Читать книгу Alec Forbes of Howglen - George MacDonald - Страница 22

As soon as she was alone in her room she drew from her pocket a parcel containing something which Dowie had bought for her on their way home. When undone it revealed two or three tallow candles, a precious present in view of her hopes. But how should she get a light—for this was long before lucifer matches had risen even upon the horizon of Glamerton? There was but one way.

She waited, sitting on the edge of her bed, in the cold and darkness, until every sound in the house had ceased. Then she stepped cautiously down the old stair, which would crack now and then, use what care and gentleness she might.

It was the custom in all the houses of Glamerton to rest the fire; that is, to keep it gently alive all night by the help of a truff, or sod cut from the top of a peat-moss—a coarse peat in fact, more loose and porous than the peat proper—which they laid close down upon the fire, destroying almost all remaining draught by means of coal-dust. To this sealed fountain of light the little maiden was creeping through the dark house, with one of her dips in her hand—the pitcher with which she was about to draw from the fountain.

And a pretty study she would have made for any child-loving artist, when, with her face close to the grate, her mouth puckered up to do duty as the nozzle of a pair of bellows, one hand holding a twisted piece of paper between the bars, and the other buttressing the whole position from the floor, she blew at the live but reluctant fire, a glow spreading at each breath over her face, and then fading as the breath ceased, till at last the paper caught, and lighting it up from without with flame, and from within with the shine of success, made the lovely child-countenance like the face of one that has found the truth after the search of weary days.

Thus she lighted her candle, and again with careful steps she made her way to her own room. Setting the candle in a hole in the floor, left by the departure of a resinous knot, she opened her box, in which lay the few books her aunt had thrown into it when she left her old home. She had not yet learned to care much about books; but one of these had now become precious in her eyes, because she knew it contained poems that her father had been fond of reading. She soon found it—a volume by some Scotch poet of little fame, whose inward commotions had generated their own alleviation in the harmonies of ordered words in which they embodied themselves. In it Annie searched for something to learn before the following night, and found a ballad the look of which she liked, and which she very soon remembered as one she had heard her father read. It was very cold work to learn it at midnight, in winter, and in a garret too; but so intent was she, that before she went to bed, she had learned four or five verses so thoroughly that she could repeat them without thinking of what came next, and these she kept saying over and over again even in her dreams.

As soon as she woke in the dark morning she put her hand under her pillow to feel the precious volume, which she hoped would be the bond to bind her yet more closely to the boat and its builders. She took it to school in her pocket, learning the whole way as she went, and taking a roundabout road that her cousins might not interrupt her. She kept repeating and peeping every possible moment during school hours, and then all the way home again. So that by the time she had had her dinner, and the gauzy twilight had thickened to the "blanket of the dark," she felt quite ready to carry her offering of "the song that lightens toil," to George Macwha's workshop.

How clever they must be, she thought, as she went along, to make such a beautiful thing as the boat was now growing to! And she felt in her heart a kind of love for the look of living grace that the little craft already wore. Indeed before it was finished she had learned to regard it with a feeling of mingled awe, affection, and admiration, and the little boat had made for itself a place in her brain.

When she entered, she found the two boys already in busy talk; and without interrupting them by a word, she took her place on the heap of shavings which had remained undisturbed since last night. After the immediate consultation was over, and the young carpenters had settled to their work—not knowing what introduction to give to her offering, she produced it without any at all. The boys did not know what to make of it at first, hearing something come all at once from Annie's lips which was neither question nor remark, and broke upon the silence like an alien sound. But they said nothing—only gave a glance at each other and at her, and settled down to listen and to work. Nor did they speak one word until she had finished the ballad.

"THE LAST WOOING,"

said Annie, all at once, and went on:

George Macwha, who was at work in the other end of the shop when she began, had drawn near, chisel in hand, and joined the listeners.

"Weel dune, Annie!" exclaimed he, as soon as she had finished -feeling very shy and awkward, now that her experiment had been made. But she had not long to wait for the result.

"Say't ower again, Annie," said Alec, after a moment's pause.

Could she have wished for more?

She did say it over again.

"Eh, Annie! that's rale bonnie. Whaur did ye get it?" he asked.

"In an auld buikie o' my father's," answered she.

"Is there ony mair in't like it?"

"Ay, lots."

"Jist learn anither, will ye, afore the morn's nicht?"

"I'll do that, Alec."

"Dinna ye like it, Curly?" asked Alec, for Curly had said nothing.

"Ay, fegs! (faith)" was Curly's emphatic and uncritical reply.

Annie therefore learned and repeated a few more, which, if not received with equal satisfaction, yet gave sufficient pleasure to the listeners. They often, however, returned to the first, demanding it over and over again, till at length they knew it as well as she.

Hut a check was given for a while to these forenight meetings.