chose to keep on the job, you'd be left out in the cold."

"You won't dare——"

"I don't know what I'd dare. It depends on you."

"What do you mean?" broke in Harry with some spirit. "I couldn't be any worse off than I am now, even if I told the truth."

Jim laughed. "I tried to tell in the hospital and they thought I was bug-house. Try it if you like."

Harry frowned and reached for another cigarette.

And then after awhile, "Well—what do you want me to do?"

His brother examined him steadily for a moment, and then went on.

"I don't know whether you've learned anything in the army or not. But it ought to have taught you that you've got to live straight with your buddy or you can't get on."

"Straight!" sneered Harry, "like you. You call this straight—what you're doing?"

"No," Jim admitted. "It's not straight. It's crooked as hell, but if it wasn't, you'd have been drummed out of the Service by now. I don't want you to think I care about you. I didn't—out there. It was only the honor of the service I was thinking about. I'd do it again if I had to. But I do care about this girl you've bamboozled into marrying you—you and Quinlevin. And whatever the dirty arrangement between you that made it possible, I want to make it clear to you here and now that she isn't going to be mixed up in any of your rotten deals. She isn't your sort and you couldn't drag her down to your level if you tried. I'll know more when Quinlevin gets back and then——"

Jim Horton paused as he realized that he had said too much, for he saw his brother start and then stare at him.

"Ah, Barry Quinlevin—is away!"

Jim nodded. "Yes," he said, "in Ireland."

Harry had risen, glowering.

"And you think I'm going to slink off to-night to my kennel and let you go back to the studio. You in my uniform—as me—to Moira."

Jim Horton thought deeply for a moment and then rose and coolly straightened his military blouse.

"Very well," he said, "we'll go back to her together."

He took out some money and carelessly walked toward the bar in the front room. But Harry followed quickly and caught him by the arm.

"Jim," he muttered, "you won't do that!"

"We'll tell her the truth—I guess you're right. She ought to know."

"Wait a minute——"

His hand was trembling on the officer's sleeve and the dark beard seemed to make the face look ghastly under its tan.

"Not yet, Jim. Not to-night. We—we'll have to let things be for awhile. Just sit down again for a minute. We've got to find a way to straighten this thing out—to get you back into your old job——"

"How?" dryly.

"I—I don't know just now, but we can work it somehow——"

"It's too late——"

"You could have been captured by the Boches. We can find a way, when you let me have my uniform."

Jim Horton grinned unsympathetically.

"There are two wounds in that too, Harry," he said. "Where are yours?"

And he moved toward the door.

"Listen, Jim. We'll let things be as they are for the present. Barry Quinlevin mustn't know—you've got to play the part. I see. Come and sit down a minute."

His brother obeyed mechanically.

"Well," he said.

"I'll do what you say—until—until we can think of something." He tried a smile and failed. "I know it's a good deal to ask you—to take my place—to go out into the world and be what I am, but you won't have to do it. You won't have to. We'll manage something—some way. You go back to the studio——" he paused uncertainly, "You're not——?" he paused.

Jim Horton read his meaning.

"Making love to your wife? And if I was, it would only be what you deserve. She doesn't love you any too much, as it is."

Harry frowned at the floor, and was silent, but his brother's answer satisfied him.

"All right. You go back—but I've got to get some money. I can't starve."

"I don't want you to," Jim fumbled in his pockets and brought out some bills. "Here—take these. They're yours anyway. We'll arrange for more later. I've an account at a bank here——"

"And so have I—but I don't dare——"

"Very good. What's your bank?"

"Hartjes & Cie."

"All right. I'll get some checks to-morrow and you can make one payable to yourself. I'll cash it and give you the money. And I'll make one out at my bank for the same amount, dated back into October, before the Boissière fight, payable to bearer. You can get it cashed?"

"Yes."

"Who?"

"A woman I know."

Jim shrugged. "All right. But be careful. I'll meet you here to-morrow night. And don't shave."

Harry nodded and put the bills into his pocket while Jim rose again.

"You play the game straight with me," he said, "and I'll put this thing right, even if——"

He paused suddenly in the doorway, his sentence unfinished, for just in front of him stood a very handsome girl, who had abandoned her companion and stood, both hands outstretched, in greeting.

"'Arry 'Orton," she was saying joyously in broken English. "You don seem to know me. It is I—Piquette."

The name Quinlevin had spoke in the hospital!

Jim glanced over his shoulder into the shadow where Harry had been, but his brother had disappeared.